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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C83268 it is the complementary color #37CD97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C83268. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C83268 shade: #CD3263, #DE4476, #EF5689, #FF689C and #FF7AAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C83268. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C83268 shade: #C83268, #B72055, #A60E42, #95002F and #84001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C83268 shade: #C83268, #C83240 and #C83232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C83268 shade: #C83268, #C83290, #C832B9, #AF32C8 and #8632C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C83268 shade matches the following richer shades: #C83268, #DC1E62 and #F00A5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C83268 shade: #C83268, #B4466E, #9F5A73, #8B6F79 and #77837F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C83268 shade: #C832B9, #C83291, #C83269, #C83241 and #C84B32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C83268 shade: #862146, #A72A57, #C83268, #D3507F and #DB7197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C83268 shade: #C83268, #C8AF32 and #32A5C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C83268 shade: #C83268, #69C832 and #3269C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C83268 shade: #C83268, #C8AF32, #32C891 and #324BC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C83268 shade: #C83268, #B4C832, #32C891 and #4632C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 48 / 22

HEX #C83268

RGB 200 50 104

HSL 338.4, 0.6%, 0.49%

LAB 46.39, 61.6, 5.08

 

Complementary color

CMYK 73 / 0 / 26 / 20

HEX #37CD97

RGB 55 205 151

HSL 158.4, 0.6%, 0.51%

LAB 74, -51.37, 15.91

 

CMYK 0 / 76 / 52 / 20

HEX #CD3263

RGB 205 50 99

HSL 341.03, 0.61%, 0.5%

LAB 47.19, 62.58, 9.41

 

CMYK 0 / 69 / 47 / 13

HEX #DE4476

RGB 222 68 118

HSL 340.52, 0.7%, 0.57%

LAB 52.92, 62.89, 6.44

 

CMYK 0 / 64 / 43 / 6

HEX #EF5689

RGB 239 86 137

HSL 340, 0.83%, 0.64%

LAB 58.8, 62.73, 4.01

 

CMYK 0 / 59 / 39 / 0

HEX #FF689C

RGB 255 104 156

HSL 339.34, 1%, 0.7%

LAB 64.61, 61.97, 1.75

 

CMYK 0 / 52 / 31 / 0

HEX #FF7AAF

RGB 255 122 175

HSL 336.09, 1%, 0.74%

LAB 68.22, 55.98, -3.76

 

CMYK 0 / 75 / 48 / 22

HEX #C83268

RGB 200 50 104

HSL 338.4, 0.6%, 0.49%

LAB 46.39, 61.6, 5.08

 

CMYK 0 / 83 / 54 / 28

HEX #B72055

RGB 183 32 85

HSL 338.94, 0.7%, 0.42%

LAB 40.83, 60.58, 8.59

 

CMYK 0 / 92 / 60 / 35

HEX #A60E42

RGB 166 14 66

HSL 339.47, 0.84%, 0.35%

LAB 35.62, 58.45, 13.04

 

CMYK 0 / 100 / 68 / 42

HEX #95002F

RGB 149 0 47

HSL 341.07, 1%, 0.29%

LAB 30.87, 54.99, 18.56

 

CMYK 0 / 100 / 79 / 48

HEX #84001C

RGB 132 0 28

HSL 347.27, 1%, 0.26%

LAB 26.7, 49.79, 25.17

 

CMYK 0 / 75 / 48 / 22

HEX #C83268

RGB 200 50 104

HSL 338.4, 0.6%, 0.49%

LAB 46.39, 61.6, 5.08

 

CMYK 0 / 75 / 68 / 22

HEX #C83240

RGB 200 50 64

HSL 354.4, 0.6%, 0.49%

LAB 45.54, 58.84, 28.47

 

CMYK 0 / 75 / 75 / 22

HEX #C83232

RGB 200 50 50

HSL 0, 0.6%, 0.49%

LAB 45.35, 58.21, 36.49

 

CMYK 0 / 75 / 48 / 22

HEX #C83268

RGB 200 50 104

HSL 338.4, 0.6%, 0.49%

LAB 46.39, 61.6, 5.08

 

CMYK 0 / 75 / 28 / 22

HEX #C83290

RGB 200 50 144

HSL 322.4, 0.6%, 0.49%

LAB 47.72, 65.76, -17.33

 

CMYK 0 / 75 / 8 / 22

HEX #C832B9

RGB 200 50 185

HSL 306, 0.6%, 0.49%

LAB 49.57, 71.31, -38.74

 

CMYK 13 / 75 / 0 / 22

HEX #AF32C8

RGB 175 50 200

HSL 290, 0.6%, 0.49%

LAB 46.4, 68.59, -52.76

 

CMYK 33 / 75 / 0 / 22

HEX #8632C8

RGB 134 50 200

HSL 273.6, 0.6%, 0.49%

LAB 40.44, 60.88, -62.68

 

CMYK 0 / 75 / 48 / 22

HEX #C83268

RGB 200 50 104

HSL 338.4, 0.6%, 0.49%

LAB 46.39, 61.6, 5.08

 

CMYK 0 / 86 / 55 / 14

HEX #DC1E62

RGB 220 30 98

HSL 338.53, 0.76%, 0.49%

LAB 48.29, 71.38, 12

 

CMYK 0 / 96 / 61 / 6

HEX #F00A5D

RGB 240 10 93

HSL 338.35, 0.92%, 0.49%

LAB 51.3, 78.3, 19.83

 

CMYK 0 / 75 / 48 / 22

HEX #C83268

RGB 200 50 104

HSL 338.4, 0.6%, 0.49%

LAB 46.39, 61.6, 5.08

 

CMYK 0 / 61 / 39 / 29

HEX #B4466E

RGB 180 70 110

HSL 338.18, 0.44%, 0.49%

LAB 45.92, 48.37, 0.28

 

CMYK 0 / 43 / 28 / 38

HEX #9F5A73

RGB 159 90 115

HSL 338.26, 0.28%, 0.49%

LAB 46.87, 31.51, -1.74

 

CMYK 0 / 20 / 13 / 45

HEX #8B6F79

RGB 139 111 121

HSL 338.57, 0.11%, 0.49%

LAB 49.78, 12.76, -1.33

 

CMYK 9 / 0 / 3 / 49

HEX #77837F

RGB 119 131 127

HSL 160, 0.05%, 0.49%

LAB 53.69, -5.23, 0.65

 

CMYK 0 / 75 / 8 / 22

HEX #C832B9

RGB 200 50 185

HSL 306, 0.6%, 0.49%

LAB 49.57, 71.31, -38.74

 

CMYK 0 / 75 / 28 / 22

HEX #C83291

RGB 200 50 145

HSL 322, 0.6%, 0.49%

LAB 47.76, 65.88, -17.87

 

CMYK 0 / 75 / 48 / 22

HEX #C83269

RGB 200 50 105

HSL 338, 0.6%, 0.49%

LAB 46.42, 61.69, 4.51

 

CMYK 0 / 75 / 68 / 22

HEX #C83241

RGB 200 50 65

HSL 354, 0.6%, 0.49%

LAB 45.55, 58.89, 27.89

 

CMYK 0 / 63 / 75 / 22

HEX #C84B32

RGB 200 75 50

HSL 10, 0.6%, 0.49%

LAB 48.94, 48.43, 40.41

 

CMYK 0 / 75 / 48 / 47

HEX #862146

RGB 134 33 70

HSL 338.02, 0.6%, 0.33%

LAB 30.87, 45.12, 2.8

 

CMYK 0 / 75 / 48 / 35

HEX #A72A57

RGB 167 42 87

HSL 338.4, 0.6%, 0.41%

LAB 38.83, 53.36, 4.05

 

CMYK 0 / 75 / 48 / 22

HEX #C83268

RGB 200 50 104

HSL 338.4, 0.6%, 0.49%

LAB 46.39, 61.6, 5.08

 

CMYK 0 / 62 / 40 / 17

HEX #D3507F

RGB 211 80 127

HSL 338.47, 0.6%, 0.57%

LAB 53.08, 55.66, 1.06

 

CMYK 0 / 48 / 31 / 14

HEX #DB7197

RGB 219 113 151

HSL 338.49, 0.6%, 0.65%

LAB 60.87, 45.53, -1.46

 

CMYK 0 / 75 / 48 / 22

HEX #C83268

RGB 200 50 104

HSL 338.4, 0.6%, 0.49%

LAB 46.39, 61.6, 5.08

 

CMYK 0 / 13 / 75 / 22

HEX #C8AF32

RGB 200 175 50

HSL 50, 0.6%, 0.49%

LAB 71.67, -4.05, 63.21

 

CMYK 75 / 18 / 0 / 22

HEX #32A5C8

RGB 50 165 200

HSL 194, 0.6%, 0.49%

LAB 63.14, -19.94, -27.01

 

CMYK 0 / 75 / 48 / 22

HEX #C83268

RGB 200 50 104

HSL 338.4, 0.6%, 0.49%

LAB 46.39, 61.6, 5.08

 

CMYK 48 / 0 / 75 / 22

HEX #69C832

RGB 105 200 50

HSL 98, 0.6%, 0.49%

LAB 72.59, -52.94, 61.94

 

CMYK 75 / 48 / 0 / 22

HEX #3269C8

RGB 50 105 200

HSL 218, 0.6%, 0.49%

LAB 45.57, 15.18, -54.7

 

CMYK 0 / 75 / 48 / 22

HEX #C83268

RGB 200 50 104

HSL 338.4, 0.6%, 0.49%

LAB 46.39, 61.6, 5.08

 

CMYK 0 / 13 / 75 / 22

HEX #C8AF32

RGB 200 175 50

HSL 50, 0.6%, 0.49%

LAB 71.67, -4.05, 63.21

 

CMYK 75 / 0 / 28 / 22

HEX #32C891

RGB 50 200 145

HSL 158, 0.6%, 0.49%

LAB 72.25, -51.37, 16.65

 

CMYK 75 / 63 / 0 / 22

HEX #324BC8

RGB 50 75 200

HSL 230, 0.6%, 0.49%

LAB 37.63, 34.51, -67.59

 

CMYK 0 / 75 / 48 / 22

HEX #C83268

RGB 200 50 104

HSL 338.4, 0.6%, 0.49%

LAB 46.39, 61.6, 5.08

 

CMYK 10 / 0 / 75 / 22

HEX #B4C832

RGB 180 200 50

HSL 68, 0.6%, 0.49%

LAB 76.83, -25.25, 67.47

 

CMYK 75 / 0 / 28 / 22

HEX #32C891

RGB 50 200 145

HSL 158, 0.6%, 0.49%

LAB 72.25, -51.37, 16.65

 

CMYK 65 / 75 / 0 / 22

HEX #4632C8

RGB 70 50 200

HSL 248, 0.6%, 0.49%

LAB 33.46, 51.43, -74.38

 

Description

Color code: HEX #C83268 | qconv.com Color code: HEX #C83268 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 50 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 50 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 48 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 48% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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