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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C828AD it is the complementary color #37D752. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C828AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C828AD shade: #CD28A8, #DE3ABB, #EF4CCE, #FF5EE1 and #FF70F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C828AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C828AD shade: #C828AD, #B7169A, #A60487, #950074 and #840061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C828AD shade: #C828AD, #C82882, #C82856, #C8282B and #C82828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C828AD shade: #C828AD, #B828C8, #8D28C8, #6128C8 and #3628C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C828AD shade matches the following richer shades: #C828AD, #DC14BA and #EF01C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C828AD shade: #C828AD, #B53BA0, #A14E93, #8E6287 and #7B757A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C828AD shade: #8D28C8, #B828C8, #C828AD, #C82883 and #C82858

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C828AD shade: #831A71, #A6218F, #C828AD, #D940BF and #E062CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C828AD shade: #C828AD, #C86228 and #28C8A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C828AD shade: #C828AD, #ADC828 and #28ADC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C828AD shade: #C828AD, #C86228, #28C842 and #288DC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C828AD shade: #C828AD, #C89328, #28C842 and #285DC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 14 / 22

HEX #C828AD

RGB 200 40 173

HSL 310.13, 0.67%, 0.47%

LAB 48.02, 72.3, -34.14

 

Complementary color

CMYK 74 / 0 / 62 / 16

HEX #37D752

RGB 55 215 82

HSL 130.13, 0.67%, 0.53%

LAB 76.08, -66.61, 52.8

 

CMYK 0 / 80 / 18 / 20

HEX #CD28A8

RGB 205 40 168

HSL 313.45, 0.67%, 0.48%

LAB 48.67, 72.7, -30.12

 

CMYK 0 / 74 / 16 / 13

HEX #DE3ABB

RGB 222 58 187

HSL 312.8, 0.71%, 0.55%

LAB 54.18, 74.08, -32.42

 

CMYK 0 / 68 / 14 / 6

HEX #EF4CCE

RGB 239 76 206

HSL 312.15, 0.84%, 0.62%

LAB 59.87, 74.78, -34.24

 

CMYK 0 / 63 / 12 / 0

HEX #FF5EE1

RGB 255 94 225

HSL 311.18, 1%, 0.68%

LAB 65.52, 74.76, -35.95

 

CMYK 0 / 56 / 4 / 0

HEX #FF70F4

RGB 255 112 244

HSL 304.62, 1%, 0.72%

LAB 69.03, 70.3, -41

 

CMYK 0 / 80 / 14 / 22

HEX #C828AD

RGB 200 40 173

HSL 310.13, 0.67%, 0.47%

LAB 48.02, 72.3, -34.14

 

CMYK 0 / 88 / 16 / 28

HEX #B7169A

RGB 183 22 154

HSL 310.81, 0.79%, 0.4%

LAB 42.72, 69.98, -31.34

 

CMYK 0 / 98 / 19 / 35

HEX #A60487

RGB 166 4 135

HSL 311.48, 0.95%, 0.33%

LAB 37.74, 66.46, -27.79

 

CMYK 0 / 100 / 22 / 42

HEX #950074

RGB 149 0 116

HSL 313.29, 1%, 0.29%

LAB 33.24, 61.19, -23.17

 

CMYK 0 / 100 / 27 / 48

HEX #840061

RGB 132 0 97

HSL 315.91, 1%, 0.26%

LAB 28.82, 55.34, -18.1

 

CMYK 0 / 80 / 14 / 22

HEX #C828AD

RGB 200 40 173

HSL 310.13, 0.67%, 0.47%

LAB 48.02, 72.3, -34.14

 

CMYK 0 / 80 / 35 / 22

HEX #C82882

RGB 200 40 130

HSL 326.25, 0.67%, 0.47%

LAB 46.19, 67.03, -11.17

 

CMYK 0 / 80 / 57 / 22

HEX #C82856

RGB 200 40 86

HSL 342.75, 0.67%, 0.47%

LAB 44.9, 63.15, 14.13

 

CMYK 0 / 80 / 79 / 22

HEX #C8282B

RGB 200 40 43

HSL 358.88, 0.67%, 0.47%

LAB 44.19, 60.97, 39.21

 

CMYK 0 / 80 / 80 / 22

HEX #C82828

RGB 200 40 40

HSL 0, 0.67%, 0.47%

LAB 44.16, 60.88, 40.84

 

CMYK 0 / 80 / 14 / 22

HEX #C828AD

RGB 200 40 173

HSL 310.13, 0.67%, 0.47%

LAB 48.02, 72.3, -34.14

 

CMYK 8 / 80 / 0 / 22

HEX #B828C8

RGB 184 40 200

HSL 294, 0.67%, 0.47%

LAB 46.81, 73.24, -52.01

 

CMYK 30 / 80 / 0 / 22

HEX #8D28C8

RGB 141 40 200

HSL 277.88, 0.67%, 0.47%

LAB 40.16, 65.69, -63.09

 

CMYK 52 / 80 / 0 / 22

HEX #6128C8

RGB 97 40 200

HSL 261.38, 0.67%, 0.47%

LAB 34.46, 59.25, -72.66

 

CMYK 73 / 80 / 0 / 22

HEX #3628C8

RGB 54 40 200

HSL 245.25, 0.67%, 0.47%

LAB 30.57, 54.91, -79.2

 

CMYK 0 / 80 / 14 / 22

HEX #C828AD

RGB 200 40 173

HSL 310.13, 0.67%, 0.47%

LAB 48.02, 72.3, -34.14

 

CMYK 0 / 91 / 15 / 14

HEX #DC14BA

RGB 220 20 186

HSL 310.2, 0.83%, 0.47%

LAB 50.99, 81.61, -36.86

 

CMYK 0 / 100 / 17 / 6

HEX #EF01C7

RGB 239 1 199

HSL 310.08, 0.99%, 0.47%

LAB 54.55, 88.23, -38.56

 

CMYK 0 / 80 / 14 / 22

HEX #C828AD

RGB 200 40 173

HSL 310.13, 0.67%, 0.47%

LAB 48.02, 72.3, -34.14

 

CMYK 0 / 67 / 12 / 29

HEX #B53BA0

RGB 181 59 160

HSL 310.33, 0.51%, 0.47%

LAB 46.3, 60.02, -29.37

 

CMYK 0 / 52 / 9 / 37

HEX #A14E93

RGB 161 78 147

HSL 310.12, 0.35%, 0.47%

LAB 45.82, 43.72, -22.59

 

CMYK 0 / 31 / 5 / 44

HEX #8E6287

RGB 142 98 135

HSL 309.55, 0.18%, 0.47%

LAB 47.28, 24.11, -13.37

 

CMYK 0 / 5 / 1 / 52

HEX #7B757A

RGB 123 117 122

HSL 310, 0.03%, 0.47%

LAB 49.9, 3.29, -1.93

 

CMYK 30 / 80 / 0 / 22

HEX #8D28C8

RGB 141 40 200

HSL 277.88, 0.67%, 0.47%

LAB 40.16, 65.69, -63.09

 

CMYK 8 / 80 / 0 / 22

HEX #B828C8

RGB 184 40 200

HSL 294, 0.67%, 0.47%

LAB 46.81, 73.24, -52.01

 

CMYK 0 / 80 / 14 / 22

HEX #C828AD

RGB 200 40 173

HSL 310.13, 0.67%, 0.47%

LAB 48.02, 72.3, -34.14

 

CMYK 0 / 80 / 35 / 22

HEX #C82883

RGB 200 40 131

HSL 325.88, 0.67%, 0.47%

LAB 46.23, 67.13, -11.72

 

CMYK 0 / 80 / 56 / 22

HEX #C82858

RGB 200 40 88

HSL 342, 0.67%, 0.47%

LAB 44.94, 63.29, 12.95

 

CMYK 0 / 80 / 14 / 49

HEX #831A71

RGB 131 26 113

HSL 310.29, 0.67%, 0.31%

LAB 31.25, 52.04, -24.64

 

CMYK 0 / 80 / 14 / 35

HEX #A6218F

RGB 166 33 143

HSL 310.38, 0.67%, 0.39%

LAB 39.88, 62.5, -29.35

 

CMYK 0 / 80 / 14 / 22

HEX #C828AD

RGB 200 40 173

HSL 310.13, 0.67%, 0.47%

LAB 48.02, 72.3, -34.14

 

CMYK 0 / 71 / 12 / 15

HEX #D940BF

RGB 217 64 191

HSL 310.2, 0.67%, 0.55%

LAB 54.22, 71.57, -34.73

 

CMYK 0 / 56 / 9 / 12

HEX #E062CB

RGB 224 98 203

HSL 310, 0.67%, 0.63%

LAB 60.69, 61.69, -31.44

 

CMYK 0 / 80 / 14 / 22

HEX #C828AD

RGB 200 40 173

HSL 310.13, 0.67%, 0.47%

LAB 48.02, 72.3, -34.14

 

CMYK 0 / 51 / 80 / 22

HEX #C86228

RGB 200 98 40

HSL 21.75, 0.67%, 0.47%

LAB 53.13, 36.95, 49.6

 

CMYK 80 / 0 / 19 / 22

HEX #28C8A3

RGB 40 200 163

HSL 166.13, 0.67%, 0.47%

LAB 72.5, -48.21, 7.3

 

CMYK 0 / 80 / 14 / 22

HEX #C828AD

RGB 200 40 173

HSL 310.13, 0.67%, 0.47%

LAB 48.02, 72.3, -34.14

 

CMYK 14 / 0 / 80 / 22

HEX #ADC828

RGB 173 200 40

HSL 70.13, 0.67%, 0.47%

LAB 76.28, -28.55, 69.76

 

CMYK 80 / 14 / 0 / 22

HEX #28ADC8

RGB 40 173 200

HSL 190.13, 0.67%, 0.47%

LAB 65.36, -25.12, -23.61

 

CMYK 0 / 80 / 14 / 22

HEX #C828AD

RGB 200 40 173

HSL 310.13, 0.67%, 0.47%

LAB 48.02, 72.3, -34.14

 

CMYK 0 / 51 / 80 / 22

HEX #C86228

RGB 200 98 40

HSL 21.75, 0.67%, 0.47%

LAB 53.13, 36.95, 49.6

 

CMYK 80 / 0 / 67 / 22

HEX #28C842

RGB 40 200 66

HSL 129.75, 0.67%, 0.47%

LAB 70.98, -65.54, 53.79

 

CMYK 80 / 30 / 0 / 22

HEX #288DC8

RGB 40 141 200

HSL 202.13, 0.67%, 0.47%

LAB 55.76, -7.87, -38.51

 

CMYK 0 / 80 / 14 / 22

HEX #C828AD

RGB 200 40 173

HSL 310.13, 0.67%, 0.47%

LAB 48.02, 72.3, -34.14

 

CMYK 0 / 27 / 80 / 22

HEX #C89328

RGB 200 147 40

HSL 40.13, 0.67%, 0.47%

LAB 64.4, 10.57, 60.02

 

CMYK 80 / 0 / 67 / 22

HEX #28C842

RGB 40 200 66

HSL 129.75, 0.67%, 0.47%

LAB 70.98, -65.54, 53.79

 

CMYK 80 / 54 / 0 / 22

HEX #285DC8

RGB 40 93 200

HSL 220.13, 0.67%, 0.47%

LAB 41.92, 21.82, -60.61

 

Description

Color code: HEX #C828AD | qconv.com Color code: HEX #C828AD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 40 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 40 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 14 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 14% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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