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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C82231 it is the complementary color #37DDCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C82231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C82231 shade: #CD222C, #DE343F, #EF4652, #FF5865 and #FF6A78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C82231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C82231 shade: #C82231, #B7101E, #A6000B, #950000 and #840000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C82231 shade: #C92231 and #C92222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C82231 shade: #C92231, #C9225E, #C9228B, #C922B8 and #AC22C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C82231 shade matches the following richer shades: #C92231 and #DC0F22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C82231 shade: #C92231, #B63541, #A34850, #905B60 and #7D6E6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C82231 shade: #C9228C, #C9225F, #C92233, #C93E22 and #C96A22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C82231 shade: #821620, #A51C28, #C92231, #DD3746 and #E35A66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C82231 shade: #C82231, #B8C922 and #2275C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C82231 shade: #C82231, #33C922 and #2233C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C82231 shade: #C82231, #B8C922, #22C9B8 and #3322C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C82231 shade: #C82231, #86C922, #22C9B8 and #6522C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 76 / 22

HEX #C82231

RGB 200 34 49

HSL 354.58, 0.71%, 0.46%

LAB 43.72, 62.72, 35.26

 

Complementary color

CMYK 75 / 0 / 7 / 13

HEX #37DDCE

RGB 55 221 206

HSL 174.58, 0.71%, 0.54%

LAB 80.17, -44.34, -4.61

 

CMYK 0 / 83 / 79 / 20

HEX #CD222C

RGB 205 34 44

HSL 356.49, 0.72%, 0.47%

LAB 44.67, 63.92, 39.45

 

CMYK 0 / 77 / 72 / 13

HEX #DE343F

RGB 222 52 63

HSL 356.12, 0.72%, 0.54%

LAB 49.91, 64.64, 35.3

 

CMYK 0 / 71 / 66 / 6

HEX #EF4652

RGB 239 70 82

HSL 355.74, 0.84%, 0.61%

LAB 55.42, 64.68, 31.67

 

CMYK 0 / 65 / 60 / 0

HEX #FF5865

RGB 255 88 101

HSL 355.33, 1%, 0.67%

LAB 60.94, 63.97, 28.31

 

CMYK 0 / 58 / 53 / 0

HEX #FF6A78

RGB 255 106 120

HSL 354.36, 1%, 0.71%

LAB 64.1, 57.79, 21.64

 

CMYK 0 / 83 / 76 / 22

HEX #C82231

RGB 200 34 49

HSL 354.58, 0.71%, 0.46%

LAB 43.72, 62.72, 35.26

 

CMYK 0 / 91 / 84 / 28

HEX #B7101E

RGB 183 16 30

HSL 354.97, 0.84%, 0.39%

LAB 38.78, 61.02, 39.89

 

CMYK 0 / 100 / 93 / 35

HEX #A6000B

RGB 166 0 11

HSL 356.02, 1%, 0.33%

LAB 34.25, 58.23, 44.02

 

CMYK 0 / 100 / 100 / 42

HEX #950000

RGB 149 0 0

HSL 0, 1%, 0.29%

LAB 30.37, 53.66, 44.07

 

CMYK 0 / 100 / 100 / 48

HEX #840000

RGB 132 0 0

HSL 0, 1%, 0.26%

LAB 26.46, 49.13, 39.26

 

CMYK 0 / 83 / 76 / 21

HEX #C92231

RGB 201 34 49

HSL 354.61, 0.71%, 0.46%

LAB 43.92, 62.99, 35.54

 

CMYK 0 / 83 / 83 / 21

HEX #C92222

RGB 201 34 34

HSL 0, 0.71%, 0.46%

LAB 43.77, 62.52, 43.74

 

CMYK 0 / 83 / 76 / 21

HEX #C92231

RGB 201 34 49

HSL 354.61, 0.71%, 0.46%

LAB 43.92, 62.99, 35.54

 

CMYK 0 / 83 / 53 / 21

HEX #C9225E

RGB 201 34 94

HSL 338.44, 0.71%, 0.46%

LAB 44.76, 65.49, 8.98

 

CMYK 0 / 83 / 31 / 21

HEX #C9228B

RGB 201 34 139

HSL 322.28, 0.71%, 0.46%

LAB 46.21, 69.69, -16.59

 

CMYK 0 / 83 / 8 / 21

HEX #C922B8

RGB 201 34 184

HSL 306.11, 0.71%, 0.46%

LAB 48.29, 75.42, -40.18

 

CMYK 14 / 83 / 0 / 21

HEX #AC22C9

RGB 172 34 201

HSL 289.58, 0.71%, 0.46%

LAB 44.42, 72.76, -56.54

 

CMYK 0 / 83 / 76 / 21

HEX #C92231

RGB 201 34 49

HSL 354.61, 0.71%, 0.46%

LAB 43.92, 62.99, 35.54

 

CMYK 0 / 93 / 85 / 14

HEX #DC0F22

RGB 220 15 34

HSL 354.44, 0.87%, 0.46%

LAB 46.54, 70.76, 47.7

 

CMYK 0 / 83 / 76 / 21

HEX #C92231

RGB 201 34 49

HSL 354.61, 0.71%, 0.46%

LAB 43.92, 62.99, 35.54

 

CMYK 0 / 71 / 64 / 29

HEX #B63541

RGB 182 53 65

HSL 354.42, 0.55%, 0.46%

LAB 42.57, 52.28, 23.42

 

CMYK 0 / 56 / 51 / 36

HEX #A34850

RGB 163 72 80

HSL 354.73, 0.39%, 0.46%

LAB 42.76, 38.39, 13.86

 

CMYK 0 / 37 / 33 / 44

HEX #905B60

RGB 144 91 96

HSL 354.34, 0.23%, 0.46%

LAB 44.6, 22.46, 6.24

 

CMYK 0 / 12 / 11 / 51

HEX #7D6E6F

RGB 125 110 111

HSL 356, 0.06%, 0.46%

LAB 47.83, 6.05, 1.59

 

CMYK 0 / 83 / 30 / 21

HEX #C9228C

RGB 201 34 140

HSL 321.92, 0.71%, 0.46%

LAB 46.25, 69.8, -17.14

 

CMYK 0 / 83 / 53 / 21

HEX #C9225F

RGB 201 34 95

HSL 338.08, 0.71%, 0.46%

LAB 44.78, 65.56, 8.39

 

CMYK 0 / 83 / 75 / 21

HEX #C92233

RGB 201 34 51

HSL 353.89, 0.71%, 0.46%

LAB 43.95, 63.07, 34.39

 

CMYK 0 / 69 / 83 / 21

HEX #C93E22

RGB 201 62 34

HSL 10.06, 0.71%, 0.46%

LAB 46.95, 53.67, 46.67

 

CMYK 0 / 47 / 83 / 21

HEX #C96A22

RGB 201 106 34

HSL 25.87, 0.71%, 0.46%

LAB 54.91, 33.01, 53.8

 

CMYK 0 / 83 / 75 / 49

HEX #821620

RGB 130 22 32

HSL 354.44, 0.71%, 0.3%

LAB 27.91, 44.82, 23.84

 

CMYK 0 / 83 / 76 / 35

HEX #A51C28

RGB 165 28 40

HSL 354.74, 0.71%, 0.38%

LAB 35.95, 53.95, 29.97

 

CMYK 0 / 83 / 76 / 21

HEX #C92231

RGB 201 34 49

HSL 354.61, 0.71%, 0.46%

LAB 43.92, 62.99, 35.54

 

CMYK 0 / 75 / 68 / 13

HEX #DD3746

RGB 221 55 70

HSL 354.58, 0.71%, 0.54%

LAB 50.15, 63.74, 31.45

 

CMYK 0 / 60 / 55 / 11

HEX #E35A66

RGB 227 90 102

HSL 354.74, 0.71%, 0.62%

LAB 56.69, 54.18, 21.27

 

CMYK 0 / 83 / 76 / 22

HEX #C82231

RGB 200 34 49

HSL 354.58, 0.71%, 0.46%

LAB 43.72, 62.72, 35.26

 

CMYK 8 / 0 / 83 / 21

HEX #B8C922

RGB 184 201 34

HSL 66.11, 0.71%, 0.46%

LAB 77.33, -24.66, 72.49

 

CMYK 83 / 42 / 0 / 21

HEX #2275C9

RGB 34 117 201

HSL 210.18, 0.71%, 0.46%

LAB 48.61, 6.3, -50.42

 

CMYK 0 / 83 / 76 / 22

HEX #C82231

RGB 200 34 49

HSL 354.58, 0.71%, 0.46%

LAB 43.72, 62.72, 35.26

 

CMYK 75 / 0 / 83 / 21

HEX #33C922

RGB 51 201 34

HSL 113.89, 0.71%, 0.46%

LAB 71.28, -66.71, 64.85

 

CMYK 83 / 75 / 0 / 21

HEX #2233C9

RGB 34 51 201

HSL 233.89, 0.71%, 0.46%

LAB 31.64, 48.17, -78.06

 

CMYK 0 / 83 / 76 / 22

HEX #C82231

RGB 200 34 49

HSL 354.58, 0.71%, 0.46%

LAB 43.72, 62.72, 35.26

 

CMYK 8 / 0 / 83 / 21

HEX #B8C922

RGB 184 201 34

HSL 66.11, 0.71%, 0.46%

LAB 77.33, -24.66, 72.49

 

CMYK 83 / 0 / 8 / 21

HEX #22C9B8

RGB 34 201 184

HSL 173.89, 0.71%, 0.46%

LAB 73.27, -43.6, -2.97

 

CMYK 75 / 83 / 0 / 21

HEX #3322C9

RGB 51 34 201

HSL 246.11, 0.71%, 0.46%

LAB 29.58, 57.69, -81.44

 

CMYK 0 / 83 / 76 / 22

HEX #C82231

RGB 200 34 49

HSL 354.58, 0.71%, 0.46%

LAB 43.72, 62.72, 35.26

 

CMYK 33 / 0 / 83 / 21

HEX #86C922

RGB 134 201 34

HSL 84.07, 0.71%, 0.46%

LAB 74.16, -44.43, 68.52

 

CMYK 83 / 0 / 8 / 21

HEX #22C9B8

RGB 34 201 184

HSL 173.89, 0.71%, 0.46%

LAB 73.27, -43.6, -2.97

 

CMYK 50 / 83 / 0 / 21

HEX #6522C9

RGB 101 34 201

HSL 264.07, 0.71%, 0.46%

LAB 34.25, 62.23, -73.57

 

Description

Color code: HEX #C82231 | qconv.com Color code: HEX #C82231 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 34 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 34 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 76 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 76% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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