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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C81BDC it is the complementary color #37E423. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C81BDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C81BDC shade: #CD1BD7, #DE2DEA, #EF3FFD, #FF51FF and #FF63FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C81BDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C81BDC shade: #C81BDC, #B709C9, #A600B6, #9500A3 and #840090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C81BDC shade: #C61BDA, #DA1BBA, #DA1B87, #DA1B53 and #DA1B20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C81BDC shade: #C61BDA, #931BDA, #5F1BDA, #2C1BDA and #1B1BDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C81BDC shade matches the following richer shades: #C61BDA and #D607EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C81BDC shade: #C61BDA, #B62FC6, #A743B2, #97569E and #876A8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C81BDC shade: #5E1BDA, #911BDA, #C41BDA, #DA1BBD and #DA1B8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C81BDC shade: #831290, #A516B5, #C61BDA, #D438E6 and #DC5CEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C81BDC shade: #C81BDC, #DA2B1B and #1BDA77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C81BDC shade: #C81BDC, #DAC41B and #1BDAC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C81BDC shade: #C81BDC, #DA2B1B, #31DA1B and #1BCADA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C81BDC shade: #C81BDC, #DA641B, #31DA1B and #1B91DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 88 / 0 / 14

HEX #C81BDC

RGB 200 27 220

HSL 293.78, 0.78%, 0.48%

LAB 49.77, 82, -58.61

 

Complementary color

CMYK 76 / 0 / 85 / 11

HEX #37E423

RGB 55 228 35

HSL 113.78, 0.78%, 0.52%

LAB 79.85, -74.16, 72.34

 

CMYK 5 / 87 / 0 / 16

HEX #CD1BD7

RGB 205 27 215

HSL 296.81, 0.78%, 0.47%

LAB 50.3, 82.04, -54.87

 

CMYK 5 / 81 / 0 / 8

HEX #DE2DEA

RGB 222 45 234

HSL 296.19, 0.82%, 0.55%

LAB 55.43, 84.44, -57.27

 

CMYK 6 / 75 / 0 / 1

HEX #EF3FFD

RGB 239 63 253

HSL 295.58, 0.98%, 0.62%

LAB 60.78, 85.97, -59.15

 

CMYK 0 / 68 / 0 / 0

HEX #FF51FF

RGB 255 81 255

HSL 300, 1%, 0.66%

LAB 65.25, 83.95, -52.99

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 9 / 88 / 0 / 14

HEX #C81BDC

RGB 200 27 220

HSL 293.78, 0.78%, 0.48%

LAB 49.77, 82, -58.61

 

CMYK 9 / 96 / 0 / 21

HEX #B709C9

RGB 183 9 201

HSL 294.38, 0.91%, 0.41%

LAB 44.91, 78.51, -55.66

 

CMYK 9 / 100 / 0 / 29

HEX #A600B6

RGB 166 0 182

HSL 294.73, 1%, 0.36%

LAB 40.38, 73.73, -51.98

 

CMYK 9 / 100 / 0 / 36

HEX #9500A3

RGB 149 0 163

HSL 294.85, 1%, 0.32%

LAB 36.05, 68.03, -47.77

 

CMYK 8 / 100 / 0 / 44

HEX #840090

RGB 132 0 144

HSL 295, 1%, 0.28%

LAB 31.62, 62.2, -43.47

 

CMYK 9 / 88 / 0 / 15

HEX #C61BDA

RGB 198 27 218

HSL 293.72, 0.78%, 0.48%

LAB 49.32, 81.35, -58.22

 

CMYK 0 / 88 / 15 / 15

HEX #DA1BBA

RGB 218 27 186

HSL 310.05, 0.78%, 0.48%

LAB 50.96, 80.26, -36.93

 

CMYK 0 / 88 / 38 / 15

HEX #DA1B87

RGB 218 27 135

HSL 326.07, 0.78%, 0.48%

LAB 48.81, 74.47, -9.93

 

CMYK 0 / 88 / 62 / 15

HEX #DA1B53

RGB 218 27 83

HSL 342.41, 0.78%, 0.48%

LAB 47.38, 70.47, 19.94

 

CMYK 0 / 88 / 85 / 15

HEX #DA1B20

RGB 218 27 32

HSL 358.43, 0.78%, 0.48%

LAB 46.7, 68.51, 48.68

 

CMYK 9 / 88 / 0 / 15

HEX #C61BDA

RGB 198 27 218

HSL 293.72, 0.78%, 0.48%

LAB 49.32, 81.35, -58.22

 

CMYK 33 / 88 / 0 / 15

HEX #931BDA

RGB 147 27 218

HSL 277.7, 0.78%, 0.48%

LAB 41.29, 73.74, -71.61

 

CMYK 56 / 88 / 0 / 15

HEX #5F1BDA

RGB 95 27 218

HSL 261.36, 0.78%, 0.48%

LAB 34.56, 67.97, -82.94

 

CMYK 80 / 88 / 0 / 15

HEX #2C1BDA

RGB 44 27 218

HSL 245.34, 0.78%, 0.48%

LAB 30.35, 64.79, -90.04

 

CMYK 88 / 88 / 0 / 15

HEX #1B1BDA

RGB 27 27 218

HSL 240, 0.78%, 0.48%

LAB 29.61, 64.27, -91.3

 

CMYK 9 / 88 / 0 / 15

HEX #C61BDA

RGB 198 27 218

HSL 293.72, 0.78%, 0.48%

LAB 49.32, 81.35, -58.22

 

CMYK 10 / 97 / 0 / 7

HEX #D607EE

RGB 214 7 238

HSL 293.77, 0.94%, 0.48%

LAB 52.53, 89.15, -64.24

 

CMYK 9 / 88 / 0 / 15

HEX #C61BDA

RGB 198 27 218

HSL 293.72, 0.78%, 0.48%

LAB 49.32, 81.35, -58.22

 

CMYK 8 / 76 / 0 / 22

HEX #B62FC6

RGB 182 47 198

HSL 293.64, 0.62%, 0.48%

LAB 47.05, 70.56, -50.5

 

CMYK 6 / 62 / 0 / 30

HEX #A743B2

RGB 167 67 178

HSL 294.05, 0.45%, 0.48%

LAB 46.24, 56.23, -40.26

 

CMYK 4 / 46 / 0 / 38

HEX #97569E

RGB 151 86 158

HSL 294.17, 0.3%, 0.48%

LAB 46.58, 38.45, -28.06

 

CMYK 3 / 24 / 0 / 45

HEX #876A8B

RGB 135 106 139

HSL 292.73, 0.13%, 0.48%

LAB 48.66, 17.7, -13.73

 

CMYK 57 / 88 / 0 / 15

HEX #5E1BDA

RGB 94 27 218

HSL 261.05, 0.78%, 0.48%

LAB 34.45, 67.88, -83.12

 

CMYK 33 / 88 / 0 / 15

HEX #911BDA

RGB 145 27 218

HSL 277.07, 0.78%, 0.48%

LAB 41, 73.48, -72.1

 

CMYK 10 / 88 / 0 / 15

HEX #C41BDA

RGB 196 27 218

HSL 293.09, 0.78%, 0.48%

LAB 48.98, 81.03, -58.77

 

CMYK 0 / 88 / 13 / 15

HEX #DA1BBD

RGB 218 27 189

HSL 309.11, 0.78%, 0.48%

LAB 51.11, 80.66, -38.44

 

CMYK 0 / 88 / 37 / 15

HEX #DA1B8A

RGB 218 27 138

HSL 325.13, 0.78%, 0.48%

LAB 48.91, 74.76, -11.59

 

CMYK 9 / 88 / 0 / 44

HEX #831290

RGB 131 18 144

HSL 293.81, 0.78%, 0.32%

LAB 32.42, 59.15, -42.2

 

CMYK 9 / 88 / 0 / 29

HEX #A516B5

RGB 165 22 181

HSL 293.96, 0.78%, 0.4%

LAB 41.07, 70.66, -50.29

 

CMYK 9 / 88 / 0 / 15

HEX #C61BDA

RGB 198 27 218

HSL 293.72, 0.78%, 0.48%

LAB 49.32, 81.35, -58.22

 

CMYK 8 / 76 / 0 / 10

HEX #D438E6

RGB 212 56 230

HSL 293.79, 0.78%, 0.56%

LAB 54.59, 79.1, -56.44

 

CMYK 6 / 61 / 0 / 8

HEX #DC5CEB

RGB 220 92 235

HSL 293.71, 0.78%, 0.64%

LAB 60.67, 68.65, -49.5

 

CMYK 9 / 88 / 0 / 14

HEX #C81BDC

RGB 200 27 220

HSL 293.78, 0.78%, 0.48%

LAB 49.77, 82, -58.61

 

CMYK 0 / 80 / 88 / 15

HEX #DA2B1B

RGB 218 43 27

HSL 5.03, 0.78%, 0.48%

LAB 47.9, 64.93, 51.97

 

CMYK 88 / 0 / 45 / 15

HEX #1BDA77

RGB 27 218 119

HSL 148.9, 0.78%, 0.48%

LAB 77.11, -65.28, 36.59

 

CMYK 9 / 88 / 0 / 14

HEX #C81BDC

RGB 200 27 220

HSL 293.78, 0.78%, 0.48%

LAB 49.77, 82, -58.61

 

CMYK 0 / 10 / 88 / 15

HEX #DAC41B

RGB 218 196 27

HSL 53.09, 0.78%, 0.48%

LAB 78.73, -7.81, 76.29

 

CMYK 88 / 0 / 10 / 15

HEX #1BDAC4

RGB 27 218 196

HSL 173.09, 0.78%, 0.48%

LAB 78.67, -48.03, -1.51

 

CMYK 9 / 88 / 0 / 14

HEX #C81BDC

RGB 200 27 220

HSL 293.78, 0.78%, 0.48%

LAB 49.77, 82, -58.61

 

CMYK 0 / 80 / 88 / 15

HEX #DA2B1B

RGB 218 43 27

HSL 5.03, 0.78%, 0.48%

LAB 47.9, 64.93, 51.97

 

CMYK 78 / 0 / 88 / 15

HEX #31DA1B

RGB 49 218 27

HSL 113.09, 0.78%, 0.48%

LAB 76.6, -72.36, 71.09

 

CMYK 88 / 7 / 0 / 15

HEX #1BCADA

RGB 27 202 218

HSL 185.03, 0.78%, 0.48%

LAB 74.53, -34.5, -19.52

 

CMYK 9 / 88 / 0 / 14

HEX #C81BDC

RGB 200 27 220

HSL 293.78, 0.78%, 0.48%

LAB 49.77, 82, -58.61

 

CMYK 0 / 54 / 88 / 15

HEX #DA641B

RGB 218 100 27

HSL 22.93, 0.78%, 0.48%

LAB 56.19, 42.63, 58.45

 

CMYK 78 / 0 / 88 / 15

HEX #31DA1B

RGB 49 218 27

HSL 113.09, 0.78%, 0.48%

LAB 76.6, -72.36, 71.09

 

CMYK 88 / 33 / 0 / 15

HEX #1B91DA

RGB 27 145 218

HSL 202.93, 0.78%, 0.48%

LAB 57.6, -4.63, -45.74

 

Description

Color code: HEX #C81BDC | qconv.com Color code: HEX #C81BDC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 27 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 27 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 88 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 88% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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