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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C819B7 it is the complementary color #37E648. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C819B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C819B7 shade: #CD19B2, #DE2BC5, #EF3DD8, #FF4FEB and #FF61FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C819B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C819B7 shade: #C819B7, #B707A4, #A60091, #95007E and #84006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C819B7 shade: #C819B7, #C81988, #C81958, #C81929 and #C81919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C819B7 shade: #C819B7, #AA19C8, #7A19C8, #4B19C8 and #1C19C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C819B7 shade matches the following richer shades: #C819B7 and #DA07C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C819B7 shade: #C819B7, #B62BA8, #A33D99, #914F8B and #7F617C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C819B7 shade: #7919C8, #A819C8, #C819B9, #C8198A and #C8195C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C819B7 shade: #7E1074, #A31495, #C819B7, #E426D2 and #E94AD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C819B7 shade: #C819B7, #C84A19 and #19C890

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C819B7 shade: #C819B7, #B9C819 and #19B9C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C819B7 shade: #C819B7, #C84A19, #19C827 and #1996C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C819B7 shade: #C819B7, #C87F19, #19C827 and #1962C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 9 / 22

HEX #C819B7

RGB 200 25 183

HSL 305.83, 0.78%, 0.44%

LAB 47.49, 76.76, -40.87

 

Complementary color

CMYK 76 / 0 / 69 / 10

HEX #37E648

RGB 55 230 72

HSL 125.83, 0.78%, 0.56%

LAB 80.67, -72.35, 61.87

 

CMYK 0 / 88 / 13 / 20

HEX #CD19B2

RGB 205 25 178

HSL 309, 0.78%, 0.45%

LAB 48.12, 77.02, -36.87

 

CMYK 0 / 81 / 11 / 13

HEX #DE2BC5

RGB 222 43 197

HSL 308.38, 0.73%, 0.52%

LAB 53.26, 79.44, -39.64

 

CMYK 0 / 74 / 10 / 6

HEX #EF3DD8

RGB 239 61 216

HSL 307.75, 0.85%, 0.59%

LAB 58.65, 80.96, -41.83

 

CMYK 0 / 69 / 8 / 0

HEX #FF4FEB

RGB 255 79 235

HSL 306.82, 1%, 0.65%

LAB 64.04, 81.6, -43.84

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FE

RGB 255 97 254

HSL 300.38, 1%, 0.69%

LAB 67.25, 78.04, -49.28

 

CMYK 0 / 88 / 9 / 22

HEX #C819B7

RGB 200 25 183

HSL 305.83, 0.78%, 0.44%

LAB 47.49, 76.76, -40.87

 

CMYK 0 / 96 / 10 / 28

HEX #B707A4

RGB 183 7 164

HSL 306.48, 0.93%, 0.37%

LAB 42.61, 73.2, -37.53

 

CMYK 0 / 100 / 13 / 35

HEX #A60091

RGB 166 0 145

HSL 307.59, 1%, 0.33%

LAB 38.11, 68.24, -33.35

 

CMYK 0 / 100 / 15 / 42

HEX #95007E

RGB 149 0 126

HSL 309.26, 1%, 0.29%

LAB 33.77, 62.49, -28.66

 

CMYK 0 / 100 / 19 / 48

HEX #84006B

RGB 132 0 107

HSL 311.36, 1%, 0.26%

LAB 29.33, 56.62, -23.79

 

CMYK 0 / 88 / 9 / 22

HEX #C819B7

RGB 200 25 183

HSL 305.83, 0.78%, 0.44%

LAB 47.49, 76.76, -40.87

 

CMYK 0 / 88 / 32 / 22

HEX #C81988

RGB 200 25 136

HSL 321.94, 0.78%, 0.44%

LAB 45.29, 70.9, -16.19

 

CMYK 0 / 88 / 56 / 22

HEX #C81958

RGB 200 25 88

HSL 338.4, 0.78%, 0.44%

LAB 43.77, 66.65, 11.32

 

CMYK 0 / 88 / 80 / 22

HEX #C81929

RGB 200 25 41

HSL 354.51, 0.78%, 0.44%

LAB 42.97, 64.34, 39.07

 

CMYK 0 / 88 / 88 / 22

HEX #C81919

RGB 200 25 25

HSL 0, 0.78%, 0.44%

LAB 42.83, 63.95, 47.34

 

CMYK 0 / 88 / 9 / 22

HEX #C819B7

RGB 200 25 183

HSL 305.83, 0.78%, 0.44%

LAB 47.49, 76.76, -40.87

 

CMYK 15 / 88 / 0 / 22

HEX #AA19C8

RGB 170 25 200

HSL 289.71, 0.78%, 0.44%

LAB 43.38, 74.17, -57.67

 

CMYK 39 / 88 / 0 / 22

HEX #7A19C8

RGB 122 25 200

HSL 273.26, 0.78%, 0.44%

LAB 35.99, 67.22, -70.02

 

CMYK 63 / 88 / 0 / 22

HEX #4B19C8

RGB 75 25 200

HSL 257.14, 0.78%, 0.44%

LAB 30.31, 62.4, -79.59

 

CMYK 86 / 88 / 0 / 22

HEX #1C19C8

RGB 28 25 200

HSL 241.03, 0.78%, 0.44%

LAB 27.05, 59.94, -85.09

 

CMYK 0 / 88 / 9 / 22

HEX #C819B7

RGB 200 25 183

HSL 305.83, 0.78%, 0.44%

LAB 47.49, 76.76, -40.87

 

CMYK 0 / 97 / 10 / 15

HEX #DA07C5

RGB 218 7 197

HSL 305.97, 0.94%, 0.44%

LAB 50.79, 83.87, -43.59

 

CMYK 0 / 88 / 9 / 22

HEX #C819B7

RGB 200 25 183

HSL 305.83, 0.78%, 0.44%

LAB 47.49, 76.76, -40.87

 

CMYK 0 / 76 / 8 / 29

HEX #B62BA8

RGB 182 43 168

HSL 306.04, 0.62%, 0.44%

LAB 44.94, 66.91, -36.24

 

CMYK 0 / 63 / 6 / 36

HEX #A33D99

RGB 163 61 153

HSL 305.88, 0.46%, 0.44%

LAB 43.4, 53.39, -29.93

 

CMYK 0 / 46 / 4 / 43

HEX #914F8B

RGB 145 79 139

HSL 305.45, 0.29%, 0.44%

LAB 43.47, 36.69, -21.57

 

CMYK 0 / 24 / 2 / 50

HEX #7F617C

RGB 127 97 124

HSL 306, 0.13%, 0.44%

LAB 44.96, 17.07, -10.43

 

CMYK 40 / 88 / 0 / 22

HEX #7919C8

RGB 121 25 200

HSL 272.91, 0.78%, 0.44%

LAB 35.85, 67.1, -70.25

 

CMYK 16 / 88 / 0 / 22

HEX #A819C8

RGB 168 25 200

HSL 289.03, 0.78%, 0.44%

LAB 43.05, 73.85, -58.21

 

CMYK 0 / 88 / 8 / 22

HEX #C819B9

RGB 200 25 185

HSL 305.14, 0.78%, 0.44%

LAB 47.59, 77.04, -41.87

 

CMYK 0 / 88 / 31 / 22

HEX #C8198A

RGB 200 25 138

HSL 321.26, 0.78%, 0.44%

LAB 45.37, 71.12, -17.28

 

CMYK 0 / 88 / 54 / 22

HEX #C8195C

RGB 200 25 92

HSL 337.03, 0.78%, 0.44%

LAB 43.87, 66.93, 8.95

 

CMYK 0 / 87 / 8 / 51

HEX #7E1074

RGB 126 16 116

HSL 305.45, 0.77%, 0.28%

LAB 29.58, 53.96, -29.24

 

CMYK 0 / 88 / 9 / 36

HEX #A31495

RGB 163 20 149

HSL 305.87, 0.78%, 0.36%

LAB 38.65, 65.65, -34.98

 

CMYK 0 / 88 / 9 / 22

HEX #C819B7

RGB 200 25 183

HSL 305.83, 0.78%, 0.44%

LAB 47.49, 76.76, -40.87

 

CMYK 0 / 83 / 8 / 11

HEX #E426D2

RGB 228 38 210

HSL 305.68, 0.78%, 0.52%

LAB 54.59, 83.47, -44.94

 

CMYK 0 / 68 / 7 / 9

HEX #E94AD9

RGB 233 74 217

HSL 306.04, 0.78%, 0.6%

LAB 59.19, 75.68, -41.61

 

CMYK 0 / 88 / 9 / 22

HEX #C819B7

RGB 200 25 183

HSL 305.83, 0.78%, 0.44%

LAB 47.49, 76.76, -40.87

 

CMYK 0 / 63 / 88 / 22

HEX #C84A19

RGB 200 74 25

HSL 16.8, 0.78%, 0.44%

LAB 48.57, 48.09, 51.91

 

CMYK 88 / 0 / 28 / 22

HEX #19C890

RGB 25 200 144

HSL 160.8, 0.78%, 0.44%

LAB 71.91, -53.99, 16.67

 

CMYK 0 / 88 / 9 / 22

HEX #C819B7

RGB 200 25 183

HSL 305.83, 0.78%, 0.44%

LAB 47.49, 76.76, -40.87

 

CMYK 8 / 0 / 88 / 22

HEX #B9C819

RGB 185 200 25

HSL 65.14, 0.78%, 0.44%

LAB 77.1, -23.99, 74.22

 

CMYK 88 / 8 / 0 / 22

HEX #19B9C8

RGB 25 185 200

HSL 185.14, 0.78%, 0.44%

LAB 68.81, -32.16, -18.39

 

CMYK 0 / 88 / 9 / 22

HEX #C819B7

RGB 200 25 183

HSL 305.83, 0.78%, 0.44%

LAB 47.49, 76.76, -40.87

 

CMYK 0 / 63 / 88 / 22

HEX #C84A19

RGB 200 74 25

HSL 16.8, 0.78%, 0.44%

LAB 48.57, 48.09, 51.91

 

CMYK 88 / 0 / 81 / 22

HEX #19C827

RGB 25 200 39

HSL 124.8, 0.78%, 0.44%

LAB 70.64, -69.16, 62.8

 

CMYK 88 / 25 / 0 / 22

HEX #1996C8

RGB 25 150 200

HSL 197.14, 0.78%, 0.44%

LAB 58.22, -14.15, -34.68

 

CMYK 0 / 88 / 9 / 22

HEX #C819B7

RGB 200 25 183

HSL 305.83, 0.78%, 0.44%

LAB 47.49, 76.76, -40.87

 

CMYK 0 / 37 / 88 / 22

HEX #C87F19

RGB 200 127 25

HSL 34.97, 0.78%, 0.44%

LAB 59.46, 21.06, 60.61

 

CMYK 88 / 0 / 81 / 22

HEX #19C827

RGB 25 200 39

HSL 124.8, 0.78%, 0.44%

LAB 70.64, -69.16, 62.8

 

CMYK 88 / 51 / 0 / 22

HEX #1962C8

RGB 25 98 200

HSL 214.97, 0.78%, 0.44%

LAB 42.93, 17.34, -58.99

 

Description

Color code: HEX #C819B7 | qconv.com Color code: HEX #C819B7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 25 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 25 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 9 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 9% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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