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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C818D9 it is the complementary color #37E726. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C818D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C818D9 shade: #CD18D4, #DE2AE7, #EF3CFA, #FF4EFF and #FF60FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C818D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C818D9 shade: #C818D9, #B706C6, #A600B3, #9500A0 and #84008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C818D9 shade: #C718D8, #D818B5, #D81881, #D8184D and #D8181A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C818D9 shade: #C718D8, #9318D8, #5F18D8, #2C18D8 and #1818D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C818D9 shade matches the following richer shades: #C718D8 and #D705EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C818D9 shade: #C718D8, #B72BC4, #A73FB1, #97529E and #87668A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C818D9 shade: #5E18D8, #9118D8, #C518D8, #D818B8 and #D81885

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C818D9 shade: #82108D, #A514B3, #C718D8, #D831E8 and #DF56EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C818D9 shade: #C818D9, #D82B18 and #18D878

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C818D9 shade: #C818D9, #D8C518 and #18D8C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C818D9 shade: #C818D9, #D82B18, #2BD818 and #18C5D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C818D9 shade: #C818D9, #D86518, #2BD818 and #188BD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 89 / 0 / 15

HEX #C818D9

RGB 200 24 217

HSL 294.72, 0.8%, 0.47%

LAB 49.43, 81.99, -57.46

 

Complementary color

CMYK 76 / 0 / 84 / 9

HEX #37E726

RGB 55 231 38

HSL 114.72, 0.8%, 0.53%

LAB 80.8, -74.91, 72.51

 

CMYK 3 / 89 / 0 / 17

HEX #CD18D4

RGB 205 24 212

HSL 297.77, 0.8%, 0.46%

LAB 49.96, 82.04, -53.69

 

CMYK 4 / 82 / 0 / 9

HEX #DE2AE7

RGB 222 42 231

HSL 297.14, 0.8%, 0.54%

LAB 55.03, 84.63, -56.22

 

CMYK 4 / 76 / 0 / 2

HEX #EF3CFA

RGB 239 60 250

HSL 296.53, 0.95%, 0.61%

LAB 60.32, 86.33, -58.21

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 8 / 89 / 0 / 15

HEX #C818D9

RGB 200 24 217

HSL 294.72, 0.8%, 0.47%

LAB 49.43, 81.99, -57.46

 

CMYK 8 / 97 / 0 / 22

HEX #B706C6

RGB 183 6 198

HSL 295.31, 0.94%, 0.4%

LAB 44.62, 78.31, -54.38

 

CMYK 7 / 100 / 0 / 30

HEX #A600B3

RGB 166 0 179

HSL 295.64, 1%, 0.35%

LAB 40.18, 73.26, -50.53

 

CMYK 7 / 100 / 0 / 37

HEX #9500A0

RGB 149 0 160

HSL 295.88, 1%, 0.31%

LAB 35.84, 67.54, -46.29

 

CMYK 6 / 100 / 0 / 45

HEX #84008D

RGB 132 0 141

HSL 296.17, 1%, 0.28%

LAB 31.41, 61.71, -41.95

 

CMYK 8 / 89 / 0 / 15

HEX #C718D8

RGB 199 24 216

HSL 294.69, 0.8%, 0.47%

LAB 49.2, 81.67, -57.27

 

CMYK 0 / 89 / 16 / 15

HEX #D818B5

RGB 216 24 181

HSL 310.94, 0.8%, 0.47%

LAB 50.2, 79.68, -35.22

 

CMYK 0 / 89 / 40 / 15

HEX #D81881

RGB 216 24 129

HSL 327.19, 0.8%, 0.47%

LAB 48.05, 73.93, -7.45

 

CMYK 0 / 89 / 64 / 15

HEX #D8184D

RGB 216 24 77

HSL 343.44, 0.8%, 0.47%

LAB 46.7, 70.14, 22.66

 

CMYK 0 / 89 / 88 / 15

HEX #D8181A

RGB 216 24 26

HSL 359.38, 0.8%, 0.47%

LAB 46.08, 68.38, 50.83

 

CMYK 8 / 89 / 0 / 15

HEX #C718D8

RGB 199 24 216

HSL 294.69, 0.8%, 0.47%

LAB 49.2, 81.67, -57.27

 

CMYK 32 / 89 / 0 / 15

HEX #9318D8

RGB 147 24 216

HSL 278.44, 0.8%, 0.47%

LAB 40.92, 73.96, -71.07

 

CMYK 56 / 89 / 0 / 15

HEX #5F18D8

RGB 95 24 216

HSL 262.19, 0.8%, 0.47%

LAB 34.07, 68.29, -82.58

 

CMYK 80 / 89 / 0 / 15

HEX #2C18D8

RGB 44 24 216

HSL 246.25, 0.8%, 0.47%

LAB 29.78, 65.22, -89.84

 

CMYK 89 / 89 / 0 / 15

HEX #1818D8

RGB 24 24 216

HSL 240, 0.8%, 0.47%

LAB 28.92, 64.66, -91.3

 

CMYK 8 / 89 / 0 / 15

HEX #C718D8

RGB 199 24 216

HSL 294.69, 0.8%, 0.47%

LAB 49.2, 81.67, -57.27

 

CMYK 9 / 98 / 0 / 8

HEX #D705EB

RGB 215 5 235

HSL 294.78, 0.96%, 0.47%

LAB 52.46, 88.98, -62.66

 

CMYK 8 / 89 / 0 / 15

HEX #C718D8

RGB 199 24 216

HSL 294.69, 0.8%, 0.47%

LAB 49.2, 81.67, -57.27

 

CMYK 7 / 78 / 0 / 23

HEX #B72BC4

RGB 183 43 196

HSL 294.9, 0.64%, 0.47%

LAB 46.69, 71.58, -49.91

 

CMYK 6 / 64 / 0 / 31

HEX #A73FB1

RGB 167 63 177

HSL 294.74, 0.48%, 0.47%

LAB 45.56, 57.77, -40.74

 

CMYK 4 / 48 / 0 / 38

HEX #97529E

RGB 151 82 158

HSL 294.47, 0.32%, 0.47%

LAB 45.75, 40.62, -29.36

 

CMYK 2 / 26 / 0 / 46

HEX #87668A

RGB 135 102 138

HSL 295, 0.15%, 0.47%

LAB 47.61, 19.86, -14.74

 

CMYK 56 / 89 / 0 / 15

HEX #5E18D8

RGB 94 24 216

HSL 261.88, 0.8%, 0.47%

LAB 33.96, 68.2, -82.77

 

CMYK 33 / 89 / 0 / 15

HEX #9118D8

RGB 145 24 216

HSL 277.81, 0.8%, 0.47%

LAB 40.62, 73.7, -71.57

 

CMYK 9 / 89 / 0 / 15

HEX #C518D8

RGB 197 24 216

HSL 294.06, 0.8%, 0.47%

LAB 48.86, 81.34, -57.82

 

CMYK 0 / 89 / 15 / 15

HEX #D818B8

RGB 216 24 184

HSL 310, 0.8%, 0.47%

LAB 50.35, 80.07, -36.75

 

CMYK 0 / 89 / 38 / 15

HEX #D81885

RGB 216 24 133

HSL 325.94, 0.8%, 0.47%

LAB 48.19, 74.3, -9.68

 

CMYK 8 / 89 / 0 / 45

HEX #82108D

RGB 130 16 141

HSL 294.72, 0.8%, 0.31%

LAB 31.9, 58.85, -41.2

 

CMYK 8 / 89 / 0 / 30

HEX #A514B3

RGB 165 20 179

HSL 294.72, 0.8%, 0.39%

LAB 40.82, 70.68, -49.51

 

CMYK 8 / 89 / 0 / 15

HEX #C718D8

RGB 199 24 216

HSL 294.69, 0.8%, 0.47%

LAB 49.2, 81.67, -57.27

 

CMYK 7 / 79 / 0 / 9

HEX #D831E8

RGB 216 49 232

HSL 294.75, 0.8%, 0.55%

LAB 54.68, 82.08, -57.39

 

CMYK 6 / 64 / 0 / 7

HEX #DF56EC

RGB 223 86 236

HSL 294.8, 0.8%, 0.63%

LAB 60.25, 71.99, -50.69

 

CMYK 8 / 89 / 0 / 15

HEX #C818D9

RGB 200 24 217

HSL 294.72, 0.8%, 0.47%

LAB 49.43, 81.99, -57.46

 

CMYK 0 / 80 / 89 / 15

HEX #D82B18

RGB 216 43 24

HSL 5.94, 0.8%, 0.47%

LAB 47.49, 64.3, 52.75

 

CMYK 89 / 0 / 44 / 15

HEX #18D878

RGB 24 216 120

HSL 150, 0.8%, 0.47%

LAB 76.47, -64.63, 35.27

 

CMYK 8 / 89 / 0 / 15

HEX #C818D9

RGB 200 24 217

HSL 294.72, 0.8%, 0.47%

LAB 49.43, 81.99, -57.46

 

CMYK 0 / 9 / 89 / 15

HEX #D8C518

RGB 216 197 24

HSL 54.06, 0.8%, 0.47%

LAB 78.81, -9.25, 76.83

 

CMYK 89 / 0 / 9 / 15

HEX #18D8C5

RGB 24 216 197

HSL 174.06, 0.8%, 0.47%

LAB 78.07, -47.07, -2.92

 

CMYK 8 / 89 / 0 / 15

HEX #C818D9

RGB 200 24 217

HSL 294.72, 0.8%, 0.47%

LAB 49.43, 81.99, -57.46

 

CMYK 0 / 80 / 89 / 15

HEX #D82B18

RGB 216 43 24

HSL 5.94, 0.8%, 0.47%

LAB 47.49, 64.3, 52.75

 

CMYK 80 / 0 / 89 / 15

HEX #2BD818

RGB 43 216 24

HSL 114.06, 0.8%, 0.47%

LAB 75.88, -72.64, 70.97

 

CMYK 89 / 9 / 0 / 15

HEX #18C5D8

RGB 24 197 216

HSL 185.94, 0.8%, 0.47%

LAB 72.95, -32.91, -20.84

 

CMYK 8 / 89 / 0 / 15

HEX #C818D9

RGB 200 24 217

HSL 294.72, 0.8%, 0.47%

LAB 49.43, 81.99, -57.46

 

CMYK 0 / 53 / 89 / 15

HEX #D86518

RGB 216 101 24

HSL 24.06, 0.8%, 0.47%

LAB 56.06, 41.31, 59.2

 

CMYK 80 / 0 / 89 / 15

HEX #2BD818

RGB 43 216 24

HSL 114.06, 0.8%, 0.47%

LAB 75.88, -72.64, 70.97

 

CMYK 89 / 36 / 0 / 15

HEX #188BD8

RGB 24 139 216

HSL 204.06, 0.8%, 0.47%

LAB 55.7, -2.05, -47.63

 

Description

Color code: HEX #C818D9 | qconv.com Color code: HEX #C818D9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 24 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 24 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 89 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 89% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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