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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C81449 it is the complementary color #37EBB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C81449. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C81449 shade: #CD1444, #DE2657, #EF386A, #FF4A7D and #FF5C90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C81449. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C81449 shade: #C81449, #B70236, #A60023, #950010 and #840000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C81449 shade: #C81449, #C81418 and #C81414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C81449 shade: #C81449, #C81479, #C814AA, #B514C8 and #8414C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C81449 shade matches the following richer shades: #C81449 and #D90241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C81449 shade: #C81449, #B62550, #A43757, #92495F and #815B66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C81449 shade: #C814AA, #C8147A, #C8144A, #C8141A and #C83E14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C81449 shade: #7C0C2D, #A2103B, #C81449, #E91C58 and #EC4274

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C81449 shade: #C81449, #C8B614 and #1492C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C81449 shade: #C81449, #4AC814 and #144AC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C81449 shade: #C81449, #C8B614, #14C892 and #1426C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C81449 shade: #C81449, #A4C814, #14C892 and #3814C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 64 / 22

HEX #C81449

RGB 200 20 73

HSL 342.33, 0.82%, 0.43%

LAB 43.15, 66.55, 19.89

 

Complementary color

CMYK 77 / 0 / 23 / 8

HEX #37EBB6

RGB 55 235 182

HSL 162.33, 0.82%, 0.57%

LAB 83.76, -56.16, 13.26

 

CMYK 0 / 90 / 67 / 20

HEX #CD1444

RGB 205 20 68

HSL 344.43, 0.82%, 0.44%

LAB 44.08, 67.54, 24.42

 

CMYK 0 / 83 / 61 / 13

HEX #DE2657

RGB 222 38 87

HSL 344.02, 0.74%, 0.51%

LAB 49.01, 69.55, 19.8

 

CMYK 0 / 77 / 56 / 6

HEX #EF386A

RGB 239 56 106

HSL 343.61, 0.85%, 0.58%

LAB 54.26, 70.64, 15.96

 

CMYK 0 / 71 / 51 / 0

HEX #FF4A7D

RGB 255 74 125

HSL 343.09, 1%, 0.65%

LAB 59.56, 70.79, 12.49

 

CMYK 0 / 64 / 44 / 0

HEX #FF5C90

RGB 255 92 144

HSL 340.86, 1%, 0.68%

LAB 62.45, 65.77, 5.53

 

CMYK 0 / 90 / 64 / 22

HEX #C81449

RGB 200 20 73

HSL 342.33, 0.82%, 0.43%

LAB 43.15, 66.55, 19.89

 

CMYK 0 / 99 / 70 / 28

HEX #B70236

RGB 183 2 54

HSL 342.76, 0.98%, 0.36%

LAB 38.51, 63.5, 25.21

 

CMYK 0 / 100 / 79 / 35

HEX #A60023

RGB 166 0 35

HSL 347.35, 1%, 0.33%

LAB 34.45, 58.77, 31.44

 

CMYK 0 / 100 / 89 / 42

HEX #950010

RGB 149 0 16

HSL 353.56, 1%, 0.29%

LAB 30.47, 53.91, 37.24

 

CMYK 0 / 100 / 100 / 48

HEX #840000

RGB 132 0 0

HSL 0, 1%, 0.26%

LAB 26.46, 49.13, 39.26

 

CMYK 0 / 90 / 64 / 22

HEX #C81449

RGB 200 20 73

HSL 342.33, 0.82%, 0.43%

LAB 43.15, 66.55, 19.89

 

CMYK 0 / 90 / 88 / 22

HEX #C81418

RGB 200 20 24

HSL 358.67, 0.82%, 0.43%

LAB 42.53, 64.77, 47.57

 

CMYK 0 / 90 / 90 / 22

HEX #C81414

RGB 200 20 20

HSL 0, 0.82%, 0.43%

LAB 42.51, 64.7, 49.34

 

CMYK 0 / 90 / 64 / 22

HEX #C81449

RGB 200 20 73

HSL 342.33, 0.82%, 0.43%

LAB 43.15, 66.55, 19.89

 

CMYK 0 / 90 / 40 / 22

HEX #C81479

RGB 200 20 121

HSL 326.33, 0.82%, 0.43%

LAB 44.46, 70.17, -8.24

 

CMYK 0 / 90 / 15 / 22

HEX #C814AA

RGB 200 20 170

HSL 310, 0.82%, 0.43%

LAB 46.55, 75.74, -34.67

 

CMYK 10 / 90 / 0 / 22

HEX #B514C8

RGB 181 20 200

HSL 293.67, 0.82%, 0.43%

LAB 44.93, 76.77, -55.06

 

CMYK 34 / 90 / 0 / 22

HEX #8414C8

RGB 132 20 200

HSL 277.33, 0.82%, 0.43%

LAB 37.07, 69.59, -68.19

 

CMYK 0 / 90 / 64 / 22

HEX #C81449

RGB 200 20 73

HSL 342.33, 0.82%, 0.43%

LAB 43.15, 66.55, 19.89

 

CMYK 0 / 99 / 70 / 15

HEX #D90241

RGB 217 2 65

HSL 342.42, 0.98%, 0.43%

LAB 45.88, 72.17, 29.04

 

CMYK 0 / 90 / 64 / 22

HEX #C81449

RGB 200 20 73

HSL 342.33, 0.82%, 0.43%

LAB 43.15, 66.55, 19.89

 

CMYK 0 / 80 / 56 / 29

HEX #B62550

RGB 182 37 80

HSL 342.21, 0.66%, 0.43%

LAB 40.97, 58.61, 11.93

 

CMYK 0 / 66 / 47 / 36

HEX #A43757

RGB 164 55 87

HSL 342.39, 0.5%, 0.43%

LAB 40.1, 47.4, 5.8

 

CMYK 0 / 50 / 35 / 43

HEX #92495F

RGB 146 73 95

HSL 341.92, 0.33%, 0.43%

LAB 40.74, 33.24, 1.34

 

CMYK 0 / 29 / 21 / 49

HEX #815B66

RGB 129 91 102

HSL 342.63, 0.17%, 0.43%

LAB 42.93, 17.36, -0.06

 

CMYK 0 / 90 / 15 / 22

HEX #C814AA

RGB 200 20 170

HSL 310, 0.82%, 0.43%

LAB 46.55, 75.74, -34.67

 

CMYK 0 / 90 / 39 / 22

HEX #C8147A

RGB 200 20 122

HSL 326, 0.82%, 0.43%

LAB 44.5, 70.27, -8.81

 

CMYK 0 / 90 / 63 / 22

HEX #C8144A

RGB 200 20 74

HSL 342, 0.82%, 0.43%

LAB 43.17, 66.6, 19.29

 

CMYK 0 / 90 / 87 / 22

HEX #C8141A

RGB 200 20 26

HSL 358, 0.82%, 0.43%

LAB 42.54, 64.81, 46.63

 

CMYK 0 / 69 / 90 / 22

HEX #C83E14

RGB 200 62 20

HSL 14, 0.82%, 0.43%

LAB 46.68, 53.02, 52.35

 

CMYK 0 / 90 / 64 / 51

HEX #7C0C2D

RGB 124 12 45

HSL 342.32, 0.82%, 0.27%

LAB 25.97, 46.28, 12.46

 

CMYK 0 / 90 / 64 / 36

HEX #A2103B

RGB 162 16 59

HSL 342.33, 0.82%, 0.35%

LAB 34.74, 56.66, 16.26

 

CMYK 0 / 90 / 64 / 22

HEX #C81449

RGB 200 20 73

HSL 342.33, 0.82%, 0.43%

LAB 43.15, 66.55, 19.89

 

CMYK 0 / 88 / 62 / 9

HEX #E91C58

RGB 233 28 88

HSL 342.44, 0.82%, 0.51%

LAB 50.52, 74.3, 21.58

 

CMYK 0 / 72 / 51 / 7

HEX #EC4274

RGB 236 66 116

HSL 342.35, 0.82%, 0.59%

LAB 55.06, 67.43, 11.02

 

CMYK 0 / 90 / 64 / 22

HEX #C81449

RGB 200 20 73

HSL 342.33, 0.82%, 0.43%

LAB 43.15, 66.55, 19.89

 

CMYK 0 / 9 / 90 / 22

HEX #C8B614

RGB 200 182 20

HSL 54, 0.82%, 0.43%

LAB 73.41, -8.59, 72.69

 

CMYK 90 / 27 / 0 / 22

HEX #1492C8

RGB 20 146 200

HSL 198, 0.82%, 0.43%

LAB 56.96, -12.22, -36.66

 

CMYK 0 / 90 / 64 / 22

HEX #C81449

RGB 200 20 73

HSL 342.33, 0.82%, 0.43%

LAB 43.15, 66.55, 19.89

 

CMYK 63 / 0 / 90 / 22

HEX #4AC814

RGB 74 200 20

HSL 102, 0.82%, 0.43%

LAB 71.43, -62.57, 68.1

 

CMYK 90 / 63 / 0 / 22

HEX #144AC8

RGB 20 74 200

HSL 222, 0.82%, 0.43%

LAB 36.4, 32.83, -69.64

 

CMYK 0 / 90 / 64 / 22

HEX #C81449

RGB 200 20 73

HSL 342.33, 0.82%, 0.43%

LAB 43.15, 66.55, 19.89

 

CMYK 0 / 9 / 90 / 22

HEX #C8B614

RGB 200 182 20

HSL 54, 0.82%, 0.43%

LAB 73.41, -8.59, 72.69

 

CMYK 90 / 0 / 27 / 22

HEX #14C892

RGB 20 200 146

HSL 162, 0.82%, 0.43%

LAB 71.91, -53.82, 15.6

 

CMYK 90 / 81 / 0 / 22

HEX #1426C8

RGB 20 38 200

HSL 234, 0.82%, 0.43%

LAB 28.66, 54.15, -82.43

 

CMYK 0 / 90 / 64 / 22

HEX #C81449

RGB 200 20 73

HSL 342.33, 0.82%, 0.43%

LAB 43.15, 66.55, 19.89

 

CMYK 18 / 0 / 90 / 22

HEX #A4C814

RGB 164 200 20

HSL 72, 0.82%, 0.43%

LAB 75.61, -32.79, 73.26

 

CMYK 90 / 0 / 27 / 22

HEX #14C892

RGB 20 200 146

HSL 162, 0.82%, 0.43%

LAB 71.91, -53.82, 15.6

 

CMYK 72 / 90 / 0 / 22

HEX #3814C8

RGB 56 20 200

HSL 252, 0.82%, 0.43%

LAB 28.14, 62.67, -83.23

 

Description

Color code: HEX #C81449 | qconv.com Color code: HEX #C81449 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 20 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 20 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 64 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 64% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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