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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C812CF it is the complementary color #37ED30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C812CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C812CF shade: #CD12CA, #DE24DD, #EF36F0, #FF48FF and #FF5AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C812CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C812CF shade: #C812CF, #B700BC, #A600A9, #950096 and #840083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C812CF shade: #C712CE, #CE12A3, #CE1270, #CE123D and #CE1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C812CF shade: #C712CE, #9512CE, #6212CE, #2F12CE and #1212CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C812CF shade matches the following richer shades: #C712CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C812CF shade: #C712CE, #B724BC, #A636AA, #954898 and #845B86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C812CF shade: #6012CE, #9312CE, #C512CE, #CE12A6 and #CE1273

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C812CF shade: #7E0B83, #A30FA8, #C712CE, #E41EEB and #E844EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C812CF shade: #C812CF, #CE2E12 and #12CE7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C812CF shade: #C812CF, #CEC512 and #12CEC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C812CF shade: #C812CF, #CE2E12, #1BCE12 and #12B2CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C812CF shade: #C812CF, #CE6712, #1BCE12 and #127ACE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 91 / 0 / 19

HEX #C812CF

RGB 200 18 207

HSL 297.78, 0.84%, 0.44%

LAB 48.53, 81.24, -53.15

 

Complementary color

CMYK 77 / 0 / 80 / 7

HEX #37ED30

RGB 55 237 48

HSL 117.78, 0.84%, 0.56%

LAB 82.7, -76.16, 71.74

 

CMYK 0 / 91 / 1 / 20

HEX #CD12CA

RGB 205 18 202

HSL 300.96, 0.84%, 0.44%

LAB 49.1, 81.34, -49.31

 

CMYK 0 / 84 / 0 / 13

HEX #DE24DD

RGB 222 36 221

HSL 300.32, 0.74%, 0.51%

LAB 54.04, 84.33, -52.14

 

CMYK 0 / 78 / 0 / 6

HEX #EF36F0

RGB 239 54 240

HSL 299.68, 0.86%, 0.58%

LAB 59.23, 86.34, -54.39

 

CMYK 0 / 72 / 0 / 0

HEX #FF48FF

RGB 255 72 255

HSL 300, 1%, 0.64%

LAB 64.25, 86.79, -54.57

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 3 / 91 / 0 / 19

HEX #C812CF

RGB 200 18 207

HSL 297.78, 0.84%, 0.44%

LAB 48.53, 81.24, -53.15

 

CMYK 3 / 100 / 0 / 26

HEX #B700BC

RGB 183 0 188

HSL 298.4, 1%, 0.37%

LAB 43.8, 77.33, -49.87

 

CMYK 2 / 100 / 0 / 34

HEX #A600A9

RGB 166 0 169

HSL 298.93, 1%, 0.33%

LAB 39.53, 71.7, -45.62

 

CMYK 1 / 100 / 0 / 41

HEX #950096

RGB 149 0 150

HSL 299.6, 1%, 0.29%

LAB 35.19, 65.97, -41.26

 

CMYK 0 / 100 / 1 / 48

HEX #840083

RGB 132 0 131

HSL 300.45, 1%, 0.26%

LAB 30.75, 60.11, -36.8

 

CMYK 3 / 91 / 0 / 19

HEX #C712CE

RGB 199 18 206

HSL 297.77, 0.84%, 0.44%

LAB 48.3, 80.92, -52.96

 

CMYK 0 / 91 / 21 / 19

HEX #CE12A3

RGB 206 18 163

HSL 313.72, 0.84%, 0.44%

LAB 47.23, 76.29, -29.37

 

CMYK 0 / 91 / 46 / 19

HEX #CE1270

RGB 206 18 112

HSL 330, 0.84%, 0.44%

LAB 45.25, 71, -1.37

 

CMYK 0 / 91 / 70 / 19

HEX #CE123D

RGB 206 18 61

HSL 346.28, 0.84%, 0.44%

LAB 44.08, 67.74, 28.77

 

CMYK 0 / 91 / 91 / 19

HEX #CE1212

RGB 206 18 18

HSL 0, 0.84%, 0.44%

LAB 43.65, 66.54, 51.54

 

CMYK 3 / 91 / 0 / 19

HEX #C712CE

RGB 199 18 206

HSL 297.77, 0.84%, 0.44%

LAB 48.3, 80.92, -52.96

 

CMYK 28 / 91 / 0 / 19

HEX #9512CE

RGB 149 18 206

HSL 281.81, 0.84%, 0.44%

LAB 40.05, 73.36, -66.71

 

CMYK 52 / 91 / 0 / 19

HEX #6212CE

RGB 98 18 206

HSL 265.53, 0.84%, 0.44%

LAB 32.89, 67.6, -78.74

 

CMYK 77 / 91 / 0 / 19

HEX #2F12CE

RGB 47 18 206

HSL 249.26, 0.84%, 0.44%

LAB 28.1, 64.4, -86.83

 

CMYK 91 / 91 / 0 / 19

HEX #1212CE

RGB 18 18 206

HSL 240, 0.84%, 0.44%

LAB 26.78, 63.64, -89.05

 

CMYK 3 / 91 / 0 / 19

HEX #C712CE

RGB 199 18 206

HSL 297.77, 0.84%, 0.44%

LAB 48.3, 80.92, -52.96

 

CMYK 3 / 91 / 0 / 19

HEX #C712CE

RGB 199 18 206

HSL 297.77, 0.84%, 0.44%

LAB 48.3, 80.92, -52.96

 

CMYK 3 / 81 / 0 / 26

HEX #B724BC

RGB 183 36 188

HSL 298.03, 0.68%, 0.44%

LAB 45.58, 72.09, -47.01

 

CMYK 2 / 68 / 0 / 33

HEX #A636AA

RGB 166 54 170

HSL 297.93, 0.52%, 0.44%

LAB 43.72, 59.92, -39.53

 

CMYK 2 / 53 / 0 / 40

HEX #954898

RGB 149 72 152

HSL 297.75, 0.36%, 0.44%

LAB 43.2, 44.1, -29.78

 

CMYK 1 / 32 / 0 / 47

HEX #845B86

RGB 132 91 134

HSL 297.21, 0.19%, 0.44%

LAB 44.39, 24.48, -17.28

 

CMYK 53 / 91 / 0 / 19

HEX #6012CE

RGB 96 18 206

HSL 264.89, 0.84%, 0.44%

LAB 32.65, 67.43, -79.14

 

CMYK 29 / 91 / 0 / 19

HEX #9312CE

RGB 147 18 206

HSL 281.17, 0.84%, 0.44%

LAB 39.73, 73.09, -67.23

 

CMYK 4 / 91 / 0 / 19

HEX #C512CE

RGB 197 18 206

HSL 297.13, 0.84%, 0.44%

LAB 47.96, 80.59, -53.53

 

CMYK 0 / 91 / 19 / 19

HEX #CE12A6

RGB 206 18 166

HSL 312.77, 0.84%, 0.44%

LAB 47.38, 76.66, -30.93

 

CMYK 0 / 91 / 44 / 19

HEX #CE1273

RGB 206 18 115

HSL 329.04, 0.84%, 0.44%

LAB 45.35, 71.26, -3.09

 

CMYK 4 / 92 / 0 / 49

HEX #7E0B83

RGB 126 11 131

HSL 297.5, 0.85%, 0.28%

LAB 30.19, 57.33, -37.75

 

CMYK 3 / 91 / 0 / 34

HEX #A30FA8

RGB 163 15 168

HSL 298.04, 0.84%, 0.36%

LAB 39.51, 69.34, -45.09

 

CMYK 3 / 91 / 0 / 19

HEX #C712CE

RGB 199 18 206

HSL 297.77, 0.84%, 0.44%

LAB 48.3, 80.92, -52.96

 

CMYK 3 / 87 / 0 / 8

HEX #E41EEB

RGB 228 30 235

HSL 297.95, 0.84%, 0.52%

LAB 55.5, 88.46, -57.65

 

CMYK 3 / 72 / 0 / 6

HEX #E844EF

RGB 232 68 239

HSL 297.54, 0.84%, 0.6%

LAB 59.45, 80.87, -53.55

 

CMYK 3 / 91 / 0 / 19

HEX #C812CF

RGB 200 18 207

HSL 297.78, 0.84%, 0.44%

LAB 48.53, 81.24, -53.15

 

CMYK 0 / 78 / 91 / 19

HEX #CE2E12

RGB 206 46 18

HSL 8.94, 0.84%, 0.44%

LAB 45.8, 60.44, 52.98

 

CMYK 91 / 0 / 41 / 19

HEX #12CE7A

RGB 18 206 122

HSL 153.19, 0.84%, 0.44%

LAB 73.34, -61.18, 30.16

 

CMYK 3 / 91 / 0 / 19

HEX #C812CF

RGB 200 18 207

HSL 297.78, 0.84%, 0.44%

LAB 48.53, 81.24, -53.15

 

CMYK 0 / 4 / 91 / 19

HEX #CEC512

RGB 206 197 18

HSL 57.13, 0.84%, 0.44%

LAB 77.93, -13.66, 76.74

 

CMYK 91 / 0 / 4 / 19

HEX #12CEC5

RGB 18 206 197

HSL 177.13, 0.84%, 0.44%

LAB 75.02, -43.03, -7.44

 

CMYK 3 / 91 / 0 / 19

HEX #C812CF

RGB 200 18 207

HSL 297.78, 0.84%, 0.44%

LAB 48.53, 81.24, -53.15

 

CMYK 0 / 78 / 91 / 19

HEX #CE2E12

RGB 206 46 18

HSL 8.94, 0.84%, 0.44%

LAB 45.8, 60.44, 52.98

 

CMYK 87 / 0 / 91 / 19

HEX #1BCE12

RGB 27 206 18

HSL 117.13, 0.84%, 0.44%

LAB 72.51, -71.59, 69

 

CMYK 91 / 14 / 0 / 19

HEX #12B2CE

RGB 18 178 206

HSL 188.94, 0.84%, 0.44%

LAB 66.84, -27.15, -24.69

 

CMYK 3 / 91 / 0 / 19

HEX #C812CF

RGB 200 18 207

HSL 297.78, 0.84%, 0.44%

LAB 48.53, 81.24, -53.15

 

CMYK 0 / 50 / 91 / 19

HEX #CE6712

RGB 206 103 18

HSL 27.13, 0.84%, 0.44%

LAB 54.93, 36.24, 59.43

 

CMYK 87 / 0 / 91 / 19

HEX #1BCE12

RGB 27 206 18

HSL 117.13, 0.84%, 0.44%

LAB 72.51, -71.59, 69

 

CMYK 91 / 41 / 0 / 19

HEX #127ACE

RGB 18 122 206

HSL 206.81, 0.84%, 0.44%

LAB 50.1, 4.06, -50.9

 

Description

Color code: HEX #C812CF | qconv.com Color code: HEX #C812CF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 18 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 18 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 91 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 91% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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