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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C81265 it is the complementary color #37ED9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C81265. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C81265 shade: #CD1260, #DE2473, #EF3686, #FF4899 and #FF5AAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C81265. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C81265 shade: #C81265, #B70052, #A6003F, #95002C and #840019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C81265 shade: #C91366, #C91335 and #C91313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C81265 shade: #C91366, #C91397, #C913C8, #9813C9 and #6713C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C81265 shade matches the following richer shades: #C91366 and #DA0164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C81265 shade: #C91366, #B72467, #A53669, #93486A and #825A6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C81265 shade: #C913C9, #C91398, #C91368, #C91337 and #C91F13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C81265 shade: #7D0C3F, #A30F53, #C91366, #EA1B79 and #ED418F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C81265 shade: #C81265, #C99813 and #13B0C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C81265 shade: #C81265, #68C913 and #1368C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C81265 shade: #C81265, #C99813, #13C974 and #1343C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C81265 shade: #C81265, #C3C913, #13C974 and #1913C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 50 / 22

HEX #C81265

RGB 200 18 101

HSL 332.64, 0.83%, 0.43%

LAB 43.73, 68.72, 3.11

 

Complementary color

CMYK 77 / 0 / 35 / 7

HEX #37ED9A

RGB 55 237 154

HSL 152.64, 0.83%, 0.57%

LAB 83.82, -62.9, 27.81

 

CMYK 0 / 91 / 53 / 20

HEX #CD1260

RGB 205 18 96

HSL 334.97, 0.84%, 0.44%

LAB 44.6, 69.52, 7.62

 

CMYK 0 / 84 / 48 / 13

HEX #DE2473

RGB 222 36 115

HSL 334.52, 0.74%, 0.51%

LAB 49.53, 71.95, 3.39

 

CMYK 0 / 77 / 44 / 6

HEX #EF3686

RGB 239 54 134

HSL 334.05, 0.85%, 0.57%

LAB 54.77, 73.41, -0.06

 

CMYK 0 / 72 / 40 / 0

HEX #FF4899

RGB 255 72 153

HSL 333.44, 1%, 0.64%

LAB 60.06, 73.89, -3.17

 

CMYK 0 / 65 / 33 / 0

HEX #FF5AAC

RGB 255 90 172

HSL 330.18, 1%, 0.68%

LAB 62.97, 69.45, -9.85

 

CMYK 0 / 91 / 50 / 22

HEX #C81265

RGB 200 18 101

HSL 332.64, 0.83%, 0.43%

LAB 43.73, 68.72, 3.11

 

CMYK 0 / 100 / 55 / 28

HEX #B70052

RGB 183 0 82

HSL 333.11, 1%, 0.36%

LAB 39.03, 65.32, 7.97

 

CMYK 0 / 100 / 62 / 35

HEX #A6003F

RGB 166 0 63

HSL 337.23, 1%, 0.33%

LAB 34.93, 60.07, 14.06

 

CMYK 0 / 100 / 70 / 42

HEX #95002C

RGB 149 0 44

HSL 342.28, 1%, 0.29%

LAB 30.81, 54.84, 20.48

 

CMYK 0 / 100 / 81 / 48

HEX #840019

RGB 132 0 25

HSL 348.64, 1%, 0.26%

LAB 26.67, 49.68, 27.05

 

CMYK 0 / 91 / 49 / 21

HEX #C91366

RGB 201 19 102

HSL 332.64, 0.83%, 0.43%

LAB 44.01, 68.89, 2.91

 

CMYK 0 / 91 / 74 / 21

HEX #C91335

RGB 201 19 53

HSL 348.79, 0.83%, 0.43%

LAB 42.97, 66, 32.08

 

CMYK 0 / 91 / 91 / 21

HEX #C91313

RGB 201 19 19

HSL 0, 0.83%, 0.43%

LAB 42.66, 65.1, 49.96

 

CMYK 0 / 91 / 49 / 21

HEX #C91366

RGB 201 19 102

HSL 332.64, 0.83%, 0.43%

LAB 44.01, 68.89, 2.91

 

CMYK 0 / 91 / 25 / 21

HEX #C91397

RGB 201 19 151

HSL 316.48, 0.83%, 0.43%

LAB 45.79, 73.72, -24.49

 

CMYK 0 / 91 / 0 / 21

HEX #C913C8

RGB 201 19 200

HSL 300.33, 0.83%, 0.43%

LAB 48.33, 80.24, -49.43

 

CMYK 24 / 91 / 0 / 21

HEX #9813C9

RGB 152 19 201

HSL 283.85, 0.83%, 0.43%

LAB 40.18, 72.67, -63.57

 

CMYK 49 / 91 / 0 / 21

HEX #6713C9

RGB 103 19 201

HSL 267.69, 0.83%, 0.43%

LAB 33.06, 66.71, -75.51

 

CMYK 0 / 91 / 49 / 21

HEX #C91366

RGB 201 19 102

HSL 332.64, 0.83%, 0.43%

LAB 44.01, 68.89, 2.91

 

CMYK 0 / 100 / 54 / 15

HEX #DA0164

RGB 218 1 100

HSL 332.63, 0.99%, 0.43%

LAB 46.77, 74.43, 8.58

 

CMYK 0 / 91 / 49 / 21

HEX #C91366

RGB 201 19 102

HSL 332.64, 0.83%, 0.43%

LAB 44.01, 68.89, 2.91

 

CMYK 0 / 80 / 44 / 28

HEX #B72467

RGB 183 36 103

HSL 332.65, 0.67%, 0.43%

LAB 41.7, 61.08, -1.5

 

CMYK 0 / 67 / 36 / 35

HEX #A53669

RGB 165 54 105

HSL 332.43, 0.51%, 0.43%

LAB 40.67, 50.07, -4.65

 

CMYK 0 / 51 / 28 / 42

HEX #93486A

RGB 147 72 106

HSL 332.8, 0.34%, 0.43%

LAB 41.02, 35.66, -5.06

 

CMYK 0 / 31 / 17 / 49

HEX #825A6C

RGB 130 90 108

HSL 333, 0.18%, 0.43%

LAB 42.97, 19.37, -3.65

 

CMYK 0 / 91 / 0 / 21

HEX #C913C9

RGB 201 19 201

HSL 300, 0.83%, 0.43%

LAB 48.39, 80.39, -49.92

 

CMYK 0 / 91 / 24 / 21

HEX #C91398

RGB 201 19 152

HSL 316.15, 0.83%, 0.43%

LAB 45.84, 73.84, -25.02

 

CMYK 0 / 91 / 48 / 21

HEX #C91368

RGB 201 19 104

HSL 331.98, 0.83%, 0.43%

LAB 44.06, 69.05, 1.75

 

CMYK 0 / 91 / 73 / 21

HEX #C91337

RGB 201 19 55

HSL 348.13, 0.83%, 0.43%

LAB 43, 66.08, 30.9

 

CMYK 0 / 85 / 91 / 21

HEX #C91F13

RGB 201 31 19

HSL 3.96, 0.83%, 0.43%

LAB 43.43, 62.91, 50.5

 

CMYK 0 / 90 / 50 / 51

HEX #7D0C3F

RGB 125 12 63

HSL 332.92, 0.82%, 0.27%

LAB 26.68, 47.95, 1.2

 

CMYK 0 / 91 / 49 / 36

HEX #A30F53

RGB 163 15 83

HSL 332.43, 0.83%, 0.35%

LAB 35.5, 58.81, 1.72

 

CMYK 0 / 91 / 49 / 21

HEX #C91366

RGB 201 19 102

HSL 332.64, 0.83%, 0.43%

LAB 44.01, 68.89, 2.91

 

CMYK 0 / 88 / 48 / 8

HEX #EA1B79

RGB 234 27 121

HSL 332.75, 0.83%, 0.51%

LAB 51.45, 76.89, 2.8

 

CMYK 0 / 73 / 40 / 7

HEX #ED418F

RGB 237 65 143

HSL 332.79, 0.83%, 0.59%

LAB 55.86, 70.43, -3.86

 

CMYK 0 / 91 / 50 / 22

HEX #C81265

RGB 200 18 101

HSL 332.64, 0.83%, 0.43%

LAB 43.73, 68.72, 3.11

 

CMYK 0 / 24 / 91 / 21

HEX #C99813

RGB 201 152 19

HSL 43.85, 0.83%, 0.43%

LAB 65.69, 7.76, 66.96

 

CMYK 91 / 12 / 0 / 21

HEX #13B0C9

RGB 19 176 201

HSL 188.24, 0.83%, 0.43%

LAB 66.06, -27.75, -23.12

 

CMYK 0 / 91 / 50 / 22

HEX #C81265

RGB 200 18 101

HSL 332.64, 0.83%, 0.43%

LAB 43.73, 68.72, 3.11

 

CMYK 48 / 0 / 91 / 21

HEX #68C913

RGB 104 201 19

HSL 91.98, 0.83%, 0.43%

LAB 72.74, -54.97, 69.76

 

CMYK 91 / 48 / 0 / 21

HEX #1368C9

RGB 19 104 201

HSL 211.98, 0.83%, 0.43%

LAB 44.6, 13.5, -56.88

 

CMYK 0 / 91 / 50 / 22

HEX #C81265

RGB 200 18 101

HSL 332.64, 0.83%, 0.43%

LAB 43.73, 68.72, 3.11

 

CMYK 0 / 24 / 91 / 21

HEX #C99813

RGB 201 152 19

HSL 43.85, 0.83%, 0.43%

LAB 65.69, 7.76, 66.96

 

CMYK 91 / 0 / 42 / 21

HEX #13C974

RGB 19 201 116

HSL 151.98, 0.83%, 0.43%

LAB 71.67, -60.52, 31.06

 

CMYK 91 / 67 / 0 / 21

HEX #1343C9

RGB 19 67 201

HSL 224.18, 0.83%, 0.43%

LAB 34.74, 37.7, -72.94

 

CMYK 0 / 91 / 50 / 22

HEX #C81265

RGB 200 18 101

HSL 332.64, 0.83%, 0.43%

LAB 43.73, 68.72, 3.11

 

CMYK 3 / 0 / 91 / 21

HEX #C3C913

RGB 195 201 19

HSL 61.98, 0.83%, 0.43%

LAB 78.12, -20.36, 76.36

 

CMYK 91 / 0 / 42 / 21

HEX #13C974

RGB 19 201 116

HSL 151.98, 0.83%, 0.43%

LAB 71.67, -60.52, 31.06

 

CMYK 88 / 91 / 0 / 21

HEX #1913C9

RGB 25 19 201

HSL 241.98, 0.83%, 0.43%

LAB 26.42, 62.12, -86.74

 

Description

Color code: HEX #C81265 | qconv.com Color code: HEX #C81265 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 18 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 18 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 50 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 50% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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