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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C81077 it is the complementary color #37EF88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C81077. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C81077 shade: #CD1072, #DE2285, #EF3498, #FF46AB and #FF58BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C81077. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C81077 shade: #C81077, #B70064, #A60051, #95003E and #84002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C81077 shade: #C61076, #C61045, #C61014 and #C61010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C81077 shade: #C61076, #C610A7, #B410C6, #8310C6 and #5210C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C81077 shade matches the following richer shades: #C61076

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C81077 shade: #C61076, #B52174, #A33372, #924470 and #81556E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C81077 shade: #B410C6, #C610A8, #C61077, #C61047 and #C61016

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C81077 shade: #7A0A49, #A00D5F, #C61076, #EC148D and #EF3A9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C81077 shade: #C81077, #C68310 and #10C0C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C81077 shade: #C81077, #77C610 and #1077C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C81077 shade: #C81077, #C68310, #10C65F and #1053C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C81077 shade: #C81077, #C6BA10, #10C65F and #101CC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 41 / 22

HEX #C81077

RGB 200 16 119

HSL 326.41, 0.85%, 0.42%

LAB 44.21, 70.52, -7.39

 

Complementary color

CMYK 77 / 0 / 43 / 6

HEX #37EF88

RGB 55 239 136

HSL 146.41, 0.85%, 0.58%

LAB 84.13, -66.9, 37.27

 

CMYK 0 / 92 / 44 / 20

HEX #CD1072

RGB 205 16 114

HSL 328.89, 0.86%, 0.43%

LAB 45.03, 71.2, -2.96

 

CMYK 0 / 85 / 40 / 13

HEX #DE2285

RGB 222 34 133

HSL 328.4, 0.74%, 0.5%

LAB 49.94, 73.93, -6.95

 

CMYK 0 / 78 / 36 / 6

HEX #EF3498

RGB 239 52 152

HSL 327.91, 0.85%, 0.57%

LAB 55.15, 75.65, -10.19

 

CMYK 0 / 73 / 33 / 0

HEX #FF46AB

RGB 255 70 171

HSL 327.24, 1%, 0.64%

LAB 60.41, 76.37, -13.11

 

CMYK 0 / 65 / 25 / 0

HEX #FF58BE

RGB 255 88 190

HSL 323.35, 1%, 0.67%

LAB 63.31, 72.33, -19.63

 

CMYK 0 / 92 / 41 / 22

HEX #C81077

RGB 200 16 119

HSL 326.41, 0.85%, 0.42%

LAB 44.21, 70.52, -7.39

 

CMYK 0 / 100 / 45 / 28

HEX #B70064

RGB 183 0 100

HSL 327.21, 1%, 0.36%

LAB 39.56, 66.72, -2.76

 

CMYK 0 / 100 / 51 / 35

HEX #A60051

RGB 166 0 81

HSL 330.72, 1%, 0.33%

LAB 35.4, 61.31, 2.96

 

CMYK 0 / 100 / 58 / 42

HEX #95003E

RGB 149 0 62

HSL 335.03, 1%, 0.29%

LAB 31.2, 55.89, 9.01

 

CMYK 0 / 100 / 67 / 48

HEX #84002B

RGB 132 0 43

HSL 340.45, 1%, 0.26%

LAB 26.96, 50.48, 15.45

 

CMYK 0 / 92 / 40 / 22

HEX #C61076

RGB 198 16 118

HSL 326.37, 0.85%, 0.42%

LAB 43.78, 69.98, -7.45

 

CMYK 0 / 92 / 65 / 22

HEX #C61045

RGB 198 16 69

HSL 342.53, 0.85%, 0.42%

LAB 42.47, 66.39, 21.43

 

CMYK 0 / 92 / 90 / 22

HEX #C61014

RGB 198 16 20

HSL 358.68, 0.85%, 0.42%

LAB 41.89, 64.75, 48.7

 

CMYK 0 / 92 / 92 / 22

HEX #C61010

RGB 198 16 16

HSL 0, 0.85%, 0.42%

LAB 41.87, 64.7, 50.34

 

CMYK 0 / 92 / 40 / 22

HEX #C61076

RGB 198 16 118

HSL 326.37, 0.85%, 0.42%

LAB 43.78, 69.98, -7.45

 

CMYK 0 / 92 / 16 / 22

HEX #C610A7

RGB 198 16 167

HSL 310.22, 0.85%, 0.42%

LAB 45.86, 75.48, -34.01

 

CMYK 9 / 92 / 0 / 22

HEX #B410C6

RGB 180 16 198

HSL 294.07, 0.85%, 0.42%

LAB 44.45, 76.83, -54.69

 

CMYK 34 / 92 / 0 / 22

HEX #8310C6

RGB 131 16 198

HSL 277.91, 0.85%, 0.42%

LAB 36.5, 69.78, -67.96

 

CMYK 59 / 92 / 0 / 22

HEX #5210C6

RGB 82 16 198

HSL 261.76, 0.85%, 0.42%

LAB 30.01, 64.83, -78.88

 

CMYK 0 / 92 / 40 / 22

HEX #C61076

RGB 198 16 118

HSL 326.37, 0.85%, 0.42%

LAB 43.78, 69.98, -7.45

 

CMYK 0 / 92 / 40 / 22

HEX #C61076

RGB 198 16 118

HSL 326.37, 0.85%, 0.42%

LAB 43.78, 69.98, -7.45

 

CMYK 0 / 82 / 36 / 29

HEX #B52174

RGB 181 33 116

HSL 326.35, 0.69%, 0.42%

LAB 41.49, 62.66, -9.98

 

CMYK 0 / 69 / 30 / 36

HEX #A33372

RGB 163 51 114

HSL 326.25, 0.52%, 0.42%

LAB 40.2, 51.79, -11.01

 

CMYK 0 / 53 / 23 / 43

HEX #924470

RGB 146 68 112

HSL 326.15, 0.36%, 0.42%

LAB 40.27, 38.31, -9.92

 

CMYK 0 / 34 / 15 / 49

HEX #81556E

RGB 129 85 110

HSL 325.91, 0.21%, 0.42%

LAB 41.67, 22.31, -6.82

 

CMYK 9 / 92 / 0 / 22

HEX #B410C6

RGB 180 16 198

HSL 294.07, 0.85%, 0.42%

LAB 44.45, 76.83, -54.69

 

CMYK 0 / 92 / 15 / 22

HEX #C610A8

RGB 198 16 168

HSL 309.89, 0.85%, 0.42%

LAB 45.91, 75.61, -34.52

 

CMYK 0 / 92 / 40 / 22

HEX #C61077

RGB 198 16 119

HSL 326.04, 0.85%, 0.42%

LAB 43.81, 70.08, -8.02

 

CMYK 0 / 92 / 64 / 22

HEX #C61047

RGB 198 16 71

HSL 341.87, 0.85%, 0.42%

LAB 42.51, 66.5, 20.22

 

CMYK 0 / 92 / 89 / 22

HEX #C61016

RGB 198 16 22

HSL 358.02, 0.85%, 0.42%

LAB 41.9, 64.79, 47.82

 

CMYK 0 / 92 / 40 / 52

HEX #7A0A49

RGB 122 10 73

HSL 326.25, 0.85%, 0.26%

LAB 26.26, 48.55, -6.27

 

CMYK 0 / 92 / 41 / 37

HEX #A00D5F

RGB 160 13 95

HSL 326.53, 0.85%, 0.34%

LAB 35.18, 59.49, -6.58

 

CMYK 0 / 92 / 40 / 22

HEX #C61076

RGB 198 16 118

HSL 326.37, 0.85%, 0.42%

LAB 43.78, 69.98, -7.45

 

CMYK 0 / 92 / 40 / 7

HEX #EC148D

RGB 236 20 141

HSL 326.39, 0.85%, 0.5%

LAB 52.13, 79.95, -8.22

 

CMYK 0 / 76 / 33 / 6

HEX #EF3A9F

RGB 239 58 159

HSL 326.52, 0.85%, 0.58%

LAB 55.97, 74.72, -13.08

 

CMYK 0 / 92 / 41 / 22

HEX #C81077

RGB 200 16 119

HSL 326.41, 0.85%, 0.42%

LAB 44.21, 70.52, -7.39

 

CMYK 0 / 34 / 92 / 22

HEX #C68310

RGB 198 131 16

HSL 37.91, 0.85%, 0.42%

LAB 60.14, 17.83, 63.23

 

CMYK 92 / 3 / 0 / 22

HEX #10C0C6

RGB 16 192 198

HSL 181.98, 0.85%, 0.42%

LAB 70.79, -36.51, -14.3

 

CMYK 0 / 92 / 41 / 22

HEX #C81077

RGB 200 16 119

HSL 326.41, 0.85%, 0.42%

LAB 44.21, 70.52, -7.39

 

CMYK 40 / 0 / 92 / 22

HEX #77C610

RGB 119 198 16

HSL 86.04, 0.85%, 0.42%

LAB 72.46, -49.02, 70.24

 

CMYK 92 / 40 / 0 / 22

HEX #1077C6

RGB 16 119 198

HSL 206.04, 0.85%, 0.42%

LAB 48.74, 2.7, -48.52

 

CMYK 0 / 92 / 41 / 22

HEX #C81077

RGB 200 16 119

HSL 326.41, 0.85%, 0.42%

LAB 44.21, 70.52, -7.39

 

CMYK 0 / 34 / 92 / 22

HEX #C68310

RGB 198 131 16

HSL 37.91, 0.85%, 0.42%

LAB 60.14, 17.83, 63.23

 

CMYK 92 / 0 / 52 / 22

HEX #10C65F

RGB 16 198 95

HSL 146.04, 0.85%, 0.42%

LAB 70.4, -63.24, 39.99

 

CMYK 92 / 58 / 0 / 22

HEX #1053C6

RGB 16 83 198

HSL 217.91, 0.85%, 0.42%

LAB 38.51, 25.94, -65.03

 

CMYK 0 / 92 / 41 / 22

HEX #C81077

RGB 200 16 119

HSL 326.41, 0.85%, 0.42%

LAB 44.21, 70.52, -7.39

 

CMYK 0 / 6 / 92 / 22

HEX #C6BA10

RGB 198 186 16

HSL 56.04, 0.85%, 0.42%

LAB 74.29, -11.58, 73.93

 

CMYK 92 / 0 / 52 / 22

HEX #10C65F

RGB 16 198 95

HSL 146.04, 0.85%, 0.42%

LAB 70.4, -63.24, 39.99

 

CMYK 92 / 86 / 0 / 22

HEX #101CC6

RGB 16 28 198

HSL 236.04, 0.85%, 0.42%

LAB 26.79, 57.92, -84.37

 

Description

Color code: HEX #C81077 | qconv.com Color code: HEX #C81077 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 16 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 16 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 41 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 41% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Néula | Creazioni ha...
Link: http://www.neuladesign.it

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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