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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C80B9A it is the complementary color #37F465. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C80B9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C80B9A shade: #CD0B95, #DE1DA8, #EF2FBB, #FF41CE and #FF53E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C80B9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C80B9A shade: #C80B9A, #B70087, #A60074, #950061 and #84004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C80B9A shade: #C70A99, #C70A66, #C70A33 and #C70A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C80B9A shade: #C70A99, #C20AC7, #8F0AC7, #5C0AC7 and #290AC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C80B9A shade matches the following richer shades: #C70A99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C80B9A shade: #C70A99, #B61B90, #A52C87, #943D7F and #834E76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C80B9A shade: #8E0AC7, #C00AC7, #C70A9B, #C70A69 and #C70A36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C80B9A shade: #78065D, #9F087B, #C70A99, #EE0DB7 and #F430C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C80B9A shade: #C80B9A, #C75C0A and #0AC7A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C80B9A shade: #C80B9A, #9BC70A and #0A9BC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C80B9A shade: #C80B9A, #C75C0A, #0AC736 and #0A75C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C80B9A shade: #C80B9A, #C7940A, #0AC736 and #0A3DC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 23 / 22

HEX #C80B9A

RGB 200 11 154

HSL 314.6, 0.9%, 0.41%

LAB 45.43, 74.78, -26.88

 

Complementary color

CMYK 77 / 0 / 59 / 4

HEX #37F465

RGB 55 244 101

HSL 134.6, 0.9%, 0.59%

LAB 85.23, -73.64, 55.03

 

CMYK 0 / 95 / 27 / 20

HEX #CD0B95

RGB 205 11 149

HSL 317.32, 0.9%, 0.42%

LAB 46.16, 75.2, -22.65

 

CMYK 0 / 87 / 24 / 13

HEX #DE1DA8

RGB 222 29 168

HSL 316.79, 0.77%, 0.49%

LAB 50.96, 78.52, -26.31

 

CMYK 0 / 80 / 22 / 6

HEX #EF2FBB

RGB 239 47 187

HSL 316.25, 0.86%, 0.56%

LAB 56.06, 80.77, -29.27

 

CMYK 0 / 75 / 19 / 0

HEX #FF41CE

RGB 255 65 206

HSL 315.47, 1%, 0.63%

LAB 61.22, 81.97, -31.94

 

CMYK 0 / 67 / 12 / 0

HEX #FF53E1

RGB 255 83 225

HSL 310.47, 1%, 0.66%

LAB 64.07, 78.8, -38.21

 

CMYK 0 / 95 / 23 / 22

HEX #C80B9A

RGB 200 11 154

HSL 314.6, 0.9%, 0.41%

LAB 45.43, 74.78, -26.88

 

CMYK 0 / 100 / 26 / 28

HEX #B70087

RGB 183 0 135

HSL 315.74, 1%, 0.36%

LAB 40.92, 70.24, -22.57

 

CMYK 0 / 100 / 30 / 35

HEX #A60074

RGB 166 0 116

HSL 318.07, 1%, 0.33%

LAB 36.68, 64.64, -17.57

 

CMYK 0 / 100 / 35 / 42

HEX #950061

RGB 149 0 97

HSL 320.94, 1%, 0.29%

LAB 32.38, 58.97, -12.33

 

CMYK 0 / 100 / 41 / 48

HEX #84004E

RGB 132 0 78

HSL 324.55, 1%, 0.26%

LAB 28, 53.22, -6.81

 

CMYK 0 / 95 / 23 / 22

HEX #C70A99

RGB 199 10 153

HSL 314.6, 0.9%, 0.41%

LAB 45.16, 74.56, -26.7

 

CMYK 0 / 95 / 49 / 22

HEX #C70A66

RGB 199 10 102

HSL 330.79, 0.9%, 0.41%

LAB 43.24, 69.48, 1.75

 

CMYK 0 / 95 / 74 / 22

HEX #C70A33

RGB 199 10 51

HSL 346.98, 0.9%, 0.41%

LAB 42.15, 66.51, 32.23

 

CMYK 0 / 95 / 95 / 22

HEX #C70A0A

RGB 199 10 10

HSL 0, 0.9%, 0.41%

LAB 41.82, 65.58, 52.53

 

CMYK 0 / 95 / 23 / 22

HEX #C70A99

RGB 199 10 153

HSL 314.6, 0.9%, 0.41%

LAB 45.16, 74.56, -26.7

 

CMYK 3 / 95 / 0 / 22

HEX #C20AC7

RGB 194 10 199

HSL 298.41, 0.9%, 0.41%

LAB 46.72, 79.87, -51.49

 

CMYK 28 / 95 / 0 / 22

HEX #8F0AC7

RGB 143 10 199

HSL 282.22, 0.9%, 0.41%

LAB 38.16, 72.34, -65.75

 

CMYK 54 / 95 / 0 / 22

HEX #5C0AC7

RGB 92 10 199

HSL 266.03, 0.9%, 0.41%

LAB 30.92, 66.96, -77.93

 

CMYK 79 / 95 / 0 / 22

HEX #290AC7

RGB 41 10 199

HSL 249.84, 0.9%, 0.41%

LAB 26.19, 64.22, -85.92

 

CMYK 0 / 95 / 23 / 22

HEX #C70A99

RGB 199 10 153

HSL 314.6, 0.9%, 0.41%

LAB 45.16, 74.56, -26.7

 

CMYK 0 / 95 / 23 / 22

HEX #C70A99

RGB 199 10 153

HSL 314.6, 0.9%, 0.41%

LAB 45.16, 74.56, -26.7

 

CMYK 0 / 85 / 21 / 29

HEX #B61B90

RGB 182 27 144

HSL 314.71, 0.74%, 0.41%

LAB 42.37, 67.54, -25.84

 

CMYK 0 / 73 / 18 / 35

HEX #A52C87

RGB 165 44 135

HSL 314.88, 0.58%, 0.41%

LAB 40.49, 57.77, -23.51

 

CMYK 0 / 59 / 14 / 42

HEX #943D7F

RGB 148 61 127

HSL 314.48, 0.42%, 0.41%

LAB 39.86, 44.83, -19.79

 

CMYK 0 / 40 / 10 / 49

HEX #834E76

RGB 131 78 118

HSL 314.72, 0.25%, 0.41%

LAB 40.54, 28.59, -13.41

 

CMYK 29 / 95 / 0 / 22

HEX #8E0AC7

RGB 142 10 199

HSL 281.9, 0.9%, 0.41%

LAB 38.01, 72.21, -66.02

 

CMYK 4 / 95 / 0 / 22

HEX #C00AC7

RGB 192 10 199

HSL 297.78, 0.9%, 0.41%

LAB 46.37, 79.54, -52.07

 

CMYK 0 / 95 / 22 / 22

HEX #C70A9B

RGB 199 10 155

HSL 313.97, 0.9%, 0.41%

LAB 45.26, 74.79, -27.76

 

CMYK 0 / 95 / 47 / 22

HEX #C70A69

RGB 199 10 105

HSL 329.84, 0.9%, 0.41%

LAB 43.33, 69.72, 0

 

CMYK 0 / 95 / 73 / 22

HEX #C70A36

RGB 199 10 54

HSL 346.03, 0.9%, 0.41%

LAB 42.19, 66.63, 30.45

 

CMYK 0 / 95 / 23 / 53

HEX #78065D

RGB 120 6 93

HSL 314.21, 0.9%, 0.25%

LAB 26.49, 51.22, -19.29

 

CMYK 0 / 95 / 23 / 38

HEX #9F087B

RGB 159 8 123

HSL 314.3, 0.9%, 0.33%

LAB 35.94, 63.06, -23.24

 

CMYK 0 / 95 / 23 / 22

HEX #C70A99

RGB 199 10 153

HSL 314.6, 0.9%, 0.41%

LAB 45.16, 74.56, -26.7

 

CMYK 0 / 95 / 23 / 7

HEX #EE0DB7

RGB 238 13 183

HSL 314.67, 0.9%, 0.49%

LAB 53.9, 85.34, -30.31

 

CMYK 0 / 80 / 20 / 4

HEX #F430C4

RGB 244 48 196

HSL 314.69, 0.9%, 0.57%

LAB 57.4, 82.71, -32.31

 

CMYK 0 / 95 / 23 / 22

HEX #C80B9A

RGB 200 11 154

HSL 314.6, 0.9%, 0.41%

LAB 45.43, 74.78, -26.88

 

CMYK 0 / 54 / 95 / 22

HEX #C75C0A

RGB 199 92 10

HSL 26.03, 0.9%, 0.41%

LAB 51.63, 38.93, 58.53

 

CMYK 95 / 0 / 16 / 22

HEX #0AC7A7

RGB 10 199 167

HSL 169.84, 0.9%, 0.41%

LAB 72.03, -48.64, 4.42

 

CMYK 0 / 95 / 23 / 22

HEX #C80B9A

RGB 200 11 154

HSL 314.6, 0.9%, 0.41%

LAB 45.43, 74.78, -26.88

 

CMYK 22 / 0 / 95 / 22

HEX #9BC70A

RGB 155 199 10

HSL 73.97, 0.9%, 0.41%

LAB 74.72, -36.12, 73.61

 

CMYK 95 / 22 / 0 / 22

HEX #0A9BC7

RGB 10 155 199

HSL 193.97, 0.9%, 0.41%

LAB 59.55, -17.95, -32.05

 

CMYK 0 / 95 / 23 / 22

HEX #C80B9A

RGB 200 11 154

HSL 314.6, 0.9%, 0.41%

LAB 45.43, 74.78, -26.88

 

CMYK 0 / 54 / 95 / 22

HEX #C75C0A

RGB 199 92 10

HSL 26.03, 0.9%, 0.41%

LAB 51.63, 38.93, 58.53

 

CMYK 95 / 0 / 73 / 22

HEX #0AC736

RGB 10 199 54

HSL 133.97, 0.9%, 0.41%

LAB 70.3, -68.69, 57.61

 

CMYK 95 / 41 / 0 / 22

HEX #0A75C7

RGB 10 117 199

HSL 206.03, 0.9%, 0.41%

LAB 48.15, 4.08, -50.03

 

CMYK 0 / 95 / 23 / 22

HEX #C80B9A

RGB 200 11 154

HSL 314.6, 0.9%, 0.41%

LAB 45.43, 74.78, -26.88

 

CMYK 0 / 26 / 95 / 22

HEX #C7940A

RGB 199 148 10

HSL 43.81, 0.9%, 0.41%

LAB 64.44, 8.91, 67.45

 

CMYK 95 / 0 / 73 / 22

HEX #0AC736

RGB 10 199 54

HSL 133.97, 0.9%, 0.41%

LAB 70.3, -68.69, 57.61

 

CMYK 95 / 69 / 0 / 22

HEX #0A3DC7

RGB 10 61 199

HSL 223.81, 0.9%, 0.41%

LAB 32.97, 40.45, -74.69

 

Description

Color code: HEX #C80B9A | qconv.com Color code: HEX #C80B9A | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 11 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 11 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 23 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 23% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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