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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C80557 it is the complementary color #37FAA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C80557. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C80557 shade: #CD0552, #DE1765, #EF2978, #FF3B8B and #FF4D9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C80557. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C80557 shade: #C80557, #B70044, #A60031, #95001E and #84000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C80557 shade: #C70557, #C70522 and #C70505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C80557 shade: #C70557, #C7058B, #C705BF, #9A05C7 and #6605C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C80557 shade matches the following richer shades: #C70557

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C80557 shade: #C70557, #B61659, #A6265C, #95375E and #854761

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C80557 shade: #C705C0, #C7058D, #C70559, #C70525 and #C71805

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C80557 shade: #760334, #9F0445, #C70557, #EF0668 and #F9257E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C80557 shade: #C80557, #C79A05 and #05A7C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C80557 shade: #C80557, #59C705 and #0559C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C80557 shade: #C80557, #C79A05, #05C773 and #0532C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C80557 shade: #C80557, #BAC705, #05C773 and #1205C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 57 / 22

HEX #C80557

RGB 200 5 87

HSL 334.77, 0.95%, 0.4%

LAB 42.88, 69.09, 10.7

 

Complementary color

CMYK 78 / 0 / 33 / 2

HEX #37FAA8

RGB 55 250 168

HSL 154.77, 0.95%, 0.6%

LAB 87.97, -64.83, 26.33

 

CMYK 0 / 98 / 60 / 20

HEX #CD0552

RGB 205 5 82

HSL 336.9, 0.95%, 0.41%

LAB 43.8, 69.95, 15.28

 

CMYK 0 / 90 / 55 / 13

HEX #DE1765

RGB 222 23 101

HSL 336.48, 0.81%, 0.48%

LAB 48.36, 73.21, 10.31

 

CMYK 0 / 83 / 50 / 6

HEX #EF2978

RGB 239 41 120

HSL 336.06, 0.86%, 0.55%

LAB 53.27, 75.43, 6.15

 

CMYK 0 / 77 / 45 / 0

HEX #FF3B8B

RGB 255 59 139

HSL 335.51, 1%, 0.62%

LAB 58.28, 76.53, 2.42

 

CMYK 0 / 70 / 38 / 0

HEX #FF4D9E

RGB 255 77 158

HSL 332.7, 1%, 0.65%

LAB 60.81, 72.71, -4.97

 

CMYK 0 / 98 / 57 / 22

HEX #C80557

RGB 200 5 87

HSL 334.77, 0.95%, 0.4%

LAB 42.88, 69.09, 10.7

 

CMYK 0 / 100 / 63 / 28

HEX #B70044

RGB 183 0 68

HSL 337.7, 1%, 0.36%

LAB 38.7, 64.43, 16.51

 

CMYK 0 / 100 / 70 / 35

HEX #A60031

RGB 166 0 49

HSL 342.29, 1%, 0.33%

LAB 34.66, 59.32, 22.82

 

CMYK 0 / 100 / 80 / 42

HEX #95001E

RGB 149 0 30

HSL 347.92, 1%, 0.29%

LAB 30.6, 54.28, 29.26

 

CMYK 0 / 100 / 92 / 48

HEX #84000B

RGB 132 0 11

HSL 355, 1%, 0.26%

LAB 26.53, 49.33, 34.83

 

CMYK 0 / 97 / 56 / 22

HEX #C70557

RGB 199 5 87

HSL 334.64, 0.95%, 0.4%

LAB 42.67, 68.86, 10.39

 

CMYK 0 / 97 / 83 / 22

HEX #C70522

RGB 199 5 34

HSL 351.03, 0.95%, 0.4%

LAB 41.79, 66.47, 41.75

 

CMYK 0 / 97 / 97 / 22

HEX #C70505

RGB 199 5 5

HSL 0, 0.95%, 0.4%

LAB 41.63, 66.02, 54.07

 

CMYK 0 / 97 / 56 / 22

HEX #C70557

RGB 199 5 87

HSL 334.64, 0.95%, 0.4%

LAB 42.67, 68.86, 10.39

 

CMYK 0 / 97 / 30 / 22

HEX #C7058B

RGB 199 5 139

HSL 318.56, 0.95%, 0.4%

LAB 44.4, 73.42, -19.4

 

CMYK 0 / 97 / 4 / 22

HEX #C705BF

RGB 199 5 191

HSL 302.47, 0.95%, 0.4%

LAB 46.99, 79.95, -46.35

 

CMYK 23 / 97 / 0 / 22

HEX #9A05C7

RGB 154 5 199

HSL 286.08, 0.95%, 0.4%

LAB 39.75, 74.35, -63.09

 

CMYK 49 / 97 / 0 / 22

HEX #6605C7

RGB 102 5 199

HSL 270, 0.95%, 0.4%

LAB 31.94, 68.55, -76.21

 

CMYK 0 / 97 / 56 / 22

HEX #C70557

RGB 199 5 87

HSL 334.64, 0.95%, 0.4%

LAB 42.67, 68.86, 10.39

 

CMYK 0 / 97 / 56 / 22

HEX #C70557

RGB 199 5 87

HSL 334.64, 0.95%, 0.4%

LAB 42.67, 68.86, 10.39

 

CMYK 0 / 88 / 51 / 29

HEX #B61659

RGB 182 22 89

HSL 334.88, 0.78%, 0.4%

LAB 39.98, 62.79, 4.82

 

CMYK 0 / 77 / 45 / 35

HEX #A6265C

RGB 166 38 92

HSL 334.69, 0.63%, 0.4%

LAB 38.32, 54.87, 0.11

 

CMYK 0 / 63 / 37 / 42

HEX #95375E

RGB 149 55 94

HSL 335.11, 0.46%, 0.4%

LAB 37.72, 43.27, -2.4

 

CMYK 0 / 47 / 27 / 48

HEX #854761

RGB 133 71 97

HSL 334.84, 0.3%, 0.4%

LAB 38.47, 29.78, -3.45

 

CMYK 0 / 97 / 4 / 22

HEX #C705C0

RGB 199 5 192

HSL 302.16, 0.95%, 0.4%

LAB 47.05, 80.09, -46.84

 

CMYK 0 / 97 / 29 / 22

HEX #C7058D

RGB 199 5 141

HSL 317.94, 0.95%, 0.4%

LAB 44.48, 73.63, -20.49

 

CMYK 0 / 97 / 55 / 22

HEX #C70559

RGB 199 5 89

HSL 334.02, 0.95%, 0.4%

LAB 42.72, 69, 9.19

 

CMYK 0 / 97 / 81 / 22

HEX #C70525

RGB 199 5 37

HSL 350.1, 0.95%, 0.4%

LAB 41.82, 66.55, 40.11

 

CMYK 0 / 88 / 97 / 22

HEX #C71805

RGB 199 24 5

HSL 5.88, 0.95%, 0.4%

LAB 42.47, 63.6, 54.46

 

CMYK 0 / 97 / 56 / 54

HEX #760334

RGB 118 3 52

HSL 334.43, 0.95%, 0.24%

LAB 24.21, 46.93, 4.99

 

CMYK 0 / 97 / 57 / 38

HEX #9F0445

RGB 159 4 69

HSL 334.84, 0.95%, 0.32%

LAB 33.75, 58.25, 8.25

 

CMYK 0 / 97 / 56 / 22

HEX #C70557

RGB 199 5 87

HSL 334.64, 0.95%, 0.4%

LAB 42.67, 68.86, 10.39

 

CMYK 0 / 97 / 56 / 6

HEX #EF0668

RGB 239 6 104

HSL 334.76, 0.95%, 0.48%

LAB 51.24, 79.01, 13

 

CMYK 0 / 85 / 49 / 2

HEX #F9257E

RGB 249 37 126

HSL 334.81, 0.95%, 0.56%

LAB 55.04, 79.09, 5.34

 

CMYK 0 / 98 / 57 / 22

HEX #C80557

RGB 200 5 87

HSL 334.77, 0.95%, 0.4%

LAB 42.88, 69.09, 10.7

 

CMYK 0 / 23 / 97 / 22

HEX #C79A05

RGB 199 154 5

HSL 46.08, 0.95%, 0.4%

LAB 65.95, 5.6, 69.21

 

CMYK 97 / 16 / 0 / 22

HEX #05A7C7

RGB 5 167 199

HSL 189.9, 0.95%, 0.4%

LAB 63.17, -24.4, -26.45

 

CMYK 0 / 98 / 57 / 22

HEX #C80557

RGB 200 5 87

HSL 334.77, 0.95%, 0.4%

LAB 42.88, 69.09, 10.7

 

CMYK 55 / 0 / 97 / 22

HEX #59C705

RGB 89 199 5

HSL 94.02, 0.95%, 0.4%

LAB 71.54, -58.82, 70.27

 

CMYK 97 / 55 / 0 / 22

HEX #0559C7

RGB 5 89 199

HSL 214.02, 0.95%, 0.4%

LAB 40.08, 21.97, -63.05

 

CMYK 0 / 98 / 57 / 22

HEX #C80557

RGB 200 5 87

HSL 334.77, 0.95%, 0.4%

LAB 42.88, 69.09, 10.7

 

CMYK 0 / 23 / 97 / 22

HEX #C79A05

RGB 199 154 5

HSL 46.08, 0.95%, 0.4%

LAB 65.95, 5.6, 69.21

 

CMYK 97 / 0 / 42 / 22

HEX #05C773

RGB 5 199 115

HSL 154.02, 0.95%, 0.4%

LAB 70.95, -60.61, 30.62

 

CMYK 97 / 75 / 0 / 22

HEX #0532C7

RGB 5 50 199

HSL 226.08, 0.95%, 0.4%

LAB 30.49, 47, -78.81

 

CMYK 0 / 98 / 57 / 22

HEX #C80557

RGB 200 5 87

HSL 334.77, 0.95%, 0.4%

LAB 42.88, 69.09, 10.7

 

CMYK 7 / 0 / 97 / 22

HEX #BAC705

RGB 186 199 5

HSL 64.02, 0.95%, 0.4%

LAB 76.86, -23.38, 76.69

 

CMYK 97 / 0 / 42 / 22

HEX #05C773

RGB 5 199 115

HSL 154.02, 0.95%, 0.4%

LAB 70.95, -60.61, 30.62

 

CMYK 91 / 97 / 0 / 22

HEX #1205C7

RGB 18 5 199

HSL 244.02, 0.95%, 0.4%

LAB 24.83, 64.78, -88.22

 

Description

Color code: HEX #C80557 | qconv.com Color code: HEX #C80557 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 5 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 5 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 57 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 57% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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