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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7FE0C it is the complementary color #3801F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7FE0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7FE0C shade: #CCFE07, #DDFF1A, #EEFF2D, #FFFF40 and #FFFF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7FE0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7FE0C shade: #C7FE0C, #B6EC00, #A5DA00, #94C800 and #83B600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7FE0C shade: #C7FE0B, #FEF40B, #FEB20B, #FE710B and #FE2F0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7FE0C shade: #C7FE0B, #85FE0B, #44FE0B, #0BFE14 and #0BFE56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7FE0C shade matches the following richer shades: #C7FE0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7FE0C shade: #C7FE0B, #BCEA1F, #B1D633, #A6C247 and #9BAF5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7FE0C shade: #FEB10B, #FEF20B, #C9FE0B, #89FE0B and #48FE0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7FE0C shade: #8DB601, #ACDF01, #C7FE0B, #D0FE34 and #DAFE5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7FE0C shade: #C7FE0C, #0BFE70 and #D10BFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7FE0C shade: #C7FE0C, #0BC9FE and #FE0BC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7FE0C shade: #C7FE0C, #0BFE70, #400BFE and #FE0B99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7FE0C shade: #C7FE0C, #0BFEB9, #400BFE and #FE0B50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 95 / 0

HEX #C7FE0C

RGB 199 254 12

HSL 73.64, 0.99%, 0.52%

LAB 93.04, -43.32, 88.85

 

Complementary color

CMYK 77 / 100 / 0 / 5

HEX #3801F3

RGB 56 1 243

HSL 253.64, 0.99%, 0.48%

LAB 32.55, 76.88, -100.64

 

CMYK 20 / 0 / 97 / 0

HEX #CCFE07

RGB 204 254 7

HSL 72.15, 0.99%, 0.51%

LAB 93.34, -41.45, 89.57

 

CMYK 13 / 0 / 90 / 0

HEX #DDFF1A

RGB 221 255 26

HSL 68.91, 1%, 0.55%

LAB 94.72, -35.02, 89.25

 

CMYK 7 / 0 / 82 / 0

HEX #EEFF2D

RGB 238 255 45

HSL 64.86, 1%, 0.59%

LAB 95.95, -27.82, 87.34

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF40

RGB 255 255 64

HSL 60, 1%, 0.63%

LAB 97.29, -20.34, 84.11

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF53

RGB 255 255 83

HSL 60, 1%, 0.66%

LAB 97.39, -19.52, 78.02

 

CMYK 22 / 0 / 95 / 0

HEX #C7FE0C

RGB 199 254 12

HSL 73.64, 0.99%, 0.52%

LAB 93.04, -43.32, 88.85

 

CMYK 23 / 0 / 100 / 7

HEX #B6EC00

RGB 182 236 0

HSL 73.73, 1%, 0.46%

LAB 86.97, -42.12, 84.66

 

CMYK 24 / 0 / 100 / 15

HEX #A5DA00

RGB 165 218 0

HSL 74.59, 1%, 0.43%

LAB 80.82, -40.8, 79.54

 

CMYK 26 / 0 / 100 / 22

HEX #94C800

RGB 148 200 0

HSL 75.6, 1%, 0.39%

LAB 74.57, -39.46, 74.34

 

CMYK 28 / 0 / 100 / 29

HEX #83B600

RGB 131 182 0

HSL 76.81, 1%, 0.36%

LAB 68.23, -38.11, 69.05

 

CMYK 22 / 0 / 96 / 0

HEX #C7FE0B

RGB 199 254 11

HSL 73.58, 0.99%, 0.52%

LAB 93.04, -43.33, 88.92

 

CMYK 0 / 4 / 96 / 0

HEX #FEF40B

RGB 254 244 11

HSL 57.53, 0.99%, 0.52%

LAB 94.23, -16.62, 91.52

 

CMYK 0 / 30 / 96 / 0

HEX #FEB20B

RGB 254 178 11

HSL 41.23, 0.99%, 0.52%

LAB 77.84, 16.82, 79.67

 

CMYK 0 / 56 / 96 / 0

HEX #FE710B

RGB 254 113 11

HSL 25.19, 0.99%, 0.52%

LAB 64.08, 49.74, 70.5

 

CMYK 0 / 81 / 96 / 0

HEX #FE2F0B

RGB 254 47 11

HSL 8.89, 0.99%, 0.52%

LAB 55.2, 73.77, 65.4

 

CMYK 22 / 0 / 96 / 0

HEX #C7FE0B

RGB 199 254 11

HSL 73.58, 0.99%, 0.52%

LAB 93.04, -43.33, 88.92

 

CMYK 48 / 0 / 96 / 0

HEX #85FE0B

RGB 133 254 11

HSL 89.88, 0.99%, 0.52%

LAB 89.81, -65.88, 85.01

 

CMYK 73 / 0 / 96 / 0

HEX #44FE0B

RGB 68 254 11

HSL 105.93, 0.99%, 0.52%

LAB 88.03, -80.45, 82.84

 

CMYK 96 / 0 / 92 / 0

HEX #0BFE14

RGB 11 254 20

HSL 122.22, 0.99%, 0.52%

LAB 87.49, -85.29, 81.26

 

CMYK 96 / 0 / 66 / 0

HEX #0BFE56

RGB 11 254 86

HSL 138.52, 0.99%, 0.52%

LAB 87.79, -81.43, 64.01

 

CMYK 22 / 0 / 96 / 0

HEX #C7FE0B

RGB 199 254 11

HSL 73.58, 0.99%, 0.52%

LAB 93.04, -43.33, 88.92

 

CMYK 22 / 0 / 96 / 0

HEX #C7FE0B

RGB 199 254 11

HSL 73.58, 0.99%, 0.52%

LAB 93.04, -43.33, 88.92

 

CMYK 20 / 0 / 87 / 8

HEX #BCEA1F

RGB 188 234 31

HSL 73.6, 0.83%, 0.52%

LAB 86.82, -38.46, 81.17

 

CMYK 17 / 0 / 76 / 16

HEX #B1D633

RGB 177 214 51

HSL 73.62, 0.67%, 0.52%

LAB 80.56, -33.04, 70.57

 

CMYK 14 / 0 / 63 / 24

HEX #A6C247

RGB 166 194 71

HSL 73.66, 0.5%, 0.52%

LAB 74.28, -26.87, 56.79

 

CMYK 11 / 0 / 48 / 31

HEX #9BAF5B

RGB 155 175 91

HSL 74.29, 0.34%, 0.52%

LAB 68.3, -20.18, 40.5

 

CMYK 0 / 30 / 96 / 0

HEX #FEB10B

RGB 254 177 11

HSL 40.99, 0.99%, 0.52%

LAB 77.6, 17.34, 79.5

 

CMYK 0 / 5 / 96 / 0

HEX #FEF20B

RGB 254 242 11

HSL 57.04, 0.99%, 0.52%

LAB 93.71, -15.65, 91.14

 

CMYK 21 / 0 / 96 / 0

HEX #C9FE0B

RGB 201 254 11

HSL 73.09, 0.99%, 0.52%

LAB 93.16, -42.57, 89.07

 

CMYK 46 / 0 / 96 / 0

HEX #89FE0B

RGB 137 254 11

HSL 88.89, 0.99%, 0.52%

LAB 89.96, -64.7, 85.2

 

CMYK 72 / 0 / 96 / 0

HEX #48FE0B

RGB 72 254 11

HSL 104.94, 0.99%, 0.52%

LAB 88.11, -79.83, 82.92

 

CMYK 23 / 0 / 99 / 29

HEX #8DB601

RGB 141 182 1

HSL 73.59, 0.99%, 0.36%

LAB 68.84, -34.11, 69.67

 

CMYK 23 / 0 / 100 / 13

HEX #ACDF01

RGB 172 223 1

HSL 73.78, 0.99%, 0.44%

LAB 82.67, -40.27, 81.04

 

CMYK 22 / 0 / 96 / 0

HEX #C7FE0B

RGB 199 254 11

HSL 73.58, 0.99%, 0.52%

LAB 93.04, -43.33, 88.92

 

CMYK 18 / 0 / 80 / 0

HEX #D0FE34

RGB 208 254 52

HSL 73.66, 0.99%, 0.6%

LAB 93.69, -38.98, 82.93

 

CMYK 14 / 0 / 63 / 0

HEX #DAFE5E

RGB 218 254 94

HSL 73.5, 0.99%, 0.68%

LAB 94.57, -32.98, 70.15

 

CMYK 22 / 0 / 95 / 0

HEX #C7FE0C

RGB 199 254 12

HSL 73.64, 0.99%, 0.52%

LAB 93.04, -43.32, 88.85

 

CMYK 96 / 0 / 56 / 0

HEX #0BFE70

RGB 11 254 112

HSL 144.94, 0.99%, 0.52%

LAB 88.03, -78.43, 53.37

 

CMYK 18 / 96 / 0 / 0

HEX #D10BFE

RGB 209 11 254

HSL 288.89, 0.99%, 0.52%

LAB 52.9, 90.72, -72.64

 

CMYK 22 / 0 / 95 / 0

HEX #C7FE0C

RGB 199 254 12

HSL 73.64, 0.99%, 0.52%

LAB 93.04, -43.32, 88.85

 

CMYK 96 / 21 / 0 / 0

HEX #0BC9FE

RGB 11 201 254

HSL 193.09, 0.99%, 0.52%

LAB 75.45, -22.91, -37.49

 

CMYK 0 / 96 / 21 / 0

HEX #FE0BC9

RGB 254 11 201

HSL 313.09, 0.99%, 0.52%

LAB 57.59, 90.54, -34.76

 

CMYK 22 / 0 / 95 / 0

HEX #C7FE0C

RGB 199 254 12

HSL 73.64, 0.99%, 0.52%

LAB 93.04, -43.32, 88.85

 

CMYK 96 / 0 / 56 / 0

HEX #0BFE70

RGB 11 254 112

HSL 144.94, 0.99%, 0.52%

LAB 88.03, -78.43, 53.37

 

CMYK 75 / 96 / 0 / 0

HEX #400BFE

RGB 64 11 254

HSL 253.09, 0.99%, 0.52%

LAB 34.97, 78.29, -102.78

 

CMYK 0 / 96 / 40 / 0

HEX #FE0B99

RGB 254 11 153

HSL 324.94, 0.99%, 0.52%

LAB 55.7, 85.63, -9.68

 

CMYK 22 / 0 / 95 / 0

HEX #C7FE0C

RGB 199 254 12

HSL 73.64, 0.99%, 0.52%

LAB 93.04, -43.32, 88.85

 

CMYK 96 / 0 / 27 / 0

HEX #0BFEB9

RGB 11 254 185

HSL 162.96, 0.99%, 0.52%

LAB 89.14, -65.41, 19.21

 

CMYK 75 / 96 / 0 / 0

HEX #400BFE

RGB 64 11 254

HSL 253.09, 0.99%, 0.52%

LAB 34.97, 78.29, -102.78

 

CMYK 0 / 96 / 69 / 0

HEX #FE0B50

RGB 254 11 80

HSL 342.96, 0.99%, 0.52%

LAB 53.91, 80.83, 31.59

 

Description

Color code: HEX #C7FE0C | qconv.com Color code: HEX #C7FE0C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 254 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 254 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 95 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 95% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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