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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7FCDACE it is the complementary color #380325CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7FCDACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7FCDACE shade: #CCFCD5CE, #DDFFE8CE, #EEFFFBCE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7FCDACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7FCDACE shade: #C7FCDACE, #B6EAC7CE, #A5D8B4CE, #94C6A1CE and #83B48ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7FCDACE shade: #C5FCD9, #C5FCCA, #CFFCC5, #DEFCC5 and #EDFCC5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7FCDACE shade: #C5FCD9, #C5FCE7, #C5FCF6, #C5F3FC and #C5E4FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7FCDACE shade matches the following richer shades: #C5FCD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7FCDACE shade: #C5FCD9, #CAF7DA, #CFF2DB, #D4EDDD and #D9E8DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7FCDACE shade: #CFFCC5, #C5FCC9, #C5FCD8, #C5FCE7 and #C5FCF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7FCDACE shade: #76F8A5, #9EFABF, #C5FCD9, #ECFEF2 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7FCDACE shade: #C7FCDA, #C5DEFC and #FCC5C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7FCDACE shade: #C7FCDA, #D8C5FC and #FCD8C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7FCDACE shade: #C7FCDA, #C5DEFC, #FCC5E9 and #FCE3C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7FCDACE shade: #C7FCDA, #C5CDFC, #FCC5E9 and #FCF4C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 11 / 1

HEX #C7FCDACE

RGBA 199 252 218 0.81

HSLA 141.51, 0.9%, 0.88%, 0.81

LABA 94.66, -23.29, 10.82, 0.81

 

Complementary color

CMYK 0 / 77 / 27 / 63

HEX #380325CE

RGBA 56 3 37 0.81

HSLA 321.51, 0.9%, 0.12%, 0.81

LABA 9.32, 28.86, -7.73, 0.81

 

CMYK 15 / 0 / 13 / 1

HEX #CCFCD5CE

RGBA 204 252 213 0.81

HSLA 131.25, 0.89%, 0.89%, 0.81

LABA 94.85, -22.59, 13.7, 0.81

 

CMYK 11 / 0 / 7 / 0

HEX #DDFFE8CE

RGBA 221 255 232 0.81

HSLA 139.41, 1%, 0.93%, 0.81

LABA 97.11, -15.19, 7.31, 0.81

 

CMYK 5 / 0 / 1 / 0

HEX #EEFFFBCE

RGBA 238 255 251 0.81

HSLA 165.88, 1%, 0.97%, 0.81

LABA 98.69, -6.25, -0.01, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 17 / 0 / 11 / 1

HEX #C7FCDACE

RGBA 199 252 218 0.81

HSLA 141.51, 0.9%, 0.88%, 0.81

LABA 94.66, -23.29, 10.82, 0.81

 

CMYK 18 / 0 / 12 / 7

HEX #B6EAC7CE

RGBA 182 234 199 0.81

HSLA 139.62, 0.55%, 0.82%, 0.81

LABA 88.41, -23.45, 11.61, 0.81

 

CMYK 19 / 0 / 14 / 12

HEX #A5D8B4CE

RGBA 165 216 180 0.81

HSLA 137.65, 0.4%, 0.75%, 0.81

LABA 82.06, -23.64, 12.44, 0.81

 

CMYK 20 / 0 / 15 / 18

HEX #94C6A1CE

RGBA 148 198 161 0.81

HSLA 135.6, 0.3%, 0.68%, 0.81

LABA 75.61, -23.84, 13.32, 0.81

 

CMYK 22 / 0 / 17 / 24

HEX #83B48ECE

RGBA 131 180 142 0.81

HSLA 133.47, 0.25%, 0.61%, 0.81

LABA 69.05, -24.06, 14.25, 0.81

 

CMYK 22 / 0 / 14 / 1

HEX #C5FCD9

RGB 197 252 217

HSL 141.82, 0.9%, 0.88%

LAB 94.53, -24.1, 11.12

 

CMYK 22 / 0 / 20 / 1

HEX #C5FCCA

RGB 197 252 202

HSL 125.45, 0.9%, 0.88%

LAB 94.21, -26.75, 18.38

 

CMYK 18 / 0 / 22 / 1

HEX #CFFCC5

RGB 207 252 197

HSL 109.09, 0.9%, 0.88%

LAB 94.7, -24.31, 21.71

 

CMYK 12 / 0 / 22 / 1

HEX #DEFCC5

RGB 222 252 197

HSL 92.73, 0.9%, 0.88%

LAB 95.66, -19.21, 23.18

 

CMYK 6 / 0 / 22 / 1

HEX #EDFCC5

RGB 237 252 197

HSL 76.36, 0.9%, 0.88%

LAB 96.68, -13.97, 24.75

 

CMYK 22 / 0 / 14 / 1

HEX #C5FCD9

RGB 197 252 217

HSL 141.82, 0.9%, 0.88%

LAB 94.53, -24.1, 11.12

 

CMYK 22 / 0 / 8 / 1

HEX #C5FCE7

RGB 197 252 231

HSL 157.09, 0.9%, 0.88%

LAB 94.85, -21.45, 4.37

 

CMYK 22 / 0 / 2 / 1

HEX #C5FCF6

RGB 197 252 246

HSL 173.45, 0.9%, 0.88%

LAB 95.22, -18.46, -2.82

 

CMYK 22 / 4 / 0 / 1

HEX #C5F3FC

RGB 197 243 252

HSL 189.82, 0.9%, 0.88%

LAB 93.01, -12.73, -9.19

 

CMYK 22 / 10 / 0 / 1

HEX #C5E4FC

RGB 197 228 252

HSL 206.18, 0.9%, 0.88%

LAB 89.1, -5.1, -15.02

 

CMYK 22 / 0 / 14 / 1

HEX #C5FCD9

RGB 197 252 217

HSL 141.82, 0.9%, 0.88%

LAB 94.53, -24.1, 11.12

 

CMYK 22 / 0 / 14 / 1

HEX #C5FCD9

RGB 197 252 217

HSL 141.82, 0.9%, 0.88%

LAB 94.53, -24.1, 11.12

 

CMYK 18 / 0 / 12 / 3

HEX #CAF7DA

RGB 202 247 218

HSL 141.33, 0.74%, 0.88%

LAB 93.51, -19.91, 9.2

 

CMYK 14 / 0 / 10 / 5

HEX #CFF2DB

RGB 207 242 219

HSL 140.57, 0.57%, 0.88%

LAB 92.52, -15.66, 7.3

 

CMYK 11 / 0 / 7 / 7

HEX #D4EDDD

RGB 212 237 221

HSL 141.6, 0.41%, 0.88%

LAB 91.59, -11.17, 4.96

 

CMYK 6 / 0 / 4 / 9

HEX #D9E8DE

RGB 217 232 222

HSL 140, 0.25%, 0.88%

LAB 90.66, -6.8, 3.14

 

CMYK 18 / 0 / 22 / 1

HEX #CFFCC5

RGB 207 252 197

HSL 109.09, 0.9%, 0.88%

LAB 94.7, -24.31, 21.71

 

CMYK 22 / 0 / 20 / 1

HEX #C5FCC9

RGB 197 252 201

HSL 124.36, 0.9%, 0.88%

LAB 94.19, -26.93, 18.86

 

CMYK 22 / 0 / 14 / 1

HEX #C5FCD8

RGB 197 252 216

HSL 140.73, 0.9%, 0.88%

LAB 94.5, -24.28, 11.61

 

CMYK 22 / 0 / 8 / 1

HEX #C5FCE7

RGB 197 252 231

HSL 157.09, 0.9%, 0.88%

LAB 94.85, -21.45, 4.37

 

CMYK 22 / 0 / 2 / 1

HEX #C5FCF6

RGB 197 252 246

HSL 173.45, 0.9%, 0.88%

LAB 95.22, -18.46, -2.82

 

CMYK 52 / 0 / 33 / 3

HEX #76F8A5

RGB 118 248 165

HSL 141.69, 0.9%, 0.72%

LAB 88.78, -53.94, 29.18

 

CMYK 37 / 0 / 24 / 2

HEX #9EFABF

RGB 158 250 191

HSL 141.52, 0.9%, 0.8%

LAB 91.42, -39.66, 19.81

 

CMYK 22 / 0 / 14 / 1

HEX #C5FCD9

RGB 197 252 217

HSL 141.82, 0.9%, 0.88%

LAB 94.53, -24.1, 11.12

 

CMYK 7 / 0 / 5 / 0

HEX #ECFEF2

RGB 236 254 242

HSL 140, 0.9%, 0.96%

LAB 98.08, -8.02, 3.71

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 21 / 0 / 13 / 1

HEX #C7FCDA

RGB 199 252 218

HSL 141.51, 0.9%, 0.88%

LAB 94.66, -23.29, 10.82

 

CMYK 22 / 12 / 0 / 1

HEX #C5DEFC

RGB 197 222 252

HSL 212.73, 0.9%, 0.88%

LAB 87.55, -1.99, -17.35

 

CMYK 0 / 22 / 21 / 1

HEX #FCC5C8

RGB 252 197 200

HSL 356.73, 0.9%, 0.88%

LAB 84.38, 20.01, 6.03

 

CMYK 21 / 0 / 13 / 1

HEX #C7FCDA

RGB 199 252 218

HSL 141.51, 0.9%, 0.88%

LAB 94.66, -23.29, 10.82

 

CMYK 14 / 22 / 0 / 1

HEX #D8C5FC

RGB 216 197 252

HSL 260.73, 0.9%, 0.88%

LAB 82.68, 17.1, -24.6

 

CMYK 0 / 14 / 22 / 1

HEX #FCD8C5

RGB 252 216 197

HSL 20.73, 0.9%, 0.88%

LAB 88.85, 9.66, 13.99

 

CMYK 21 / 0 / 13 / 1

HEX #C7FCDA

RGB 199 252 218

HSL 141.51, 0.9%, 0.88%

LAB 94.66, -23.29, 10.82

 

CMYK 22 / 12 / 0 / 1

HEX #C5DEFC

RGB 197 222 252

HSL 212.73, 0.9%, 0.88%

LAB 87.55, -1.99, -17.35

 

CMYK 0 / 22 / 8 / 1

HEX #FCC5E9

RGB 252 197 233

HSL 320.73, 0.9%, 0.88%

LAB 85.26, 25.22, -10.28

 

CMYK 0 / 10 / 22 / 1

HEX #FCE3C5

RGB 252 227 197

HSL 32.73, 0.9%, 0.88%

LAB 91.53, 3.99, 17.78

 

CMYK 21 / 0 / 13 / 1

HEX #C7FCDA

RGB 199 252 218

HSL 141.51, 0.9%, 0.88%

LAB 94.66, -23.29, 10.82

 

CMYK 22 / 19 / 0 / 1

HEX #C5CDFC

RGB 197 205 252

HSL 231.27, 0.9%, 0.88%

LAB 83.21, 6.99, -23.92

 

CMYK 0 / 22 / 8 / 1

HEX #FCC5E9

RGB 252 197 233

HSL 320.73, 0.9%, 0.88%

LAB 85.26, 25.22, -10.28

 

CMYK 0 / 3 / 22 / 1

HEX #FCF4C5

RGB 252 244 197

HSL 51.27, 0.9%, 0.88%

LAB 95.76, -4.63, 23.66

 

Description

Color code: HEX #C7FCDACE | qconv.com Color code: HEX #C7FCDACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 252 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 252 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 11 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 11% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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