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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7F883 it is the complementary color #38077C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7F883. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7F883 shade: #CCF87E, #DDFF91, #EEFFA4, #FFFFB7 and #FFFFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7F883. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7F883 shade: #C7F883, #B6E670, #A5D45D, #94C24A and #83B037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7F883 shade: #C6F882, #E6F882, #F8E982, #F8CA82 and #F8AA82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7F883 shade: #C6F882, #A6F882, #87F882, #82F89D and #82F8BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7F883 shade matches the following richer shades: #C6F882

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7F883 shade: #C6F882, #C5ED8C, #C3E297, #C1D8A2 and #BFCDAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7F883 shade: #F8EA82, #E6F882, #C7F882, #A7F882 and #88F882

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7F883 shade: #A3F334, #B5F55B, #C6F882, #D8FAA9 and #EAFCD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7F883 shade: #C7F883, #82F8CA and #F882F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7F883 shade: #C7F883, #82C7F8 and #F882C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7F883 shade: #C7F883, #82F8CA, #B382F8 and #F882AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7F883 shade: #C7F883, #82F8EE, #B382F8 and #F8828C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 47 / 3

HEX #C7F883

RGB 199 248 131

HSL 85.13, 0.89%, 0.74%

LAB 92.09, -34.12, 50.86

 

Complementary color

CMYK 55 / 94 / 0 / 51

HEX #38077C

RGB 56 7 124

HSL 265.13, 0.89%, 0.26%

LAB 17.68, 46.38, -54.2

 

CMYK 18 / 0 / 49 / 3

HEX #CCF87E

RGB 204 248 126

HSL 81.64, 0.9%, 0.73%

LAB 92.34, -32.82, 53.57

 

CMYK 13 / 0 / 43 / 0

HEX #DDFF91

RGB 221 255 145

HSL 78.55, 1%, 0.78%

LAB 95.55, -27.82, 48.82

 

CMYK 7 / 0 / 36 / 0

HEX #EEFFA4

RGB 238 255 164

HSL 71.21, 1%, 0.82%

LAB 96.97, -19.4, 41.67

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 20 / 0 / 47 / 3

HEX #C7F883

RGB 199 248 131

HSL 85.13, 0.89%, 0.74%

LAB 92.09, -34.12, 50.86

 

CMYK 21 / 0 / 51 / 10

HEX #B6E670

RGB 182 230 112

HSL 84.41, 0.7%, 0.67%

LAB 85.86, -34.05, 51.96

 

CMYK 22 / 0 / 56 / 17

HEX #A5D45D

RGB 165 212 93

HSL 83.7, 0.58%, 0.6%

LAB 79.54, -33.92, 53.01

 

CMYK 24 / 0 / 62 / 24

HEX #94C24A

RGB 148 194 74

HSL 83, 0.5%, 0.53%

LAB 73.14, -33.71, 53.93

 

CMYK 26 / 0 / 69 / 31

HEX #83B037

RGB 131 176 55

HSL 82.31, 0.52%, 0.45%

LAB 66.64, -33.39, 54.57

 

CMYK 20 / 0 / 48 / 3

HEX #C6F882

RGB 198 248 130

HSL 85.42, 0.89%, 0.74%

LAB 92.02, -34.59, 51.23

 

CMYK 7 / 0 / 48 / 3

HEX #E6F882

RGB 230 248 130

HSL 69.15, 0.89%, 0.74%

LAB 94.13, -22.66, 54.28

 

CMYK 0 / 6 / 48 / 3

HEX #F8E982

RGB 248 233 130

HSL 52.37, 0.89%, 0.74%

LAB 91.62, -8.32, 51.55

 

CMYK 0 / 19 / 48 / 3

HEX #F8CA82

RGB 248 202 130

HSL 36.61, 0.89%, 0.74%

LAB 83.87, 7.47, 41.94

 

CMYK 0 / 31 / 48 / 3

HEX #F8AA82

RGB 248 170 130

HSL 20.34, 0.89%, 0.74%

LAB 76.26, 24.24, 32.16

 

CMYK 20 / 0 / 48 / 3

HEX #C6F882

RGB 198 248 130

HSL 85.42, 0.89%, 0.74%

LAB 92.02, -34.59, 51.23

 

CMYK 33 / 0 / 48 / 3

HEX #A6F882

RGB 166 248 130

HSL 101.69, 0.89%, 0.74%

LAB 90.25, -45.62, 48.66

 

CMYK 46 / 0 / 48 / 3

HEX #87F882

RGB 135 248 130

HSL 117.46, 0.89%, 0.74%

LAB 88.87, -55.01, 46.64

 

CMYK 48 / 0 / 37 / 3

HEX #82F89D

RGB 130 248 157

HSL 133.73, 0.89%, 0.74%

LAB 89.07, -52.36, 33.67

 

CMYK 48 / 0 / 24 / 3

HEX #82F8BC

RGB 130 248 188

HSL 149.49, 0.89%, 0.74%

LAB 89.63, -46.76, 18.69

 

CMYK 20 / 0 / 48 / 3

HEX #C6F882

RGB 198 248 130

HSL 85.42, 0.89%, 0.74%

LAB 92.02, -34.59, 51.23

 

CMYK 20 / 0 / 48 / 3

HEX #C6F882

RGB 198 248 130

HSL 85.42, 0.89%, 0.74%

LAB 92.02, -34.59, 51.23

 

CMYK 17 / 0 / 41 / 7

HEX #C5ED8C

RGB 197 237 140

HSL 84.74, 0.73%, 0.74%

LAB 89.08, -28.72, 42.75

 

CMYK 14 / 0 / 33 / 11

HEX #C3E297

RGB 195 226 151

HSL 84.8, 0.56%, 0.74%

LAB 86.12, -22.79, 33.39

 

CMYK 11 / 0 / 25 / 15

HEX #C1D8A2

RGB 193 216 162

HSL 85.56, 0.41%, 0.74%

LAB 83.47, -17.04, 24.14

 

CMYK 7 / 0 / 16 / 20

HEX #BFCDAD

RGB 191 205 173

HSL 86.25, 0.24%, 0.74%

LAB 80.6, -10.46, 14.34

 

CMYK 0 / 6 / 48 / 3

HEX #F8EA82

RGB 248 234 130

HSL 52.88, 0.89%, 0.74%

LAB 91.87, -8.82, 51.86

 

CMYK 7 / 0 / 48 / 3

HEX #E6F882

RGB 230 248 130

HSL 69.15, 0.89%, 0.74%

LAB 94.13, -22.66, 54.28

 

CMYK 20 / 0 / 48 / 3

HEX #C7F882

RGB 199 248 130

HSL 84.92, 0.89%, 0.74%

LAB 92.08, -34.23, 51.32

 

CMYK 33 / 0 / 48 / 3

HEX #A7F882

RGB 167 248 130

HSL 101.19, 0.89%, 0.74%

LAB 90.3, -45.29, 48.73

 

CMYK 45 / 0 / 48 / 3

HEX #88F882

RGB 136 248 130

HSL 116.95, 0.89%, 0.74%

LAB 88.91, -54.73, 46.7

 

CMYK 33 / 0 / 79 / 5

HEX #A3F334

RGB 163 243 52

HSL 85.13, 0.89%, 0.58%

LAB 88.03, -50.87, 76.87

 

CMYK 26 / 0 / 63 / 4

HEX #B5F55B

RGB 181 245 91

HSL 84.94, 0.89%, 0.66%

LAB 89.81, -42.98, 65.56

 

CMYK 20 / 0 / 48 / 3

HEX #C6F882

RGB 198 248 130

HSL 85.42, 0.89%, 0.74%

LAB 92.02, -34.59, 51.23

 

CMYK 14 / 0 / 32 / 2

HEX #D8FAA9

RGB 216 250 169

HSL 85.19, 0.89%, 0.82%

LAB 94.24, -24.37, 35.33

 

CMYK 7 / 0 / 17 / 1

HEX #EAFCD0

RGB 234 252 208

HSL 84.55, 0.88%, 0.9%

LAB 96.68, -13.37, 19.12

 

CMYK 20 / 0 / 47 / 3

HEX #C7F883

RGB 199 248 131

HSL 85.13, 0.89%, 0.74%

LAB 92.09, -34.12, 50.86

 

CMYK 48 / 0 / 19 / 3

HEX #82F8CA

RGB 130 248 202

HSL 156.61, 0.89%, 0.74%

LAB 89.93, -43.92, 11.88

 

CMYK 0 / 48 / 1 / 3

HEX #F882F6

RGB 248 130 246

HSL 301.02, 0.89%, 0.74%

LAB 71.27, 60.56, -38.67

 

CMYK 20 / 0 / 47 / 3

HEX #C7F883

RGB 199 248 131

HSL 85.13, 0.89%, 0.74%

LAB 92.09, -34.12, 50.86

 

CMYK 48 / 20 / 0 / 3

HEX #82C7F8

RGB 130 199 248

HSL 204.92, 0.89%, 0.74%

LAB 77.5, -8.84, -30.88

 

CMYK 0 / 48 / 20 / 3

HEX #F882C7

RGB 248 130 199

HSL 324.92, 0.89%, 0.74%

LAB 69.5, 53.11, -15.41

 

CMYK 20 / 0 / 47 / 3

HEX #C7F883

RGB 199 248 131

HSL 85.13, 0.89%, 0.74%

LAB 92.09, -34.12, 50.86

 

CMYK 48 / 0 / 19 / 3

HEX #82F8CA

RGB 130 248 202

HSL 156.61, 0.89%, 0.74%

LAB 89.93, -43.92, 11.88

 

CMYK 28 / 48 / 0 / 3

HEX #B382F8

RGB 179 130 248

HSL 264.92, 0.89%, 0.74%

LAB 63.61, 42.21, -52.33

 

CMYK 0 / 48 / 29 / 3

HEX #F882AF

RGB 248 130 175

HSL 337.12, 0.89%, 0.74%

LAB 68.76, 49.86, -3.07

 

CMYK 20 / 0 / 47 / 3

HEX #C7F883

RGB 199 248 131

HSL 85.13, 0.89%, 0.74%

LAB 92.09, -34.12, 50.86

 

CMYK 48 / 0 / 4 / 3

HEX #82F8EE

RGB 130 248 238

HSL 174.92, 0.89%, 0.74%

LAB 90.8, -35.76, -5.54

 

CMYK 28 / 48 / 0 / 3

HEX #B382F8

RGB 179 130 248

HSL 264.92, 0.89%, 0.74%

LAB 63.61, 42.21, -52.33

 

CMYK 0 / 48 / 44 / 3

HEX #F8828C

RGB 248 130 140

HSL 354.92, 0.89%, 0.74%

LAB 67.88, 45.86, 15.36

 

Description

Color code: HEX #C7F883 | qconv.com Color code: HEX #C7F883 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 248 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 248 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 47 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 47% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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