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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7F7D9 it is the complementary color #380826. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7F7D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7F7D9 shade: #CCF7D4, #DDFFE7, #EEFFFA and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7F7D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7F7D9 shade: #C7F7D9, #B6E5C6, #A5D3B3, #94C1A0 and #83AF8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7F7D9 shade: #C5F7D8, #C5F7CA, #CDF7C5, #DBF7C5 and #E8F7C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7F7D9 shade: #C5F7D8, #C5F7E5, #C5F7F2, #C5EEF7 and #C5E0F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7F7D9 shade matches the following richer shades: #C5F7D8 and #C0FCD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7F7D9 shade: #C5F7D8, #CAF1D9, #D0ECDA, #D5E7DC and #DAE1DD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7F7D9 shade: #CDF7C5, #C5F7CA, #C5F7D7, #C5F7E4 and #C5F7F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7F7D9 shade: #7DECA7, #A1F2BF, #C5F7D8, #E9FCF0 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7F7D9 shade: #C7F7D9, #C5DBF7 and #F7C5C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7F7D9 shade: #C7F7D9, #D7C5F7 and #F7D7C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7F7D9 shade: #C7F7D9, #C5DBF7, #F7C5E4 and #F7E1C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7F7D9 shade: #C7F7D9, #C5CCF7, #F7C5E4 and #F7F0C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 12 / 3

HEX #C7F7D9

RGB 199 247 217

HSL 142.5, 0.75%, 0.87%

LAB 93.31, -21.05, 9.4

 

Complementary color

CMYK 0 / 86 / 32 / 78

HEX #380826

RGB 56 8 38

HSL 322.5, 0.75%, 0.13%

LAB 10.22, 26.57, -7.1

 

CMYK 17 / 0 / 14 / 3

HEX #CCF7D4

RGB 204 247 212

HSL 131.16, 0.73%, 0.88%

LAB 93.5, -20.35, 12.3

 

CMYK 13 / 0 / 9 / 0

HEX #DDFFE7

RGB 221 255 231

HSL 137.65, 1%, 0.93%

LAB 97.09, -15.37, 7.79

 

CMYK 7 / 0 / 2 / 0

HEX #EEFFFA

RGB 238 255 250

HSL 162.35, 1%, 0.97%

LAB 98.67, -6.43, 0.47

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 19 / 0 / 12 / 3

HEX #C7F7D9

RGB 199 247 217

HSL 142.5, 0.75%, 0.87%

LAB 93.31, -21.05, 9.4

 

CMYK 21 / 0 / 14 / 10

HEX #B6E5C6

RGB 182 229 198

HSL 140.43, 0.47%, 0.81%

LAB 87.03, -21.2, 10.17

 

CMYK 22 / 0 / 15 / 17

HEX #A5D3B3

RGB 165 211 179

HSL 138.26, 0.34%, 0.74%

LAB 80.65, -21.36, 10.98

 

CMYK 23 / 0 / 17 / 24

HEX #94C1A0

RGB 148 193 160

HSL 136, 0.27%, 0.67%

LAB 74.17, -21.54, 11.82

 

CMYK 25 / 0 / 19 / 31

HEX #83AF8D

RGB 131 175 141

HSL 133.64, 0.22%, 0.6%

LAB 67.58, -21.75, 12.73

 

CMYK 20 / 0 / 13 / 3

HEX #C5F7D8

RGB 197 247 216

HSL 142.8, 0.76%, 0.87%

LAB 93.17, -21.87, 9.7

 

CMYK 20 / 0 / 18 / 3

HEX #C5F7CA

RGB 197 247 202

HSL 126, 0.76%, 0.87%

LAB 92.86, -24.37, 16.49

 

CMYK 17 / 0 / 20 / 3

HEX #CDF7C5

RGB 205 247 197

HSL 110.4, 0.76%, 0.87%

LAB 93.25, -22.57, 19.67

 

CMYK 11 / 0 / 20 / 3

HEX #DBF7C5

RGB 219 247 197

HSL 93.6, 0.76%, 0.87%

LAB 94.15, -17.81, 21.05

 

CMYK 6 / 0 / 20 / 3

HEX #E8F7C5

RGB 232 247 197

HSL 78, 0.76%, 0.87%

LAB 95.04, -13.28, 22.43

 

CMYK 20 / 0 / 13 / 3

HEX #C5F7D8

RGB 197 247 216

HSL 142.8, 0.76%, 0.87%

LAB 93.17, -21.87, 9.7

 

CMYK 20 / 0 / 7 / 3

HEX #C5F7E5

RGB 197 247 229

HSL 158.4, 0.76%, 0.87%

LAB 93.47, -19.41, 3.41

 

CMYK 20 / 0 / 2 / 3

HEX #C5F7F2

RGB 197 247 242

HSL 174, 0.76%, 0.87%

LAB 93.8, -16.81, -2.85

 

CMYK 20 / 4 / 0 / 3

HEX #C5EEF7

RGB 197 238 247

HSL 190.8, 0.76%, 0.87%

LAB 91.57, -11.28, -8.74

 

CMYK 20 / 9 / 0 / 3

HEX #C5E0F7

RGB 197 224 247

HSL 207.6, 0.76%, 0.87%

LAB 87.92, -4.11, -14.17

 

CMYK 20 / 0 / 13 / 3

HEX #C5F7D8

RGB 197 247 216

HSL 142.8, 0.76%, 0.87%

LAB 93.17, -21.87, 9.7

 

CMYK 24 / 0 / 15 / 1

HEX #C0FCD6

RGB 192 252 214

HSL 142, 0.91%, 0.87%

LAB 94.18, -26.21, 12.13

 

CMYK 20 / 0 / 13 / 3

HEX #C5F7D8

RGB 197 247 216

HSL 142.8, 0.76%, 0.87%

LAB 93.17, -21.87, 9.7

 

CMYK 16 / 0 / 10 / 5

HEX #CAF1D9

RGB 202 241 217

HSL 143.08, 0.58%, 0.87%

LAB 91.9, -17.15, 7.4

 

CMYK 12 / 0 / 8 / 7

HEX #D0ECDA

RGB 208 236 218

HSL 141.43, 0.42%, 0.87%

LAB 90.99, -12.53, 5.62

 

CMYK 8 / 0 / 5 / 9

HEX #D5E7DC

RGB 213 231 220

HSL 143.33, 0.27%, 0.87%

LAB 90.07, -7.99, 3.3

 

CMYK 3 / 0 / 2 / 12

HEX #DAE1DD

RGB 218 225 221

HSL 145.71, 0.1%, 0.87%

LAB 88.91, -3.07, 1.12

 

CMYK 17 / 0 / 20 / 3

HEX #CDF7C5

RGB 205 247 197

HSL 110.4, 0.76%, 0.87%

LAB 93.25, -22.57, 19.67

 

CMYK 20 / 0 / 18 / 3

HEX #C5F7CA

RGB 197 247 202

HSL 126, 0.76%, 0.87%

LAB 92.86, -24.37, 16.49

 

CMYK 20 / 0 / 13 / 3

HEX #C5F7D7

RGB 197 247 215

HSL 141.6, 0.76%, 0.87%

LAB 93.14, -22.05, 10.18

 

CMYK 20 / 0 / 8 / 3

HEX #C5F7E4

RGB 197 247 228

HSL 157.2, 0.76%, 0.87%

LAB 93.45, -19.6, 3.9

 

CMYK 20 / 0 / 2 / 3

HEX #C5F7F2

RGB 197 247 242

HSL 174, 0.76%, 0.87%

LAB 93.8, -16.81, -2.85

 

CMYK 47 / 0 / 29 / 7

HEX #7DECA7

RGB 125 236 167

HSL 142.7, 0.74%, 0.71%

LAB 85.58, -46.89, 23.85

 

CMYK 33 / 0 / 21 / 5

HEX #A1F2BF

RGB 161 242 191

HSL 142.22, 0.76%, 0.79%

LAB 89.32, -35.16, 16.9

 

CMYK 20 / 0 / 13 / 3

HEX #C5F7D8

RGB 197 247 216

HSL 142.8, 0.76%, 0.87%

LAB 93.17, -21.87, 9.7

 

CMYK 8 / 0 / 5 / 1

HEX #E9FCF0

RGB 233 252 240

HSL 142.11, 0.76%, 0.95%

LAB 97.32, -8.36, 3.61

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 19 / 0 / 12 / 3

HEX #C7F7D9

RGB 199 247 217

HSL 142.5, 0.75%, 0.87%

LAB 93.31, -21.05, 9.4

 

CMYK 20 / 11 / 0 / 3

HEX #C5DBF7

RGB 197 219 247

HSL 213.6, 0.76%, 0.87%

LAB 86.63, -1.51, -16.11

 

CMYK 0 / 20 / 19 / 3

HEX #F7C5C7

RGB 247 197 199

HSL 357.6, 0.76%, 0.87%

LAB 83.88, 18.07, 5.78

 

CMYK 19 / 0 / 12 / 3

HEX #C7F7D9

RGB 199 247 217

HSL 142.5, 0.75%, 0.87%

LAB 93.31, -21.05, 9.4

 

CMYK 13 / 20 / 0 / 3

HEX #D7C5F7

RGB 215 197 247

HSL 261.6, 0.76%, 0.87%

LAB 82.43, 15.75, -22.32

 

CMYK 0 / 13 / 20 / 3

HEX #F7D7C5

RGB 247 215 197

HSL 21.6, 0.76%, 0.87%

LAB 88.16, 8.36, 12.97

 

CMYK 19 / 0 / 12 / 3

HEX #C7F7D9

RGB 199 247 217

HSL 142.5, 0.75%, 0.87%

LAB 93.31, -21.05, 9.4

 

CMYK 20 / 11 / 0 / 3

HEX #C5DBF7

RGB 197 219 247

HSL 213.6, 0.76%, 0.87%

LAB 86.63, -1.51, -16.11

 

CMYK 0 / 20 / 8 / 3

HEX #F7C5E4

RGB 247 197 228

HSL 322.8, 0.76%, 0.87%

LAB 84.64, 22.68, -8.58

 

CMYK 0 / 9 / 20 / 3

HEX #F7E1C5

RGB 247 225 197

HSL 33.6, 0.76%, 0.87%

LAB 90.62, 3.2, 16.44

 

CMYK 19 / 0 / 12 / 3

HEX #C7F7D9

RGB 199 247 217

HSL 142.5, 0.75%, 0.87%

LAB 93.31, -21.05, 9.4

 

CMYK 20 / 17 / 0 / 3

HEX #C5CCF7

RGB 197 204 247

HSL 231.6, 0.76%, 0.87%

LAB 82.79, 6.42, -21.9

 

CMYK 0 / 20 / 8 / 3

HEX #F7C5E4

RGB 247 197 228

HSL 322.8, 0.76%, 0.87%

LAB 84.64, 22.68, -8.58

 

CMYK 0 / 3 / 20 / 3

HEX #F7F0C5

RGB 247 240 197

HSL 51.6, 0.76%, 0.87%

LAB 94.37, -4.43, 21.67

 

Description

Color code: HEX #C7F7D9 | qconv.com Color code: HEX #C7F7D9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 247 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 247 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 12 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 12% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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