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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7F69E it is the complementary color #380961. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7F69E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7F69E shade: #CCF699, #DDFFAC, #EEFFBF, #FFFFD2 and #FFFFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7F69E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7F69E shade: #C7F69E, #B6E48B, #A5D278, #94C065 and #83AE52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7F69E shade: #C6F69D, #DEF69D, #F6F59D, #F6DD9D and #F6C59D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7F69E shade: #C6F69D, #AEF69D, #9DF6A4, #9DF6BC and #9DF6D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7F69E shade matches the following richer shades: #C6F69D and #C6FF94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7F69E shade: #C6F69D, #C7EDA6, #C8E5AE, #C8DCB7 and #C9D3C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7F69E shade: #F6F69D, #DEF69D, #C6F69D, #AFF69D and #9DF6A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7F69E shade: #9BEF51, #B1F277, #C6F69D, #DCF9C3 and #F2FDE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7F69E shade: #C7F69E, #9DF6DE and #F69DEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7F69E shade: #C7F69E, #9DC6F6 and #F69DC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7F69E shade: #C7F69E, #9DF6DE, #CC9DF6 and #F69DB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7F69E shade: #C7F69E, #9DF3F6, #CC9DF6 and #F6A09D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 36 / 4

HEX #C7F69E

RGB 199 246 158

HSL 92.05, 0.83%, 0.79%

LAB 91.92, -29.95, 37.55

 

Complementary color

CMYK 42 / 91 / 0 / 62

HEX #380961

RGB 56 9 97

HSL 272.05, 0.83%, 0.21%

LAB 14.95, 38.85, -41.1

 

CMYK 17 / 0 / 38 / 4

HEX #CCF699

RGB 204 246 153

HSL 87.1, 0.84%, 0.78%

LAB 92.15, -28.83, 40.39

 

CMYK 13 / 0 / 33 / 0

HEX #DDFFAC

RGB 221 255 172

HSL 84.58, 1%, 0.84%

LAB 95.94, -24.57, 36.15

 

CMYK 7 / 0 / 25 / 0

HEX #EEFFBF

RGB 238 255 191

HSL 75.94, 1%, 0.87%

LAB 97.41, -15.93, 28.8

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE5

RGB 255 255 229

HSL 60, 1%, 0.95%

LAB 99.39, -4.32, 12.43

 

CMYK 19 / 0 / 36 / 4

HEX #C7F69E

RGB 199 246 158

HSL 92.05, 0.83%, 0.79%

LAB 91.92, -29.95, 37.55

 

CMYK 20 / 0 / 39 / 11

HEX #B6E48B

RGB 182 228 139

HSL 91.01, 0.62%, 0.72%

LAB 85.65, -30.02, 38.66

 

CMYK 21 / 0 / 43 / 18

HEX #A5D278

RGB 165 210 120

HSL 90, 0.5%, 0.65%

LAB 79.3, -30.07, 39.82

 

CMYK 23 / 0 / 47 / 25

HEX #94C065

RGB 148 192 101

HSL 89.01, 0.42%, 0.57%

LAB 72.85, -30.09, 40.99

 

CMYK 25 / 0 / 53 / 32

HEX #83AE52

RGB 131 174 82

HSL 88.04, 0.36%, 0.5%

LAB 66.3, -30.07, 42.15

 

CMYK 20 / 0 / 36 / 4

HEX #C6F69D

RGB 198 246 157

HSL 92.36, 0.83%, 0.79%

LAB 91.84, -30.44, 37.93

 

CMYK 10 / 0 / 36 / 4

HEX #DEF69D

RGB 222 246 157

HSL 76.18, 0.83%, 0.79%

LAB 93.4, -21.8, 40.26

 

CMYK 0 / 0 / 36 / 4

HEX #F6F59D

RGB 246 245 157

HSL 59.33, 0.83%, 0.79%

LAB 94.88, -12.33, 42.52

 

CMYK 0 / 10 / 36 / 4

HEX #F6DD9D

RGB 246 221 157

HSL 43.15, 0.83%, 0.79%

LAB 88.8, -0.3, 34.59

 

CMYK 0 / 20 / 36 / 4

HEX #F6C59D

RGB 246 197 157

HSL 26.97, 0.83%, 0.79%

LAB 82.89, 12.12, 26.69

 

CMYK 20 / 0 / 36 / 4

HEX #C6F69D

RGB 198 246 157

HSL 92.36, 0.83%, 0.79%

LAB 91.84, -30.44, 37.93

 

CMYK 29 / 0 / 36 / 4

HEX #AEF69D

RGB 174 246 157

HSL 108.54, 0.83%, 0.79%

LAB 90.48, -38.56, 35.89

 

CMYK 36 / 0 / 33 / 4

HEX #9DF6A4

RGB 157 246 164

HSL 124.72, 0.83%, 0.79%

LAB 89.75, -42.82, 31.26

 

CMYK 36 / 0 / 24 / 4

HEX #9DF6BC

RGB 157 246 188

HSL 140.9, 0.83%, 0.79%

LAB 90.19, -38.7, 19.63

 

CMYK 36 / 0 / 14 / 4

HEX #9DF6D3

RGB 157 246 211

HSL 156.4, 0.83%, 0.79%

LAB 90.68, -34.23, 8.45

 

CMYK 20 / 0 / 36 / 4

HEX #C6F69D

RGB 198 246 157

HSL 92.36, 0.83%, 0.79%

LAB 91.84, -30.44, 37.93

 

CMYK 22 / 0 / 42 / 0

HEX #C6FF94

RGB 198 255 148

HSL 91.96, 1%, 0.79%

LAB 94.17, -35.72, 45.34

 

CMYK 20 / 0 / 36 / 4

HEX #C6F69D

RGB 198 246 157

HSL 92.36, 0.83%, 0.79%

LAB 91.84, -30.44, 37.93

 

CMYK 16 / 0 / 30 / 7

HEX #C7EDA6

RGB 199 237 166

HSL 92.11, 0.66%, 0.79%

LAB 89.61, -24.59, 30.46

 

CMYK 13 / 0 / 24 / 10

HEX #C8E5AE

RGB 200 229 174

HSL 91.64, 0.51%, 0.79%

LAB 87.67, -19.17, 23.73

 

CMYK 9 / 0 / 17 / 14

HEX #C8DCB7

RGB 200 220 183

HSL 92.43, 0.35%, 0.79%

LAB 85.45, -13.27, 15.96

 

CMYK 5 / 0 / 9 / 17

HEX #C9D3C0

RGB 201 211 192

HSL 91.58, 0.18%, 0.79%

LAB 83.34, -6.81, 8.23

 

CMYK 0 / 0 / 36 / 4

HEX #F6F69D

RGB 246 246 157

HSL 60, 0.83%, 0.79%

LAB 95.14, -12.83, 42.85

 

CMYK 10 / 0 / 36 / 4

HEX #DEF69D

RGB 222 246 157

HSL 76.18, 0.83%, 0.79%

LAB 93.4, -21.8, 40.26

 

CMYK 20 / 0 / 36 / 4

HEX #C6F69D

RGB 198 246 157

HSL 92.36, 0.83%, 0.79%

LAB 91.84, -30.44, 37.93

 

CMYK 29 / 0 / 36 / 4

HEX #AFF69D

RGB 175 246 157

HSL 107.87, 0.83%, 0.79%

LAB 90.53, -38.24, 35.97

 

CMYK 36 / 0 / 34 / 4

HEX #9DF6A3

RGB 157 246 163

HSL 124.04, 0.83%, 0.79%

LAB 89.73, -42.98, 31.74

 

CMYK 35 / 0 / 66 / 6

HEX #9BEF51

RGB 155 239 81

HSL 91.9, 0.83%, 0.63%

LAB 86.65, -50.27, 65.73

 

CMYK 27 / 0 / 51 / 5

HEX #B1F277

RGB 177 242 119

HSL 91.71, 0.83%, 0.71%

LAB 89.01, -40.53, 52.42

 

CMYK 20 / 0 / 36 / 4

HEX #C6F69D

RGB 198 246 157

HSL 92.36, 0.83%, 0.79%

LAB 91.84, -30.44, 37.93

 

CMYK 12 / 0 / 22 / 2

HEX #DCF9C3

RGB 220 249 195

HSL 92.22, 0.82%, 0.87%

LAB 94.7, -18.75, 22.85

 

CMYK 4 / 0 / 8 / 1

HEX #F2FDE9

RGB 242 253 233

HSL 93, 0.83%, 0.95%

LAB 98.04, -7.09, 8.31

 

CMYK 19 / 0 / 36 / 4

HEX #C7F69E

RGB 199 246 158

HSL 92.05, 0.83%, 0.79%

LAB 91.92, -29.95, 37.55

 

CMYK 36 / 0 / 10 / 4

HEX #9DF6DE

RGB 157 246 222

HSL 163.82, 0.83%, 0.79%

LAB 90.94, -31.93, 3.11

 

CMYK 0 / 36 / 5 / 4

HEX #F69DEA

RGB 246 157 234

HSL 308.09, 0.83%, 0.79%

LAB 75.85, 44.41, -25.07

 

CMYK 19 / 0 / 36 / 4

HEX #C7F69E

RGB 199 246 158

HSL 92.05, 0.83%, 0.79%

LAB 91.92, -29.95, 37.55

 

CMYK 36 / 20 / 0 / 4

HEX #9DC6F6

RGB 157 198 246

HSL 212.36, 0.83%, 0.79%

LAB 78.58, -2.1, -28.02

 

CMYK 0 / 36 / 20 / 4

HEX #F69DC6

RGB 246 157 198

HSL 332.36, 0.83%, 0.79%

LAB 74.69, 38.63, -7.13

 

CMYK 19 / 0 / 36 / 4

HEX #C7F69E

RGB 199 246 158

HSL 92.05, 0.83%, 0.79%

LAB 91.92, -29.95, 37.55

 

CMYK 36 / 0 / 10 / 4

HEX #9DF6DE

RGB 157 246 222

HSL 163.82, 0.83%, 0.79%

LAB 90.94, -31.93, 3.11

 

CMYK 17 / 36 / 0 / 4

HEX #CC9DF6

RGB 204 157 246

HSL 271.69, 0.83%, 0.79%

LAB 71.96, 33.92, -37.95

 

CMYK 0 / 36 / 26 / 4

HEX #F69DB5

RGB 246 157 181

HSL 343.82, 0.83%, 0.79%

LAB 74.22, 36.21, 1.54

 

CMYK 19 / 0 / 36 / 4

HEX #C7F69E

RGB 199 246 158

HSL 92.05, 0.83%, 0.79%

LAB 91.92, -29.95, 37.55

 

CMYK 36 / 1 / 0 / 4

HEX #9DF3F6

RGB 157 243 246

HSL 182.02, 0.83%, 0.79%

LAB 90.74, -25.1, -9.67

 

CMYK 17 / 36 / 0 / 4

HEX #CC9DF6

RGB 204 157 246

HSL 271.69, 0.83%, 0.79%

LAB 71.96, 33.92, -37.95

 

CMYK 0 / 35 / 36 / 4

HEX #F6A09D

RGB 246 160 157

HSL 2.02, 0.83%, 0.79%

LAB 74.3, 31.6, 14.85

 

Description

Color code: HEX #C7F69E | qconv.com Color code: HEX #C7F69E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 246 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 246 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 36 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 36% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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