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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7F67A it is the complementary color #380985. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7F67A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7F67A shade: #CCF675, #DDFF88, #EEFF9B, #FFFFAE and #FFFFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7F67A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7F67A shade: #C7F67A, #B6E467, #A5D254, #94C041 and #83AE2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7F67A shade: #C7F679, #E8F679, #F6E279, #F6C079 and #F69F79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7F67A shade: #C7F679, #A5F679, #84F679, #79F691 and #79F6B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7F67A shade matches the following richer shades: #C7F679

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7F67A shade: #C7F679, #C4EA85, #C1DF91, #BED39C and #BBC8A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7F67A shade: #F6E179, #E9F679, #C8F679, #A7F679 and #86F679

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7F67A shade: #A6F02C, #B6F353, #C7F679, #D7F8A0 and #E7FBC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7F67A shade: #C7F67A, #79F6C0 and #F279F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7F67A shade: #C7F67A, #79C8F6 and #F679C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7F67A shade: #C7F67A, #79F6C0, #A779F6 and #F679AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7F67A shade: #C7F67A, #79F6E5, #A779F6 and #F6798A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 50 / 4

HEX #C7F67A

RGB 199 246 122

HSL 82.74, 0.87%, 0.72%

LAB 91.44, -34.14, 54.26

 

Complementary color

CMYK 58 / 93 / 0 / 48

HEX #380985

RGB 56 9 133

HSL 262.74, 0.87%, 0.28%

LAB 18.93, 48.12, -57.85

 

CMYK 17 / 0 / 52 / 4

HEX #CCF675

RGB 204 246 117

HSL 79.53, 0.88%, 0.71%

LAB 91.7, -32.77, 56.92

 

CMYK 13 / 0 / 47 / 0

HEX #DDFF88

RGB 221 255 136

HSL 77.14, 1%, 0.77%

LAB 95.44, -28.77, 52.93

 

CMYK 7 / 0 / 39 / 0

HEX #EEFF9B

RGB 238 255 155

HSL 70.2, 1%, 0.8%

LAB 96.85, -20.43, 45.89

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAE

RGB 255 255 174

HSL 60, 1%, 0.84%

LAB 98.37, -11.92, 38.8

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 19 / 0 / 50 / 4

HEX #C7F67A

RGB 199 246 122

HSL 82.74, 0.87%, 0.72%

LAB 91.44, -34.14, 54.26

 

CMYK 20 / 0 / 55 / 11

HEX #B6E467

RGB 182 228 103

HSL 82.08, 0.7%, 0.65%

LAB 85.21, -34, 55.31

 

CMYK 21 / 0 / 60 / 18

HEX #A5D254

RGB 165 210 84

HSL 81.43, 0.58%, 0.58%

LAB 78.89, -33.79, 56.25

 

CMYK 23 / 0 / 66 / 25

HEX #94C041

RGB 148 192 65

HSL 80.79, 0.5%, 0.5%

LAB 72.48, -33.48, 56.98

 

CMYK 25 / 0 / 74 / 32

HEX #83AE2E

RGB 131 174 46

HSL 80.16, 0.58%, 0.43%

LAB 65.98, -33.04, 57.29

 

CMYK 19 / 0 / 51 / 4

HEX #C7F679

RGB 199 246 121

HSL 82.56, 0.87%, 0.72%

LAB 91.43, -34.24, 54.71

 

CMYK 6 / 0 / 51 / 4

HEX #E8F679

RGB 232 246 121

HSL 66.72, 0.87%, 0.72%

LAB 93.64, -21.75, 57.87

 

CMYK 0 / 8 / 51 / 4

HEX #F6E279

RGB 246 226 121

HSL 50.4, 0.87%, 0.72%

LAB 89.56, -6.4, 53.3

 

CMYK 0 / 22 / 51 / 4

HEX #F6C079

RGB 246 192 121

HSL 34.08, 0.87%, 0.72%

LAB 81.11, 11.06, 42.98

 

CMYK 0 / 35 / 51 / 4

HEX #F69F79

RGB 246 159 121

HSL 18.24, 0.87%, 0.72%

LAB 73.4, 28.42, 33.18

 

CMYK 19 / 0 / 51 / 4

HEX #C7F679

RGB 199 246 121

HSL 82.56, 0.87%, 0.72%

LAB 91.43, -34.24, 54.71

 

CMYK 33 / 0 / 51 / 4

HEX #A5F679

RGB 165 246 121

HSL 98.88, 0.87%, 0.72%

LAB 89.53, -46.13, 51.97

 

CMYK 46 / 0 / 51 / 4

HEX #84F679

RGB 132 246 121

HSL 114.72, 0.87%, 0.72%

LAB 88.06, -56.21, 49.85

 

CMYK 51 / 0 / 41 / 4

HEX #79F691

RGB 121 246 145

HSL 131.52, 0.87%, 0.72%

LAB 87.98, -55.76, 38.13

 

CMYK 51 / 0 / 28 / 4

HEX #79F6B2

RGB 121 246 178

HSL 147.36, 0.87%, 0.72%

LAB 88.54, -50.02, 22.25

 

CMYK 19 / 0 / 51 / 4

HEX #C7F679

RGB 199 246 121

HSL 82.56, 0.87%, 0.72%

LAB 91.43, -34.24, 54.71

 

CMYK 19 / 0 / 51 / 4

HEX #C7F679

RGB 199 246 121

HSL 82.56, 0.87%, 0.72%

LAB 91.43, -34.24, 54.71

 

CMYK 16 / 0 / 43 / 8

HEX #C4EA85

RGB 196 234 133

HSL 82.57, 0.71%, 0.72%

LAB 88.1, -28.49, 44.91

 

CMYK 13 / 0 / 35 / 13

HEX #C1DF91

RGB 193 223 145

HSL 83.08, 0.55%, 0.72%

LAB 85.08, -22.86, 35.03

 

CMYK 10 / 0 / 26 / 17

HEX #BED39C

RGB 190 211 156

HSL 82.91, 0.38%, 0.72%

LAB 81.8, -16.52, 24.96

 

CMYK 7 / 0 / 16 / 22

HEX #BBC8A8

RGB 187 200 168

HSL 84.38, 0.23%, 0.72%

LAB 78.87, -10.15, 14.52

 

CMYK 0 / 9 / 51 / 4

HEX #F6E179

RGB 246 225 121

HSL 49.92, 0.87%, 0.72%

LAB 89.31, -5.9, 53

 

CMYK 5 / 0 / 51 / 4

HEX #E9F679

RGB 233 246 121

HSL 66.24, 0.87%, 0.72%

LAB 93.72, -21.36, 57.98

 

CMYK 19 / 0 / 51 / 4

HEX #C8F679

RGB 200 246 121

HSL 82.08, 0.87%, 0.72%

LAB 91.49, -33.87, 54.79

 

CMYK 32 / 0 / 51 / 4

HEX #A7F679

RGB 167 246 121

HSL 97.92, 0.87%, 0.72%

LAB 89.63, -45.47, 52.12

 

CMYK 46 / 0 / 51 / 4

HEX #86F679

RGB 134 246 121

HSL 113.76, 0.87%, 0.72%

LAB 88.14, -55.65, 49.97

 

CMYK 31 / 0 / 82 / 6

HEX #A6F02C

RGB 166 240 44

HSL 82.65, 0.87%, 0.56%

LAB 87.29, -48.9, 78.32

 

CMYK 25 / 0 / 66 / 5

HEX #B6F353

RGB 182 243 83

HSL 82.88, 0.87%, 0.64%

LAB 89.24, -42.32, 68.12

 

CMYK 19 / 0 / 51 / 4

HEX #C7F679

RGB 199 246 121

HSL 82.56, 0.87%, 0.72%

LAB 91.43, -34.24, 54.71

 

CMYK 13 / 0 / 35 / 3

HEX #D7F8A0

RGB 215 248 160

HSL 82.5, 0.86%, 0.8%

LAB 93.5, -24.94, 38.82

 

CMYK 8 / 0 / 21 / 2

HEX #E7FBC7

RGB 231 251 199

HSL 83.08, 0.87%, 0.88%

LAB 96.04, -15.3, 22.79

 

CMYK 19 / 0 / 50 / 4

HEX #C7F67A

RGB 199 246 122

HSL 82.74, 0.87%, 0.72%

LAB 91.44, -34.14, 54.26

 

CMYK 51 / 0 / 22 / 4

HEX #79F6C0

RGB 121 246 192

HSL 154.08, 0.87%, 0.72%

LAB 88.82, -47.23, 15.44

 

CMYK 2 / 51 / 0 / 4

HEX #F279F6

RGB 242 121 246

HSL 298.08, 0.87%, 0.72%

LAB 68.9, 63.18, -42.42

 

CMYK 19 / 0 / 50 / 4

HEX #C7F67A

RGB 199 246 122

HSL 82.74, 0.87%, 0.72%

LAB 91.44, -34.14, 54.26

 

CMYK 51 / 19 / 0 / 4

HEX #79C8F6

RGB 121 200 246

HSL 202.08, 0.87%, 0.72%

LAB 77.3, -11.94, -30.15

 

CMYK 0 / 51 / 19 / 4

HEX #F679C8

RGB 246 121 200

HSL 322.08, 0.87%, 0.72%

LAB 67.6, 56.97, -18.87

 

CMYK 19 / 0 / 50 / 4

HEX #C7F67A

RGB 199 246 122

HSL 82.74, 0.87%, 0.72%

LAB 91.44, -34.14, 54.26

 

CMYK 51 / 0 / 22 / 4

HEX #79F6C0

RGB 121 246 192

HSL 154.08, 0.87%, 0.72%

LAB 88.82, -47.23, 15.44

 

CMYK 32 / 51 / 0 / 4

HEX #A779F6

RGB 167 121 246

HSL 262.08, 0.87%, 0.72%

LAB 60.38, 43.63, -56.44

 

CMYK 0 / 51 / 29 / 4

HEX #F679AF

RGB 246 121 175

HSL 334.08, 0.87%, 0.72%

LAB 66.8, 53.58, -6.01

 

CMYK 19 / 0 / 50 / 4

HEX #C7F67A

RGB 199 246 122

HSL 82.74, 0.87%, 0.72%

LAB 91.44, -34.14, 54.26

 

CMYK 51 / 0 / 7 / 4

HEX #79F6E5

RGB 121 246 229

HSL 171.84, 0.87%, 0.72%

LAB 89.69, -38.94, -2.53

 

CMYK 32 / 51 / 0 / 4

HEX #A779F6

RGB 167 121 246

HSL 262.08, 0.87%, 0.72%

LAB 60.38, 43.63, -56.44

 

CMYK 0 / 51 / 44 / 4

HEX #F6798A

RGB 246 121 138

HSL 351.84, 0.87%, 0.72%

LAB 65.83, 49.38, 13.58

 

Description

Color code: HEX #C7F67A | qconv.com Color code: HEX #C7F67A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 246 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 246 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 50 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 50% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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