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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7F34D it is the complementary color #380CB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7F34D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7F34D shade: #CCF348, #DDFF5B, #EEFF6E, #FFFF81 and #FFFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7F34D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7F34D shade: #C7F34D, #B6E13A, #A5CF27, #94BD14 and #83AB01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7F34D shade: #C7F34F, #F3F24F, #F3C64F, #F3994F and #F36D4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7F34D shade: #C7F34F, #9BF34F, #6FF34F, #4FF35B and #4FF387

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7F34D shade matches the following richer shades: #C7F34F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7F34D shade: #C7F34F, #C0E35E, #B9D46D, #B2C57C and #ABB68C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7F34D shade: #F3C44F, #F3F04F, #CAF34F, #9EF34F and #72F34F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7F34D shade: #A8DF10, #BBF028, #C7F34F, #D3F575 and #E0F89C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7F34D shade: #C7F34D, #4FF398 and #DA4FF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7F34D shade: #C7F34D, #4FCAF3 and #F34FCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7F34D shade: #C7F34D, #4FF398, #784FF3 and #F34FA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7F34D shade: #C7F34D, #4FF3CA, #784FF3 and #F34F78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 68 / 5

HEX #C7F34D

RGB 199 243 77

HSL 75.9, 0.87%, 0.63%

LAB 90.22, -36.34, 71.69

 

Complementary color

CMYK 69 / 93 / 0 / 30

HEX #380CB2

RGB 56 12 178

HSL 255.9, 0.87%, 0.37%

LAB 24.7, 59.03, -75.93

 

CMYK 16 / 0 / 70 / 5

HEX #CCF348

RGB 204 243 72

HSL 73.68, 0.88%, 0.62%

LAB 90.51, -34.69, 73.85

 

CMYK 13 / 0 / 64 / 0

HEX #DDFF5B

RGB 221 255 91

HSL 72.44, 1%, 0.68%

LAB 95.01, -32.48, 71.84

 

CMYK 7 / 0 / 57 / 0

HEX #EEFF6E

RGB 238 255 110

HSL 67.03, 1%, 0.72%

LAB 96.34, -24.58, 65.91

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 18 / 0 / 68 / 5

HEX #C7F34D

RGB 199 243 77

HSL 75.9, 0.87%, 0.63%

LAB 90.22, -36.34, 71.69

 

CMYK 19 / 0 / 74 / 12

HEX #B6E13A

RGB 182 225 58

HSL 75.45, 0.74%, 0.55%

LAB 84.02, -35.78, 71.74

 

CMYK 20 / 0 / 81 / 19

HEX #A5CF27

RGB 165 207 39

HSL 75, 0.68%, 0.48%

LAB 77.74, -35.08, 71.11

 

CMYK 22 / 0 / 89 / 26

HEX #94BD14

RGB 148 189 20

HSL 74.56, 0.81%, 0.41%

LAB 71.38, -34.18, 69.4

 

CMYK 23 / 0 / 99 / 33

HEX #83AB01

RGB 131 171 1

HSL 74.12, 0.99%, 0.34%

LAB 64.93, -33.1, 66.4

 

CMYK 18 / 0 / 67 / 5

HEX #C7F34F

RGB 199 243 79

HSL 76.1, 0.87%, 0.63%

LAB 90.23, -36.22, 70.97

 

CMYK 0 / 0 / 67 / 5

HEX #F3F24F

RGB 243 242 79

HSL 59.63, 0.87%, 0.63%

LAB 93.07, -18.32, 74.84

 

CMYK 0 / 19 / 67 / 5

HEX #F3C64F

RGB 243 198 79

HSL 43.54, 0.87%, 0.63%

LAB 81.84, 3.74, 63.39

 

CMYK 0 / 37 / 67 / 5

HEX #F3994F

RGB 243 153 79

HSL 27.07, 0.87%, 0.63%

LAB 71.15, 27.36, 51.88

 

CMYK 0 / 55 / 67 / 5

HEX #F36D4F

RGB 243 109 79

HSL 10.98, 0.87%, 0.63%

LAB 62.13, 49.55, 41.61

 

CMYK 18 / 0 / 67 / 5

HEX #C7F34F

RGB 199 243 79

HSL 76.1, 0.87%, 0.63%

LAB 90.23, -36.22, 70.97

 

CMYK 36 / 0 / 67 / 5

HEX #9BF34F

RGB 155 243 79

HSL 92.2, 0.87%, 0.63%

LAB 87.79, -52.05, 67.69

 

CMYK 54 / 0 / 67 / 5

HEX #6FF34F

RGB 111 243 79

HSL 108.29, 0.87%, 0.63%

LAB 86.03, -65.03, 65.29

 

CMYK 67 / 0 / 63 / 5

HEX #4FF35B

RGB 79 243 91

HSL 124.39, 0.87%, 0.63%

LAB 85.26, -70.85, 59.44

 

CMYK 67 / 0 / 44 / 5

HEX #4FF387

RGB 79 243 135

HSL 140.49, 0.87%, 0.63%

LAB 85.76, -65.04, 39.95

 

CMYK 18 / 0 / 67 / 5

HEX #C7F34F

RGB 199 243 79

HSL 76.1, 0.87%, 0.63%

LAB 90.23, -36.22, 70.97

 

CMYK 18 / 0 / 67 / 5

HEX #C7F34F

RGB 199 243 79

HSL 76.1, 0.87%, 0.63%

LAB 90.23, -36.22, 70.97

 

CMYK 15 / 0 / 59 / 11

HEX #C0E35E

RGB 192 227 94

HSL 75.79, 0.7%, 0.63%

LAB 85.48, -30.51, 59.76

 

CMYK 13 / 0 / 49 / 17

HEX #B9D46D

RGB 185 212 109

HSL 75.73, 0.54%, 0.63%

LAB 81.02, -24.74, 47.61

 

CMYK 10 / 0 / 37 / 23

HEX #B2C57C

RGB 178 197 124

HSL 75.62, 0.39%, 0.63%

LAB 76.59, -18.36, 34.5

 

CMYK 6 / 0 / 23 / 29

HEX #ABB68C

RGB 171 182 140

HSL 75.71, 0.22%, 0.63%

LAB 72.23, -11.15, 20.15

 

CMYK 0 / 19 / 67 / 5

HEX #F3C44F

RGB 243 196 79

HSL 42.8, 0.87%, 0.63%

LAB 81.35, 4.78, 62.87

 

CMYK 0 / 1 / 67 / 5

HEX #F3F04F

RGB 243 240 79

HSL 58.9, 0.87%, 0.63%

LAB 92.55, -17.35, 74.33

 

CMYK 17 / 0 / 67 / 5

HEX #CAF34F

RGB 202 243 79

HSL 75, 0.87%, 0.63%

LAB 90.42, -35.07, 71.23

 

CMYK 35 / 0 / 67 / 5

HEX #9EF34F

RGB 158 243 79

HSL 91.1, 0.87%, 0.63%

LAB 87.94, -51.05, 67.88

 

CMYK 53 / 0 / 67 / 5

HEX #72F34F

RGB 114 243 79

HSL 107.2, 0.87%, 0.63%

LAB 86.13, -64.26, 65.43

 

CMYK 25 / 0 / 93 / 13

HEX #A8DF10

RGB 168 223 16

HSL 75.94, 0.87%, 0.47%

LAB 82.45, -41.63, 79.38

 

CMYK 22 / 0 / 83 / 6

HEX #BBF028

RGB 187 240 40

HSL 75.9, 0.87%, 0.55%

LAB 88.47, -41.25, 80.72

 

CMYK 18 / 0 / 67 / 5

HEX #C7F34F

RGB 199 243 79

HSL 76.1, 0.87%, 0.63%

LAB 90.23, -36.22, 70.97

 

CMYK 14 / 0 / 52 / 4

HEX #D3F575

RGB 211 245 117

HSL 75.94, 0.86%, 0.71%

LAB 91.88, -29.68, 57.25

 

CMYK 10 / 0 / 37 / 3

HEX #E0F89C

RGB 224 248 156

HSL 75.65, 0.87%, 0.79%

LAB 94.05, -22.15, 41.62

 

CMYK 18 / 0 / 68 / 5

HEX #C7F34D

RGB 199 243 77

HSL 75.9, 0.87%, 0.63%

LAB 90.22, -36.34, 71.69

 

CMYK 67 / 0 / 37 / 5

HEX #4FF398

RGB 79 243 152

HSL 146.71, 0.87%, 0.63%

LAB 86.02, -62.13, 31.85

 

CMYK 10 / 67 / 0 / 5

HEX #DA4FF3

RGB 218 79 243

HSL 290.85, 0.87%, 0.63%

LAB 58.95, 74.82, -56.71

 

CMYK 18 / 0 / 68 / 5

HEX #C7F34D

RGB 199 243 77

HSL 75.9, 0.87%, 0.63%

LAB 90.22, -36.34, 71.69

 

CMYK 67 / 17 / 0 / 5

HEX #4FCAF3

RGB 79 202 243

HSL 195, 0.87%, 0.63%

LAB 76.3, -21.52, -30.2

 

CMYK 0 / 67 / 17 / 5

HEX #F34FCA

RGB 243 79 202

HSL 315, 0.87%, 0.63%

LAB 60.7, 74.14, -30.62

 

CMYK 18 / 0 / 68 / 5

HEX #C7F34D

RGB 199 243 77

HSL 75.9, 0.87%, 0.63%

LAB 90.22, -36.34, 71.69

 

CMYK 67 / 0 / 37 / 5

HEX #4FF398

RGB 79 243 152

HSL 146.71, 0.87%, 0.63%

LAB 86.02, -62.13, 31.85

 

CMYK 51 / 67 / 0 / 5

HEX #784FF3

RGB 120 79 243

HSL 255, 0.87%, 0.63%

LAB 47.05, 55.78, -76.52

 

CMYK 0 / 67 / 30 / 5

HEX #F34FA9

RGB 243 79 169

HSL 327.07, 0.87%, 0.63%

LAB 59.44, 69.97, -13.61

 

CMYK 18 / 0 / 68 / 5

HEX #C7F34D

RGB 199 243 77

HSL 75.9, 0.87%, 0.63%

LAB 90.22, -36.34, 71.69

 

CMYK 67 / 0 / 17 / 5

HEX #4FF3CA

RGB 79 243 202

HSL 165, 0.87%, 0.63%

LAB 87.01, -51.63, 7.52

 

CMYK 51 / 67 / 0 / 5

HEX #784FF3

RGB 120 79 243

HSL 255, 0.87%, 0.63%

LAB 47.05, 55.78, -76.52

 

CMYK 0 / 67 / 51 / 5

HEX #F34F78

RGB 243 79 120

HSL 345, 0.87%, 0.63%

LAB 58.04, 65.14, 13

 

Description

Color code: HEX #C7F34D | qconv.com Color code: HEX #C7F34D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 243 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 243 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 68 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 68% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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