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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7F345 it is the complementary color #380CBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7F345. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7F345 shade: #CCF340, #DDFF53, #EEFF66, #FFFF79 and #FFFF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7F345. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7F345 shade: #C7F345, #B6E132, #A5CF1F, #94BD0C and #83AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7F345 shade: #C7F344, #F3F044, #F3C144, #F39244 and #F36344

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7F345 shade: #C7F344, #98F344, #68F344, #44F34F and #44F37E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7F345 shade matches the following richer shades: #C7F344

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7F345 shade: #C7F344, #BFE354, #B7D364, #AFC374 and #A7B384

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7F345 shade: #F3C144, #F3F044, #C7F344, #99F344 and #6AF344

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7F345 shade: #A4D70E, #BBF11D, #C7F344, #D2F66B and #DEF892

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7F345 shade: #C7F345, #44F393 and #D944F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7F345 shade: #C7F345, #44C7F3 and #F344C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7F345 shade: #C7F345, #44F393, #7044F3 and #F344A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7F345 shade: #C7F345, #44F3C7, #7044F3 and #F34470

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 72 / 5

HEX #C7F345

RGB 199 243 69

HSL 75.17, 0.88%, 0.61%

LAB 90.17, -36.78, 74.43

 

Complementary color

CMYK 70 / 94 / 0 / 27

HEX #380CBA

RGB 56 12 186

HSL 255.17, 0.88%, 0.39%

LAB 25.71, 61.08, -79.01

 

CMYK 16 / 0 / 74 / 5

HEX #CCF340

RGB 204 243 64

HSL 73.07, 0.88%, 0.6%

LAB 90.46, -35.09, 76.45

 

CMYK 13 / 0 / 67 / 0

HEX #DDFF53

RGB 221 255 83

HSL 71.86, 1%, 0.66%

LAB 94.96, -32.96, 74.77

 

CMYK 7 / 0 / 60 / 0

HEX #EEFF66

RGB 238 255 102

HSL 66.67, 1%, 0.7%

LAB 96.27, -25.15, 69.17

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 18 / 0 / 72 / 5

HEX #C7F345

RGB 199 243 69

HSL 75.17, 0.88%, 0.61%

LAB 90.17, -36.78, 74.43

 

CMYK 19 / 0 / 78 / 12

HEX #B6E132

RGB 182 225 50

HSL 74.74, 0.74%, 0.54%

LAB 83.98, -36.14, 74.12

 

CMYK 20 / 0 / 85 / 19

HEX #A5CF1F

RGB 165 207 31

HSL 74.32, 0.74%, 0.47%

LAB 77.71, -35.34, 72.97

 

CMYK 22 / 0 / 94 / 26

HEX #94BD0C

RGB 148 189 12

HSL 73.9, 0.88%, 0.39%

LAB 71.36, -34.34, 70.56

 

CMYK 23 / 0 / 100 / 33

HEX #83AB00

RGB 131 171 0

HSL 74.04, 1%, 0.34%

LAB 64.92, -33.12, 66.53

 

CMYK 18 / 0 / 72 / 5

HEX #C7F344

RGB 199 243 68

HSL 75.09, 0.88%, 0.61%

LAB 90.17, -36.83, 74.76

 

CMYK 0 / 1 / 72 / 5

HEX #F3F044

RGB 243 240 68

HSL 58.97, 0.88%, 0.61%

LAB 92.48, -17.87, 78.07

 

CMYK 0 / 21 / 72 / 5

HEX #F3C144

RGB 243 193 68

HSL 42.86, 0.88%, 0.61%

LAB 80.52, 5.79, 66.49

 

CMYK 0 / 40 / 72 / 5

HEX #F39244

RGB 243 146 68

HSL 26.74, 0.88%, 0.61%

LAB 69.49, 30.46, 55.25

 

CMYK 0 / 59 / 72 / 5

HEX #F36344

RGB 243 99 68

HSL 10.63, 0.88%, 0.61%

LAB 60.24, 53.61, 45.28

 

CMYK 18 / 0 / 72 / 5

HEX #C7F344

RGB 199 243 68

HSL 75.09, 0.88%, 0.61%

LAB 90.17, -36.83, 74.76

 

CMYK 37 / 0 / 72 / 5

HEX #98F344

RGB 152 243 68

HSL 91.2, 0.88%, 0.61%

LAB 87.58, -53.78, 71.35

 

CMYK 57 / 0 / 72 / 5

HEX #68F344

RGB 104 243 68

HSL 107.66, 0.88%, 0.61%

LAB 85.74, -67.6, 68.9

 

CMYK 72 / 0 / 67 / 5

HEX #44F34F

RGB 68 243 79

HSL 123.77, 0.88%, 0.61%

LAB 84.94, -73.85, 63.81

 

CMYK 72 / 0 / 48 / 5

HEX #44F37E

RGB 68 243 126

HSL 139.89, 0.88%, 0.61%

LAB 85.42, -68.17, 43.82

 

CMYK 18 / 0 / 72 / 5

HEX #C7F344

RGB 199 243 68

HSL 75.09, 0.88%, 0.61%

LAB 90.17, -36.83, 74.76

 

CMYK 18 / 0 / 72 / 5

HEX #C7F344

RGB 199 243 68

HSL 75.09, 0.88%, 0.61%

LAB 90.17, -36.83, 74.76

 

CMYK 16 / 0 / 63 / 11

HEX #BFE354

RGB 191 227 84

HSL 75.1, 0.72%, 0.61%

LAB 85.33, -31.65, 63.76

 

CMYK 13 / 0 / 53 / 17

HEX #B7D364

RGB 183 211 100

HSL 75.14, 0.56%, 0.61%

LAB 80.5, -25.91, 51.21

 

CMYK 10 / 0 / 41 / 24

HEX #AFC374

RGB 175 195 116

HSL 75.19, 0.4%, 0.61%

LAB 75.7, -19.5, 37.41

 

CMYK 7 / 0 / 26 / 30

HEX #A7B384

RGB 167 179 132

HSL 75.32, 0.24%, 0.61%

LAB 70.95, -12.3, 22.66

 

CMYK 0 / 21 / 72 / 5

HEX #F3C144

RGB 243 193 68

HSL 42.86, 0.88%, 0.61%

LAB 80.52, 5.79, 66.49

 

CMYK 0 / 1 / 72 / 5

HEX #F3F044

RGB 243 240 68

HSL 58.97, 0.88%, 0.61%

LAB 92.48, -17.87, 78.07

 

CMYK 18 / 0 / 72 / 5

HEX #C7F344

RGB 199 243 68

HSL 75.09, 0.88%, 0.61%

LAB 90.17, -36.83, 74.76

 

CMYK 37 / 0 / 72 / 5

HEX #99F344

RGB 153 243 68

HSL 90.86, 0.88%, 0.61%

LAB 87.63, -53.45, 71.41

 

CMYK 56 / 0 / 72 / 5

HEX #6AF344

RGB 106 243 68

HSL 106.97, 0.88%, 0.61%

LAB 85.8, -67.12, 68.98

 

CMYK 24 / 0 / 93 / 16

HEX #A4D70E

RGB 164 215 14

HSL 75.22, 0.88%, 0.45%

LAB 79.91, -39.69, 77.5

 

CMYK 22 / 0 / 88 / 5

HEX #BBF11D

RGB 187 241 29

HSL 75.28, 0.88%, 0.53%

LAB 88.72, -41.98, 83.05

 

CMYK 18 / 0 / 72 / 5

HEX #C7F344

RGB 199 243 68

HSL 75.09, 0.88%, 0.61%

LAB 90.17, -36.83, 74.76

 

CMYK 15 / 0 / 57 / 4

HEX #D2F66B

RGB 210 246 107

HSL 75.54, 0.89%, 0.69%

LAB 91.99, -31.39, 61.78

 

CMYK 10 / 0 / 41 / 3

HEX #DEF892

RGB 222 248 146

HSL 75.29, 0.88%, 0.77%

LAB 93.77, -24.04, 46.12

 

CMYK 18 / 0 / 72 / 5

HEX #C7F345

RGB 199 243 69

HSL 75.17, 0.88%, 0.61%

LAB 90.17, -36.78, 74.43

 

CMYK 72 / 0 / 40 / 5

HEX #44F393

RGB 68 243 147

HSL 147.09, 0.88%, 0.61%

LAB 85.72, -64.71, 33.93

 

CMYK 11 / 72 / 0 / 5

HEX #D944F3

RGB 217 68 243

HSL 291.09, 0.88%, 0.61%

LAB 57.42, 78.52, -59.15

 

CMYK 18 / 0 / 72 / 5

HEX #C7F345

RGB 199 243 69

HSL 75.17, 0.88%, 0.61%

LAB 90.17, -36.78, 74.43

 

CMYK 72 / 18 / 0 / 5

HEX #44C7F3

RGB 68 199 243

HSL 195.09, 0.88%, 0.61%

LAB 75.17, -21.47, -31.97

 

CMYK 0 / 72 / 18 / 5

HEX #F344C7

RGB 243 68 199

HSL 315.09, 0.88%, 0.61%

LAB 59.26, 77.43, -31.15

 

CMYK 18 / 0 / 72 / 5

HEX #C7F345

RGB 199 243 69

HSL 75.17, 0.88%, 0.61%

LAB 90.17, -36.78, 74.43

 

CMYK 72 / 0 / 40 / 5

HEX #44F393

RGB 68 243 147

HSL 147.09, 0.88%, 0.61%

LAB 85.72, -64.71, 33.93

 

CMYK 54 / 72 / 0 / 5

HEX #7044F3

RGB 112 68 243

HSL 255.09, 0.88%, 0.61%

LAB 44.3, 60.11, -81.04

 

CMYK 0 / 72 / 33 / 5

HEX #F344A4

RGB 243 68 164

HSL 327.09, 0.88%, 0.61%

LAB 57.91, 73.2, -13.01

 

CMYK 18 / 0 / 72 / 5

HEX #C7F345

RGB 199 243 69

HSL 75.17, 0.88%, 0.61%

LAB 90.17, -36.78, 74.43

 

CMYK 72 / 0 / 18 / 5

HEX #44F3C7

RGB 68 243 199

HSL 164.91, 0.88%, 0.61%

LAB 86.73, -53.84, 8.65

 

CMYK 54 / 72 / 0 / 5

HEX #7044F3

RGB 112 68 243

HSL 255.09, 0.88%, 0.61%

LAB 44.3, 60.11, -81.04

 

CMYK 0 / 72 / 54 / 5

HEX #F34470

RGB 243 68 112

HSL 344.91, 0.88%, 0.61%

LAB 56.45, 68.43, 15.51

 

Description

Color code: HEX #C7F345 | qconv.com Color code: HEX #C7F345 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 243 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 243 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 72 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 72% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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