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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7F0CF it is the complementary color #380F30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7F0CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7F0CF shade: #CCF0CA, #DDFFDD, #EEFFF0 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7F0CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7F0CF shade: #C7F0CF, #B6DEBC, #A5CCA9, #94BA96 and #83A883

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7F0CF shade: #C7F0CF, #CAF0C7, #D5F0C7, #E0F0C7 and #EBF0C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7F0CF shade: #C7F0CF, #C7F0DA, #C7F0E5, #C7F0F0 and #C7E5F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7F0CF shade matches the following richer shades: #C7F0CF, #C1F6CB and #BBFCC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7F0CF shade: #C7F0CF, #CCEAD2, #D2E4D6, #D8DFD9 and #DED9DD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7F0CF shade: #D5F0C7, #CAF0C7, #C7F0CE, #C7F0D9 and #C7F0E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7F0CF shade: #85DF97, #A6E7B3, #C7F0CF, #E7F9EB and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7F0CF shade: #C7F0CF, #C7E0F0 and #F0C7D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7F0CF shade: #C7F0CF, #CEC7F0 and #F0CEC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7F0CF shade: #C7F0CF, #C7E0F0, #F0C7E8 and #F0D6C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7F0CF shade: #C7F0CF, #C7D4F0, #F0C7E8 and #F0E3C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 14 / 6

HEX #C7F0CF

RGB 199 240 207

HSL 131.71, 0.58%, 0.86%

LAB 91.22, -19.44, 11.6

 

Complementary color

CMYK 0 / 73 / 14 / 78

HEX #380F30

RGB 56 15 48

HSL 311.71, 0.58%, 0.14%

LAB 11.93, 24.97, -11.86

 

CMYK 15 / 0 / 16 / 6

HEX #CCF0CA

RGB 204 240 202

HSL 116.84, 0.56%, 0.87%

LAB 91.42, -18.66, 14.52

 

CMYK 13 / 0 / 13 / 0

HEX #DDFFDD

RGB 221 255 221

HSL 120, 1%, 0.93%

LAB 96.87, -17.12, 12.6

 

CMYK 7 / 0 / 6 / 0

HEX #EEFFF0

RGB 238 255 240

HSL 127.06, 1%, 0.97%

LAB 98.43, -8.22, 5.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 17 / 0 / 14 / 6

HEX #C7F0CF

RGB 199 240 207

HSL 131.71, 0.58%, 0.86%

LAB 91.22, -19.44, 11.6

 

CMYK 18 / 0 / 15 / 13

HEX #B6DEBC

RGB 182 222 188

HSL 129, 0.38%, 0.79%

LAB 84.9, -19.57, 12.4

 

CMYK 19 / 0 / 17 / 20

HEX #A5CCA9

RGB 165 204 169

HSL 126.15, 0.28%, 0.72%

LAB 78.49, -19.7, 13.24

 

CMYK 20 / 0 / 19 / 27

HEX #94BA96

RGB 148 186 150

HSL 123.16, 0.22%, 0.65%

LAB 71.97, -19.86, 14.13

 

CMYK 22 / 0 / 22 / 34

HEX #83A883

RGB 131 168 131

HSL 120, 0.18%, 0.59%

LAB 65.33, -20.04, 15.08

 

CMYK 17 / 0 / 14 / 6

HEX #C7F0CF

RGB 199 240 207

HSL 131.71, 0.58%, 0.86%

LAB 91.22, -19.44, 11.6

 

CMYK 16 / 0 / 17 / 6

HEX #CAF0C7

RGB 202 240 199

HSL 115.61, 0.58%, 0.86%

LAB 91.23, -19.84, 15.79

 

CMYK 11 / 0 / 17 / 6

HEX #D5F0C7

RGB 213 240 199

HSL 99.51, 0.58%, 0.86%

LAB 91.95, -16.12, 16.89

 

CMYK 7 / 0 / 17 / 6

HEX #E0F0C7

RGB 224 240 199

HSL 83.41, 0.58%, 0.86%

LAB 92.7, -12.31, 18.06

 

CMYK 2 / 0 / 17 / 6

HEX #EBF0C7

RGB 235 240 199

HSL 67.32, 0.58%, 0.86%

LAB 93.5, -8.44, 19.29

 

CMYK 17 / 0 / 14 / 6

HEX #C7F0CF

RGB 199 240 207

HSL 131.71, 0.58%, 0.86%

LAB 91.22, -19.44, 11.6

 

CMYK 17 / 0 / 9 / 6

HEX #C7F0DA

RGB 199 240 218

HSL 147.8, 0.58%, 0.86%

LAB 91.47, -17.43, 6.24

 

CMYK 17 / 0 / 5 / 6

HEX #C7F0E5

RGB 199 240 229

HSL 163.9, 0.58%, 0.86%

LAB 91.74, -15.33, 0.91

 

CMYK 17 / 0 / 0 / 6

HEX #C7F0F0

RGB 199 240 240

HSL 180, 0.58%, 0.86%

LAB 92.02, -13.13, -4.4

 

CMYK 17 / 5 / 0 / 6

HEX #C7E5F0

RGB 199 229 240

HSL 196.1, 0.58%, 0.86%

LAB 89.15, -7.56, -8.66

 

CMYK 17 / 0 / 14 / 6

HEX #C7F0CF

RGB 199 240 207

HSL 131.71, 0.58%, 0.86%

LAB 91.22, -19.44, 11.6

 

CMYK 22 / 0 / 17 / 4

HEX #C1F6CB

RGB 193 246 203

HSL 131.32, 0.75%, 0.86%

LAB 92.38, -25, 15.26

 

CMYK 26 / 0 / 21 / 1

HEX #BBFCC8

RGB 187 252 200

HSL 132, 0.92%, 0.86%

LAB 93.6, -30.28, 18.47

 

CMYK 17 / 0 / 14 / 6

HEX #C7F0CF

RGB 199 240 207

HSL 131.71, 0.58%, 0.86%

LAB 91.22, -19.44, 11.6

 

CMYK 13 / 0 / 10 / 8

HEX #CCEAD2

RGB 204 234 210

HSL 132, 0.42%, 0.86%

LAB 90.02, -14.29, 8.36

 

CMYK 8 / 0 / 6 / 11

HEX #D2E4D6

RGB 210 228 214

HSL 133.33, 0.25%, 0.86%

LAB 88.94, -8.55, 4.77

 

CMYK 3 / 0 / 3 / 13

HEX #D8DFD9

RGB 216 223 217

HSL 128.57, 0.1%, 0.86%

LAB 88.15, -3.44, 2.11

 

CMYK 0 / 2 / 0 / 13

HEX #DED9DD

RGB 222 217 221

HSL 312, 0.07%, 0.86%

LAB 87.18, 2.42, -1.37

 

CMYK 11 / 0 / 17 / 6

HEX #D5F0C7

RGB 213 240 199

HSL 99.51, 0.58%, 0.86%

LAB 91.95, -16.12, 16.89

 

CMYK 16 / 0 / 17 / 6

HEX #CAF0C7

RGB 202 240 199

HSL 115.61, 0.58%, 0.86%

LAB 91.23, -19.84, 15.79

 

CMYK 17 / 0 / 14 / 6

HEX #C7F0CE

RGB 199 240 206

HSL 130.24, 0.58%, 0.86%

LAB 91.2, -19.62, 12.08

 

CMYK 17 / 0 / 10 / 6

HEX #C7F0D9

RGB 199 240 217

HSL 146.34, 0.58%, 0.86%

LAB 91.45, -17.62, 6.73

 

CMYK 17 / 0 / 5 / 6

HEX #C7F0E4

RGB 199 240 228

HSL 162.44, 0.58%, 0.86%

LAB 91.71, -15.52, 1.39

 

CMYK 40 / 0 / 32 / 13

HEX #85DF97

RGB 133 223 151

HSL 132, 0.58%, 0.7%

LAB 81.84, -41.94, 27.06

 

CMYK 28 / 0 / 23 / 9

HEX #A6E7B3

RGB 166 231 179

HSL 132, 0.58%, 0.78%

LAB 86.26, -30.7, 18.88

 

CMYK 17 / 0 / 14 / 6

HEX #C7F0CF

RGB 199 240 207

HSL 131.71, 0.58%, 0.86%

LAB 91.22, -19.44, 11.6

 

CMYK 7 / 0 / 6 / 2

HEX #E7F9EB

RGB 231 249 235

HSL 133.33, 0.6%, 0.94%

LAB 96.3, -8.41, 4.69

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 17 / 0 / 14 / 6

HEX #C7F0CF

RGB 199 240 207

HSL 131.71, 0.58%, 0.86%

LAB 91.22, -19.44, 11.6

 

CMYK 17 / 7 / 0 / 6

HEX #C7E0F0

RGB 199 224 240

HSL 203.41, 0.58%, 0.86%

LAB 87.85, -4.99, -10.59

 

CMYK 0 / 17 / 13 / 6

HEX #F0C7D0

RGB 240 199 208

HSL 346.83, 0.58%, 0.86%

LAB 83.93, 15.91, 0.96

 

CMYK 17 / 0 / 14 / 6

HEX #C7F0CF

RGB 199 240 207

HSL 131.71, 0.58%, 0.86%

LAB 91.22, -19.44, 11.6

 

CMYK 14 / 17 / 0 / 6

HEX #CEC7F0

RGB 206 199 240

HSL 250.24, 0.58%, 0.86%

LAB 81.98, 10.38, -19.34

 

CMYK 0 / 14 / 17 / 6

HEX #F0CEC7

RGB 240 206 199

HSL 10.24, 0.58%, 0.86%

LAB 85.4, 10.82, 7.88

 

CMYK 17 / 0 / 14 / 6

HEX #C7F0CF

RGB 199 240 207

HSL 131.71, 0.58%, 0.86%

LAB 91.22, -19.44, 11.6

 

CMYK 17 / 7 / 0 / 6

HEX #C7E0F0

RGB 199 224 240

HSL 203.41, 0.58%, 0.86%

LAB 87.85, -4.99, -10.59

 

CMYK 0 / 17 / 3 / 6

HEX #F0C7E8

RGB 240 199 232

HSL 311.71, 0.58%, 0.86%

LAB 84.59, 19.95, -10.87

 

CMYK 0 / 11 / 17 / 6

HEX #F0D6C7

RGB 240 214 199

HSL 21.95, 0.58%, 0.86%

LAB 87.36, 6.64, 10.69

 

CMYK 17 / 0 / 14 / 6

HEX #C7F0CF

RGB 199 240 207

HSL 131.71, 0.58%, 0.86%

LAB 91.22, -19.44, 11.6

 

CMYK 17 / 12 / 0 / 6

HEX #C7D4F0

RGB 199 212 240

HSL 220.98, 0.58%, 0.86%

LAB 84.75, 1.27, -15.21

 

CMYK 0 / 17 / 3 / 6

HEX #F0C7E8

RGB 240 199 232

HSL 311.71, 0.58%, 0.86%

LAB 84.59, 19.95, -10.87

 

CMYK 0 / 5 / 17 / 6

HEX #F0E3C7

RGB 240 227 199

HSL 40.98, 0.58%, 0.86%

LAB 90.59, -0.06, 15.27

 

Description

Color code: HEX #C7F0CF | qconv.com Color code: HEX #C7F0CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 240 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 240 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 14 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 14% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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