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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7EEF2 it is the complementary color #38110D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7EEF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7EEF2 shade: #CCEEED, #DDFFFF, #EEFFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7EEF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7EEF2 shade: #C7EEF2, #B6DCDF, #A5CACC, #94B8B9 and #83A6A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7EEF2 shade: #C5EDF1, #C5E1F1, #C5D5F1, #C5CAF1 and #CDC5F1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7EEF2 shade: #C5EDF1, #C5E1F1, #C5D5F1, #C5CAF1 and #C5C5F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7EEF2 shade matches the following richer shades: #C5EDF1, #BFF2F7 and #BAF7FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7EEF2 shade: #C5EDF1, #CBE9EC, #D1E4E6, #D6DFE0 and #DCDBDA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7EEF2 shade: #C5F1DE, #C5F1E9, #C5EEF1, #C5E2F1 and #C5D6F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7EEF2 shade: #82D9E2, #A4E3EA, #C5EDF1, #E7F8F9 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7EEF2 shade: #C7EEF2, #D2C5F1 and #F1E3C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7EEF2 shade: #C7EEF2, #F1C5EE and #EEF1C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7EEF2 shade: #C7EEF2, #D2C5F1, #F1C9C5 and #E5F1C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7EEF2 shade: #C7EEF2, #DFC5F1, #F1C9C5 and #D8F1C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 2 / 0 / 5

HEX #C7EEF2

RGB 199 238 242

HSL 185.58, 0.62%, 0.86%

LAB 91.55, -11.72, -6.14

 

Complementary color

CMYK 0 / 70 / 77 / 78

HEX #38110D

RGB 56 17 13

HSL 5.58, 0.62%, 0.14%

LAB 11.07, 19.12, 11.57

 

CMYK 14 / 0 / 0 / 7

HEX #CCEEED

RGB 204 238 237

HSL 178.24, 0.5%, 0.87%

LAB 91.73, -11.19, -3.23

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 18 / 2 / 0 / 5

HEX #C7EEF2

RGB 199 238 242

HSL 185.58, 0.62%, 0.86%

LAB 91.55, -11.72, -6.14

 

CMYK 18 / 1 / 0 / 13

HEX #B6DCDF

RGB 182 220 223

HSL 184.39, 0.39%, 0.79%

LAB 85.23, -11.74, -5.61

 

CMYK 19 / 1 / 0 / 20

HEX #A5CACC

RGB 165 202 204

HSL 183.08, 0.28%, 0.72%

LAB 78.81, -11.78, -5.07

 

CMYK 20 / 1 / 0 / 27

HEX #94B8B9

RGB 148 184 185

HSL 181.62, 0.21%, 0.65%

LAB 72.28, -11.83, -4.52

 

CMYK 21 / 0 / 0 / 35

HEX #83A6A6

RGB 131 166 166

HSL 180, 0.16%, 0.58%

LAB 65.63, -11.89, -3.95

 

CMYK 18 / 2 / 0 / 5

HEX #C5EDF1

RGB 197 237 241

HSL 185.45, 0.61%, 0.86%

LAB 91.14, -12.03, -6.24

 

CMYK 18 / 7 / 0 / 5

HEX #C5E1F1

RGB 197 225 241

HSL 201.82, 0.61%, 0.86%

LAB 88, -5.91, -10.89

 

CMYK 18 / 12 / 0 / 5

HEX #C5D5F1

RGB 197 213 241

HSL 218.18, 0.61%, 0.86%

LAB 84.9, 0.34, -15.53

 

CMYK 18 / 16 / 0 / 5

HEX #C5CAF1

RGB 197 202 241

HSL 233.18, 0.61%, 0.86%

LAB 82.09, 6.18, -19.77

 

CMYK 15 / 18 / 0 / 5

HEX #CDC5F1

RGB 205 197 241

HSL 250.91, 0.61%, 0.86%

LAB 81.44, 11.35, -20.7

 

CMYK 18 / 2 / 0 / 5

HEX #C5EDF1

RGB 197 237 241

HSL 185.45, 0.61%, 0.86%

LAB 91.14, -12.03, -6.24

 

CMYK 18 / 7 / 0 / 5

HEX #C5E1F1

RGB 197 225 241

HSL 201.82, 0.61%, 0.86%

LAB 88, -5.91, -10.89

 

CMYK 18 / 12 / 0 / 5

HEX #C5D5F1

RGB 197 213 241

HSL 218.18, 0.61%, 0.86%

LAB 84.9, 0.34, -15.53

 

CMYK 18 / 16 / 0 / 5

HEX #C5CAF1

RGB 197 202 241

HSL 233.18, 0.61%, 0.86%

LAB 82.09, 6.18, -19.77

 

CMYK 18 / 18 / 0 / 5

HEX #C5C5F1

RGB 197 197 241

HSL 240, 0.61%, 0.86%

LAB 80.82, 8.86, -21.69

 

CMYK 18 / 2 / 0 / 5

HEX #C5EDF1

RGB 197 237 241

HSL 185.45, 0.61%, 0.86%

LAB 91.14, -12.03, -6.24

 

CMYK 23 / 2 / 0 / 3

HEX #BFF2F7

RGB 191 242 247

HSL 185.36, 0.78%, 0.86%

LAB 92.26, -15.06, -7.74

 

CMYK 26 / 2 / 0 / 1

HEX #BAF7FD

RGB 186 247 253

HSL 185.37, 0.94%, 0.86%

LAB 93.47, -17.68, -9.1

 

CMYK 18 / 2 / 0 / 5

HEX #C5EDF1

RGB 197 237 241

HSL 185.45, 0.61%, 0.86%

LAB 91.14, -12.03, -6.24

 

CMYK 14 / 1 / 0 / 7

HEX #CBE9EC

RGB 203 233 236

HSL 185.45, 0.46%, 0.86%

LAB 90.34, -9.17, -4.77

 

CMYK 9 / 1 / 0 / 10

HEX #D1E4E6

RGB 209 228 230

HSL 185.71, 0.3%, 0.86%

LAB 89.28, -5.89, -3.14

 

CMYK 4 / 0 / 0 / 12

HEX #D6DFE0

RGB 214 223 224

HSL 186, 0.14%, 0.86%

LAB 88.19, -2.82, -1.55

 

CMYK 0 / 0 / 1 / 14

HEX #DCDBDA

RGB 220 219 218

HSL 30, 0.03%, 0.86%

LAB 87.46, 0.16, 0.6

 

CMYK 18 / 0 / 8 / 5

HEX #C5F1DE

RGB 197 241 222

HSL 154.09, 0.61%, 0.86%

LAB 91.71, -17.81, 4.49

 

CMYK 18 / 0 / 3 / 5

HEX #C5F1E9

RGB 197 241 233

HSL 169.09, 0.61%, 0.86%

LAB 91.98, -15.66, -0.83

 

CMYK 18 / 1 / 0 / 5

HEX #C5EEF1

RGB 197 238 241

HSL 184.09, 0.61%, 0.86%

LAB 91.4, -12.53, -5.85

 

CMYK 18 / 6 / 0 / 5

HEX #C5E2F1

RGB 197 226 241

HSL 200.45, 0.61%, 0.86%

LAB 88.26, -6.42, -10.51

 

CMYK 18 / 11 / 0 / 5

HEX #C5D6F1

RGB 197 214 241

HSL 216.82, 0.61%, 0.86%

LAB 85.16, -0.18, -15.15

 

CMYK 42 / 4 / 0 / 11

HEX #82D9E2

RGB 130 217 226

HSL 185.63, 0.62%, 0.7%

LAB 81.76, -23.92, -12.65

 

CMYK 30 / 3 / 0 / 8

HEX #A4E3EA

RGB 164 227 234

HSL 186, 0.63%, 0.78%

LAB 86.39, -18.14, -9.82

 

CMYK 18 / 2 / 0 / 5

HEX #C5EDF1

RGB 197 237 241

HSL 185.45, 0.61%, 0.86%

LAB 91.14, -12.03, -6.24

 

CMYK 7 / 0 / 0 / 2

HEX #E7F8F9

RGB 231 248 249

HSL 183.33, 0.6%, 0.94%

LAB 96.39, -5.36, -2.4

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 18 / 2 / 0 / 5

HEX #C7EEF2

RGB 199 238 242

HSL 185.58, 0.62%, 0.86%

LAB 91.55, -11.72, -6.14

 

CMYK 13 / 18 / 0 / 5

HEX #D2C5F1

RGB 210 197 241

HSL 257.73, 0.61%, 0.86%

LAB 81.83, 12.93, -20.07

 

CMYK 0 / 6 / 18 / 5

HEX #F1E3C5

RGB 241 227 197

HSL 40.91, 0.61%, 0.86%

LAB 90.63, -0, 16.38

 

CMYK 18 / 2 / 0 / 5

HEX #C7EEF2

RGB 199 238 242

HSL 185.58, 0.62%, 0.86%

LAB 91.55, -11.72, -6.14

 

CMYK 0 / 18 / 1 / 5

HEX #F1C5EE

RGB 241 197 238

HSL 304.09, 0.61%, 0.86%

LAB 84.38, 22.42, -14.36

 

CMYK 1 / 0 / 18 / 5

HEX #EEF1C5

RGB 238 241 197

HSL 64.09, 0.61%, 0.86%

LAB 93.93, -8.16, 20.96

 

CMYK 18 / 2 / 0 / 5

HEX #C7EEF2

RGB 199 238 242

HSL 185.58, 0.62%, 0.86%

LAB 91.55, -11.72, -6.14

 

CMYK 13 / 18 / 0 / 5

HEX #D2C5F1

RGB 210 197 241

HSL 257.73, 0.61%, 0.86%

LAB 81.83, 12.93, -20.07

 

CMYK 0 / 17 / 18 / 5

HEX #F1C9C5

RGB 241 201 197

HSL 5.45, 0.61%, 0.86%

LAB 84.23, 13.5, 7.28

 

CMYK 5 / 0 / 18 / 5

HEX #E5F1C5

RGB 229 241 197

HSL 76.36, 0.61%, 0.86%

LAB 93.28, -11.36, 19.95

 

CMYK 18 / 2 / 0 / 5

HEX #C7EEF2

RGB 199 238 242

HSL 185.58, 0.62%, 0.86%

LAB 91.55, -11.72, -6.14

 

CMYK 7 / 18 / 0 / 5

HEX #DFC5F1

RGB 223 197 241

HSL 275.45, 0.61%, 0.86%

LAB 82.9, 17.09, -18.35

 

CMYK 0 / 17 / 18 / 5

HEX #F1C9C5

RGB 241 201 197

HSL 5.45, 0.61%, 0.86%

LAB 84.23, 13.5, 7.28

 

CMYK 10 / 0 / 18 / 5

HEX #D8F1C5

RGB 216 241 197

HSL 94.09, 0.61%, 0.86%

LAB 92.37, -15.9, 18.55

 

Description

Color code: HEX #C7EEF2 | qconv.com Color code: HEX #C7EEF2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 238 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 238 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 2 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 2% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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