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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7EECC it is the complementary color #381133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7EECC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7EECC shade: #CCEEC7, #DDFFDA, #EEFFED and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7EECC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7EECC shade: #C7EECC, #B6DCB9, #A5CAA6, #94B893 and #83A680

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7EECC shade: #C8EECD, #CDEEC8, #D7EEC8, #E2EEC8 and #ECEEC8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7EECC shade: #C8EECD, #C8EED7, #C8EEE1, #C8EEEB and #C8E6EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7EECC shade matches the following richer shades: #C8EECD, #C2F3C8 and #BCF9C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7EECC shade: #C8EECD, #CEE8D1, #D3E2D5, #D9DCDA and #DFD7DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7EECC shade: #D8EEC8, #CEEEC8, #C8EECC, #C8EED6 and #C8EEE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7EECC shade: #89DA93, #A8E4B0, #C8EECD and #E7F7E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7EECC shade: #C7EECC, #C8E2EE and #EEC8D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7EECC shade: #C7EECC, #CCC8EE and #EECCC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7EECC shade: #C7EECC, #C8E2EE, #EEC8E9 and #EED4C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7EECC shade: #C7EECC, #C8D6EE, #EEC8E9 and #EEDFC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 14 / 7

HEX #C7EECC

RGB 199 238 204

HSL 127.69, 0.53%, 0.86%

LAB 90.62, -18.99, 12.3

 

Complementary color

CMYK 0 / 70 / 9 / 78

HEX #381133

RGB 56 17 51

HSL 307.69, 0.53%, 0.14%

LAB 12.48, 24.5, -13.18

 

CMYK 14 / 0 / 16 / 7

HEX #CCEEC7

RGB 204 238 199

HSL 112.31, 0.53%, 0.86%

LAB 90.83, -18.19, 15.23

 

CMYK 13 / 0 / 15 / 0

HEX #DDFFDA

RGB 221 255 218

HSL 115.14, 1%, 0.93%

LAB 96.8, -17.63, 14.05

 

CMYK 7 / 0 / 7 / 0

HEX #EEFFED

RGB 238 255 237

HSL 116.67, 1%, 0.96%

LAB 98.36, -8.74, 6.69

 

CMYK 16 / 0 / 14 / 7

HEX #C7EECC

RGB 199 238 204

HSL 127.69, 0.53%, 0.86%

LAB 90.62, -18.99, 12.3

 

CMYK 17 / 0 / 16 / 14

HEX #B6DCB9

RGB 182 220 185

HSL 124.74, 0.35%, 0.79%

LAB 84.29, -19.11, 13.11

 

CMYK 18 / 0 / 18 / 21

HEX #A5CAA6

RGB 165 202 166

HSL 121.62, 0.26%, 0.72%

LAB 77.87, -19.24, 13.97

 

CMYK 20 / 0 / 20 / 28

HEX #94B893

RGB 148 184 147

HSL 118.38, 0.21%, 0.65%

LAB 71.34, -19.38, 14.88

 

CMYK 21 / 0 / 23 / 35

HEX #83A680

RGB 131 166 128

HSL 115.26, 0.18%, 0.58%

LAB 64.69, -19.55, 15.84

 

CMYK 16 / 0 / 14 / 7

HEX #C8EECD

RGB 200 238 205

HSL 127.89, 0.53%, 0.86%

LAB 90.71, -18.49, 11.91

 

CMYK 14 / 0 / 16 / 7

HEX #CDEEC8

RGB 205 238 200

HSL 112.11, 0.53%, 0.86%

LAB 90.92, -17.69, 14.85

 

CMYK 10 / 0 / 16 / 7

HEX #D7EEC8

RGB 215 238 200

HSL 96.32, 0.53%, 0.86%

LAB 91.58, -14.28, 15.88

 

CMYK 5 / 0 / 16 / 7

HEX #E2EEC8

RGB 226 238 200

HSL 78.95, 0.53%, 0.86%

LAB 92.35, -10.46, 17.07

 

CMYK 1 / 0 / 16 / 7

HEX #ECEEC8

RGB 236 238 200

HSL 63.16, 0.53%, 0.86%

LAB 93.08, -6.93, 18.2

 

CMYK 16 / 0 / 14 / 7

HEX #C8EECD

RGB 200 238 205

HSL 127.89, 0.53%, 0.86%

LAB 90.71, -18.49, 11.91

 

CMYK 16 / 0 / 10 / 7

HEX #C8EED7

RGB 200 238 215

HSL 143.68, 0.53%, 0.86%

LAB 90.93, -16.68, 7.04

 

CMYK 16 / 0 / 5 / 7

HEX #C8EEE1

RGB 200 238 225

HSL 159.47, 0.53%, 0.86%

LAB 91.17, -14.8, 2.18

 

CMYK 16 / 0 / 1 / 7

HEX #C8EEEB

RGB 200 238 235

HSL 175.26, 0.53%, 0.86%

LAB 91.43, -12.83, -2.67

 

CMYK 16 / 3 / 0 / 7

HEX #C8E6EE

RGB 200 230 238

HSL 192.63, 0.53%, 0.86%

LAB 89.41, -8.17, -7.2

 

CMYK 16 / 0 / 14 / 7

HEX #C8EECD

RGB 200 238 205

HSL 127.89, 0.53%, 0.86%

LAB 90.71, -18.49, 11.91

 

CMYK 20 / 0 / 18 / 5

HEX #C2F3C8

RGB 194 243 200

HSL 127.35, 0.67%, 0.86%

LAB 91.57, -23.77, 15.67

 

CMYK 24 / 0 / 21 / 2

HEX #BCF9C4

RGB 188 249 196

HSL 127.87, 0.84%, 0.86%

LAB 92.76, -29.25, 19.35

 

CMYK 16 / 0 / 14 / 7

HEX #C8EECD

RGB 200 238 205

HSL 127.89, 0.53%, 0.86%

LAB 90.71, -18.49, 11.91

 

CMYK 11 / 0 / 10 / 9

HEX #CEE8D1

RGB 206 232 209

HSL 126.92, 0.36%, 0.86%

LAB 89.6, -12.81, 8.3

 

CMYK 7 / 0 / 6 / 11

HEX #D3E2D5

RGB 211 226 213

HSL 128, 0.21%, 0.86%

LAB 88.47, -7.38, 4.62

 

CMYK 1 / 0 / 1 / 14

HEX #D9DCDA

RGB 217 220 218

HSL 140, 0.04%, 0.86%

LAB 87.49, -1.37, 0.62

 

CMYK 0 / 4 / 0 / 13

HEX #DFD7DE

RGB 223 215 222

HSL 307.5, 0.11%, 0.86%

LAB 86.78, 3.98, -2.47

 

CMYK 9 / 0 / 16 / 7

HEX #D8EEC8

RGB 216 238 200

HSL 94.74, 0.53%, 0.86%

LAB 91.65, -13.94, 15.98

 

CMYK 13 / 0 / 16 / 7

HEX #CEEEC8

RGB 206 238 200

HSL 110.53, 0.53%, 0.86%

LAB 90.98, -17.35, 14.95

 

CMYK 16 / 0 / 14 / 7

HEX #C8EECC

RGB 200 238 204

HSL 126.32, 0.53%, 0.86%

LAB 90.68, -18.66, 12.4

 

CMYK 16 / 0 / 10 / 7

HEX #C8EED6

RGB 200 238 214

HSL 142.11, 0.53%, 0.86%

LAB 90.91, -16.87, 7.52

 

CMYK 16 / 0 / 6 / 7

HEX #C8EEE0

RGB 200 238 224

HSL 157.89, 0.53%, 0.86%

LAB 91.15, -14.99, 2.66

 

CMYK 37 / 0 / 33 / 15

HEX #89DA93

RGB 137 218 147

HSL 127.41, 0.52%, 0.7%

LAB 80.5, -39.21, 27.35

 

CMYK 26 / 0 / 23 / 11

HEX #A8E4B0

RGB 168 228 176

HSL 128, 0.53%, 0.78%

LAB 85.48, -29.17, 19.36

 

CMYK 16 / 0 / 14 / 7

HEX #C8EECD

RGB 200 238 205

HSL 127.89, 0.53%, 0.86%

LAB 90.71, -18.49, 11.91

 

CMYK 6 / 0 / 6 / 3

HEX #E7F7E9

RGB 231 247 233

HSL 127.5, 0.5%, 0.94%

LAB 95.74, -7.76, 4.91

 

CMYK 16 / 0 / 14 / 7

HEX #C7EECC

RGB 199 238 204

HSL 127.69, 0.53%, 0.86%

LAB 90.62, -18.99, 12.3

 

CMYK 16 / 5 / 0 / 7

HEX #C8E2EE

RGB 200 226 238

HSL 198.95, 0.53%, 0.86%

LAB 88.37, -6.12, -8.74

 

CMYK 0 / 16 / 11 / 7

HEX #EEC8D3

RGB 238 200 211

HSL 342.63, 0.53%, 0.86%

LAB 84.06, 15.16, -0.46

 

CMYK 16 / 0 / 14 / 7

HEX #C7EECC

RGB 199 238 204

HSL 127.69, 0.53%, 0.86%

LAB 90.62, -18.99, 12.3

 

CMYK 14 / 16 / 0 / 7

HEX #CCC8EE

RGB 204 200 238

HSL 246.32, 0.53%, 0.86%

LAB 82.01, 8.8, -18.24

 

CMYK 0 / 14 / 16 / 7

HEX #EECCC8

RGB 238 204 200

HSL 6.32, 0.53%, 0.86%

LAB 84.76, 11.3, 6.41

 

CMYK 16 / 0 / 14 / 7

HEX #C7EECC

RGB 199 238 204

HSL 127.69, 0.53%, 0.86%

LAB 90.62, -18.99, 12.3

 

CMYK 16 / 5 / 0 / 7

HEX #C8E2EE

RGB 200 226 238

HSL 198.95, 0.53%, 0.86%

LAB 88.37, -6.12, -8.74

 

CMYK 0 / 16 / 2 / 7

HEX #EEC8E9

RGB 238 200 233

HSL 307.89, 0.53%, 0.86%

LAB 84.67, 18.93, -11.29

 

CMYK 0 / 11 / 16 / 7

HEX #EED4C8

RGB 238 212 200

HSL 18.95, 0.53%, 0.86%

LAB 86.72, 7.12, 9.22

 

CMYK 16 / 0 / 14 / 7

HEX #C7EECC

RGB 199 238 204

HSL 127.69, 0.53%, 0.86%

LAB 90.62, -18.99, 12.3

 

CMYK 16 / 10 / 0 / 7

HEX #C8D6EE

RGB 200 214 238

HSL 217.89, 0.53%, 0.86%

LAB 85.27, 0.11, -13.36

 

CMYK 0 / 16 / 2 / 7

HEX #EEC8E9

RGB 238 200 233

HSL 307.89, 0.53%, 0.86%

LAB 84.67, 18.93, -11.29

 

CMYK 0 / 6 / 16 / 7

HEX #EEDFC8

RGB 238 223 200

HSL 36.32, 0.53%, 0.86%

LAB 89.45, 1.42, 13.11

 

Description

Color code: HEX #C7EECC | qconv.com Color code: HEX #C7EECC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 238 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 238 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 14 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 14% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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