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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7EDC0 it is the complementary color #38123F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7EDC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7EDC0 shade: #CCEDBB, #DDFFCE, #EEFFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7EDC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7EDC0 shade: #C7EDC0, #B6DBAD, #A5C99A, #94B787 and #83A574

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7EDC0 shade: #C6EDBF, #D2EDBF, #DFEDBF, #EBEDBF and #EDE2BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7EDC0 shade: #C6EDBF, #BFEDC4, #BFEDD0, #BFEDDD and #BFEDE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7EDC0 shade matches the following richer shades: #C6EDBF, #C1F3B8 and #BDFAB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7EDC0 shade: #C6EDBF, #CBE6C5, #CFDFCC, #D4D9D3 and #D8D2D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7EDC0 shade: #DFEDBF, #D3EDBF, #C6EDBF, #BFEDC3 and #BFEDD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7EDC0 shade: #8DDA7E, #A9E39F, #C6EDBF and #E3F6DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7EDC0 shade: #C7EDC0, #BFEBED and #EDBFD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7EDC0 shade: #C7EDC0, #BFC6ED and #EDBFC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7EDC0 shade: #C7EDC0, #BFEBED, #E5BFED and #EDC0BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7EDC0 shade: #C7EDC0, #BFDDED, #E5BFED and #EDCEBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 19 / 7

HEX #C7EDC0

RGB 199 237 192

HSL 110.67, 0.56%, 0.84%

LAB 90.1, -20.56, 17.78

 

Complementary color

CMYK 11 / 71 / 0 / 75

HEX #38123F

RGB 56 18 63

HSL 290.67, 0.56%, 0.16%

LAB 13.43, 26.56, -20.28

 

CMYK 14 / 0 / 21 / 7

HEX #CCEDBB

RGB 204 237 187

HSL 99.6, 0.58%, 0.83%

LAB 90.32, -19.67, 20.72

 

CMYK 13 / 0 / 19 / 0

HEX #DDFFCE

RGB 221 255 206

HSL 101.63, 1%, 0.9%

LAB 96.55, -19.6, 19.83

 

CMYK 7 / 0 / 12 / 0

HEX #EEFFE1

RGB 238 255 225

HSL 94, 1%, 0.94%

LAB 98.09, -10.77, 12.45

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 16 / 0 / 19 / 7

HEX #C7EDC0

RGB 199 237 192

HSL 110.67, 0.56%, 0.84%

LAB 90.1, -20.56, 17.78

 

CMYK 17 / 0 / 21 / 14

HEX #B6DBAD

RGB 182 219 173

HSL 108.26, 0.39%, 0.77%

LAB 83.77, -20.67, 18.68

 

CMYK 18 / 0 / 23 / 21

HEX #A5C99A

RGB 165 201 154

HSL 105.96, 0.3%, 0.7%

LAB 77.34, -20.79, 19.63

 

CMYK 19 / 0 / 26 / 28

HEX #94B787

RGB 148 183 135

HSL 103.75, 0.25%, 0.62%

LAB 70.81, -20.93, 20.63

 

CMYK 21 / 0 / 30 / 35

HEX #83A574

RGB 131 165 116

HSL 101.63, 0.21%, 0.55%

LAB 64.16, -21.07, 21.7

 

CMYK 16 / 0 / 19 / 7

HEX #C6EDBF

RGB 198 237 191

HSL 110.87, 0.56%, 0.84%

LAB 90.01, -21.06, 18.18

 

CMYK 11 / 0 / 19 / 7

HEX #D2EDBF

RGB 210 237 191

HSL 95.22, 0.56%, 0.84%

LAB 90.79, -16.96, 19.38

 

CMYK 6 / 0 / 19 / 7

HEX #DFEDBF

RGB 223 237 191

HSL 78.26, 0.56%, 0.84%

LAB 91.69, -12.4, 20.77

 

CMYK 1 / 0 / 19 / 7

HEX #EBEDBF

RGB 235 237 191

HSL 62.61, 0.56%, 0.84%

LAB 92.57, -8.11, 22.12

 

CMYK 0 / 5 / 19 / 7

HEX #EDE2BF

RGB 237 226 191

HSL 45.65, 0.56%, 0.84%

LAB 89.93, -1.82, 18.47

 

CMYK 16 / 0 / 19 / 7

HEX #C6EDBF

RGB 198 237 191

HSL 110.87, 0.56%, 0.84%

LAB 90.01, -21.06, 18.18

 

CMYK 19 / 0 / 17 / 7

HEX #BFEDC4

RGB 191 237 196

HSL 126.52, 0.56%, 0.84%

LAB 89.69, -22.54, 15.06

 

CMYK 19 / 0 / 12 / 7

HEX #BFEDD0

RGB 191 237 208

HSL 142.17, 0.56%, 0.84%

LAB 89.95, -20.38, 9.2

 

CMYK 19 / 0 / 7 / 7

HEX #BFEDDD

RGB 191 237 221

HSL 159.13, 0.56%, 0.84%

LAB 90.26, -17.9, 2.87

 

CMYK 19 / 0 / 2 / 7

HEX #BFEDE9

RGB 191 237 233

HSL 174.78, 0.56%, 0.84%

LAB 90.56, -15.5, -2.95

 

CMYK 16 / 0 / 19 / 7

HEX #C6EDBF

RGB 198 237 191

HSL 110.87, 0.56%, 0.84%

LAB 90.01, -21.06, 18.18

 

CMYK 21 / 0 / 24 / 5

HEX #C1F3B8

RGB 193 243 184

HSL 110.85, 0.71%, 0.84%

LAB 91.19, -26.78, 23.36

 

CMYK 24 / 0 / 29 / 2

HEX #BDFAB2

RGB 189 250 178

HSL 110.83, 0.88%, 0.84%

LAB 92.75, -32.33, 28.52

 

CMYK 16 / 0 / 19 / 7

HEX #C6EDBF

RGB 198 237 191

HSL 110.87, 0.56%, 0.84%

LAB 90.01, -21.06, 18.18

 

CMYK 12 / 0 / 14 / 10

HEX #CBE6C5

RGB 203 230 197

HSL 109.09, 0.4%, 0.84%

LAB 88.6, -14.91, 13.11

 

CMYK 7 / 0 / 9 / 13

HEX #CFDFCC

RGB 207 223 204

HSL 110.53, 0.23%, 0.84%

LAB 87.19, -8.8, 7.47

 

CMYK 2 / 0 / 3 / 15

HEX #D4D9D3

RGB 212 217 211

HSL 110, 0.07%, 0.84%

LAB 86.17, -2.77, 2.35

 

CMYK 0 / 3 / 0 / 15

HEX #D8D2D9

RGB 216 210 217

HSL 291.43, 0.08%, 0.84%

LAB 84.84, 3.32, -2.73

 

CMYK 6 / 0 / 19 / 7

HEX #DFEDBF

RGB 223 237 191

HSL 78.26, 0.56%, 0.84%

LAB 91.69, -12.4, 20.77

 

CMYK 11 / 0 / 19 / 7

HEX #D3EDBF

RGB 211 237 191

HSL 93.91, 0.56%, 0.84%

LAB 90.86, -16.61, 19.48

 

CMYK 16 / 0 / 19 / 7

HEX #C6EDBF

RGB 198 237 191

HSL 110.87, 0.56%, 0.84%

LAB 90.01, -21.06, 18.18

 

CMYK 19 / 0 / 18 / 7

HEX #BFEDC3

RGB 191 237 195

HSL 125.22, 0.56%, 0.84%

LAB 89.67, -22.71, 15.55

 

CMYK 19 / 0 / 12 / 7

HEX #BFEDD0

RGB 191 237 208

HSL 142.17, 0.56%, 0.84%

LAB 89.95, -20.38, 9.2

 

CMYK 35 / 0 / 42 / 15

HEX #8DDA7E

RGB 141 218 126

HSL 110.22, 0.55%, 0.67%

LAB 80.35, -41.18, 37.89

 

CMYK 26 / 0 / 30 / 11

HEX #A9E39F

RGB 169 227 159

HSL 111.18, 0.55%, 0.76%

LAB 84.93, -31.19, 27.43

 

CMYK 16 / 0 / 19 / 7

HEX #C6EDBF

RGB 198 237 191

HSL 110.87, 0.56%, 0.84%

LAB 90.01, -21.06, 18.18

 

CMYK 8 / 0 / 9 / 4

HEX #E3F6DF

RGB 227 246 223

HSL 109.57, 0.56%, 0.92%

LAB 94.98, -10.34, 8.93

 

CMYK 16 / 0 / 19 / 7

HEX #C7EDC0

RGB 199 237 192

HSL 110.67, 0.56%, 0.84%

LAB 90.1, -20.56, 17.78

 

CMYK 19 / 1 / 0 / 7

HEX #BFEBED

RGB 191 235 237

HSL 182.61, 0.56%, 0.84%

LAB 90.14, -13.67, -5.67

 

CMYK 0 / 19 / 8 / 7

HEX #EDBFD9

RGB 237 191 217

HSL 326.09, 0.56%, 0.84%

LAB 81.99, 20.58, -6.74

 

CMYK 16 / 0 / 19 / 7

HEX #C7EDC0

RGB 199 237 192

HSL 110.67, 0.56%, 0.84%

LAB 90.1, -20.56, 17.78

 

CMYK 19 / 16 / 0 / 7

HEX #BFC6ED

RGB 191 198 237

HSL 230.87, 0.56%, 0.84%

LAB 80.5, 5.6, -20.07

 

CMYK 0 / 19 / 16 / 7

HEX #EDBFC6

RGB 237 191 198

HSL 350.87, 0.56%, 0.84%

LAB 81.48, 17.5, 2.73

 

CMYK 16 / 0 / 19 / 7

HEX #C7EDC0

RGB 199 237 192

HSL 110.67, 0.56%, 0.84%

LAB 90.1, -20.56, 17.78

 

CMYK 19 / 1 / 0 / 7

HEX #BFEBED

RGB 191 235 237

HSL 182.61, 0.56%, 0.84%

LAB 90.14, -13.67, -5.67

 

CMYK 3 / 19 / 0 / 7

HEX #E5BFED

RGB 229 191 237

HSL 289.57, 0.56%, 0.84%

LAB 81.86, 21.48, -17.73

 

CMYK 0 / 19 / 19 / 7

HEX #EDC0BF

RGB 237 192 191

HSL 1.3, 0.56%, 0.84%

LAB 81.55, 15.9, 6.58

 

CMYK 16 / 0 / 19 / 7

HEX #C7EDC0

RGB 199 237 192

HSL 110.67, 0.56%, 0.84%

LAB 90.1, -20.56, 17.78

 

CMYK 19 / 7 / 0 / 7

HEX #BFDDED

RGB 191 221 237

HSL 200.87, 0.56%, 0.84%

LAB 86.46, -6.53, -11.13

 

CMYK 3 / 19 / 0 / 7

HEX #E5BFED

RGB 229 191 237

HSL 289.57, 0.56%, 0.84%

LAB 81.86, 21.48, -17.73

 

CMYK 0 / 13 / 19 / 7

HEX #EDCEBF

RGB 237 206 191

HSL 19.57, 0.56%, 0.84%

LAB 84.95, 8.53, 11.45

 

Description

Color code: HEX #C7EDC0 | qconv.com Color code: HEX #C7EDC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 237 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 237 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 19 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 19% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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