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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7EB52 it is the complementary color #3814AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7EB52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7EB52 shade: #CCEB4D, #DDFD60, #EEFF73, #FFFF86 and #FFFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7EB52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7EB52 shade: #C7EB52, #B6D93F, #A5C72C, #94B519 and #83A306

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7EB52 shade: #C7EB52, #EBE552, #EBBC52, #EB9352 and #EB6A52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7EB52 shade: #C7EB52, #9DEB52, #74EB52, #52EB58 and #52EB82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7EB52 shade matches the following richer shades: #C7EB52 and #CFFA42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7EB52 shade: #C7EB52, #BEDB61, #B6CB71, #AEBC81 and #A5AC90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7EB52 shade: #EBBD52, #EBE652, #C7EB52, #9EEB52 and #75EB52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7EB52 shade: #A6D119, #BBE62D, #C7EB52, #D3EF76 and #DFF39B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7EB52 shade: #C7EB52, #52EB94 and #D152EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7EB52 shade: #C7EB52, #52C7EB and #EB52C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7EB52 shade: #C7EB52, #52EB94, #7552EB and #EB52A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7EB52 shade: #C7EB52, #52EBC2, #7552EB and #EB527A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 65 / 8

HEX #C7EB52

RGB 199 235 82

HSL 74.12, 0.79%, 0.62%

LAB 88.05, -32.38, 67.58

 

Complementary color

CMYK 68 / 88 / 0 / 32

HEX #3814AD

RGB 56 20 173

HSL 254.12, 0.79%, 0.38%

LAB 24.82, 55.46, -72.71

 

CMYK 13 / 0 / 67 / 8

HEX #CCEB4D

RGB 204 235 77

HSL 71.77, 0.8%, 0.61%

LAB 88.35, -30.73, 69.9

 

CMYK 13 / 0 / 62 / 1

HEX #DDFD60

RGB 221 253 96

HSL 72.23, 0.98%, 0.68%

LAB 94.51, -31.23, 69.35

 

CMYK 7 / 0 / 55 / 0

HEX #EEFF73

RGB 238 255 115

HSL 67.29, 1%, 0.73%

LAB 96.38, -24.2, 63.82

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 15 / 0 / 65 / 8

HEX #C7EB52

RGB 199 235 82

HSL 74.12, 0.79%, 0.62%

LAB 88.05, -32.38, 67.58

 

CMYK 16 / 0 / 71 / 15

HEX #B6D93F

RGB 182 217 63

HSL 73.64, 0.67%, 0.55%

LAB 81.8, -31.85, 67.92

 

CMYK 17 / 0 / 78 / 22

HEX #A5C72C

RGB 165 199 44

HSL 73.16, 0.64%, 0.48%

LAB 75.47, -31.18, 67.69

 

CMYK 18 / 0 / 86 / 29

HEX #94B519

RGB 148 181 25

HSL 72.69, 0.76%, 0.4%

LAB 69.05, -30.33, 66.5

 

CMYK 20 / 0 / 96 / 36

HEX #83A306

RGB 131 163 6

HSL 72.23, 0.93%, 0.33%

LAB 62.54, -29.26, 63.9

 

CMYK 15 / 0 / 65 / 8

HEX #C7EB52

RGB 199 235 82

HSL 74.12, 0.79%, 0.62%

LAB 88.05, -32.38, 67.58

 

CMYK 0 / 3 / 65 / 8

HEX #EBE552

RGB 235 229 82

HSL 57.65, 0.79%, 0.62%

LAB 89.07, -15.09, 69.46

 

CMYK 0 / 20 / 65 / 8

HEX #EBBC52

RGB 235 188 82

HSL 41.57, 0.79%, 0.62%

LAB 78.6, 5.76, 58.41

 

CMYK 0 / 37 / 65 / 8

HEX #EB9352

RGB 235 147 82

HSL 25.49, 0.79%, 0.62%

LAB 68.85, 27.44, 47.56

 

CMYK 0 / 55 / 65 / 8

HEX #EB6A52

RGB 235 106 82

HSL 9.41, 0.79%, 0.62%

LAB 60.41, 48.25, 37.64

 

CMYK 15 / 0 / 65 / 8

HEX #C7EB52

RGB 199 235 82

HSL 74.12, 0.79%, 0.62%

LAB 88.05, -32.38, 67.58

 

CMYK 33 / 0 / 65 / 8

HEX #9DEB52

RGB 157 235 82

HSL 90.59, 0.79%, 0.62%

LAB 85.6, -47.85, 64.26

 

CMYK 51 / 0 / 65 / 8

HEX #74EB52

RGB 116 235 82

HSL 106.67, 0.79%, 0.62%

LAB 83.83, -60.56, 61.83

 

CMYK 65 / 0 / 63 / 8

HEX #52EB58

RGB 82 235 88

HSL 122.35, 0.79%, 0.62%

LAB 82.87, -67.95, 58.04

 

CMYK 65 / 0 / 45 / 8

HEX #52EB82

RGB 82 235 130

HSL 138.82, 0.79%, 0.62%

LAB 83.35, -62.43, 39.32

 

CMYK 15 / 0 / 65 / 8

HEX #C7EB52

RGB 199 235 82

HSL 74.12, 0.79%, 0.62%

LAB 88.05, -32.38, 67.58

 

CMYK 17 / 0 / 74 / 2

HEX #CFFA42

RGB 207 250 66

HSL 74.02, 0.95%, 0.62%

LAB 92.59, -37, 77.91

 

CMYK 15 / 0 / 65 / 8

HEX #C7EB52

RGB 199 235 82

HSL 74.12, 0.79%, 0.62%

LAB 88.05, -32.38, 67.58

 

CMYK 13 / 0 / 56 / 14

HEX #BEDB61

RGB 190 219 97

HSL 74.26, 0.63%, 0.62%

LAB 83.16, -27.27, 55.79

 

CMYK 10 / 0 / 44 / 20

HEX #B6CB71

RGB 182 203 113

HSL 74, 0.46%, 0.62%

LAB 78.37, -21.09, 42.38

 

CMYK 7 / 0 / 31 / 26

HEX #AEBC81

RGB 174 188 129

HSL 74.24, 0.31%, 0.62%

LAB 73.9, -14.69, 28.31

 

CMYK 4 / 0 / 16 / 33

HEX #A5AC90

RGB 165 172 144

HSL 75, 0.14%, 0.62%

LAB 69.12, -7.5, 13.58

 

CMYK 0 / 20 / 65 / 8

HEX #EBBD52

RGB 235 189 82

HSL 41.96, 0.79%, 0.62%

LAB 78.85, 5.24, 58.68

 

CMYK 0 / 2 / 65 / 8

HEX #EBE652

RGB 235 230 82

HSL 58.04, 0.79%, 0.62%

LAB 89.33, -15.58, 69.73

 

CMYK 15 / 0 / 65 / 8

HEX #C7EB52

RGB 199 235 82

HSL 74.12, 0.79%, 0.62%

LAB 88.05, -32.38, 67.58

 

CMYK 33 / 0 / 65 / 8

HEX #9EEB52

RGB 158 235 82

HSL 90.2, 0.79%, 0.62%

LAB 85.65, -47.5, 64.33

 

CMYK 50 / 0 / 65 / 8

HEX #75EB52

RGB 117 235 82

HSL 106.27, 0.79%, 0.62%

LAB 83.87, -60.29, 61.88

 

CMYK 21 / 0 / 88 / 18

HEX #A6D119

RGB 166 209 25

HSL 74.02, 0.79%, 0.46%

LAB 78.33, -36.01, 74.69

 

CMYK 19 / 0 / 80 / 10

HEX #BBE62D

RGB 187 230 45

HSL 73.95, 0.79%, 0.54%

LAB 85.68, -36.64, 77.12

 

CMYK 15 / 0 / 65 / 8

HEX #C7EB52

RGB 199 235 82

HSL 74.12, 0.79%, 0.62%

LAB 88.05, -32.38, 67.58

 

CMYK 12 / 0 / 51 / 6

HEX #D3EF76

RGB 211 239 118

HSL 73.88, 0.79%, 0.7%

LAB 90.27, -26.78, 54.89

 

CMYK 8 / 0 / 36 / 5

HEX #DFF39B

RGB 223 243 155

HSL 73.64, 0.79%, 0.78%

LAB 92.64, -20.23, 40.28

 

CMYK 15 / 0 / 65 / 8

HEX #C7EB52

RGB 199 235 82

HSL 74.12, 0.79%, 0.62%

LAB 88.05, -32.38, 67.58

 

CMYK 65 / 0 / 37 / 8

HEX #52EB94

RGB 82 235 148

HSL 145.88, 0.79%, 0.62%

LAB 83.63, -59.36, 30.69

 

CMYK 11 / 65 / 0 / 8

HEX #D152EB

RGB 209 82 235

HSL 289.8, 0.79%, 0.62%

LAB 57.64, 70.26, -54.4

 

CMYK 15 / 0 / 65 / 8

HEX #C7EB52

RGB 199 235 82

HSL 74.12, 0.79%, 0.62%

LAB 88.05, -32.38, 67.58

 

CMYK 65 / 15 / 0 / 8

HEX #52C7EB

RGB 82 199 235

HSL 194.12, 0.79%, 0.62%

LAB 75.23, -21.99, -27.54

 

CMYK 0 / 65 / 15 / 8

HEX #EB52C7

RGB 235 82 199

HSL 314.12, 0.79%, 0.62%

LAB 59.73, 70.62, -30.53

 

CMYK 15 / 0 / 65 / 8

HEX #C7EB52

RGB 199 235 82

HSL 74.12, 0.79%, 0.62%

LAB 88.05, -32.38, 67.58

 

CMYK 65 / 0 / 37 / 8

HEX #52EB94

RGB 82 235 148

HSL 145.88, 0.79%, 0.62%

LAB 83.63, -59.36, 30.69

 

CMYK 50 / 65 / 0 / 8

HEX #7552EB

RGB 117 82 235

HSL 253.73, 0.79%, 0.62%

LAB 46.73, 51.45, -72.55

 

CMYK 0 / 65 / 29 / 8

HEX #EB52A8

RGB 235 82 168

HSL 326.27, 0.79%, 0.62%

LAB 58.53, 66.55, -14.53

 

CMYK 15 / 0 / 65 / 8

HEX #C7EB52

RGB 199 235 82

HSL 74.12, 0.79%, 0.62%

LAB 88.05, -32.38, 67.58

 

CMYK 65 / 0 / 17 / 8

HEX #52EBC2

RGB 82 235 194

HSL 163.92, 0.79%, 0.62%

LAB 84.54, -49.74, 8.16

 

CMYK 50 / 65 / 0 / 8

HEX #7552EB

RGB 117 82 235

HSL 253.73, 0.79%, 0.62%

LAB 46.73, 51.45, -72.55

 

CMYK 0 / 65 / 48 / 8

HEX #EB527A

RGB 235 82 122

HSL 344.31, 0.79%, 0.62%

LAB 57.17, 61.74, 10.41

 

Description

Color code: HEX #C7EB52 | qconv.com Color code: HEX #C7EB52 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 235 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 235 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 65 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 65% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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