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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7EB1E it is the complementary color #3814E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7EB1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7EB1E shade: #CCEB19, #DDFD2C, #EEFF3F, #FFFF52 and #FFFF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7EB1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7EB1E shade: #C7EB1E, #B6D90B, #A5C700, #94B500 and #83A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7EB1E shade: #C7EB1E, #EBD81E, #EBA11E, #EB691E and #EB321E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7EB1E shade: #C7EB1E, #90EB1E, #58EB1E, #21EB1E and #1EEB52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7EB1E shade matches the following richer shades: #C7EB1E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7EB1E shade: #C7EB1E, #BAD832, #AEC445, #A1B059 and #949C6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7EB1E shade: #EBA01E, #EBD71E, #C9EB1E, #92EB1E and #5BEB1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7EB1E shade: #8DA80F, #ADCE12, #C7EB1E, #D1EF44 and #DAF26A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7EB1E shade: #C7EB1E, #1EEB69 and #BB1EEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7EB1E shade: #C7EB1E, #1EC9EB and #EB1EC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7EB1E shade: #C7EB1E, #1EEB69, #401EEB and #EB1EA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7EB1E shade: #C7EB1E, #1EEBA7, #401EEB and #EB1E62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 87 / 8

HEX #C7EB1E

RGB 199 235 30

HSL 70.54, 0.84%, 0.52%

LAB 87.8, -34.6, 82.45

 

Complementary color

CMYK 75 / 91 / 0 / 12

HEX #3814E1

RGB 56 20 225

HSL 250.54, 0.84%, 0.48%

LAB 31.29, 69.15, -92.48

 

CMYK 13 / 0 / 89 / 8

HEX #CCEB19

RGB 204 235 25

HSL 68.86, 0.84%, 0.51%

LAB 88.12, -32.7, 83.66

 

CMYK 13 / 0 / 83 / 1

HEX #DDFD2C

RGB 221 253 44

HSL 69.19, 0.98%, 0.58%

LAB 94.23, -33.71, 85.63

 

CMYK 7 / 0 / 75 / 0

HEX #EEFF3F

RGB 238 255 63

HSL 65.31, 1%, 0.62%

LAB 96.02, -27.23, 82.78

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 15 / 0 / 87 / 8

HEX #C7EB1E

RGB 199 235 30

HSL 70.54, 0.84%, 0.52%

LAB 87.8, -34.6, 82.45

 

CMYK 16 / 0 / 95 / 15

HEX #B6D90B

RGB 182 217 11

HSL 70.19, 0.9%, 0.45%

LAB 81.62, -33.49, 79.63

 

CMYK 17 / 0 / 100 / 22

HEX #A5C700

RGB 165 199 0

HSL 70.25, 1%, 0.39%

LAB 75.36, -32.21, 75.4

 

CMYK 18 / 0 / 100 / 29

HEX #94B500

RGB 148 181 0

HSL 70.94, 1%, 0.35%

LAB 69, -30.79, 70.11

 

CMYK 20 / 0 / 100 / 36

HEX #83A300

RGB 131 163 0

HSL 71.78, 1%, 0.32%

LAB 62.52, -29.36, 64.72

 

CMYK 15 / 0 / 87 / 8

HEX #C7EB1E

RGB 199 235 30

HSL 70.54, 0.84%, 0.52%

LAB 87.8, -34.6, 82.45

 

CMYK 0 / 8 / 87 / 8

HEX #EBD81E

RGB 235 216 30

HSL 54.44, 0.84%, 0.52%

LAB 85.44, -10.58, 81.68

 

CMYK 0 / 31 / 87 / 8

HEX #EBA11E

RGB 235 161 30

HSL 38.34, 0.84%, 0.52%

LAB 71.72, 17.95, 70.8

 

CMYK 0 / 55 / 87 / 8

HEX #EB691E

RGB 235 105 30

HSL 21.95, 0.84%, 0.52%

LAB 59.76, 46.72, 61.37

 

CMYK 0 / 79 / 87 / 8

HEX #EB321E

RGB 235 50 30

HSL 5.85, 0.84%, 0.52%

LAB 51.88, 67.96, 55.2

 

CMYK 15 / 0 / 87 / 8

HEX #C7EB1E

RGB 199 235 30

HSL 70.54, 0.84%, 0.52%

LAB 87.8, -34.6, 82.45

 

CMYK 39 / 0 / 87 / 8

HEX #90EB1E

RGB 144 235 30

HSL 86.63, 0.84%, 0.52%

LAB 84.71, -54.94, 78.62

 

CMYK 63 / 0 / 87 / 8

HEX #58EB1E

RGB 88 235 30

HSL 103.02, 0.84%, 0.52%

LAB 82.69, -70.58, 76.1

 

CMYK 86 / 0 / 87 / 8

HEX #21EB1E

RGB 33 235 30

HSL 119.12, 0.84%, 0.52%

LAB 81.75, -78.75, 74.92

 

CMYK 87 / 0 / 65 / 8

HEX #1EEB52

RGB 30 235 82

HSL 135.22, 0.84%, 0.52%

LAB 82, -75.43, 59.31

 

CMYK 15 / 0 / 87 / 8

HEX #C7EB1E

RGB 199 235 30

HSL 70.54, 0.84%, 0.52%

LAB 87.8, -34.6, 82.45

 

CMYK 15 / 0 / 87 / 8

HEX #C7EB1E

RGB 199 235 30

HSL 70.54, 0.84%, 0.52%

LAB 87.8, -34.6, 82.45

 

CMYK 14 / 0 / 77 / 15

HEX #BAD832

RGB 186 216 50

HSL 70.84, 0.68%, 0.52%

LAB 81.72, -30.41, 72.16

 

CMYK 11 / 0 / 65 / 23

HEX #AEC445

RGB 174 196 69

HSL 70.39, 0.52%, 0.52%

LAB 75.39, -24.73, 58.96

 

CMYK 9 / 0 / 49 / 31

HEX #A1B059

RGB 161 176 89

HSL 70.34, 0.36%, 0.52%

LAB 69, -18.46, 42.45

 

CMYK 5 / 0 / 30 / 39

HEX #949C6D

RGB 148 156 109

HSL 70.21, 0.19%, 0.52%

LAB 62.66, -10.92, 23.72

 

CMYK 0 / 32 / 87 / 8

HEX #EBA01E

RGB 235 160 30

HSL 38.05, 0.84%, 0.52%

LAB 71.49, 18.48, 70.61

 

CMYK 0 / 9 / 87 / 8

HEX #EBD71E

RGB 235 215 30

HSL 54.15, 0.84%, 0.52%

LAB 85.18, -10.08, 81.47

 

CMYK 14 / 0 / 87 / 8

HEX #C9EB1E

RGB 201 235 30

HSL 69.95, 0.84%, 0.52%

LAB 87.93, -33.8, 82.61

 

CMYK 38 / 0 / 87 / 8

HEX #92EB1E

RGB 146 235 30

HSL 86.05, 0.84%, 0.52%

LAB 84.8, -54.27, 78.74

 

CMYK 61 / 0 / 87 / 8

HEX #5BEB1E

RGB 91 235 30

HSL 102.15, 0.84%, 0.52%

LAB 82.77, -69.91, 76.2

 

CMYK 16 / 0 / 91 / 34

HEX #8DA80F

RGB 141 168 15

HSL 70.59, 0.84%, 0.36%

LAB 64.73, -27.28, 64.65

 

CMYK 16 / 0 / 91 / 19

HEX #ADCE12

RGB 173 206 18

HSL 70.53, 0.84%, 0.44%

LAB 77.92, -31.96, 75.66

 

CMYK 15 / 0 / 87 / 8

HEX #C7EB1E

RGB 199 235 30

HSL 70.54, 0.84%, 0.52%

LAB 87.8, -34.6, 82.45

 

CMYK 13 / 0 / 72 / 6

HEX #D1EF44

RGB 209 239 68

HSL 70.53, 0.84%, 0.6%

LAB 89.72, -31.1, 74.56

 

CMYK 10 / 0 / 56 / 5

HEX #DAF26A

RGB 218 242 106

HSL 70.59, 0.84%, 0.68%

LAB 91.44, -26.53, 61.74

 

CMYK 15 / 0 / 87 / 8

HEX #C7EB1E

RGB 199 235 30

HSL 70.54, 0.84%, 0.52%

LAB 87.8, -34.6, 82.45

 

CMYK 87 / 0 / 55 / 8

HEX #1EEB69

RGB 30 235 105

HSL 141.95, 0.84%, 0.52%

LAB 82.22, -72.69, 49.63

 

CMYK 20 / 87 / 0 / 8

HEX #BB1EEB

RGB 187 30 235

HSL 285.95, 0.84%, 0.52%

LAB 48.87, 81.98, -68.68

 

CMYK 15 / 0 / 87 / 8

HEX #C7EB1E

RGB 199 235 30

HSL 70.54, 0.84%, 0.52%

LAB 87.8, -34.6, 82.45

 

CMYK 87 / 14 / 0 / 8

HEX #1EC9EB

RGB 30 201 235

HSL 189.95, 0.84%, 0.52%

LAB 74.85, -28.46, -28.19

 

CMYK 0 / 87 / 14 / 8

HEX #EB1EC9

RGB 235 30 201

HSL 309.95, 0.84%, 0.52%

LAB 54.87, 84.98, -39.25

 

CMYK 15 / 0 / 87 / 8

HEX #C7EB1E

RGB 199 235 30

HSL 70.54, 0.84%, 0.52%

LAB 87.8, -34.6, 82.45

 

CMYK 87 / 0 / 55 / 8

HEX #1EEB69

RGB 30 235 105

HSL 141.95, 0.84%, 0.52%

LAB 82.22, -72.69, 49.63

 

CMYK 73 / 87 / 0 / 8

HEX #401EEB

RGB 64 30 235

HSL 249.95, 0.84%, 0.52%

LAB 34.02, 69.26, -93.64

 

CMYK 0 / 87 / 32 / 8

HEX #EB1EA0

RGB 235 30 160

HSL 321.95, 0.84%, 0.52%

LAB 53.09, 80.2, -18.11

 

CMYK 15 / 0 / 87 / 8

HEX #C7EB1E

RGB 199 235 30

HSL 70.54, 0.84%, 0.52%

LAB 87.8, -34.6, 82.45

 

CMYK 87 / 0 / 29 / 8

HEX #1EEBA7

RGB 30 235 167

HSL 160.1, 0.84%, 0.52%

LAB 83.17, -61.65, 20.2

 

CMYK 73 / 87 / 0 / 8

HEX #401EEB

RGB 64 30 235

HSL 249.95, 0.84%, 0.52%

LAB 34.02, 69.26, -93.64

 

CMYK 0 / 87 / 58 / 8

HEX #EB1E62

RGB 235 30 98

HSL 340.1, 0.84%, 0.52%

LAB 51.24, 75.04, 16.52

 

Description

Color code: HEX #C7EB1E | qconv.com Color code: HEX #C7EB1E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 235 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 235 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 87 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 87% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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