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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7EA53 it is the complementary color #3815AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7EA53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7EA53 shade: #CCEA4E, #DDFC61, #EEFF74, #FFFF87 and #FFFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7EA53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7EA53 shade: #C7EA53, #B6D840, #A5C62D, #94B41A and #83A207

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7EA53 shade: #C7EA53, #EAE453, #EABB53, #EA9253 and #EA6A53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7EA53 shade: #C7EA53, #9EEA53, #75EA53, #53EA59 and #53EA81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7EA53 shade matches the following richer shades: #C7EA53 and #CFF943

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7EA53 shade: #C7EA53, #BEDA62, #B6CA72, #ADBB82 and #A5AB91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7EA53 shade: #EABA53, #EAE253, #C9EA53, #A1EA53 and #78EA53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7EA53 shade: #A6D01A, #BBE52E, #C7EA53, #D3EE77 and #DFF39C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7EA53 shade: #C7EA53, #53EA92 and #CE53EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7EA53 shade: #C7EA53, #53C9EA and #EA53C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7EA53 shade: #C7EA53, #53EA92, #7353EA and #EA53AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7EA53 shade: #C7EA53, #53EABF, #7353EA and #EA537D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 65 / 8

HEX #C7EA53

RGB 199 234 83

HSL 73.91, 0.78%, 0.62%

LAB 87.78, -31.85, 66.91

 

Complementary color

CMYK 67 / 88 / 0 / 33

HEX #3815AC

RGB 56 21 172

HSL 253.91, 0.78%, 0.38%

LAB 24.81, 54.85, -72.12

 

CMYK 13 / 0 / 67 / 8

HEX #CCEA4E

RGB 204 234 78

HSL 71.54, 0.79%, 0.61%

LAB 88.08, -30.21, 69.25

 

CMYK 12 / 0 / 62 / 1

HEX #DDFC61

RGB 221 252 97

HSL 72, 0.96%, 0.68%

LAB 94.25, -30.7, 68.67

 

CMYK 7 / 0 / 55 / 0

HEX #EEFF74

RGB 238 255 116

HSL 67.34, 1%, 0.73%

LAB 96.39, -24.12, 63.39

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 15 / 0 / 65 / 8

HEX #C7EA53

RGB 199 234 83

HSL 73.91, 0.78%, 0.62%

LAB 87.78, -31.85, 66.91

 

CMYK 16 / 0 / 70 / 15

HEX #B6D840

RGB 182 216 64

HSL 73.42, 0.66%, 0.55%

LAB 81.53, -31.33, 67.3

 

CMYK 17 / 0 / 77 / 22

HEX #A5C62D

RGB 165 198 45

HSL 72.94, 0.63%, 0.48%

LAB 75.19, -30.67, 67.13

 

CMYK 18 / 0 / 86 / 29

HEX #94B41A

RGB 148 180 26

HSL 72.47, 0.75%, 0.4%

LAB 68.76, -29.83, 66.04

 

CMYK 19 / 0 / 96 / 36

HEX #83A207

RGB 131 162 7

HSL 72, 0.92%, 0.33%

LAB 62.24, -28.76, 63.53

 

CMYK 15 / 0 / 65 / 8

HEX #C7EA53

RGB 199 234 83

HSL 73.91, 0.78%, 0.62%

LAB 87.78, -31.85, 66.91

 

CMYK 0 / 3 / 65 / 8

HEX #EAE453

RGB 234 228 83

HSL 57.62, 0.78%, 0.62%

LAB 88.73, -14.95, 68.7

 

CMYK 0 / 20 / 65 / 8

HEX #EABB53

RGB 234 187 83

HSL 41.32, 0.78%, 0.62%

LAB 78.26, 5.92, 57.57

 

CMYK 0 / 38 / 65 / 8

HEX #EA9253

RGB 234 146 83

HSL 25.03, 0.78%, 0.62%

LAB 68.51, 27.62, 46.64

 

CMYK 0 / 55 / 65 / 8

HEX #EA6A53

RGB 234 106 83

HSL 9.14, 0.78%, 0.62%

LAB 60.27, 47.95, 36.89

 

CMYK 15 / 0 / 65 / 8

HEX #C7EA53

RGB 199 234 83

HSL 73.91, 0.78%, 0.62%

LAB 87.78, -31.85, 66.91

 

CMYK 32 / 0 / 65 / 8

HEX #9EEA53

RGB 158 234 83

HSL 90.2, 0.78%, 0.62%

LAB 85.37, -47.01, 63.63

 

CMYK 50 / 0 / 65 / 8

HEX #75EA53

RGB 117 234 83

HSL 106.49, 0.78%, 0.62%

LAB 83.57, -59.83, 61.16

 

CMYK 65 / 0 / 62 / 8

HEX #53EA59

RGB 83 234 89

HSL 122.38, 0.78%, 0.62%

LAB 82.6, -67.31, 57.32

 

CMYK 65 / 0 / 45 / 8

HEX #53EA81

RGB 83 234 129

HSL 138.28, 0.78%, 0.62%

LAB 83.06, -62.04, 39.44

 

CMYK 15 / 0 / 65 / 8

HEX #C7EA53

RGB 199 234 83

HSL 73.91, 0.78%, 0.62%

LAB 87.78, -31.85, 66.91

 

CMYK 17 / 0 / 73 / 2

HEX #CFF943

RGB 207 249 67

HSL 73.85, 0.94%, 0.62%

LAB 92.32, -36.5, 77.34

 

CMYK 15 / 0 / 65 / 8

HEX #C7EA53

RGB 199 234 83

HSL 73.91, 0.78%, 0.62%

LAB 87.78, -31.85, 66.91

 

CMYK 13 / 0 / 55 / 15

HEX #BEDA62

RGB 190 218 98

HSL 74, 0.62%, 0.62%

LAB 82.9, -26.71, 55.03

 

CMYK 10 / 0 / 44 / 21

HEX #B6CA72

RGB 182 202 114

HSL 73.64, 0.45%, 0.62%

LAB 78.11, -20.48, 41.55

 

CMYK 7 / 0 / 30 / 27

HEX #ADBB82

RGB 173 187 130

HSL 74.74, 0.3%, 0.62%

LAB 73.57, -14.42, 27.33

 

CMYK 4 / 0 / 15 / 33

HEX #A5AB91

RGB 165 171 145

HSL 73.85, 0.13%, 0.62%

LAB 68.87, -6.8, 12.68

 

CMYK 0 / 21 / 65 / 8

HEX #EABA53

RGB 234 186 83

HSL 40.93, 0.78%, 0.62%

LAB 78.01, 6.45, 57.3

 

CMYK 0 / 3 / 65 / 8

HEX #EAE253

RGB 234 226 83

HSL 56.82, 0.78%, 0.62%

LAB 88.21, -13.96, 68.16

 

CMYK 14 / 0 / 65 / 8

HEX #C9EA53

RGB 201 234 83

HSL 73.11, 0.78%, 0.62%

LAB 87.91, -31.07, 67.09

 

CMYK 31 / 0 / 65 / 8

HEX #A1EA53

RGB 161 234 83

HSL 89.01, 0.78%, 0.62%

LAB 85.53, -45.96, 63.84

 

CMYK 49 / 0 / 65 / 8

HEX #78EA53

RGB 120 234 83

HSL 105.3, 0.78%, 0.62%

LAB 83.69, -58.99, 61.31

 

CMYK 20 / 0 / 88 / 18

HEX #A6D01A

RGB 166 208 26

HSL 73.85, 0.78%, 0.46%

LAB 78.05, -35.53, 74.27

 

CMYK 18 / 0 / 80 / 10

HEX #BBE52E

RGB 187 229 46

HSL 73.77, 0.78%, 0.54%

LAB 85.4, -36.15, 76.61

 

CMYK 15 / 0 / 65 / 8

HEX #C7EA53

RGB 199 234 83

HSL 73.91, 0.78%, 0.62%

LAB 87.78, -31.85, 66.91

 

CMYK 11 / 0 / 50 / 7

HEX #D3EE77

RGB 211 238 119

HSL 73.61, 0.78%, 0.7%

LAB 90.01, -26.21, 54.13

 

CMYK 8 / 0 / 36 / 5

HEX #DFF39C

RGB 223 243 156

HSL 73.79, 0.78%, 0.78%

LAB 92.66, -20.11, 39.81

 

CMYK 15 / 0 / 65 / 8

HEX #C7EA53

RGB 199 234 83

HSL 73.91, 0.78%, 0.62%

LAB 87.78, -31.85, 66.91

 

CMYK 65 / 0 / 38 / 8

HEX #53EA92

RGB 83 234 146

HSL 145.03, 0.78%, 0.62%

LAB 83.32, -59.17, 31.3

 

CMYK 12 / 65 / 0 / 8

HEX #CE53EA

RGB 206 83 234

HSL 288.87, 0.78%, 0.62%

LAB 57.32, 69, -54.38

 

CMYK 15 / 0 / 65 / 8

HEX #C7EA53

RGB 199 234 83

HSL 73.91, 0.78%, 0.62%

LAB 87.78, -31.85, 66.91

 

CMYK 65 / 14 / 0 / 8

HEX #53C9EA

RGB 83 201 234

HSL 193.11, 0.78%, 0.62%

LAB 75.79, -23.15, -26.13

 

CMYK 0 / 65 / 14 / 8

HEX #EA53C9

RGB 234 83 201

HSL 313.11, 0.78%, 0.62%

LAB 59.79, 70.27, -31.57

 

CMYK 15 / 0 / 65 / 8

HEX #C7EA53

RGB 199 234 83

HSL 73.91, 0.78%, 0.62%

LAB 87.78, -31.85, 66.91

 

CMYK 65 / 0 / 38 / 8

HEX #53EA92

RGB 83 234 146

HSL 145.03, 0.78%, 0.62%

LAB 83.32, -59.17, 31.3

 

CMYK 51 / 65 / 0 / 8

HEX #7353EA

RGB 115 83 234

HSL 252.72, 0.78%, 0.62%

LAB 46.67, 50.28, -72.09

 

CMYK 0 / 65 / 27 / 8

HEX #EA53AB

RGB 234 83 171

HSL 325.03, 0.78%, 0.62%

LAB 58.62, 66.25, -16.15

 

CMYK 15 / 0 / 65 / 8

HEX #C7EA53

RGB 199 234 83

HSL 73.91, 0.78%, 0.62%

LAB 87.78, -31.85, 66.91

 

CMYK 65 / 0 / 18 / 8

HEX #53EABF

RGB 83 234 191

HSL 162.91, 0.78%, 0.62%

LAB 84.2, -49.86, 9.25

 

CMYK 51 / 65 / 0 / 8

HEX #7353EA

RGB 115 83 234

HSL 252.72, 0.78%, 0.62%

LAB 46.67, 50.28, -72.09

 

CMYK 0 / 65 / 47 / 8

HEX #EA537D

RGB 234 83 125

HSL 343.31, 0.78%, 0.62%

LAB 57.23, 61.3, 8.7

 

Description

Color code: HEX #C7EA53 | qconv.com Color code: HEX #C7EA53 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 234 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 234 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 65 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 65% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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