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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7E740 it is the complementary color #3818BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7E740. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7E740 shade: #CCE73B, #DDF94E, #EEFF61, #FFFF74 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7E740. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7E740 shade: #C7E740, #B6D52D, #A5C31A, #94B107 and #839F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7E740 shade: #C7E740, #E7DA40, #E7AD40, #E78040 and #E75340

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7E740 shade: #C7E740, #9AE740, #6DE740, #40E740 and #40E76E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7E740 shade matches the following richer shades: #C7E740 and #D2F92F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7E740 shade: #C7E740, #BDD652, #B2C563, #A7B374 and #9DA286

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7E740 shade: #E7AD40, #E7DA40, #C9E740, #9CE740 and #70E740

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7E740 shade: #9EBE17, #BCE31C, #C7E740, #D2EC65 and #DDF18A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7E740 shade: #C7E740, #40E780 and #C340E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7E740 shade: #C7E740, #40C9E7 and #E740C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7E740 shade: #C7E740, #40E780, #5F40E7 and #E740A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7E740 shade: #C7E740, #40E7B3, #5F40E7 and #E74075

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 72 / 9

HEX #C7E740

RGB 199 231 64

HSL 71.5, 0.78%, 0.58%

LAB 86.83, -31.56, 72.87

 

Complementary color

CMYK 71 / 87 / 0 / 25

HEX #3818BF

RGB 56 24 191

HSL 251.5, 0.78%, 0.42%

LAB 27.45, 59.01, -79.08

 

CMYK 12 / 0 / 74 / 9

HEX #CCE73B

RGB 204 231 59

HSL 69.42, 0.78%, 0.57%

LAB 87.15, -29.8, 74.9

 

CMYK 11 / 0 / 69 / 2

HEX #DDF94E

RGB 221 249 78

HSL 69.82, 0.93%, 0.64%

LAB 93.31, -30.48, 74.91

 

CMYK 7 / 0 / 62 / 0

HEX #EEFF61

RGB 238 255 97

HSL 66.46, 1%, 0.69%

LAB 96.23, -25.48, 71.14

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 14 / 0 / 72 / 9

HEX #C7E740

RGB 199 231 64

HSL 71.5, 0.78%, 0.58%

LAB 86.83, -31.56, 72.87

 

CMYK 15 / 0 / 79 / 16

HEX #B6D52D

RGB 182 213 45

HSL 71.07, 0.67%, 0.51%

LAB 80.58, -30.82, 72.46

 

CMYK 15 / 0 / 87 / 24

HEX #A5C31A

RGB 165 195 26

HSL 70.65, 0.76%, 0.43%

LAB 74.26, -29.91, 71.11

 

CMYK 16 / 0 / 96 / 31

HEX #94B107

RGB 148 177 7

HSL 70.24, 0.92%, 0.36%

LAB 67.84, -28.79, 68.38

 

CMYK 18 / 0 / 100 / 38

HEX #839F00

RGB 131 159 0

HSL 70.57, 1%, 0.31%

LAB 61.33, -27.44, 63.81

 

CMYK 14 / 0 / 72 / 9

HEX #C7E740

RGB 199 231 64

HSL 71.5, 0.78%, 0.58%

LAB 86.83, -31.56, 72.87

 

CMYK 0 / 6 / 72 / 9

HEX #E7DA40

RGB 231 218 64

HSL 55.33, 0.78%, 0.58%

LAB 85.76, -12.2, 72.67

 

CMYK 0 / 25 / 72 / 9

HEX #E7AD40

RGB 231 173 64

HSL 39.16, 0.78%, 0.58%

LAB 74.35, 11.01, 61.52

 

CMYK 0 / 45 / 72 / 9

HEX #E78040

RGB 231 128 64

HSL 22.99, 0.78%, 0.58%

LAB 64, 34.81, 50.84

 

CMYK 0 / 64 / 72 / 9

HEX #E75340

RGB 231 83 64

HSL 6.83, 0.78%, 0.58%

LAB 55.63, 56.25, 41.71

 

CMYK 14 / 0 / 72 / 9

HEX #C7E740

RGB 199 231 64

HSL 71.5, 0.78%, 0.58%

LAB 86.83, -31.56, 72.87

 

CMYK 33 / 0 / 72 / 9

HEX #9AE740

RGB 154 231 64

HSL 87.66, 0.78%, 0.58%

LAB 84.17, -48.44, 69.36

 

CMYK 53 / 0 / 72 / 9

HEX #6DE740

RGB 109 231 64

HSL 103.83, 0.78%, 0.58%

LAB 82.26, -62.4, 66.82

 

CMYK 72 / 0 / 72 / 9

HEX #40E740

RGB 64 231 64

HSL 120, 0.78%, 0.58%

LAB 81.08, -72, 65.25

 

CMYK 72 / 0 / 52 / 9

HEX #40E76E

RGB 64 231 110

HSL 136.53, 0.78%, 0.58%

LAB 81.49, -67.03, 46.54

 

CMYK 14 / 0 / 72 / 9

HEX #C7E740

RGB 199 231 64

HSL 71.5, 0.78%, 0.58%

LAB 86.83, -31.56, 72.87

 

CMYK 16 / 0 / 81 / 2

HEX #D2F92F

RGB 210 249 47

HSL 71.58, 0.94%, 0.58%

LAB 92.42, -36.13, 83.1

 

CMYK 14 / 0 / 72 / 9

HEX #C7E740

RGB 199 231 64

HSL 71.5, 0.78%, 0.58%

LAB 86.83, -31.56, 72.87

 

CMYK 12 / 0 / 62 / 16

HEX #BDD652

RGB 189 214 82

HSL 71.36, 0.62%, 0.58%

LAB 81.58, -26.45, 60.51

 

CMYK 10 / 0 / 50 / 23

HEX #B2C563

RGB 178 197 99

HSL 71.63, 0.46%, 0.58%

LAB 76.25, -21.15, 46.56

 

CMYK 7 / 0 / 35 / 30

HEX #A7B374

RGB 167 179 116

HSL 71.43, 0.29%, 0.58%

LAB 70.68, -14.51, 30.82

 

CMYK 3 / 0 / 17 / 36

HEX #9DA286

RGB 157 162 134

HSL 70.71, 0.13%, 0.58%

LAB 65.54, -6.81, 13.98

 

CMYK 0 / 25 / 72 / 9

HEX #E7AD40

RGB 231 173 64

HSL 39.16, 0.78%, 0.58%

LAB 74.35, 11.01, 61.52

 

CMYK 0 / 6 / 72 / 9

HEX #E7DA40

RGB 231 218 64

HSL 55.33, 0.78%, 0.58%

LAB 85.76, -12.2, 72.67

 

CMYK 13 / 0 / 72 / 9

HEX #C9E740

RGB 201 231 64

HSL 70.78, 0.78%, 0.58%

LAB 86.97, -30.76, 73.04

 

CMYK 32 / 0 / 72 / 9

HEX #9CE740

RGB 156 231 64

HSL 86.95, 0.78%, 0.58%

LAB 84.27, -47.74, 69.5

 

CMYK 52 / 0 / 72 / 9

HEX #70E740

RGB 112 231 64

HSL 102.75, 0.78%, 0.58%

LAB 82.36, -61.59, 66.96

 

CMYK 17 / 0 / 88 / 25

HEX #9EBE17

RGB 158 190 23

HSL 71.5, 0.78%, 0.42%

LAB 72.33, -30.51, 69.91

 

CMYK 17 / 0 / 88 / 11

HEX #BCE31C

RGB 188 227 28

HSL 71.76, 0.78%, 0.5%

LAB 84.85, -35.37, 80.08

 

CMYK 14 / 0 / 72 / 9

HEX #C7E740

RGB 199 231 64

HSL 71.5, 0.78%, 0.58%

LAB 86.83, -31.56, 72.87

 

CMYK 11 / 0 / 57 / 7

HEX #D2EC65

RGB 210 236 101

HSL 71.56, 0.78%, 0.66%

LAB 89.22, -27.2, 61.26

 

CMYK 8 / 0 / 43 / 5

HEX #DDF18A

RGB 221 241 138

HSL 71.65, 0.79%, 0.74%

LAB 91.74, -21.93, 47.41

 

CMYK 14 / 0 / 72 / 9

HEX #C7E740

RGB 199 231 64

HSL 71.5, 0.78%, 0.58%

LAB 86.83, -31.56, 72.87

 

CMYK 72 / 0 / 45 / 9

HEX #40E780

RGB 64 231 128

HSL 142.99, 0.78%, 0.58%

LAB 81.73, -64.28, 38.15

 

CMYK 16 / 72 / 0 / 9

HEX #C340E7

RGB 195 64 231

HSL 287.07, 0.78%, 0.58%

LAB 52.99, 73.41, -59.71

 

CMYK 14 / 0 / 72 / 9

HEX #C7E740

RGB 199 231 64

HSL 71.5, 0.78%, 0.58%

LAB 86.83, -31.56, 72.87

 

CMYK 72 / 13 / 0 / 9

HEX #40C9E7

RGB 64 201 231

HSL 190.78, 0.78%, 0.58%

LAB 75.22, -26.73, -25.43

 

CMYK 0 / 72 / 13 / 9

HEX #E740C9

RGB 231 64 201

HSL 310.78, 0.78%, 0.58%

LAB 56.95, 76.21, -36.04

 

CMYK 14 / 0 / 72 / 9

HEX #C7E740

RGB 199 231 64

HSL 71.5, 0.78%, 0.58%

LAB 86.83, -31.56, 72.87

 

CMYK 72 / 0 / 45 / 9

HEX #40E780

RGB 64 231 128

HSL 142.99, 0.78%, 0.58%

LAB 81.73, -64.28, 38.15

 

CMYK 59 / 72 / 0 / 9

HEX #5F40E7

RGB 95 64 231

HSL 251.14, 0.78%, 0.58%

LAB 41.01, 56.44, -79.73

 

CMYK 0 / 72 / 28 / 9

HEX #E740A7

RGB 231 64 167

HSL 322.99, 0.78%, 0.58%

LAB 55.53, 71.81, -18.57

 

CMYK 14 / 0 / 72 / 9

HEX #C7E740

RGB 199 231 64

HSL 71.5, 0.78%, 0.58%

LAB 86.83, -31.56, 72.87

 

CMYK 72 / 0 / 23 / 9

HEX #40E7B3

RGB 64 231 179

HSL 161.32, 0.78%, 0.58%

LAB 82.64, -54.2, 13.28

 

CMYK 59 / 72 / 0 / 9

HEX #5F40E7

RGB 95 64 231

HSL 251.14, 0.78%, 0.58%

LAB 41.01, 56.44, -79.73

 

CMYK 0 / 72 / 49 / 9

HEX #E74075

RGB 231 64 117

HSL 340.96, 0.78%, 0.58%

LAB 53.96, 66.77, 8.74

 

Description

Color code: HEX #C7E740 | qconv.com Color code: HEX #C7E740 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 231 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 231 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 72 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 72% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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