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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7E5CC it is the complementary color #381A33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7E5CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7E5CC shade: #CCE5C7, #DDF7DA, #EEFFED and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7E5CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7E5CC shade: #C7E5CC, #B6D3B9, #A5C1A6, #94AF93 and #839D80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7E5CC shade: #C7E5CC, #CAE5C7, #D2E5C7, #DAE5C7 and #E2E5C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7E5CC shade: #C7E5CC, #C7E5D4, #C7E5DC, #C7E5E4 and #C7DDE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7E5CC shade matches the following richer shades: #C7E5CC, #C0EBC7, #B9F2C3 and #B3F9BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7E5CC shade: #C7E5CC, #CDDED0, #D4D8D4, #DAD1D9 and #E1CADD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7E5CC shade: #D2E5C7, #CAE5C7, #C7E5CC, #C7E5D4 and #C7E5DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7E5CC shade: #8ECB98, #AAD8B2, #C7E5CC and #E3F2E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7E5CC shade: #C7E5CC, #C7DAE5 and #E5C7CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7E5CC shade: #C7E5CC, #CCC7E5 and #E5CCC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7E5CC shade: #C7E5CC, #C7DAE5, #E5C7E0 and #E5D2C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7E5CC shade: #C7E5CC, #C7D1E5, #E5C7E0 and #E5DBC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 11 / 10

HEX #C7E5CC

RGB 199 229 204

HSL 130, 0.37%, 0.84%

LAB 88.23, -14.53, 8.89

 

Complementary color

CMYK 0 / 54 / 9 / 78

HEX #381A33

RGB 56 26 51

HSL 310, 0.37%, 0.16%

LAB 14.5, 19.13, -10.05

 

CMYK 11 / 0 / 13 / 10

HEX #CCE5C7

RGB 204 229 199

HSL 110, 0.37%, 0.84%

LAB 88.45, -13.72, 11.86

 

CMYK 11 / 0 / 12 / 3

HEX #DDF7DA

RGB 221 247 218

HSL 113.79, 0.64%, 0.91%

LAB 94.72, -13.7, 11.09

 

CMYK 7 / 0 / 7 / 0

HEX #EEFFED

RGB 238 255 237

HSL 116.67, 1%, 0.96%

LAB 98.36, -8.74, 6.69

 

CMYK 13 / 0 / 11 / 10

HEX #C7E5CC

RGB 199 229 204

HSL 130, 0.37%, 0.84%

LAB 88.23, -14.53, 8.89

 

CMYK 14 / 0 / 12 / 17

HEX #B6D3B9

RGB 182 211 185

HSL 126.21, 0.25%, 0.77%

LAB 81.86, -14.59, 9.65

 

CMYK 15 / 0 / 14 / 24

HEX #A5C1A6

RGB 165 193 166

HSL 122.14, 0.18%, 0.7%

LAB 75.38, -14.67, 10.45

 

CMYK 15 / 0 / 16 / 31

HEX #94AF93

RGB 148 175 147

HSL 117.86, 0.15%, 0.63%

LAB 68.8, -14.76, 11.3

 

CMYK 17 / 0 / 18 / 38

HEX #839D80

RGB 131 157 128

HSL 113.79, 0.13%, 0.56%

LAB 62.08, -14.87, 12.2

 

CMYK 13 / 0 / 11 / 10

HEX #C7E5CC

RGB 199 229 204

HSL 130, 0.37%, 0.84%

LAB 88.23, -14.53, 8.89

 

CMYK 12 / 0 / 13 / 10

HEX #CAE5C7

RGB 202 229 199

HSL 114, 0.37%, 0.84%

LAB 88.31, -14.4, 11.65

 

CMYK 8 / 0 / 13 / 10

HEX #D2E5C7

RGB 210 229 199

HSL 98, 0.37%, 0.84%

LAB 88.86, -11.67, 12.5

 

CMYK 5 / 0 / 13 / 10

HEX #DAE5C7

RGB 218 229 199

HSL 82, 0.37%, 0.84%

LAB 89.42, -8.89, 13.38

 

CMYK 1 / 0 / 13 / 10

HEX #E2E5C7

RGB 226 229 199

HSL 66, 0.37%, 0.84%

LAB 90.01, -6.08, 14.3

 

CMYK 13 / 0 / 11 / 10

HEX #C7E5CC

RGB 199 229 204

HSL 130, 0.37%, 0.84%

LAB 88.23, -14.53, 8.89

 

CMYK 13 / 0 / 7 / 10

HEX #C7E5D4

RGB 199 229 212

HSL 146, 0.37%, 0.84%

LAB 88.42, -13.07, 4.97

 

CMYK 13 / 0 / 4 / 10

HEX #C7E5DC

RGB 199 229 220

HSL 162, 0.37%, 0.84%

LAB 88.61, -11.56, 1.06

 

CMYK 13 / 0 / 0 / 10

HEX #C7E5E4

RGB 199 229 228

HSL 178, 0.37%, 0.84%

LAB 88.82, -9.99, -2.84

 

CMYK 13 / 3 / 0 / 10

HEX #C7DDE5

RGB 199 221 229

HSL 196, 0.37%, 0.84%

LAB 86.76, -5.7, -6.41

 

CMYK 13 / 0 / 11 / 10

HEX #C7E5CC

RGB 199 229 204

HSL 130, 0.37%, 0.84%

LAB 88.23, -14.53, 8.89

 

CMYK 18 / 0 / 15 / 8

HEX #C0EBC7

RGB 192 235 199

HSL 129.77, 0.52%, 0.84%

LAB 89.27, -20.71, 12.93

 

CMYK 24 / 0 / 19 / 5

HEX #B9F2C3

RGB 185 242 195

HSL 130.53, 0.69%, 0.84%

LAB 90.67, -27.06, 16.91

 

CMYK 28 / 0 / 24 / 2

HEX #B3F9BE

RGB 179 249 190

HSL 129.43, 0.85%, 0.84%

LAB 92.16, -33.11, 21.51

 

CMYK 13 / 0 / 11 / 10

HEX #C7E5CC

RGB 199 229 204

HSL 130, 0.37%, 0.84%

LAB 88.23, -14.53, 8.89

 

CMYK 8 / 0 / 6 / 13

HEX #CDDED0

RGB 205 222 208

HSL 130.59, 0.2%, 0.84%

LAB 86.89, -8.26, 4.91

 

CMYK 2 / 0 / 2 / 15

HEX #D4D8D4

RGB 212 216 212

HSL 120, 0.05%, 0.84%

LAB 85.94, -2.08, 1.48

 

CMYK 0 / 4 / 0 / 15

HEX #DAD1D9

RGB 218 209 217

HSL 306.67, 0.11%, 0.84%

LAB 84.75, 4.53, -2.85

 

CMYK 0 / 10 / 2 / 12

HEX #E1CADD

RGB 225 202 221

HSL 310.43, 0.28%, 0.84%

LAB 83.69, 11.33, -6.48

 

CMYK 8 / 0 / 13 / 10

HEX #D2E5C7

RGB 210 229 199

HSL 98, 0.37%, 0.84%

LAB 88.86, -11.67, 12.5

 

CMYK 12 / 0 / 13 / 10

HEX #CAE5C7

RGB 202 229 199

HSL 114, 0.37%, 0.84%

LAB 88.31, -14.4, 11.65

 

CMYK 13 / 0 / 11 / 10

HEX #C7E5CC

RGB 199 229 204

HSL 130, 0.37%, 0.84%

LAB 88.23, -14.53, 8.89

 

CMYK 13 / 0 / 7 / 10

HEX #C7E5D4

RGB 199 229 212

HSL 146, 0.37%, 0.84%

LAB 88.42, -13.07, 4.97

 

CMYK 13 / 0 / 4 / 10

HEX #C7E5DC

RGB 199 229 220

HSL 162, 0.37%, 0.84%

LAB 88.61, -11.56, 1.06

 

CMYK 30 / 0 / 25 / 20

HEX #8ECB98

RGB 142 203 152

HSL 129.84, 0.37%, 0.68%

LAB 76.51, -29.85, 19.34

 

CMYK 21 / 0 / 18 / 15

HEX #AAD8B2

RGB 170 216 178

HSL 130.43, 0.37%, 0.76%

LAB 82.31, -22.37, 13.9

 

CMYK 13 / 0 / 11 / 10

HEX #C7E5CC

RGB 199 229 204

HSL 130, 0.37%, 0.84%

LAB 88.23, -14.53, 8.89

 

CMYK 6 / 0 / 5 / 5

HEX #E3F2E5

RGB 227 242 229

HSL 128, 0.37%, 0.92%

LAB 94.09, -7.28, 4.56

 

CMYK 13 / 0 / 11 / 10

HEX #C7E5CC

RGB 199 229 204

HSL 130, 0.37%, 0.84%

LAB 88.23, -14.53, 8.89

 

CMYK 13 / 5 / 0 / 10

HEX #C7DAE5

RGB 199 218 229

HSL 202, 0.37%, 0.84%

LAB 85.98, -4.14, -7.56

 

CMYK 0 / 13 / 10 / 10

HEX #E5C7CE

RGB 229 199 206

HSL 346, 0.37%, 0.84%

LAB 82.89, 11.7, 0.4

 

CMYK 13 / 0 / 11 / 10

HEX #C7E5CC

RGB 199 229 204

HSL 130, 0.37%, 0.84%

LAB 88.23, -14.53, 8.89

 

CMYK 11 / 13 / 0 / 10

HEX #CCC7E5

RGB 204 199 229

HSL 250, 0.37%, 0.84%

LAB 81.48, 7.48, -14.23

 

CMYK 0 / 11 / 13 / 10

HEX #E5CCC7

RGB 229 204 199

HSL 10, 0.37%, 0.84%

LAB 83.95, 7.92, 5.67

 

CMYK 13 / 0 / 11 / 10

HEX #C7E5CC

RGB 199 229 204

HSL 130, 0.37%, 0.84%

LAB 88.23, -14.53, 8.89

 

CMYK 13 / 5 / 0 / 10

HEX #C7DAE5

RGB 199 218 229

HSL 202, 0.37%, 0.84%

LAB 85.98, -4.14, -7.56

 

CMYK 0 / 13 / 2 / 10

HEX #E5C7E0

RGB 229 199 224

HSL 310, 0.37%, 0.84%

LAB 83.38, 14.82, -8.5

 

CMYK 0 / 8 / 13 / 10

HEX #E5D2C7

RGB 229 210 199

HSL 22, 0.37%, 0.84%

LAB 85.44, 4.78, 7.82

 

CMYK 13 / 0 / 11 / 10

HEX #C7E5CC

RGB 199 229 204

HSL 130, 0.37%, 0.84%

LAB 88.23, -14.53, 8.89

 

CMYK 13 / 9 / 0 / 10

HEX #C7D1E5

RGB 199 209 229

HSL 220, 0.37%, 0.84%

LAB 83.65, 0.56, -11.01

 

CMYK 0 / 13 / 2 / 10

HEX #E5C7E0

RGB 229 199 224

HSL 310, 0.37%, 0.84%

LAB 83.38, 14.82, -8.5

 

CMYK 0 / 4 / 13 / 10

HEX #E5DBC7

RGB 229 219 199

HSL 40, 0.37%, 0.84%

LAB 87.7, 0.1, 11.05

 

Description

Color code: HEX #C7E5CC | qconv.com Color code: HEX #C7E5CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 229 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 229 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 11 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 11% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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