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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7E53C it is the complementary color #381AC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7E53C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7E53C shade: #CCE537, #DDF74A, #EEFF5D, #FFFF70 and #FFFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7E53C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7E53C shade: #C7E53C, #B6D329, #A5C116, #94AF03 and #839D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7E53C shade: #C7E43E, #E4D53E, #E4A83E, #E47B3E and #E44E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7E53C shade: #C7E43E, #9AE43E, #6DE43E, #40E43E and #3EE468

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7E53C shade matches the following richer shades: #C7E43E and #D2F62C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7E53C shade: #C7E43E, #BBD24F, #B0C161, #A4AF73 and #999D84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7E53C shade: #E4A73E, #E4D43E, #C8E43E, #9CE43E and #70E43E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7E53C shade: #9BB718, #B9DB1D, #C7E43E, #D1E962 and #DCEE86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7E53C shade: #C7E53C, #3EE47B and #BD3EE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7E53C shade: #C7E53C, #3EC8E4 and #E43EC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7E53C shade: #C7E53C, #3EE47B, #593EE4 and #E43EA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7E53C shade: #C7E53C, #3EE4AD, #593EE4 and #E43E75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 74 / 10

HEX #C7E53C

RGB 199 229 60

HSL 70.65, 0.76%, 0.57%

LAB 86.26, -30.82, 73.62

 

Complementary color

CMYK 71 / 87 / 0 / 24

HEX #381AC3

RGB 56 26 195

HSL 250.65, 0.76%, 0.43%

LAB 28.17, 59.41, -80.25

 

CMYK 11 / 0 / 76 / 10

HEX #CCE537

RGB 204 229 55

HSL 68.62, 0.77%, 0.56%

LAB 86.58, -29.03, 75.59

 

CMYK 11 / 0 / 70 / 3

HEX #DDF74A

RGB 221 247 74

HSL 69.02, 0.92%, 0.63%

LAB 92.75, -29.77, 75.75

 

CMYK 7 / 0 / 64 / 0

HEX #EEFF5D

RGB 238 255 93

HSL 66.3, 1%, 0.68%

LAB 96.2, -25.73, 72.68

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 13 / 0 / 74 / 10

HEX #C7E53C

RGB 199 229 60

HSL 70.65, 0.76%, 0.57%

LAB 86.26, -30.82, 73.62

 

CMYK 14 / 0 / 81 / 17

HEX #B6D329

RGB 182 211 41

HSL 70.24, 0.67%, 0.49%

LAB 80.01, -30.03, 73.02

 

CMYK 15 / 0 / 89 / 24

HEX #A5C116

RGB 165 193 22

HSL 69.82, 0.8%, 0.42%

LAB 73.67, -29.06, 71.39

 

CMYK 15 / 0 / 98 / 31

HEX #94AF03

RGB 148 175 3

HSL 69.42, 0.97%, 0.35%

LAB 67.25, -27.89, 68.42

 

CMYK 17 / 0 / 100 / 38

HEX #839D00

RGB 131 157 0

HSL 69.94, 1%, 0.31%

LAB 60.73, -26.46, 63.36

 

CMYK 13 / 0 / 73 / 11

HEX #C7E43E

RGB 199 228 62

HSL 70.48, 0.75%, 0.57%

LAB 85.99, -30.26, 72.72

 

CMYK 0 / 7 / 73 / 11

HEX #E4D53E

RGB 228 213 62

HSL 54.58, 0.75%, 0.57%

LAB 84.19, -11.05, 71.78

 

CMYK 0 / 26 / 73 / 11

HEX #E4A83E

RGB 228 168 62

HSL 38.31, 0.75%, 0.57%

LAB 72.79, 12.29, 60.67

 

CMYK 0 / 46 / 73 / 11

HEX #E47B3E

RGB 228 123 62

HSL 22.05, 0.75%, 0.57%

LAB 62.51, 36.11, 50.1

 

CMYK 0 / 66 / 73 / 11

HEX #E44E3E

RGB 228 78 62

HSL 5.78, 0.75%, 0.57%

LAB 54.33, 57.22, 41.21

 

CMYK 13 / 0 / 73 / 11

HEX #C7E43E

RGB 199 228 62

HSL 70.48, 0.75%, 0.57%

LAB 85.99, -30.26, 72.72

 

CMYK 32 / 0 / 73 / 11

HEX #9AE43E

RGB 154 228 62

HSL 86.75, 0.75%, 0.57%

LAB 83.29, -47.31, 69.17

 

CMYK 52 / 0 / 73 / 11

HEX #6DE43E

RGB 109 228 62

HSL 103.01, 0.75%, 0.57%

LAB 81.34, -61.46, 66.59

 

CMYK 72 / 0 / 73 / 11

HEX #40E43E

RGB 64 228 62

HSL 119.28, 0.75%, 0.57%

LAB 80.14, -71.22, 64.99

 

CMYK 73 / 0 / 54 / 11

HEX #3EE468

RGB 62 228 104

HSL 135.18, 0.75%, 0.57%

LAB 80.47, -67.14, 48.08

 

CMYK 13 / 0 / 73 / 11

HEX #C7E43E

RGB 199 228 62

HSL 70.48, 0.75%, 0.57%

LAB 85.99, -30.26, 72.72

 

CMYK 15 / 0 / 82 / 4

HEX #D2F62C

RGB 210 246 44

HSL 70.69, 0.92%, 0.57%

LAB 91.59, -34.87, 83.08

 

CMYK 13 / 0 / 73 / 11

HEX #C7E43E

RGB 199 228 62

HSL 70.48, 0.75%, 0.57%

LAB 85.99, -30.26, 72.72

 

CMYK 11 / 0 / 62 / 18

HEX #BBD24F

RGB 187 210 79

HSL 70.53, 0.59%, 0.57%

LAB 80.3, -25.55, 60.34

 

CMYK 9 / 0 / 50 / 24

HEX #B0C161

RGB 176 193 97

HSL 70.63, 0.44%, 0.57%

LAB 74.97, -20.15, 45.96

 

CMYK 6 / 0 / 34 / 31

HEX #A4AF73

RGB 164 175 115

HSL 71, 0.27%, 0.57%

LAB 69.32, -13.75, 29.53

 

CMYK 3 / 0 / 16 / 38

HEX #999D84

RGB 153 157 132

HSL 69.6, 0.11%, 0.57%

LAB 63.8, -5.96, 12.61

 

CMYK 0 / 27 / 73 / 11

HEX #E4A73E

RGB 228 167 62

HSL 37.95, 0.75%, 0.57%

LAB 72.55, 12.83, 60.43

 

CMYK 0 / 7 / 73 / 11

HEX #E4D43E

RGB 228 212 62

HSL 54.22, 0.75%, 0.57%

LAB 83.93, -10.55, 71.53

 

CMYK 12 / 0 / 73 / 11

HEX #C8E43E

RGB 200 228 62

HSL 70.12, 0.75%, 0.57%

LAB 86.06, -29.86, 72.81

 

CMYK 32 / 0 / 73 / 11

HEX #9CE43E

RGB 156 228 62

HSL 86.02, 0.75%, 0.57%

LAB 83.39, -46.6, 69.31

 

CMYK 51 / 0 / 73 / 11

HEX #70E43E

RGB 112 228 62

HSL 101.93, 0.75%, 0.57%

LAB 81.44, -60.63, 66.73

 

CMYK 15 / 0 / 87 / 28

HEX #9BB718

RGB 155 183 24

HSL 70.57, 0.77%, 0.41%

LAB 70.11, -28.4, 67.79

 

CMYK 16 / 0 / 87 / 14

HEX #B9DB1D

RGB 185 219 29

HSL 70.74, 0.77%, 0.49%

LAB 82.41, -32.89, 77.83

 

CMYK 13 / 0 / 73 / 11

HEX #C7E43E

RGB 199 228 62

HSL 70.48, 0.75%, 0.57%

LAB 85.99, -30.26, 72.72

 

CMYK 10 / 0 / 58 / 9

HEX #D1E962

RGB 209 233 98

HSL 70.67, 0.75%, 0.65%

LAB 88.31, -26.4, 61.51

 

CMYK 8 / 0 / 44 / 7

HEX #DCEE86

RGB 220 238 134

HSL 70.38, 0.75%, 0.73%

LAB 90.82, -21.29, 48.18

 

CMYK 13 / 0 / 74 / 10

HEX #C7E53C

RGB 199 229 60

HSL 70.65, 0.76%, 0.57%

LAB 86.26, -30.82, 73.62

 

CMYK 73 / 0 / 46 / 11

HEX #3EE47B

RGB 62 228 123

HSL 142.05, 0.75%, 0.57%

LAB 80.71, -64.33, 39.3

 

CMYK 17 / 73 / 0 / 11

HEX #BD3EE4

RGB 189 62 228

HSL 285.9, 0.75%, 0.57%

LAB 51.68, 72.39, -60.17

 

CMYK 13 / 0 / 74 / 10

HEX #C7E53C

RGB 199 229 60

HSL 70.65, 0.76%, 0.57%

LAB 86.26, -30.82, 73.62

 

CMYK 73 / 12 / 0 / 11

HEX #3EC8E4

RGB 62 200 228

HSL 190.12, 0.75%, 0.57%

LAB 74.78, -27.4, -24.49

 

CMYK 0 / 73 / 12 / 11

HEX #E43EC8

RGB 228 62 200

HSL 310.12, 0.75%, 0.57%

LAB 56.2, 76.01, -36.68

 

CMYK 13 / 0 / 74 / 10

HEX #C7E53C

RGB 199 229 60

HSL 70.65, 0.76%, 0.57%

LAB 86.26, -30.82, 73.62

 

CMYK 73 / 0 / 46 / 11

HEX #3EE47B

RGB 62 228 123

HSL 142.05, 0.75%, 0.57%

LAB 80.71, -64.33, 39.3

 

CMYK 61 / 73 / 0 / 11

HEX #593EE4

RGB 89 62 228

HSL 249.76, 0.75%, 0.57%

LAB 39.87, 55.83, -79.92

 

CMYK 0 / 73 / 27 / 11

HEX #E43EA7

RGB 228 62 167

HSL 322.05, 0.75%, 0.57%

LAB 54.79, 71.71, -19.74

 

CMYK 13 / 0 / 74 / 10

HEX #C7E53C

RGB 199 229 60

HSL 70.65, 0.76%, 0.57%

LAB 86.26, -30.82, 73.62

 

CMYK 73 / 0 / 24 / 11

HEX #3EE4AD

RGB 62 228 173

HSL 160.12, 0.75%, 0.57%

LAB 81.58, -54.63, 14.92

 

CMYK 61 / 73 / 0 / 11

HEX #593EE4

RGB 89 62 228

HSL 249.76, 0.75%, 0.57%

LAB 39.87, 55.83, -79.92

 

CMYK 0 / 73 / 49 / 11

HEX #E43E75

RGB 228 62 117

HSL 340.12, 0.75%, 0.57%

LAB 53.19, 66.6, 7.58

 

Description

Color code: HEX #C7E53C | qconv.com Color code: HEX #C7E53C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 229 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 229 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 74 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 74% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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