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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7E056 it is the complementary color #381FA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7E056. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7E056 shade: #CCE051, #DDF264, #EEFF77, #FFFF8A and #FFFF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7E056. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7E056 shade: #C7E056, #B6CE43, #A5BC30, #94AA1D and #83980A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7E056 shade: #C7E056, #E0D456, #E0AF56, #E08A56 and #E06456

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7E056 shade: #C7E056, #A2E056, #7DE056, #58E056 and #56E07A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7E056 shade matches the following richer shades: #C7E056 and #D1F046

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7E056 shade: #C7E056, #BDD067, #B2BF77, #A8AF87 and #9E9F97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7E056 shade: #E0AD56, #E0D256, #C9E056, #A4E056 and #80E056

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7E056 shade: #A4C123, #BBD934, #C7E056, #D2E679 and #DEEC9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7E056 shade: #C7E056, #56E089 and #C056E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7E056 shade: #C7E056, #56C9E0 and #E056C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7E056 shade: #C7E056, #56E089, #6D56E0 and #E056AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7E056 shade: #C7E056, #56E0B2, #6D56E0 and #E05684

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 62 / 12

HEX #C7E056

RGB 199 224 86

HSL 70.87, 0.69%, 0.61%

LAB 85.06, -26.96, 62.81

 

Complementary color

CMYK 67 / 82 / 0 / 34

HEX #381FA9

RGB 56 31 169

HSL 250.87, 0.69%, 0.39%

LAB 25.82, 50, -68.65

 

CMYK 9 / 0 / 64 / 12

HEX #CCE051

RGB 204 224 81

HSL 68.39, 0.7%, 0.6%

LAB 85.37, -25.3, 65.28

 

CMYK 9 / 0 / 59 / 5

HEX #DDF264

RGB 221 242 100

HSL 68.87, 0.85%, 0.67%

LAB 91.59, -25.81, 64.54

 

CMYK 7 / 0 / 53 / 0

HEX #EEFF77

RGB 238 255 119

HSL 67.5, 1%, 0.73%

LAB 96.42, -23.88, 62.11

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF8A

RGB 255 255 138

HSL 60, 1%, 0.77%

LAB 97.88, -15.67, 55.52

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9D

RGB 255 255 157

HSL 60, 1%, 0.81%

LAB 98.12, -13.81, 46.8

 

CMYK 11 / 0 / 62 / 12

HEX #C7E056

RGB 199 224 86

HSL 70.87, 0.69%, 0.61%

LAB 85.06, -26.96, 62.81

 

CMYK 12 / 0 / 67 / 19

HEX #B6CE43

RGB 182 206 67

HSL 70.36, 0.59%, 0.54%

LAB 78.75, -26.43, 63.4

 

CMYK 12 / 0 / 74 / 26

HEX #A5BC30

RGB 165 188 48

HSL 69.86, 0.59%, 0.46%

LAB 72.35, -25.76, 63.53

 

CMYK 13 / 0 / 83 / 33

HEX #94AA1D

RGB 148 170 29

HSL 69.36, 0.71%, 0.39%

LAB 65.85, -24.91, 62.84

 

CMYK 14 / 0 / 93 / 40

HEX #83980A

RGB 131 152 10

HSL 68.87, 0.88%, 0.32%

LAB 59.25, -23.82, 60.76

 

CMYK 11 / 0 / 62 / 12

HEX #C7E056

RGB 199 224 86

HSL 70.87, 0.69%, 0.61%

LAB 85.06, -26.96, 62.81

 

CMYK 0 / 5 / 62 / 12

HEX #E0D456

RGB 224 212 86

HSL 54.78, 0.69%, 0.61%

LAB 83.76, -10.93, 61.97

 

CMYK 0 / 22 / 62 / 12

HEX #E0AF56

RGB 224 175 86

HSL 38.7, 0.69%, 0.61%

LAB 74.3, 8.24, 51.51

 

CMYK 0 / 38 / 62 / 12

HEX #E08A56

RGB 224 138 86

HSL 22.61, 0.69%, 0.61%

LAB 65.51, 28, 41.27

 

CMYK 0 / 55 / 62 / 12

HEX #E06456

RGB 224 100 86

HSL 6.09, 0.69%, 0.61%

LAB 57.69, 47.39, 31.69

 

CMYK 11 / 0 / 62 / 12

HEX #C7E056

RGB 199 224 86

HSL 70.87, 0.69%, 0.61%

LAB 85.06, -26.96, 62.81

 

CMYK 28 / 0 / 62 / 12

HEX #A2E056

RGB 162 224 86

HSL 86.96, 0.69%, 0.61%

LAB 82.73, -41.04, 59.6

 

CMYK 44 / 0 / 62 / 12

HEX #7DE056

RGB 125 224 86

HSL 103.04, 0.69%, 0.61%

LAB 80.93, -53.4, 57.1

 

CMYK 61 / 0 / 62 / 12

HEX #58E056

RGB 88 224 86

HSL 119.13, 0.69%, 0.61%

LAB 79.65, -63.14, 55.31

 

CMYK 62 / 0 / 46 / 12

HEX #56E07A

RGB 86 224 122

HSL 135.65, 0.69%, 0.61%

LAB 80.01, -58.87, 39.01

 

CMYK 11 / 0 / 62 / 12

HEX #C7E056

RGB 199 224 86

HSL 70.87, 0.69%, 0.61%

LAB 85.06, -26.96, 62.81

 

CMYK 13 / 0 / 71 / 6

HEX #D1F046

RGB 209 240 70

HSL 70.94, 0.85%, 0.61%

LAB 90.01, -31.47, 74.16

 

CMYK 11 / 0 / 62 / 12

HEX #C7E056

RGB 199 224 86

HSL 70.87, 0.69%, 0.61%

LAB 85.06, -26.96, 62.81

 

CMYK 9 / 0 / 50 / 18

HEX #BDD067

RGB 189 208 103

HSL 70.86, 0.53%, 0.61%

LAB 80.13, -21.81, 49.47

 

CMYK 7 / 0 / 38 / 25

HEX #B2BF77

RGB 178 191 119

HSL 70.83, 0.36%, 0.61%

LAB 74.86, -15.95, 34.84

 

CMYK 4 / 0 / 23 / 31

HEX #A8AF87

RGB 168 175 135

HSL 70.5, 0.2%, 0.61%

LAB 69.99, -9.38, 19.73

 

CMYK 1 / 0 / 5 / 38

HEX #9E9F97

RGB 158 159 151

HSL 67.5, 0.04%, 0.61%

LAB 65.2, -1.86, 4.04

 

CMYK 0 / 23 / 62 / 12

HEX #E0AD56

RGB 224 173 86

HSL 37.83, 0.69%, 0.61%

LAB 73.81, 9.3, 50.94

 

CMYK 0 / 6 / 62 / 12

HEX #E0D256

RGB 224 210 86

HSL 53.91, 0.69%, 0.61%

LAB 83.24, -9.92, 61.4

 

CMYK 10 / 0 / 62 / 12

HEX #C9E056

RGB 201 224 86

HSL 70, 0.69%, 0.61%

LAB 85.2, -26.16, 63

 

CMYK 27 / 0 / 62 / 12

HEX #A4E056

RGB 164 224 86

HSL 86.09, 0.69%, 0.61%

LAB 82.85, -40.32, 59.76

 

CMYK 43 / 0 / 62 / 12

HEX #80E056

RGB 128 224 86

HSL 101.74, 0.69%, 0.61%

LAB 81.06, -52.48, 57.27

 

CMYK 15 / 0 / 82 / 24

HEX #A4C123

RGB 164 193 35

HSL 71.01, 0.69%, 0.45%

LAB 73.65, -29.1, 68.52

 

CMYK 14 / 0 / 76 / 15

HEX #BBD934

RGB 187 217 52

HSL 70.91, 0.68%, 0.53%

LAB 82.08, -30.39, 71.91

 

CMYK 11 / 0 / 62 / 12

HEX #C7E056

RGB 199 224 86

HSL 70.87, 0.69%, 0.61%

LAB 85.06, -26.96, 62.81

 

CMYK 9 / 0 / 47 / 10

HEX #D2E679

RGB 210 230 121

HSL 71.01, 0.69%, 0.69%

LAB 87.81, -22.57, 50.53

 

CMYK 6 / 0 / 34 / 7

HEX #DEEC9C

RGB 222 236 156

HSL 70.5, 0.68%, 0.77%

LAB 90.74, -17.07, 37.3

 

CMYK 11 / 0 / 62 / 12

HEX #C7E056

RGB 199 224 86

HSL 70.87, 0.69%, 0.61%

LAB 85.06, -26.96, 62.81

 

CMYK 62 / 0 / 39 / 12

HEX #56E089

RGB 86 224 137

HSL 142.17, 0.69%, 0.61%

LAB 80.23, -56.39, 31.79

 

CMYK 14 / 62 / 0 / 12

HEX #C056E0

RGB 192 86 224

HSL 286.09, 0.69%, 0.61%

LAB 55.32, 62.59, -52.06

 

CMYK 11 / 0 / 62 / 12

HEX #C7E056

RGB 199 224 86

HSL 70.87, 0.69%, 0.61%

LAB 85.06, -26.96, 62.81

 

CMYK 62 / 10 / 0 / 12

HEX #56C9E0

RGB 86 201 224

HSL 190, 0.69%, 0.61%

LAB 75.53, -25.62, -21.13

 

CMYK 0 / 62 / 10 / 12

HEX #E056C9

RGB 224 86 201

HSL 310, 0.69%, 0.61%

LAB 58.71, 66.53, -33.37

 

CMYK 11 / 0 / 62 / 12

HEX #C7E056

RGB 199 224 86

HSL 70.87, 0.69%, 0.61%

LAB 85.06, -26.96, 62.81

 

CMYK 62 / 0 / 39 / 12

HEX #56E089

RGB 86 224 137

HSL 142.17, 0.69%, 0.61%

LAB 80.23, -56.39, 31.79

 

CMYK 51 / 62 / 0 / 12

HEX #6D56E0

RGB 109 86 224

HSL 250, 0.69%, 0.61%

LAB 46.03, 44.62, -67.5

 

CMYK 0 / 62 / 23 / 12

HEX #E056AD

RGB 224 86 173

HSL 322.17, 0.69%, 0.61%

LAB 57.58, 62.51, -19.04

 

CMYK 11 / 0 / 62 / 12

HEX #C7E056

RGB 199 224 86

HSL 70.87, 0.69%, 0.61%

LAB 85.06, -26.96, 62.81

 

CMYK 62 / 0 / 21 / 12

HEX #56E0B2

RGB 86 224 178

HSL 160, 0.69%, 0.61%

LAB 81.02, -48.14, 11.56

 

CMYK 51 / 62 / 0 / 12

HEX #6D56E0

RGB 109 86 224

HSL 250, 0.69%, 0.61%

LAB 46.03, 44.62, -67.5

 

CMYK 0 / 62 / 41 / 12

HEX #E05684

RGB 224 86 132

HSL 340, 0.69%, 0.61%

LAB 56.26, 57.64, 2.97

 

Description

Color code: HEX #C7E056 | qconv.com Color code: HEX #C7E056 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 224 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 224 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 62 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 62% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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