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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7E02C it is the complementary color #381FD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7E02C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7E02C shade: #CCE027, #DDF23A, #EEFF4D, #FFFF60 and #FFFF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7E02C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7E02C shade: #C7E02C, #B6CE19, #A5BC06, #94AA00 and #839800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7E02C shade: #C7DF2E, #DFC82E, #DF982E, #DF682E and #DF392E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7E02C shade: #C7DF2E, #97DF2E, #67DF2E, #37DF2E and #2EDF55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7E02C shade matches the following richer shades: #C7DF2E and #D5F31B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7E02C shade: #C7DF2E, #B9CC41, #ABB955, #9DA568 and #8F927C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7E02C shade: #DF982E, #DFC82E, #C8DF2E, #98DF2E and #69DF2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7E02C shade: #90A318, #AFC71D, #C7DF2E, #D0E552 and #DAEA76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7E02C shade: #C7E02C, #2EDF69 and #B02EDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7E02C shade: #C7E02C, #2EC8DF and #DF2EC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7E02C shade: #C7E02C, #2EDF69, #462EDF and #DF2EA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7E02C shade: #C7E02C, #2EDF9E, #462EDF and #DF2E6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 80 / 12

HEX #C7E02C

RGB 199 224 44

HSL 68.33, 0.74%, 0.53%

LAB 84.81, -29.12, 76.92

 

Complementary color

CMYK 73 / 85 / 0 / 17

HEX #381FD3

RGB 56 31 211

HSL 248.33, 0.74%, 0.47%

LAB 30.7, 62.01, -85.4

 

CMYK 9 / 0 / 83 / 12

HEX #CCE027

RGB 204 224 39

HSL 66.49, 0.75%, 0.52%

LAB 85.15, -27.24, 78.56

 

CMYK 9 / 0 / 76 / 5

HEX #DDF23A

RGB 221 242 58

HSL 66.85, 0.88%, 0.59%

LAB 91.32, -28.16, 79.49

 

CMYK 7 / 0 / 70 / 0

HEX #EEFF4D

RGB 238 255 77

HSL 65.73, 1%, 0.65%

LAB 96.09, -26.61, 78.4

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF73

RGB 255 255 115

HSL 60, 1%, 0.73%

LAB 97.64, -17.55, 65.58

 

CMYK 11 / 0 / 80 / 12

HEX #C7E02C

RGB 199 224 44

HSL 68.33, 0.74%, 0.53%

LAB 84.81, -29.12, 76.92

 

CMYK 12 / 0 / 88 / 19

HEX #B6CE19

RGB 182 206 25

HSL 67.96, 0.78%, 0.45%

LAB 78.55, -28.12, 75.31

 

CMYK 12 / 0 / 97 / 26

HEX #A5BC06

RGB 165 188 6

HSL 67.58, 0.94%, 0.38%

LAB 72.21, -26.93, 72.38

 

CMYK 13 / 0 / 100 / 33

HEX #94AA00

RGB 148 170 0

HSL 67.76, 1%, 0.33%

LAB 65.78, -25.52, 67.69

 

CMYK 14 / 0 / 100 / 40

HEX #839800

RGB 131 152 0

HSL 68.29, 1%, 0.3%

LAB 59.23, -24, 62.24

 

CMYK 11 / 0 / 79 / 13

HEX #C7DF2E

RGB 199 223 46

HSL 68.14, 0.73%, 0.53%

LAB 84.54, -28.58, 76.16

 

CMYK 0 / 10 / 79 / 13

HEX #DFC82E

RGB 223 200 46

HSL 52.2, 0.73%, 0.53%

LAB 80.29, -7.2, 73.13

 

CMYK 0 / 32 / 79 / 13

HEX #DF982E

RGB 223 152 46

HSL 35.93, 0.73%, 0.53%

LAB 68.27, 18.06, 62.36

 

CMYK 0 / 53 / 79 / 13

HEX #DF682E

RGB 223 104 46

HSL 19.66, 0.73%, 0.53%

LAB 57.83, 43.1, 52.61

 

CMYK 0 / 74 / 79 / 13

HEX #DF392E

RGB 223 57 46

HSL 3.73, 0.73%, 0.53%

LAB 50.47, 62.74, 45.4

 

CMYK 11 / 0 / 79 / 13

HEX #C7DF2E

RGB 199 223 46

HSL 68.14, 0.73%, 0.53%

LAB 84.54, -28.58, 76.16

 

CMYK 32 / 0 / 79 / 13

HEX #97DF2E

RGB 151 223 46

HSL 84.41, 0.73%, 0.53%

LAB 81.59, -47.09, 72.4

 

CMYK 54 / 0 / 79 / 13

HEX #67DF2E

RGB 103 223 46

HSL 100.68, 0.73%, 0.53%

LAB 79.53, -62.23, 69.75

 

CMYK 75 / 0 / 79 / 13

HEX #37DF2E

RGB 55 223 46

HSL 116.95, 0.73%, 0.53%

LAB 78.34, -72.13, 68.2

 

CMYK 79 / 0 / 62 / 13

HEX #2EDF55

RGB 46 223 85

HSL 133.22, 0.73%, 0.53%

LAB 78.47, -69.99, 54.17

 

CMYK 11 / 0 / 79 / 13

HEX #C7DF2E

RGB 199 223 46

HSL 68.14, 0.73%, 0.53%

LAB 84.54, -28.58, 76.16

 

CMYK 12 / 0 / 89 / 5

HEX #D5F31B

RGB 213 243 27

HSL 68.33, 0.9%, 0.53%

LAB 90.93, -32.72, 85.85

 

CMYK 11 / 0 / 79 / 13

HEX #C7DF2E

RGB 199 223 46

HSL 68.14, 0.73%, 0.53%

LAB 84.54, -28.58, 76.16

 

CMYK 9 / 0 / 68 / 20

HEX #B9CC41

RGB 185 204 65

HSL 68.2, 0.58%, 0.53%

LAB 78.39, -24.36, 63.87

 

CMYK 8 / 0 / 54 / 27

HEX #ABB955

RGB 171 185 85

HSL 68.4, 0.42%, 0.53%

LAB 72.24, -19.29, 48.37

 

CMYK 5 / 0 / 37 / 35

HEX #9DA568

RGB 157 165 104

HSL 67.87, 0.25%, 0.53%

LAB 65.81, -12.73, 30.69

 

CMYK 2 / 0 / 15 / 43

HEX #8F927C

RGB 143 146 124

HSL 68.18, 0.09%, 0.53%

LAB 59.76, -5.13, 11.3

 

CMYK 0 / 32 / 79 / 13

HEX #DF982E

RGB 223 152 46

HSL 35.93, 0.73%, 0.53%

LAB 68.27, 18.06, 62.36

 

CMYK 0 / 10 / 79 / 13

HEX #DFC82E

RGB 223 200 46

HSL 52.2, 0.73%, 0.53%

LAB 80.29, -7.2, 73.13

 

CMYK 10 / 0 / 79 / 13

HEX #C8DF2E

RGB 200 223 46

HSL 67.8, 0.73%, 0.53%

LAB 84.61, -28.18, 76.25

 

CMYK 32 / 0 / 79 / 13

HEX #98DF2E

RGB 152 223 46

HSL 84.07, 0.73%, 0.53%

LAB 81.65, -46.73, 72.47

 

CMYK 53 / 0 / 79 / 13

HEX #69DF2E

RGB 105 223 46

HSL 100, 0.73%, 0.53%

LAB 79.6, -61.69, 69.84

 

CMYK 12 / 0 / 85 / 36

HEX #90A318

RGB 144 163 24

HSL 68.2, 0.74%, 0.37%

LAB 63.5, -23.32, 61.94

 

CMYK 12 / 0 / 85 / 22

HEX #AFC71D

RGB 175 199 29

HSL 68.47, 0.75%, 0.45%

LAB 76.1, -27.59, 72.31

 

CMYK 11 / 0 / 79 / 13

HEX #C7DF2E

RGB 199 223 46

HSL 68.14, 0.73%, 0.53%

LAB 84.54, -28.58, 76.16

 

CMYK 9 / 0 / 64 / 10

HEX #D0E552

RGB 208 229 82

HSL 68.57, 0.74%, 0.61%

LAB 87.03, -26.02, 66.7

 

CMYK 7 / 0 / 50 / 8

HEX #DAEA76

RGB 218 234 118

HSL 68.28, 0.73%, 0.69%

LAB 89.42, -21.69, 54

 

CMYK 11 / 0 / 80 / 12

HEX #C7E02C

RGB 199 224 44

HSL 68.33, 0.74%, 0.53%

LAB 84.81, -29.12, 76.92

 

CMYK 79 / 0 / 53 / 13

HEX #2EDF69

RGB 46 223 105

HSL 140, 0.73%, 0.53%

LAB 78.68, -67.43, 45.39

 

CMYK 21 / 79 / 0 / 13

HEX #B02EDF

RGB 176 46 223

HSL 284.07, 0.73%, 0.53%

LAB 47.64, 74.26, -63.96

 

CMYK 11 / 0 / 80 / 12

HEX #C7E02C

RGB 199 224 44

HSL 68.33, 0.74%, 0.53%

LAB 84.81, -29.12, 76.92

 

CMYK 79 / 10 / 0 / 13

HEX #2EC8DF

RGB 46 200 223

HSL 187.8, 0.73%, 0.53%

LAB 74.33, -30.62, -22.51

 

CMYK 0 / 79 / 10 / 13

HEX #DF2EC8

RGB 223 46 200

HSL 307.8, 0.73%, 0.53%

LAB 53.83, 79.36, -40.47

 

CMYK 11 / 0 / 80 / 12

HEX #C7E02C

RGB 199 224 44

HSL 68.33, 0.74%, 0.53%

LAB 84.81, -29.12, 76.92

 

CMYK 79 / 0 / 53 / 13

HEX #2EDF69

RGB 46 223 105

HSL 140, 0.73%, 0.53%

LAB 78.68, -67.43, 45.39

 

CMYK 69 / 79 / 0 / 13

HEX #462EDF

RGB 70 46 223

HSL 248.14, 0.73%, 0.53%

LAB 35.17, 60.17, -84.87

 

CMYK 0 / 79 / 26 / 13

HEX #DF2EA4

RGB 223 46 164

HSL 320, 0.73%, 0.53%

LAB 52.2, 74.73, -22.02

 

CMYK 11 / 0 / 80 / 12

HEX #C7E02C

RGB 199 224 44

HSL 68.33, 0.74%, 0.53%

LAB 84.81, -29.12, 76.92

 

CMYK 79 / 0 / 29 / 13

HEX #2EDF9E

RGB 46 223 158

HSL 157.97, 0.73%, 0.53%

LAB 79.51, -57.86, 19.85

 

CMYK 69 / 79 / 0 / 13

HEX #462EDF

RGB 70 46 223

HSL 248.14, 0.73%, 0.53%

LAB 35.17, 60.17, -84.87

 

CMYK 0 / 79 / 50 / 13

HEX #DF2E6F

RGB 223 46 111

HSL 337.97, 0.73%, 0.53%

LAB 50.44, 69.52, 7.16

 

Description

Color code: HEX #C7E02C | qconv.com Color code: HEX #C7E02C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 224 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 224 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 80 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 80% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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