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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7DE3E it is the complementary color #3821C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7DE3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7DE3E shade: #CCDE39, #DDF04C, #EEFF5F, #FFFF72 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7DE3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7DE3E shade: #C7DE3E, #B6CC2B, #A5BA18, #94A805 and #839600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7DE3E shade: #C8DE3F, #DECA3F, #DE9F3F, #DE743F and #DE4A3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7DE3E shade: #C8DE3F, #9DDE3F, #72DE3F, #47DE3F and #3FDE63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7DE3E shade matches the following richer shades: #C8DE3F and #D4F12D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7DE3E shade: #C8DE3F, #BBCC51, #AEBA63, #A1A876 and #949688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7DE3E shade: #DE9F3F, #DEC93F, #C9DE3F, #9FDE3F and #74DE3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7DE3E shade: #99AE1D, #B8D123, #C8DE3F, #D2E462 and #DCEA86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7DE3E shade: #C7DE3E, #3FDE74 and #B43FDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7DE3E shade: #C7DE3E, #3FC9DE and #DE3FC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7DE3E shade: #C7DE3E, #3FDE74, #543FDE and #DE3FA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7DE3E shade: #C7DE3E, #3FDEA4, #543FDE and #DE3F7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 72 / 13

HEX #C7DE3E

RGB 199 222 62

HSL 68.63, 0.71%, 0.56%

LAB 84.35, -27.44, 71.14

 

Complementary color

CMYK 71 / 83 / 0 / 24

HEX #3821C1

RGB 56 33 193

HSL 248.63, 0.71%, 0.44%

LAB 28.85, 56.13, -77.94

 

CMYK 8 / 0 / 74 / 13

HEX #CCDE39

RGB 204 222 57

HSL 66.55, 0.71%, 0.55%

LAB 84.68, -25.64, 73.21

 

CMYK 8 / 0 / 68 / 6

HEX #DDF04C

RGB 221 240 76

HSL 66.95, 0.85%, 0.62%

LAB 90.88, -26.39, 73.2

 

CMYK 7 / 0 / 63 / 0

HEX #EEFF5F

RGB 238 255 95

HSL 66.38, 1%, 0.69%

LAB 96.21, -25.61, 71.91

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 10 / 0 / 72 / 13

HEX #C7DE3E

RGB 199 222 62

HSL 68.63, 0.71%, 0.56%

LAB 84.35, -27.44, 71.14

 

CMYK 11 / 0 / 79 / 20

HEX #B6CC2B

RGB 182 204 43

HSL 68.2, 0.65%, 0.48%

LAB 78.05, -26.64, 70.75

 

CMYK 11 / 0 / 87 / 27

HEX #A5BA18

RGB 165 186 24

HSL 67.78, 0.77%, 0.41%

LAB 71.68, -25.65, 69.38

 

CMYK 12 / 0 / 97 / 34

HEX #94A805

RGB 148 168 5

HSL 67.36, 0.94%, 0.34%

LAB 65.21, -24.46, 66.61

 

CMYK 13 / 0 / 100 / 41

HEX #839600

RGB 131 150 0

HSL 67.6, 1%, 0.29%

LAB 58.64, -23, 61.8

 

CMYK 10 / 0 / 72 / 13

HEX #C8DE3F

RGB 200 222 63

HSL 68.3, 0.71%, 0.56%

LAB 84.42, -26.99, 70.9

 

CMYK 0 / 9 / 72 / 13

HEX #DECA3F

RGB 222 202 63

HSL 52.45, 0.71%, 0.56%

LAB 80.81, -7.98, 67.99

 

CMYK 0 / 28 / 72 / 13

HEX #DE9F3F

RGB 222 159 63

HSL 36.23, 0.71%, 0.56%

LAB 69.95, 14.59, 57.17

 

CMYK 0 / 48 / 72 / 13

HEX #DE743F

RGB 222 116 63

HSL 20, 0.71%, 0.56%

LAB 60.23, 37.38, 46.92

 

CMYK 0 / 67 / 72 / 13

HEX #DE4A3F

RGB 222 74 63

HSL 4.15, 0.71%, 0.56%

LAB 52.71, 56.9, 38.54

 

CMYK 10 / 0 / 72 / 13

HEX #C8DE3F

RGB 200 222 63

HSL 68.3, 0.71%, 0.56%

LAB 84.42, -26.99, 70.9

 

CMYK 29 / 0 / 72 / 13

HEX #9DDE3F

RGB 157 222 63

HSL 84.53, 0.71%, 0.56%

LAB 81.71, -43.62, 67.33

 

CMYK 49 / 0 / 72 / 13

HEX #72DE3F

RGB 114 222 63

HSL 100.75, 0.71%, 0.56%

LAB 79.72, -57.78, 64.67

 

CMYK 68 / 0 / 72 / 13

HEX #47DE3F

RGB 71 222 63

HSL 116.98, 0.71%, 0.56%

LAB 78.43, -68.04, 62.95

 

CMYK 72 / 0 / 55 / 13

HEX #3FDE63

RGB 63 222 99

HSL 133.58, 0.71%, 0.56%

LAB 78.58, -65.64, 48.13

 

CMYK 10 / 0 / 72 / 13

HEX #C8DE3F

RGB 200 222 63

HSL 68.3, 0.71%, 0.56%

LAB 84.42, -26.99, 70.9

 

CMYK 12 / 0 / 81 / 5

HEX #D4F12D

RGB 212 241 45

HSL 68.88, 0.88%, 0.56%

LAB 90.37, -31.76, 81.85

 

CMYK 10 / 0 / 72 / 13

HEX #C8DE3F

RGB 200 222 63

HSL 68.3, 0.71%, 0.56%

LAB 84.42, -26.99, 70.9

 

CMYK 8 / 0 / 60 / 20

HEX #BBCC51

RGB 187 204 81

HSL 68.29, 0.55%, 0.56%

LAB 78.66, -22.5, 57.72

 

CMYK 6 / 0 / 47 / 27

HEX #AEBA63

RGB 174 186 99

HSL 68.28, 0.39%, 0.56%

LAB 72.9, -17.25, 42.45

 

CMYK 4 / 0 / 30 / 34

HEX #A1A876

RGB 161 168 118

HSL 68.4, 0.22%, 0.56%

LAB 67.19, -10.87, 25.07

 

CMYK 1 / 0 / 9 / 41

HEX #949688

RGB 148 150 136

HSL 68.57, 0.06%, 0.56%

LAB 61.56, -3.34, 7.13

 

CMYK 0 / 28 / 72 / 13

HEX #DE9F3F

RGB 222 159 63

HSL 36.23, 0.71%, 0.56%

LAB 69.95, 14.59, 57.17

 

CMYK 0 / 9 / 72 / 13

HEX #DEC93F

RGB 222 201 63

HSL 52.08, 0.71%, 0.56%

LAB 80.55, -7.47, 67.74

 

CMYK 9 / 0 / 72 / 13

HEX #C9DE3F

RGB 201 222 63

HSL 67.92, 0.71%, 0.56%

LAB 84.49, -26.58, 70.99

 

CMYK 28 / 0 / 72 / 13

HEX #9FDE3F

RGB 159 222 63

HSL 83.77, 0.71%, 0.56%

LAB 81.82, -42.89, 67.47

 

CMYK 48 / 0 / 72 / 13

HEX #74DE3F

RGB 116 222 63

HSL 100, 0.71%, 0.56%

LAB 79.79, -57.2, 64.77

 

CMYK 12 / 0 / 83 / 32

HEX #99AE1D

RGB 153 174 29

HSL 68.69, 0.71%, 0.4%

LAB 67.38, -24.74, 64.29

 

CMYK 12 / 0 / 83 / 18

HEX #B8D123

RGB 184 209 35

HSL 68.62, 0.71%, 0.48%

LAB 79.56, -28.46, 74.16

 

CMYK 10 / 0 / 72 / 13

HEX #C8DE3F

RGB 200 222 63

HSL 68.3, 0.71%, 0.56%

LAB 84.42, -26.99, 70.9

 

CMYK 8 / 0 / 57 / 11

HEX #D2E462

RGB 210 228 98

HSL 68.31, 0.71%, 0.64%

LAB 87.03, -23.62, 60.1

 

CMYK 6 / 0 / 43 / 8

HEX #DCEA86

RGB 220 234 134

HSL 68.4, 0.7%, 0.72%

LAB 89.76, -19.35, 46.86

 

CMYK 10 / 0 / 72 / 13

HEX #C7DE3E

RGB 199 222 62

HSL 68.63, 0.71%, 0.56%

LAB 84.35, -27.44, 71.14

 

CMYK 72 / 0 / 48 / 13

HEX #3FDE74

RGB 63 222 116

HSL 140, 0.71%, 0.56%

LAB 78.79, -63.2, 40.3

 

CMYK 19 / 72 / 0 / 13

HEX #B43FDE

RGB 180 63 222

HSL 284.15, 0.71%, 0.56%

LAB 50.14, 69.12, -59.33

 

CMYK 10 / 0 / 72 / 13

HEX #C7DE3E

RGB 199 222 62

HSL 68.63, 0.71%, 0.56%

LAB 84.35, -27.44, 71.14

 

CMYK 72 / 9 / 0 / 13

HEX #3FC9DE

RGB 63 201 222

HSL 187.92, 0.71%, 0.56%

LAB 74.89, -29.6, -21.08

 

CMYK 0 / 72 / 9 / 13

HEX #DE3FC9

RGB 222 63 201

HSL 307.92, 0.71%, 0.56%

LAB 55.38, 74.5, -38.6

 

CMYK 10 / 0 / 72 / 13

HEX #C7DE3E

RGB 199 222 62

HSL 68.63, 0.71%, 0.56%

LAB 84.35, -27.44, 71.14

 

CMYK 72 / 0 / 48 / 13

HEX #3FDE74

RGB 63 222 116

HSL 140, 0.71%, 0.56%

LAB 78.79, -63.2, 40.3

 

CMYK 62 / 72 / 0 / 13

HEX #543FDE

RGB 84 63 222

HSL 247.92, 0.71%, 0.56%

LAB 39.09, 52.91, -77.78

 

CMYK 0 / 72 / 24 / 13

HEX #DE3FA9

RGB 222 63 169

HSL 320, 0.71%, 0.56%

LAB 53.97, 70.14, -22.25

 

CMYK 10 / 0 / 72 / 13

HEX #C7DE3E

RGB 199 222 62

HSL 68.63, 0.71%, 0.56%

LAB 84.35, -27.44, 71.14

 

CMYK 72 / 0 / 26 / 13

HEX #3FDEA4

RGB 63 222 164

HSL 158.11, 0.71%, 0.56%

LAB 79.6, -54.13, 16.87

 

CMYK 62 / 72 / 0 / 13

HEX #543FDE

RGB 84 63 222

HSL 247.92, 0.71%, 0.56%

LAB 39.09, 52.91, -77.78

 

CMYK 0 / 72 / 45 / 13

HEX #DE3F7A

RGB 222 63 122

HSL 337.74, 0.71%, 0.56%

LAB 52.39, 65.02, 3.28

 

Description

Color code: HEX #C7DE3E | qconv.com Color code: HEX #C7DE3E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 222 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 222 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 72 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 72% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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