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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7D42D it is the complementary color #382BD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7D42D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7D42D shade: #CCD428, #DDE63B, #EEF84E, #FFFF61 and #FFFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7D42D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7D42D shade: #C7D42D, #B6C21A, #A5B007, #949E00 and #838C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7D42D shade: #C7D42B, #D4B32B, #D4862B, #D4592B and #D42B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7D42D shade: #C7D42B, #99D42B, #6CD42B, #3ED42B and #2BD446

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7D42D shade matches the following richer shades: #C7D42B, #D8E817 and #E9FD02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7D42D shade: #C7D42B, #B5BF40, #A4AA55, #929669 and #81817E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7D42D shade: #D4852B, #D4B22B, #C8D42B, #9CD42B and #6FD42B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7D42D shade: #868F1D, #A6B124, #C7D42B, #D0DB4E and #D9E270

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7D42D shade: #C7D42D, #2BD458 and #9C2BD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7D42D shade: #C7D42D, #2BC8D4 and #D42BC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7D42D shade: #C7D42D, #2BD458, #372BD4 and #D42BA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7D42D shade: #C7D42D, #2BD48B, #372BD4 and #D42B74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 79 / 17

HEX #C7D42D

RGB 199 212 45

HSL 64.67, 0.66%, 0.5%

LAB 81.52, -23.37, 73.75

 

Complementary color

CMYK 73 / 80 / 0 / 18

HEX #382BD2

RGB 56 43 210

HSL 244.67, 0.66%, 0.5%

LAB 32.31, 56.64, -82.15

 

CMYK 4 / 0 / 81 / 17

HEX #CCD428

RGB 204 212 40

HSL 62.79, 0.68%, 0.49%

LAB 81.88, -21.45, 75.53

 

CMYK 4 / 0 / 74 / 10

HEX #DDE63B

RGB 221 230 59

HSL 63.16, 0.77%, 0.57%

LAB 88.1, -22.43, 76.23

 

CMYK 4 / 0 / 69 / 3

HEX #EEF84E

RGB 238 248 78

HSL 63.53, 0.92%, 0.64%

LAB 94.25, -23.26, 76.25

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 6 / 0 / 79 / 17

HEX #C7D42D

RGB 199 212 45

HSL 64.67, 0.66%, 0.5%

LAB 81.52, -23.37, 73.75

 

CMYK 6 / 0 / 87 / 24

HEX #B6C21A

RGB 182 194 26

HSL 64.29, 0.76%, 0.43%

LAB 75.2, -22.31, 72.39

 

CMYK 6 / 0 / 96 / 31

HEX #A5B007

RGB 165 176 7

HSL 63.91, 0.92%, 0.36%

LAB 68.8, -21.04, 69.66

 

CMYK 6 / 0 / 100 / 38

HEX #949E00

RGB 148 158 0

HSL 63.8, 1%, 0.31%

LAB 62.3, -19.53, 65.1

 

CMYK 6 / 0 / 100 / 45

HEX #838C00

RGB 131 140 0

HSL 63.86, 1%, 0.27%

LAB 55.67, -17.9, 59.59

 

CMYK 6 / 0 / 80 / 17

HEX #C7D42B

RGB 199 212 43

HSL 64.62, 0.66%, 0.5%

LAB 81.51, -23.44, 74.29

 

CMYK 0 / 16 / 80 / 17

HEX #D4B32B

RGB 212 179 43

HSL 48.28, 0.66%, 0.5%

LAB 73.81, -1.19, 67.92

 

CMYK 0 / 37 / 80 / 17

HEX #D4862B

RGB 212 134 43

HSL 32.31, 0.66%, 0.5%

LAB 62.69, 22.94, 57.88

 

CMYK 0 / 58 / 80 / 17

HEX #D4592B

RGB 212 89 43

HSL 16.33, 0.66%, 0.5%

LAB 53.29, 46.08, 49.03

 

CMYK 0 / 80 / 80 / 17

HEX #D42B2B

RGB 212 43 43

HSL 0, 0.66%, 0.5%

LAB 46.84, 63.6, 42.68

 

CMYK 6 / 0 / 80 / 17

HEX #C7D42B

RGB 199 212 43

HSL 64.62, 0.66%, 0.5%

LAB 81.51, -23.44, 74.29

 

CMYK 28 / 0 / 80 / 17

HEX #99D42B

RGB 153 212 43

HSL 80.95, 0.66%, 0.5%

LAB 78.48, -41.78, 70.44

 

CMYK 49 / 0 / 80 / 17

HEX #6CD42B

RGB 108 212 43

HSL 96.92, 0.66%, 0.5%

LAB 76.34, -56.98, 67.69

 

CMYK 71 / 0 / 80 / 17

HEX #3ED42B

RGB 62 212 43

HSL 113.25, 0.66%, 0.5%

LAB 75, -67.83, 65.96

 

CMYK 80 / 0 / 67 / 17

HEX #2BD446

RGB 43 212 70

HSL 129.59, 0.66%, 0.5%

LAB 74.85, -68.51, 56.38

 

CMYK 6 / 0 / 80 / 17

HEX #C7D42B

RGB 199 212 43

HSL 64.62, 0.66%, 0.5%

LAB 81.51, -23.44, 74.29

 

CMYK 7 / 0 / 90 / 9

HEX #D8E817

RGB 216 232 23

HSL 64.59, 0.82%, 0.5%

LAB 88.15, -26.46, 84.32

 

CMYK 8 / 0 / 99 / 1

HEX #E9FD02

RGB 233 253 2

HSL 64.78, 0.98%, 0.5%

LAB 94.98, -29.57, 92.02

 

CMYK 6 / 0 / 80 / 17

HEX #C7D42B

RGB 199 212 43

HSL 64.62, 0.66%, 0.5%

LAB 81.51, -23.44, 74.29

 

CMYK 5 / 0 / 66 / 25

HEX #B5BF40

RGB 181 191 64

HSL 64.72, 0.5%, 0.5%

LAB 74.48, -19.69, 60.18

 

CMYK 4 / 0 / 50 / 33

HEX #A4AA55

RGB 164 170 85

HSL 64.24, 0.33%, 0.5%

LAB 67.5, -14.54, 42.68

 

CMYK 3 / 0 / 30 / 41

HEX #929669

RGB 146 150 105

HSL 65.33, 0.18%, 0.5%

LAB 60.73, -9.06, 23.31

 

CMYK 0 / 0 / 2 / 49

HEX #81817E

RGB 129 129 126

HSL 60, 0.01%, 0.5%

LAB 53.89, -0.59, 1.62

 

CMYK 0 / 37 / 80 / 17

HEX #D4852B

RGB 212 133 43

HSL 31.95, 0.66%, 0.5%

LAB 62.46, 23.48, 57.67

 

CMYK 0 / 16 / 80 / 17

HEX #D4B22B

RGB 212 178 43

HSL 47.93, 0.66%, 0.5%

LAB 73.55, -0.66, 67.69

 

CMYK 6 / 0 / 80 / 17

HEX #C8D42B

RGB 200 212 43

HSL 64.26, 0.66%, 0.5%

LAB 81.59, -23.02, 74.38

 

CMYK 26 / 0 / 80 / 17

HEX #9CD42B

RGB 156 212 43

HSL 79.88, 0.66%, 0.5%

LAB 78.65, -40.65, 70.66

 

CMYK 48 / 0 / 80 / 17

HEX #6FD42B

RGB 111 212 43

HSL 95.86, 0.66%, 0.5%

LAB 76.46, -56.09, 67.84

 

CMYK 6 / 0 / 80 / 44

HEX #868F1D

RGB 134 143 29

HSL 64.74, 0.66%, 0.34%

LAB 56.88, -17.37, 54.51

 

CMYK 6 / 0 / 80 / 31

HEX #A6B124

RGB 166 177 36

HSL 64.68, 0.66%, 0.42%

LAB 69.24, -20.43, 64.43

 

CMYK 6 / 0 / 80 / 17

HEX #C7D42B

RGB 199 212 43

HSL 64.62, 0.66%, 0.5%

LAB 81.51, -23.44, 74.29

 

CMYK 5 / 0 / 64 / 14

HEX #D0DB4E

RGB 208 219 78

HSL 64.68, 0.66%, 0.58%

LAB 84.29, -21.47, 65.42

 

CMYK 4 / 0 / 50 / 11

HEX #D9E270

RGB 217 226 112

HSL 64.74, 0.66%, 0.66%

LAB 87.15, -18.73, 54.08

 

CMYK 6 / 0 / 79 / 17

HEX #C7D42D

RGB 199 212 45

HSL 64.67, 0.66%, 0.5%

LAB 81.52, -23.37, 73.75

 

CMYK 80 / 0 / 58 / 17

HEX #2BD458

RGB 43 212 88

HSL 135.98, 0.66%, 0.5%

LAB 75.02, -66.49, 48.87

 

CMYK 26 / 80 / 0 / 17

HEX #9C2BD4

RGB 156 43 212

HSL 280.12, 0.66%, 0.5%

LAB 43.58, 69.66, -64.38

 

CMYK 6 / 0 / 79 / 17

HEX #C7D42D

RGB 199 212 45

HSL 64.67, 0.66%, 0.5%

LAB 81.52, -23.37, 73.75

 

CMYK 80 / 6 / 0 / 17

HEX #2BC8D4

RGB 43 200 212

HSL 184.26, 0.66%, 0.5%

LAB 73.92, -34.27, -17.18

 

CMYK 0 / 80 / 6 / 17

HEX #D42BC8

RGB 212 43 200

HSL 304.26, 0.66%, 0.5%

LAB 51.72, 77.87, -43.92

 

CMYK 6 / 0 / 79 / 17

HEX #C7D42D

RGB 199 212 45

HSL 64.67, 0.66%, 0.5%

LAB 81.52, -23.37, 73.75

 

CMYK 80 / 0 / 58 / 17

HEX #2BD458

RGB 43 212 88

HSL 135.98, 0.66%, 0.5%

LAB 75.02, -66.49, 48.87

 

CMYK 74 / 80 / 0 / 17

HEX #372BD4

RGB 55 43 212

HSL 244.26, 0.66%, 0.5%

LAB 32.47, 57.17, -83.04

 

CMYK 0 / 80 / 21 / 17

HEX #D42BA7

RGB 212 43 167

HSL 315.98, 0.66%, 0.5%

LAB 50.11, 73.37, -27.18

 

CMYK 6 / 0 / 79 / 17

HEX #C7D42D

RGB 199 212 45

HSL 64.67, 0.66%, 0.5%

LAB 81.52, -23.37, 73.75

 

CMYK 80 / 0 / 34 / 17

HEX #2BD48B

RGB 43 212 139

HSL 154.08, 0.66%, 0.5%

LAB 75.74, -58.05, 24.6

 

CMYK 74 / 80 / 0 / 17

HEX #372BD4

RGB 55 43 212

HSL 244.26, 0.66%, 0.5%

LAB 32.47, 57.17, -83.04

 

CMYK 0 / 80 / 45 / 17

HEX #D42B74

RGB 212 43 116

HSL 334.08, 0.66%, 0.5%

LAB 48.24, 67.89, 0.67

 

Description

Color code: HEX #C7D42D | qconv.com Color code: HEX #C7D42D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 212 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 212 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 79 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 79% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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