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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7D33B it is the complementary color #382CC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7D33B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7D33B shade: #CCD336, #DDE549, #EEF75C, #FFFF6F and #FFFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7D33B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7D33B shade: #C7D33B, #B6C128, #A5AF15, #949D02 and #838B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7D33B shade: #C7D33C, #D3B63C, #D38D3C, #D3643C and #D33C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7D33B shade: #C7D33C, #9ED33C, #75D33C, #4DD33C and #3CD353

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7D33B shade matches the following richer shades: #C7D33C, #D7E628 and #E7F915

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7D33B shade: #C7D33C, #B6BF4F, #A6AC62, #969876 and #858589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7D33B shade: #D38C3C, #D3B43C, #C9D33C, #A0D33C and #78D33C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7D33B shade: #909923, #AFBB2A, #C7D33C, #D0DA5D and #DAE27F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7D33B shade: #C7D33B, #3CD364 and #A03CD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7D33B shade: #C7D33B, #3CC9D3 and #D33CC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7D33B shade: #C7D33B, #3CD364, #463CD3 and #D33CAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7D33B shade: #C7D33B, #3CD391, #463CD3 and #D33C7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 72 / 17

HEX #C7D33B

RGB 199 211 59

HSL 64.74, 0.63%, 0.53%

LAB 81.32, -22.3, 69.25

 

Complementary color

CMYK 71 / 78 / 0 / 23

HEX #382CC4

RGB 56 44 196

HSL 244.74, 0.63%, 0.47%

LAB 30.94, 51.89, -76.24

 

CMYK 3 / 0 / 74 / 17

HEX #CCD336

RGB 204 211 54

HSL 62.68, 0.64%, 0.52%

LAB 81.67, -20.45, 71.36

 

CMYK 3 / 0 / 68 / 10

HEX #DDE549

RGB 221 229 73

HSL 63.08, 0.75%, 0.59%

LAB 87.92, -21.3, 71.33

 

CMYK 4 / 0 / 63 / 3

HEX #EEF75C

RGB 238 247 92

HSL 63.48, 0.91%, 0.66%

LAB 94.09, -22, 70.85

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 6 / 0 / 72 / 17

HEX #C7D33B

RGB 199 211 59

HSL 64.74, 0.63%, 0.53%

LAB 81.32, -22.3, 69.25

 

CMYK 6 / 0 / 79 / 24

HEX #B6C128

RGB 182 193 40

HSL 64.31, 0.66%, 0.46%

LAB 74.97, -21.4, 68.85

 

CMYK 6 / 0 / 88 / 31

HEX #A5AF15

RGB 165 175 21

HSL 63.9, 0.79%, 0.38%

LAB 68.54, -20.3, 67.4

 

CMYK 6 / 0 / 99 / 38

HEX #949D02

RGB 148 157 2

HSL 63.48, 0.97%, 0.31%

LAB 62.01, -18.99, 64.6

 

CMYK 6 / 0 / 100 / 45

HEX #838B00

RGB 131 139 0

HSL 63.45, 1%, 0.27%

LAB 55.37, -17.38, 59.37

 

CMYK 6 / 0 / 72 / 17

HEX #C7D33C

RGB 199 211 60

HSL 64.77, 0.63%, 0.53%

LAB 81.32, -22.26, 68.91

 

CMYK 0 / 14 / 72 / 17

HEX #D3B63C

RGB 211 182 60

HSL 48.48, 0.63%, 0.53%

LAB 74.59, -2.5, 62.68

 

CMYK 0 / 33 / 72 / 17

HEX #D38D3C

RGB 211 141 60

HSL 32.19, 0.63%, 0.53%

LAB 64.34, 19.45, 52.29

 

CMYK 0 / 53 / 72 / 17

HEX #D3643C

RGB 211 100 60

HSL 15.89, 0.63%, 0.53%

LAB 55.37, 41.07, 42.66

 

CMYK 0 / 72 / 72 / 17

HEX #D33C3C

RGB 211 60 60

HSL 0, 0.63%, 0.53%

LAB 48.77, 58.57, 35.18

 

CMYK 6 / 0 / 72 / 17

HEX #C7D33C

RGB 199 211 60

HSL 64.77, 0.63%, 0.53%

LAB 81.32, -22.26, 68.91

 

CMYK 25 / 0 / 72 / 17

HEX #9ED33C

RGB 158 211 60

HSL 81.06, 0.63%, 0.53%

LAB 78.57, -38.6, 65.28

 

CMYK 45 / 0 / 72 / 17

HEX #75D33C

RGB 117 211 60

HSL 97.35, 0.63%, 0.53%

LAB 76.49, -52.87, 62.52

 

CMYK 64 / 0 / 72 / 17

HEX #4DD33C

RGB 77 211 60

HSL 113.25, 0.63%, 0.53%

LAB 75.13, -63.45, 60.7

 

CMYK 72 / 0 / 61 / 17

HEX #3CD353

RGB 60 211 83

HSL 129.14, 0.63%, 0.53%

LAB 74.93, -64.42, 51.08

 

CMYK 6 / 0 / 72 / 17

HEX #C7D33C

RGB 199 211 60

HSL 64.77, 0.63%, 0.53%

LAB 81.32, -22.26, 68.91

 

CMYK 7 / 0 / 83 / 10

HEX #D7E628

RGB 215 230 40

HSL 64.74, 0.79%, 0.53%

LAB 87.58, -25.55, 80.71

 

CMYK 7 / 0 / 92 / 2

HEX #E7F915

RGB 231 249 21

HSL 64.74, 0.95%, 0.53%

LAB 93.79, -28.34, 89.46

 

CMYK 6 / 0 / 72 / 17

HEX #C7D33C

RGB 199 211 60

HSL 64.77, 0.63%, 0.53%

LAB 81.32, -22.26, 68.91

 

CMYK 5 / 0 / 59 / 25

HEX #B6BF4F

RGB 182 191 79

HSL 64.82, 0.47%, 0.53%

LAB 74.68, -18.26, 54.11

 

CMYK 3 / 0 / 43 / 33

HEX #A6AC62

RGB 166 172 98

HSL 64.86, 0.31%, 0.53%

LAB 68.38, -13.43, 37.24

 

CMYK 1 / 0 / 22 / 40

HEX #969876

RGB 150 152 118

HSL 63.53, 0.14%, 0.53%

LAB 61.87, -6.65, 17.7

 

CMYK 3 / 3 / 0 / 46

HEX #858589

RGB 133 133 137

HSL 240, 0.02%, 0.53%

LAB 55.65, 0.8, -2.15

 

CMYK 0 / 34 / 72 / 17

HEX #D38C3C

RGB 211 140 60

HSL 31.79, 0.63%, 0.53%

LAB 64.11, 19.99, 52.04

 

CMYK 0 / 15 / 72 / 17

HEX #D3B43C

RGB 211 180 60

HSL 47.68, 0.63%, 0.53%

LAB 74.07, -1.45, 62.17

 

CMYK 5 / 0 / 72 / 17

HEX #C9D33C

RGB 201 211 60

HSL 63.97, 0.63%, 0.53%

LAB 81.47, -21.43, 69.11

 

CMYK 24 / 0 / 72 / 17

HEX #A0D33C

RGB 160 211 60

HSL 80.26, 0.63%, 0.53%

LAB 78.69, -37.84, 65.44

 

CMYK 43 / 0 / 72 / 17

HEX #78D33C

RGB 120 211 60

HSL 96.16, 0.63%, 0.53%

LAB 76.62, -51.93, 62.69

 

CMYK 6 / 0 / 77 / 40

HEX #909923

RGB 144 153 35

HSL 64.58, 0.63%, 0.37%

LAB 60.63, -17.86, 56.31

 

CMYK 6 / 0 / 78 / 27

HEX #AFBB2A

RGB 175 187 42

HSL 64.97, 0.63%, 0.45%

LAB 72.77, -21.33, 66.09

 

CMYK 6 / 0 / 72 / 17

HEX #C7D33C

RGB 199 211 60

HSL 64.77, 0.63%, 0.53%

LAB 81.32, -22.26, 68.91

 

CMYK 5 / 0 / 57 / 15

HEX #D0DA5D

RGB 208 218 93

HSL 64.8, 0.63%, 0.61%

LAB 84.14, -19.96, 59.01

 

CMYK 4 / 0 / 44 / 11

HEX #DAE27F

RGB 218 226 127

HSL 64.85, 0.63%, 0.69%

LAB 87.4, -16.92, 47.29

 

CMYK 6 / 0 / 72 / 17

HEX #C7D33B

RGB 199 211 59

HSL 64.74, 0.63%, 0.53%

LAB 81.32, -22.3, 69.25

 

CMYK 72 / 0 / 53 / 17

HEX #3CD364

RGB 60 211 100

HSL 135.89, 0.63%, 0.53%

LAB 75.12, -62.23, 43.48

 

CMYK 24 / 72 / 0 / 17

HEX #A03CD3

RGB 160 60 211

HSL 279.74, 0.63%, 0.53%

LAB 46.19, 64.13, -59.55

 

CMYK 6 / 0 / 72 / 17

HEX #C7D33B

RGB 199 211 59

HSL 64.74, 0.63%, 0.53%

LAB 81.32, -22.3, 69.25

 

CMYK 72 / 5 / 0 / 17

HEX #3CC9D3

RGB 60 201 211

HSL 183.97, 0.63%, 0.53%

LAB 74.47, -33.26, -15.78

 

CMYK 0 / 72 / 5 / 17

HEX #D33CC9

RGB 211 60 201

HSL 303.97, 0.63%, 0.53%

LAB 53.27, 73.02, -42.05

 

CMYK 6 / 0 / 72 / 17

HEX #C7D33B

RGB 199 211 59

HSL 64.74, 0.63%, 0.53%

LAB 81.32, -22.3, 69.25

 

CMYK 72 / 0 / 53 / 17

HEX #3CD364

RGB 60 211 100

HSL 135.89, 0.63%, 0.53%

LAB 75.12, -62.23, 43.48

 

CMYK 67 / 72 / 0 / 17

HEX #463CD3

RGB 70 60 211

HSL 243.97, 0.63%, 0.53%

LAB 36.44, 49.48, -75.87

 

CMYK 0 / 72 / 19 / 17

HEX #D33CAA

RGB 211 60 170

HSL 316.29, 0.63%, 0.53%

LAB 51.82, 68.56, -26.32

 

CMYK 6 / 0 / 72 / 17

HEX #C7D33B

RGB 199 211 59

HSL 64.74, 0.63%, 0.53%

LAB 81.32, -22.3, 69.25

 

CMYK 72 / 0 / 31 / 17

HEX #3CD391

RGB 60 211 145

HSL 153.77, 0.63%, 0.53%

LAB 75.82, -54.33, 21.61

 

CMYK 67 / 72 / 0 / 17

HEX #463CD3

RGB 70 60 211

HSL 243.97, 0.63%, 0.53%

LAB 36.44, 49.48, -75.87

 

CMYK 0 / 72 / 41 / 17

HEX #D33C7D

RGB 211 60 125

HSL 334.17, 0.63%, 0.53%

LAB 50.17, 63.28, -1.99

 

Description

Color code: HEX #C7D33B | qconv.com Color code: HEX #C7D33B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 211 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 211 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 72 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 72% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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