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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7D252 it is the complementary color #382DAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7D252. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7D252 shade: #CCD24D, #DDE460, #EEF673, #FFFF86 and #FFFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7D252. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7D252 shade: #C7D252, #B6C03F, #A5AE2C, #949C19 and #838A06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7D252 shade: #C7D251, #D2BA51, #D29751, #D27451 and #D25251

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7D252 shade: #C7D251, #A4D251, #81D251, #5ED251 and #51D266

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7D252 shade matches the following richer shades: #C7D251, #D6E43F and #E4F62D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7D252 shade: #C7D251, #B8C062, #AAAF74, #9B9D86 and #8C8B98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7D252 shade: #D29851, #D2BA51, #C7D251, #A5D251 and #82D251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7D252 shade: #9BA62B, #BAC633, #C7D251, #D1DB71 and #DCE392

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7D252 shade: #C7D252, #51D275 and #A951D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7D252 shade: #C7D252, #51C7D2 and #D251C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7D252 shade: #C7D252, #51D275, #5B51D2 and #D251AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7D252 shade: #C7D252, #51D29C, #5B51D2 and #D25187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 61 / 18

HEX #C7D252

RGB 199 210 82

HSL 65.16, 0.59%, 0.57%

LAB 81.21, -20.48, 60.32

 

Complementary color

CMYK 68 / 74 / 0 / 32

HEX #382DAD

RGB 56 45 173

HSL 245.16, 0.59%, 0.43%

LAB 28.73, 44.11, -66.24

 

CMYK 3 / 0 / 63 / 18

HEX #CCD24D

RGB 204 210 77

HSL 62.71, 0.6%, 0.56%

LAB 81.55, -18.76, 62.86

 

CMYK 3 / 0 / 58 / 11

HEX #DDE460

RGB 221 228 96

HSL 63.18, 0.71%, 0.64%

LAB 87.83, -19.39, 62.08

 

CMYK 3 / 0 / 53 / 4

HEX #EEF673

RGB 238 246 115

HSL 63.66, 0.88%, 0.71%

LAB 94.02, -19.91, 61.12

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 5 / 0 / 61 / 18

HEX #C7D252

RGB 199 210 82

HSL 65.16, 0.59%, 0.57%

LAB 81.21, -20.48, 60.32

 

CMYK 5 / 0 / 67 / 25

HEX #B6C03F

RGB 182 192 63

HSL 64.65, 0.51%, 0.5%

LAB 74.83, -19.83, 60.95

 

CMYK 5 / 0 / 75 / 32

HEX #A5AE2C

RGB 165 174 44

HSL 64.15, 0.6%, 0.43%

LAB 68.35, -19.02, 61.1

 

CMYK 5 / 0 / 84 / 39

HEX #949C19

RGB 148 156 25

HSL 63.66, 0.72%, 0.35%

LAB 61.78, -18.01, 60.35

 

CMYK 5 / 0 / 96 / 46

HEX #838A06

RGB 131 138 6

HSL 63.18, 0.92%, 0.28%

LAB 55.09, -16.75, 58.13

 

CMYK 5 / 0 / 61 / 18

HEX #C7D251

RGB 199 210 81

HSL 65.12, 0.59%, 0.57%

LAB 81.2, -20.55, 60.73

 

CMYK 0 / 11 / 61 / 18

HEX #D2BA51

RGB 210 186 81

HSL 48.84, 0.59%, 0.57%

LAB 75.71, -3.81, 55.01

 

CMYK 0 / 28 / 61 / 18

HEX #D29751

RGB 210 151 81

HSL 32.56, 0.59%, 0.57%

LAB 66.85, 14.86, 44.98

 

CMYK 0 / 45 / 61 / 18

HEX #D27451

RGB 210 116 81

HSL 16.28, 0.59%, 0.57%

LAB 58.78, 33.7, 35.36

 

CMYK 0 / 61 / 61 / 18

HEX #D25251

RGB 210 82 81

HSL 0.47, 0.59%, 0.57%

LAB 52.21, 50.47, 27.15

 

CMYK 5 / 0 / 61 / 18

HEX #C7D251

RGB 199 210 81

HSL 65.12, 0.59%, 0.57%

LAB 81.2, -20.55, 60.73

 

CMYK 22 / 0 / 61 / 18

HEX #A4D251

RGB 164 210 81

HSL 81.4, 0.59%, 0.57%

LAB 78.8, -34.42, 57.43

 

CMYK 39 / 0 / 61 / 18

HEX #81D251

RGB 129 210 81

HSL 97.67, 0.59%, 0.57%

LAB 76.89, -46.92, 54.78

 

CMYK 55 / 0 / 61 / 18

HEX #5ED251

RGB 94 210 81

HSL 113.95, 0.59%, 0.57%

LAB 75.49, -57.19, 52.83

 

CMYK 61 / 0 / 51 / 18

HEX #51D266

RGB 81 210 102

HSL 129.77, 0.59%, 0.57%

LAB 75.33, -57.67, 42.89

 

CMYK 5 / 0 / 61 / 18

HEX #C7D251

RGB 199 210 81

HSL 65.12, 0.59%, 0.57%

LAB 81.2, -20.55, 60.73

 

CMYK 6 / 0 / 72 / 11

HEX #D6E43F

RGB 214 228 63

HSL 65.09, 0.75%, 0.57%

LAB 87.07, -24.16, 73.79

 

CMYK 7 / 0 / 82 / 4

HEX #E4F62D

RGB 228 246 45

HSL 65.37, 0.92%, 0.57%

LAB 92.84, -27.65, 84.41

 

CMYK 5 / 0 / 61 / 18

HEX #C7D251

RGB 199 210 81

HSL 65.12, 0.59%, 0.57%

LAB 81.2, -20.55, 60.73

 

CMYK 4 / 0 / 49 / 25

HEX #B8C062

RGB 184 192 98

HSL 65.11, 0.43%, 0.57%

LAB 75.31, -16.33, 46.03

 

CMYK 3 / 0 / 34 / 31

HEX #AAAF74

RGB 170 175 116

HSL 65.08, 0.27%, 0.57%

LAB 69.8, -11.24, 29.72

 

CMYK 1 / 0 / 15 / 38

HEX #9B9D86

RGB 155 157 134

HSL 65.22, 0.11%, 0.57%

LAB 64, -4.87, 11.8

 

CMYK 8 / 9 / 0 / 40

HEX #8C8B98

RGB 140 139 152

HSL 244.62, 0.06%, 0.57%

LAB 58.33, 3.01, -6.77

 

CMYK 0 / 28 / 61 / 18

HEX #D29851

RGB 210 152 81

HSL 33.02, 0.59%, 0.57%

LAB 67.09, 14.32, 45.27

 

CMYK 0 / 11 / 61 / 18

HEX #D2BA51

RGB 210 186 81

HSL 48.84, 0.59%, 0.57%

LAB 75.71, -3.81, 55.01

 

CMYK 5 / 0 / 61 / 18

HEX #C7D251

RGB 199 210 81

HSL 65.12, 0.59%, 0.57%

LAB 81.2, -20.55, 60.73

 

CMYK 21 / 0 / 61 / 18

HEX #A5D251

RGB 165 210 81

HSL 80.93, 0.59%, 0.57%

LAB 78.86, -34.03, 57.51

 

CMYK 38 / 0 / 61 / 18

HEX #82D251

RGB 130 210 81

HSL 97.21, 0.59%, 0.57%

LAB 76.94, -46.59, 54.85

 

CMYK 7 / 0 / 74 / 35

HEX #9BA62B

RGB 155 166 43

HSL 65.37, 0.59%, 0.41%

LAB 65.29, -19.33, 58.27

 

CMYK 6 / 0 / 74 / 22

HEX #BAC633

RGB 186 198 51

HSL 64.9, 0.59%, 0.49%

LAB 76.72, -21.73, 67.21

 

CMYK 5 / 0 / 61 / 18

HEX #C7D251

RGB 199 210 81

HSL 65.12, 0.59%, 0.57%

LAB 81.2, -20.55, 60.73

 

CMYK 5 / 0 / 48 / 14

HEX #D1DB71

RGB 209 219 113

HSL 65.66, 0.6%, 0.65%

LAB 84.69, -18.37, 50.54

 

CMYK 3 / 0 / 36 / 11

HEX #DCE392

RGB 220 227 146

HSL 65.19, 0.59%, 0.73%

LAB 88.08, -14.58, 38.81

 

CMYK 5 / 0 / 61 / 18

HEX #C7D252

RGB 199 210 82

HSL 65.16, 0.59%, 0.57%

LAB 81.21, -20.48, 60.32

 

CMYK 61 / 0 / 44 / 18

HEX #51D275

RGB 81 210 117

HSL 136.74, 0.59%, 0.57%

LAB 75.53, -55.42, 35.75

 

CMYK 20 / 61 / 0 / 18

HEX #A951D2

RGB 169 81 210

HSL 280.93, 0.59%, 0.57%

LAB 50.66, 56.63, -51.74

 

CMYK 5 / 0 / 61 / 18

HEX #C7D252

RGB 199 210 82

HSL 65.16, 0.59%, 0.57%

LAB 81.21, -20.48, 60.32

 

CMYK 61 / 5 / 0 / 18

HEX #51C7D2

RGB 81 199 210

HSL 185.12, 0.59%, 0.57%

LAB 74.35, -29.52, -15.37

 

CMYK 0 / 61 / 5 / 18

HEX #D251C7

RGB 210 81 199

HSL 305.12, 0.59%, 0.57%

LAB 55.8, 64.69, -36.94

 

CMYK 5 / 0 / 61 / 18

HEX #C7D252

RGB 199 210 82

HSL 65.16, 0.59%, 0.57%

LAB 81.21, -20.48, 60.32

 

CMYK 61 / 0 / 44 / 18

HEX #51D275

RGB 81 210 117

HSL 136.74, 0.59%, 0.57%

LAB 75.53, -55.42, 35.75

 

CMYK 57 / 61 / 0 / 18

HEX #5B51D2

RGB 91 81 210

HSL 244.65, 0.59%, 0.57%

LAB 42.4, 40.05, -65.47

 

CMYK 0 / 61 / 18 / 18

HEX #D251AD

RGB 210 81 173

HSL 317.21, 0.59%, 0.57%

LAB 54.66, 60.72, -23.69

 

CMYK 5 / 0 / 61 / 18

HEX #C7D252

RGB 199 210 82

HSL 65.16, 0.59%, 0.57%

LAB 81.21, -20.48, 60.32

 

CMYK 61 / 0 / 26 / 18

HEX #51D29C

RGB 81 210 156

HSL 154.88, 0.59%, 0.57%

LAB 76.22, -48.07, 16.43

 

CMYK 57 / 61 / 0 / 18

HEX #5B51D2

RGB 91 81 210

HSL 244.65, 0.59%, 0.57%

LAB 42.4, 40.05, -65.47

 

CMYK 0 / 61 / 36 / 18

HEX #D25187

RGB 210 81 135

HSL 334.88, 0.59%, 0.57%

LAB 53.32, 55.79, -3.37

 

Description

Color code: HEX #C7D252 | qconv.com Color code: HEX #C7D252 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 210 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 210 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 61 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 61% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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