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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7D1DB it is the complementary color #382E24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7D1DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C7D1DB: #CCD1D6, #DDE3E9, #EEF5FC, #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7D1DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C7D1DB: #C7D1DB, #B6BFC8, #A5ADB5, #949BA2 and #83898F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 5 / 0 / 14

HEX #C7D1DB

RGB 199 209 219

HSL 210, 0.22%, 0.82%

LAB 83.37, -1.45, -6.11

 

Complementary color

CMYK 0 / 18 / 36 / 78

HEX #382E24

RGB 56 46 36

HSL 30, 0.22%, 0.18%

LAB 19.73, 2.7, 8.15

 

CMYK 5 / 2 / 0 / 16

HEX #CCD1D6

RGB 204 209 214

HSL 210, 0.11%, 0.82%

LAB 83.6, -0.76, -3.07

 

CMYK 5 / 3 / 0 / 9

HEX #DDE3E9

RGB 221 227 233

HSL 210, 0.21%, 0.89%

LAB 89.95, -0.89, -3.63

 

CMYK 6 / 3 / 0 / 1

HEX #EEF5FC

RGB 238 245 252

HSL 210, 0.7%, 0.96%

LAB 96.21, -1.02, -4.17

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

RAL® 9010

CMYK 9 / 5 / 0 / 14

HEX #C7D1DB

RGB 199 209 219

HSL 210, 0.22%, 0.82%

LAB 83.37, -1.45, -6.11

 

CMYK 9 / 5 / 0 / 22

HEX #B6BFC8

RGB 182 191 200

HSL 210, 0.14%, 0.75%

LAB 76.91, -1.33, -5.6

 

CMYK 9 / 4 / 0 / 29

HEX #A5ADB5

RGB 165 173 181

HSL 210, 0.1%, 0.68%

LAB 70.33, -1.21, -5.07

 

CMYK 9 / 4 / 0 / 36

HEX #949BA2

RGB 148 155 162

HSL 210, 0.07%, 0.61%

LAB 63.63, -1.08, -4.53

 

CMYK 8 / 4 / 0 / 44

HEX #83898F

RGB 131 137 143

HSL 210, 0.05%, 0.54%

LAB 56.78, -0.95, -3.97

 

CMYK 9 / 5 / 0 / 14

HEX #C7D1DB

RGB 199 209 219

HSL 210, 0.22%, 0.82%

LAB 83.37, -1.45, -6.11

 

CMYK 9 / 6 / 0 / 14

HEX #C7CDDB

RGB 199 205 219

HSL 222, 0.22%, 0.82%

LAB 82.34, 0.65, -7.64

 

CMYK 9 / 8 / 0 / 14

HEX #C7CADB

RGB 199 202 219

HSL 231, 0.22%, 0.82%

LAB 81.56, 2.24, -8.79

 

CMYK 9 / 9 / 0 / 14

HEX #C7C7DB

RGB 199 199 219

HSL 240, 0.22%, 0.82%

LAB 80.8, 3.84, -9.93

 

CMYK 8 / 9 / 0 / 14

HEX #CAC7DB

RGB 202 199 219

HSL 249, 0.22%, 0.82%

LAB 81.03, 4.82, -9.56

 

CMYK 9 / 5 / 0 / 14

HEX #C7D1DB

RGB 199 209 219

HSL 210, 0.22%, 0.82%

LAB 83.37, -1.45, -6.11

 

CMYK 7 / 7 / 0 / 94

HEX #0E0E0F

RGB 14 14 15

HSL 240, 0.03%, 0.06%

LAB 3.99, 0.18, -0.48

 

CMYK 9 / 5 / 0 / 74

HEX #3C3F42

RGB 60 63 66

HSL 210, 0.05%, 0.25%

LAB 26.47, -0.54, -2.27

 

CMYK 9 / 4 / 0 / 54

HEX #6A7075

RGB 106 112 117

HSL 207.27, 0.05%, 0.44%

LAB 46.89, -1.19, -3.56

 

CMYK 9 / 5 / 0 / 34

HEX #99A0A8

RGB 153 160 168

HSL 212, 0.08%, 0.63%

LAB 65.55, -0.87, -5.02

 

CMYK 9 / 5 / 0 / 14

HEX #C7D1DB

RGB 199 209 219

HSL 210, 0.22%, 0.82%

LAB 83.37, -1.45, -6.11

 

CMYK 3 / 9 / 0 / 14

HEX #D5C7DB

RGB 213 199 219

HSL 282, 0.22%, 0.82%

LAB 81.9, 8.49, -8.17

 

CMYK 1 / 0 / 9 / 14

HEX #D9DBC7

RGB 217 219 199

HSL 66, 0.22%, 0.82%

LAB 86.77, -4.15, 9.6

 

CMYK 9 / 5 / 0 / 14

HEX #C7D1DB

RGB 199 209 219

HSL 210, 0.22%, 0.82%

LAB 83.37, -1.45, -6.11

 

CMYK 0 / 9 / 5 / 14

HEX #DBC7D1

RGB 219 199 209

HSL 330, 0.22%, 0.82%

LAB 82.11, 8.72, -2.44

 

CMYK 5 / 0 / 9 / 14

HEX #D1DBC7

RGB 209 219 199

HSL 90, 0.22%, 0.82%

LAB 86.18, -6.94, 8.67

 

CMYK 9 / 5 / 0 / 14

HEX #C7D1DB

RGB 199 209 219

HSL 210, 0.22%, 0.82%

LAB 83.37, -1.45, -6.11

 

CMYK 3 / 9 / 0 / 14

HEX #D5C7DB

RGB 213 199 219

HSL 282, 0.22%, 0.82%

LAB 81.9, 8.49, -8.17

 

CMYK 0 / 5 / 9 / 14

HEX #DBD1C7

RGB 219 209 199

HSL 30, 0.22%, 0.82%

LAB 84.37, 1.74, 6.18

 

CMYK 6 / 0 / 9 / 14

HEX #CDDBC7

RGB 205 219 199

HSL 102, 0.22%, 0.82%

LAB 85.89, -8.32, 8.22

 

CMYK 9 / 5 / 0 / 14

HEX #C7D1DB

RGB 199 209 219

HSL 210, 0.22%, 0.82%

LAB 83.37, -1.45, -6.11

 

CMYK 0 / 9 / 0 / 14

HEX #DBC7DB

RGB 219 199 219

HSL 300, 0.22%, 0.82%

LAB 82.39, 10.52, -7.39

 

CMYK 0 / 5 / 9 / 14

HEX #DBD1C7

RGB 219 209 199

HSL 30, 0.22%, 0.82%

LAB 84.37, 1.74, 6.18

 

CMYK 9 / 0 / 9 / 14

HEX #C7DBC7

RGB 199 219 199

HSL 120, 0.22%, 0.82%

LAB 85.47, -10.37, 7.56

 

Description

Color code: HEX #C7D1DB | qconv.com Color code: HEX #C7D1DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 209 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 209 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 5 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 5% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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