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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7C4A9 it is the complementary color #383B56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7C4A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7C4A9 shade: #CCC4A4, #DDD6B7, #EEE8CA, #FFFADD and #FFFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7C4A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7C4A9 shade: #C7C4A9, #B6B296, #A5A083, #948E70 and #837C5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7C4A9 shade: #C7C4A9, #C7BCA9, #C7B3A9, #C7ABA9 and #C7A9A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7C4A9 shade: #C7C4A9, #C2C7A9, #B9C7A9, #B1C7A9 and #A9C7A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7C4A9 shade matches the following richer shades: #C7C4A9, #D2CD9D, #DED692, #E9DF86 and #F5E97A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7C4A9 shade: #C7C4A9, #BBBAB4, #AFB1C0, #A4A8CB and #989FD7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7C4A9 shade: #C7B4A9, #C7BCA9, #C7C4A9, #C2C7A9 and #BAC7A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7C4A9 shade: #A6A177, #B6B290, #C7C4A9, #D7D5C2 and #E7E6DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7C4A9 shade: #C7C4A9, #A9C7AC and #B8A9C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7C4A9 shade: #C7C4A9, #A9C7C4 and #C4A9C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7C4A9 shade: #C7C4A9, #A9C7AC, #A9ACC7 and #C7A9C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7C4A9 shade: #C7C4A9, #A9C7B5, #A9ACC7 and #C7A9BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 15 / 22

HEX #C7C4A9

RGB 199 196 169

HSL 54, 0.21%, 0.72%

LAB 78.74, -3.54, 13.94

 

Complementary color

CMYK 35 / 31 / 0 / 66

HEX #383B56

RGB 56 59 86

HSL 234, 0.21%, 0.28%

LAB 25.69, 6.09, -16.66

 

CMYK 0 / 4 / 20 / 20

HEX #CCC4A4

RGB 204 196 164

HSL 48, 0.28%, 0.72%

LAB 79.04, -2.45, 17.09

 

CMYK 0 / 3 / 17 / 13

HEX #DDD6B7

RGB 221 214 183

HSL 48.95, 0.36%, 0.79%

LAB 85.45, -2.67, 16.19

 

CMYK 0 / 3 / 15 / 7

HEX #EEE8CA

RGB 238 232 202

HSL 50, 0.51%, 0.86%

LAB 91.75, -2.88, 15.33

 

CMYK 0 / 2 / 13 / 0

HEX #FFFADD

RGB 255 250 221

HSL 51.18, 1%, 0.93%

LAB 97.97, -3.07, 14.51

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 0 / 2 / 15 / 22

HEX #C7C4A9

RGB 199 196 169

HSL 54, 0.21%, 0.72%

LAB 78.74, -3.54, 13.94

 

CMYK 0 / 2 / 18 / 29

HEX #B6B296

RGB 182 178 150

HSL 52.5, 0.18%, 0.65%

LAB 72.22, -3.34, 14.84

 

CMYK 0 / 3 / 21 / 35

HEX #A5A083

RGB 165 160 131

HSL 51.18, 0.16%, 0.58%

LAB 65.58, -3.12, 15.8

 

CMYK 0 / 4 / 24 / 42

HEX #948E70

RGB 148 142 112

HSL 50, 0.14%, 0.51%

LAB 58.8, -2.87, 16.82

 

CMYK 0 / 5 / 29 / 49

HEX #837C5D

RGB 131 124 93

HSL 48.95, 0.17%, 0.44%

LAB 51.87, -2.56, 17.92

 

CMYK 0 / 2 / 15 / 22

HEX #C7C4A9

RGB 199 196 169

HSL 54, 0.21%, 0.72%

LAB 78.74, -3.54, 13.94

 

CMYK 0 / 6 / 15 / 22

HEX #C7BCA9

RGB 199 188 169

HSL 38, 0.21%, 0.72%

LAB 76.66, 0.68, 11

 

CMYK 0 / 10 / 15 / 22

HEX #C7B3A9

RGB 199 179 169

HSL 20, 0.21%, 0.72%

LAB 74.35, 5.5, 7.7

 

CMYK 0 / 14 / 15 / 22

HEX #C7ABA9

RGB 199 171 169

HSL 4, 0.21%, 0.72%

LAB 72.32, 9.82, 4.78

 

CMYK 0 / 15 / 15 / 22

HEX #C7A9A9

RGB 199 169 169

HSL 0, 0.21%, 0.72%

LAB 71.81, 10.91, 4.05

 

CMYK 0 / 2 / 15 / 22

HEX #C7C4A9

RGB 199 196 169

HSL 54, 0.21%, 0.72%

LAB 78.74, -3.54, 13.94

 

CMYK 3 / 0 / 15 / 22

HEX #C2C7A9

RGB 194 199 169

HSL 70, 0.21%, 0.72%

LAB 79.15, -6.93, 14.45

 

CMYK 7 / 0 / 15 / 22

HEX #B9C7A9

RGB 185 199 169

HSL 88, 0.21%, 0.72%

LAB 78.48, -10.19, 13.41

 

CMYK 11 / 0 / 15 / 22

HEX #B1C7A9

RGB 177 199 169

HSL 104, 0.21%, 0.72%

LAB 77.91, -13.03, 12.53

 

CMYK 15 / 0 / 15 / 22

HEX #A9C7A9

RGB 169 199 169

HSL 120, 0.21%, 0.72%

LAB 77.37, -15.82, 11.69

 

CMYK 0 / 2 / 15 / 22

HEX #C7C4A9

RGB 199 196 169

HSL 54, 0.21%, 0.72%

LAB 78.74, -3.54, 13.94

 

CMYK 0 / 2 / 25 / 18

HEX #D2CD9D

RGB 210 205 157

HSL 54.34, 0.37%, 0.72%

LAB 81.73, -5.87, 24.58

 

CMYK 0 / 4 / 34 / 13

HEX #DED692

RGB 222 214 146

HSL 53.68, 0.54%, 0.72%

LAB 84.84, -7.28, 34.62

 

CMYK 0 / 4 / 42 / 9

HEX #E9DF86

RGB 233 223 134

HSL 53.94, 0.69%, 0.72%

LAB 87.88, -8.85, 44.73

 

CMYK 0 / 5 / 50 / 4

HEX #F5E97A

RGB 245 233 122

HSL 54.15, 0.86%, 0.72%

LAB 91.28, -10.21, 54.86

 

CMYK 0 / 2 / 15 / 22

HEX #C7C4A9

RGB 199 196 169

HSL 54, 0.21%, 0.72%

LAB 78.74, -3.54, 13.94

 

CMYK 0 / 1 / 4 / 27

HEX #BBBAB4

RGB 187 186 180

HSL 51.43, 0.05%, 0.72%

LAB 75.44, -0.74, 3.15

 

CMYK 9 / 8 / 0 / 25

HEX #AFB1C0

RGB 175 177 192

HSL 232.94, 0.12%, 0.72%

LAB 72.47, 2.24, -7.87

 

CMYK 19 / 17 / 0 / 20

HEX #A4A8CB

RGB 164 168 203

HSL 233.85, 0.27%, 0.72%

LAB 69.62, 5.94, -18.28

 

CMYK 29 / 26 / 0 / 16

HEX #989FD7

RGB 152 159 215

HSL 233.33, 0.44%, 0.72%

LAB 66.81, 10.16, -29.29

 

CMYK 0 / 10 / 15 / 22

HEX #C7B4A9

RGB 199 180 169

HSL 22, 0.21%, 0.72%

LAB 74.6, 4.96, 8.06

 

CMYK 0 / 6 / 15 / 22

HEX #C7BCA9

RGB 199 188 169

HSL 38, 0.21%, 0.72%

LAB 76.66, 0.68, 11

 

CMYK 0 / 2 / 15 / 22

HEX #C7C4A9

RGB 199 196 169

HSL 54, 0.21%, 0.72%

LAB 78.74, -3.54, 13.94

 

CMYK 3 / 0 / 15 / 22

HEX #C2C7A9

RGB 194 199 169

HSL 70, 0.21%, 0.72%

LAB 79.15, -6.93, 14.45

 

CMYK 7 / 0 / 15 / 22

HEX #BAC7A9

RGB 186 199 169

HSL 86, 0.21%, 0.72%

LAB 78.55, -9.83, 13.53

 

CMYK 0 / 3 / 28 / 35

HEX #A6A177

RGB 166 161 119

HSL 53.62, 0.21%, 0.56%

LAB 65.69, -5.01, 22.58

 

CMYK 0 / 2 / 21 / 29

HEX #B6B290

RGB 182 178 144

HSL 53.68, 0.21%, 0.64%

LAB 72.09, -4.26, 17.93

 

CMYK 0 / 2 / 15 / 22

HEX #C7C4A9

RGB 199 196 169

HSL 54, 0.21%, 0.72%

LAB 78.74, -3.54, 13.94

 

CMYK 0 / 1 / 10 / 16

HEX #D7D5C2

RGB 215 213 194

HSL 54.29, 0.21%, 0.8%

LAB 84.96, -2.58, 9.63

 

CMYK 0 / 0 / 5 / 9

HEX #E7E6DB

RGB 231 230 219

HSL 55, 0.2%, 0.88%

LAB 91.1, -1.57, 5.46

 

CMYK 0 / 2 / 15 / 22

HEX #C7C4A9

RGB 199 196 169

HSL 54, 0.21%, 0.72%

LAB 78.74, -3.54, 13.94

 

CMYK 15 / 0 / 14 / 22

HEX #A9C7AC

RGB 169 199 172

HSL 126, 0.21%, 0.72%

LAB 77.44, -15.27, 10.18

 

CMYK 8 / 15 / 0 / 22

HEX #B8A9C7

RGB 184 169 199

HSL 270, 0.21%, 0.72%

LAB 71.34, 11.08, -13.32

 

CMYK 0 / 2 / 15 / 22

HEX #C7C4A9

RGB 199 196 169

HSL 54, 0.21%, 0.72%

LAB 78.74, -3.54, 13.94

 

CMYK 15 / 0 / 2 / 22

HEX #A9C7C4

RGB 169 199 196

HSL 174, 0.21%, 0.72%

LAB 78.03, -10.63, -1.88

 

CMYK 2 / 15 / 0 / 22

HEX #C4A9C7

RGB 196 169 199

HSL 294, 0.21%, 0.72%

LAB 72.39, 15.15, -11.65

 

CMYK 0 / 2 / 15 / 22

HEX #C7C4A9

RGB 199 196 169

HSL 54, 0.21%, 0.72%

LAB 78.74, -3.54, 13.94

 

CMYK 15 / 0 / 14 / 22

HEX #A9C7AC

RGB 169 199 172

HSL 126, 0.21%, 0.72%

LAB 77.44, -15.27, 10.18

 

CMYK 15 / 14 / 0 / 22

HEX #A9ACC7

RGB 169 172 199

HSL 234, 0.21%, 0.72%

LAB 70.91, 4.46, -14.09

 

CMYK 0 / 15 / 2 / 22

HEX #C7A9C4

RGB 199 169 196

HSL 306, 0.21%, 0.72%

LAB 72.56, 15.61, -9.71

 

CMYK 0 / 2 / 15 / 22

HEX #C7C4A9

RGB 199 196 169

HSL 54, 0.21%, 0.72%

LAB 78.74, -3.54, 13.94

 

CMYK 15 / 0 / 9 / 22

HEX #A9C7B5

RGB 169 199 181

HSL 144, 0.21%, 0.72%

LAB 77.65, -13.6, 5.64

 

CMYK 15 / 14 / 0 / 22

HEX #A9ACC7

RGB 169 172 199

HSL 234, 0.21%, 0.72%

LAB 70.91, 4.46, -14.09

 

CMYK 0 / 15 / 6 / 22

HEX #C7A9BB

RGB 199 169 187

HSL 324, 0.21%, 0.72%

LAB 72.3, 13.97, -5.15

 

Description

Color code: HEX #C7C4A9 | qconv.com Color code: HEX #C7C4A9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 196 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 196 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 15 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 15% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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