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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7BA13 it is the complementary color #3845EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7BA13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7BA13 shade: #CCBA0E, #DDCC21, #EEDE34, #FFF047 and #FFFF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7BA13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7BA13 shade: #C7BA13, #B6A800, #A59600, #948400 and #837200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7BA13 shade: #C9BC13, #C98A13, #C95913, #C92813 and #C91313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7BA13 shade: #C9BC13, #A5C913, #74C913, #43C913 and #13C914

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7BA13 shade matches the following richer shades: #C9BC13 and #DACB01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7BA13 shade: #C9BC13, #B7AC24, #A59D36, #938E48 and #827F5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7BA13 shade: #C95813, #C98913, #C9B913, #A7C913 and #77C913

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7BA13 shade: #7D750C, #A3980F, #C9BC13, #EADB1B and #EDE141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7BA13 shade: #C7BA13, #13C928 and #7113C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7BA13 shade: #C7BA13, #13C9B9 and #B913C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7BA13 shade: #C7BA13, #13C928, #1322C9 and #C913B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7BA13 shade: #C7BA13, #13C95E, #1322C9 and #C9137D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 90 / 22

HEX #C7BA13

RGB 199 186 19

HSL 55.67, 0.83%, 0.43%

LAB 74.39, -11.1, 73.58

 

Complementary color

CMYK 76 / 71 / 0 / 7

HEX #3845EC

RGB 56 69 236

HSL 235.67, 0.83%, 0.57%

LAB 39.84, 51.16, -84.59

 

CMYK 0 / 9 / 93 / 20

HEX #CCBA0E

RGB 204 186 14

HSL 54.32, 0.87%, 0.43%

LAB 74.82, -8.99, 74.83

 

CMYK 0 / 8 / 85 / 13

HEX #DDCC21

RGB 221 204 33

HSL 54.57, 0.74%, 0.5%

LAB 81.11, -10.46, 77.08

 

CMYK 0 / 7 / 78 / 7

HEX #EEDE34

RGB 238 222 52

HSL 54.84, 0.85%, 0.57%

LAB 87.32, -11.72, 78.12

 

CMYK 0 / 6 / 72 / 0

HEX #FFF047

RGB 255 240 71

HSL 55.11, 1%, 0.64%

LAB 93.47, -12.82, 78.35

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF5A

RGB 255 255 90

HSL 60, 1%, 0.68%

LAB 97.44, -19.15, 75.5

 

CMYK 0 / 7 / 90 / 22

HEX #C7BA13

RGB 199 186 19

HSL 55.67, 0.83%, 0.43%

LAB 74.39, -11.1, 73.58

 

CMYK 0 / 8 / 100 / 29

HEX #B6A800

RGB 182 168 0

HSL 55.38, 1%, 0.36%

LAB 67.98, -9.54, 70.55

 

CMYK 0 / 9 / 100 / 35

HEX #A59600

RGB 165 150 0

HSL 54.55, 1%, 0.32%

LAB 61.49, -7.69, 65.17

 

CMYK 0 / 11 / 100 / 42

HEX #948400

RGB 148 132 0

HSL 53.51, 1%, 0.29%

LAB 54.86, -5.77, 59.68

 

CMYK 0 / 13 / 100 / 49

HEX #837200

RGB 131 114 0

HSL 52.21, 1%, 0.26%

LAB 48.08, -3.77, 54.07

 

CMYK 0 / 6 / 91 / 21

HEX #C9BC13

RGB 201 188 19

HSL 55.71, 0.83%, 0.43%

LAB 75.1, -11.25, 74.21

 

CMYK 0 / 31 / 91 / 21

HEX #C98A13

RGB 201 138 19

HSL 39.23, 0.83%, 0.43%

LAB 62.2, 15.37, 64.3

 

CMYK 0 / 56 / 91 / 21

HEX #C95913

RGB 201 89 19

HSL 23.08, 0.83%, 0.43%

LAB 51.39, 41.32, 56.21

 

CMYK 0 / 80 / 91 / 21

HEX #C92813

RGB 201 40 19

HSL 6.92, 0.83%, 0.43%

LAB 44.21, 60.69, 51.04

 

CMYK 0 / 91 / 91 / 21

HEX #C91313

RGB 201 19 19

HSL 0, 0.83%, 0.43%

LAB 42.66, 65.1, 49.96

 

CMYK 0 / 6 / 91 / 21

HEX #C9BC13

RGB 201 188 19

HSL 55.71, 0.83%, 0.43%

LAB 75.1, -11.25, 74.21

 

CMYK 18 / 0 / 91 / 21

HEX #A5C913

RGB 165 201 19

HSL 71.87, 0.83%, 0.43%

LAB 75.96, -32.87, 73.72

 

CMYK 42 / 0 / 91 / 21

HEX #74C913

RGB 116 201 19

HSL 88.02, 0.83%, 0.43%

LAB 73.24, -51.15, 70.38

 

CMYK 67 / 0 / 91 / 21

HEX #43C913

RGB 67 201 19

HSL 104.18, 0.83%, 0.43%

LAB 71.56, -64.42, 68.3

 

CMYK 91 / 0 / 90 / 21

HEX #13C914

RGB 19 201 20

HSL 120.33, 0.83%, 0.43%

LAB 70.84, -70.72, 67.24

 

CMYK 0 / 6 / 91 / 21

HEX #C9BC13

RGB 201 188 19

HSL 55.71, 0.83%, 0.43%

LAB 75.1, -11.25, 74.21

 

CMYK 0 / 7 / 100 / 15

HEX #DACB01

RGB 218 203 1

HSL 55.85, 0.99%, 0.43%

LAB 80.53, -11.7, 80.95

 

CMYK 0 / 6 / 91 / 21

HEX #C9BC13

RGB 201 188 19

HSL 55.71, 0.83%, 0.43%

LAB 75.1, -11.25, 74.21

 

CMYK 0 / 6 / 80 / 28

HEX #B7AC24

RGB 183 172 36

HSL 55.51, 0.67%, 0.43%

LAB 69.26, -10.47, 64.98

 

CMYK 0 / 5 / 67 / 35

HEX #A59D36

RGB 165 157 54

HSL 55.68, 0.51%, 0.43%

LAB 63.66, -9.7, 52.7

 

CMYK 0 / 3 / 51 / 42

HEX #938E48

RGB 147 142 72

HSL 56, 0.34%, 0.43%

LAB 58.05, -8.18, 37.6

 

CMYK 0 / 2 / 31 / 49

HEX #827F5A

RGB 130 127 90

HSL 55.5, 0.18%, 0.43%

LAB 52.58, -5.1, 20.57

 

CMYK 0 / 56 / 91 / 21

HEX #C95813

RGB 201 88 19

HSL 22.75, 0.83%, 0.43%

LAB 51.2, 41.81, 56.07

 

CMYK 0 / 32 / 91 / 21

HEX #C98913

RGB 201 137 19

HSL 38.9, 0.83%, 0.43%

LAB 61.96, 15.92, 64.12

 

CMYK 0 / 8 / 91 / 21

HEX #C9B913

RGB 201 185 19

HSL 54.73, 0.83%, 0.43%

LAB 74.29, -9.71, 73.59

 

CMYK 17 / 0 / 91 / 21

HEX #A7C913

RGB 167 201 19

HSL 71.21, 0.83%, 0.43%

LAB 76.09, -32.06, 73.88

 

CMYK 41 / 0 / 91 / 21

HEX #77C913

RGB 119 201 19

HSL 87.03, 0.83%, 0.43%

LAB 73.38, -50.15, 70.55

 

CMYK 0 / 6 / 90 / 51

HEX #7D750C

RGB 125 117 12

HSL 55.75, 0.82%, 0.27%

LAB 48.4, -8.06, 51.54

 

CMYK 0 / 7 / 91 / 36

HEX #A3980F

RGB 163 152 15

HSL 55.54, 0.83%, 0.35%

LAB 61.89, -9.44, 63.14

 

CMYK 0 / 6 / 91 / 21

HEX #C9BC13

RGB 201 188 19

HSL 55.71, 0.83%, 0.43%

LAB 75.1, -11.25, 74.21

 

CMYK 0 / 6 / 88 / 8

HEX #EADB1B

RGB 234 219 27

HSL 55.65, 0.83%, 0.51%

LAB 86.12, -12.56, 82.72

 

CMYK 0 / 5 / 73 / 7

HEX #EDE141

RGB 237 225 65

HSL 55.81, 0.83%, 0.59%

LAB 88.08, -13.13, 74.72

 

CMYK 0 / 7 / 90 / 22

HEX #C7BA13

RGB 199 186 19

HSL 55.67, 0.83%, 0.43%

LAB 74.39, -11.1, 73.58

 

CMYK 91 / 0 / 80 / 21

HEX #13C928

RGB 19 201 40

HSL 126.92, 0.83%, 0.43%

LAB 70.92, -69.8, 62.76

 

CMYK 44 / 91 / 0 / 21

HEX #7113C9

RGB 113 19 201

HSL 270.99, 0.83%, 0.43%

LAB 34.38, 67.74, -73.29

 

CMYK 0 / 7 / 90 / 22

HEX #C7BA13

RGB 199 186 19

HSL 55.67, 0.83%, 0.43%

LAB 74.39, -11.1, 73.58

 

CMYK 91 / 0 / 8 / 21

HEX #13C9B9

RGB 19 201 185

HSL 174.73, 0.83%, 0.43%

LAB 73.16, -44.23, -3.68

 

CMYK 8 / 91 / 0 / 21

HEX #B913C9

RGB 185 19 201

HSL 294.73, 0.83%, 0.43%

LAB 45.63, 77.72, -54.49

 

CMYK 0 / 7 / 90 / 22

HEX #C7BA13

RGB 199 186 19

HSL 55.67, 0.83%, 0.43%

LAB 74.39, -11.1, 73.58

 

CMYK 91 / 0 / 80 / 21

HEX #13C928

RGB 19 201 40

HSL 126.92, 0.83%, 0.43%

LAB 70.92, -69.8, 62.76

 

CMYK 91 / 83 / 0 / 21

HEX #1322C9

RGB 19 34 201

HSL 235.05, 0.83%, 0.43%

LAB 28.11, 56.32, -83.92

 

CMYK 0 / 91 / 11 / 21

HEX #C913B3

RGB 201 19 179

HSL 307.25, 0.83%, 0.43%

LAB 47.15, 77.26, -39.03

 

CMYK 0 / 7 / 90 / 22

HEX #C7BA13

RGB 199 186 19

HSL 55.67, 0.83%, 0.43%

LAB 74.39, -11.1, 73.58

 

CMYK 91 / 0 / 53 / 21

HEX #13C95E

RGB 19 201 94

HSL 144.73, 0.83%, 0.43%

LAB 71.36, -64.2, 41.65

 

CMYK 91 / 83 / 0 / 21

HEX #1322C9

RGB 19 34 201

HSL 235.05, 0.83%, 0.43%

LAB 28.11, 56.32, -83.92

 

CMYK 0 / 91 / 38 / 21

HEX #C9137D

RGB 201 19 125

HSL 325.05, 0.83%, 0.43%

LAB 44.75, 70.92, -10.25

 

Description

Color code: HEX #C7BA13 | qconv.com Color code: HEX #C7BA13 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 186 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 186 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 90 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 90% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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