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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7AF45 it is the complementary color #3850BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7AF45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7AF45 shade: #CCAF40, #DDC153, #EED366, #FFE579 and #FFF78C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7AF45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7AF45 shade: #C7AF45, #B69D32, #A58B1F, #94790C and #836700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7AF45 shade: #C8B046, #C88D46, #C86A46, #C84746 and #C84646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7AF45 shade: #C8B046, #BDC846, #9AC846, #77C846 and #54C846

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7AF45 shade matches the following richer shades: #C8B046, #DBBC33 and #EFC820

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7AF45 shade: #C8B046, #B4A45A, #A1986D, #8E8B81 and #7A7F94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7AF45 shade: #C86946, #C88B46, #C8AE46, #BFC846 and #9DC846

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7AF45 shade: #917E2B, #B09A35, #C8B046, #D1BE66 and #DBCB86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7AF45 shade: #C7AF45, #46C846 and #7A46C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7AF45 shade: #C7AF45, #46C8AE and #AE46C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7AF45 shade: #C7AF45, #46C846, #4660C8 and #C846C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7AF45 shade: #C7AF45, #46C86D, #4660C8 and #C846A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 65 / 22

HEX #C7AF45

RGB 199 175 69

HSL 48.92, 0.54%, 0.53%

LAB 71.71, -3.51, 55.69

 

Complementary color

CMYK 70 / 57 / 0 / 27

HEX #3850BA

RGB 56 80 186

HSL 228.92, 0.54%, 0.47%

LAB 38.06, 26.96, -58.69

 

CMYK 0 / 14 / 69 / 20

HEX #CCAF40

RGB 204 175 64

HSL 47.57, 0.58%, 0.53%

LAB 72.14, -1.64, 58.4

 

CMYK 0 / 13 / 62 / 13

HEX #DDC153

RGB 221 193 83

HSL 47.83, 0.67%, 0.6%

LAB 78.54, -2.67, 57.52

 

CMYK 0 / 11 / 57 / 7

HEX #EED366

RGB 238 211 102

HSL 48.09, 0.8%, 0.67%

LAB 84.86, -3.55, 56.45

 

CMYK 0 / 10 / 53 / 0

HEX #FFE579

RGB 255 229 121

HSL 48.36, 1%, 0.74%

LAB 91.09, -4.3, 55.3

 

CMYK 0 / 3 / 45 / 0

HEX #FFF78C

RGB 255 247 140

HSL 55.83, 1%, 0.77%

LAB 95.86, -11.59, 52.12

 

CMYK 0 / 12 / 65 / 22

HEX #C7AF45

RGB 199 175 69

HSL 48.92, 0.54%, 0.53%

LAB 71.71, -3.51, 55.69

 

CMYK 0 / 14 / 73 / 29

HEX #B69D32

RGB 182 157 50

HSL 48.64, 0.57%, 0.45%

LAB 65.19, -2.4, 56.38

 

CMYK 0 / 16 / 81 / 35

HEX #A58B1F

RGB 165 139 31

HSL 48.36, 0.68%, 0.38%

LAB 58.57, -1.07, 56.44

 

CMYK 0 / 18 / 92 / 42

HEX #94790C

RGB 148 121 12

HSL 48.09, 0.85%, 0.31%

LAB 51.83, 0.56, 55.23

 

CMYK 0 / 21 / 100 / 49

HEX #836700

RGB 131 103 0

HSL 47.18, 1%, 0.26%

LAB 44.98, 2.54, 51.89

 

CMYK 0 / 12 / 65 / 22

HEX #C8B046

RGB 200 176 70

HSL 48.92, 0.54%, 0.53%

LAB 72.08, -3.54, 55.67

 

CMYK 0 / 30 / 65 / 22

HEX #C88D46

RGB 200 141 70

HSL 32.77, 0.54%, 0.53%

LAB 63.15, 15.32, 45.9

 

CMYK 0 / 47 / 65 / 22

HEX #C86A46

RGB 200 106 70

HSL 16.62, 0.54%, 0.53%

LAB 55.1, 34.25, 36.6

 

CMYK 0 / 65 / 65 / 22

HEX #C84746

RGB 200 71 70

HSL 0.46, 0.54%, 0.53%

LAB 48.55, 51.19, 28.63

 

CMYK 0 / 65 / 65 / 22

HEX #C84646

RGB 200 70 70

HSL 0, 0.54%, 0.53%

LAB 48.39, 51.62, 28.43

 

CMYK 0 / 12 / 65 / 22

HEX #C8B046

RGB 200 176 70

HSL 48.92, 0.54%, 0.53%

LAB 72.08, -3.54, 55.67

 

CMYK 5 / 0 / 65 / 22

HEX #BDC846

RGB 189 200 70

HSL 65.08, 0.54%, 0.53%

LAB 77.62, -20.46, 61.22

 

CMYK 23 / 0 / 65 / 22

HEX #9AC846

RGB 154 200 70

HSL 81.23, 0.54%, 0.53%

LAB 75.21, -34.49, 57.96

 

CMYK 41 / 0 / 65 / 22

HEX #77C846

RGB 119 200 70

HSL 97.38, 0.54%, 0.53%

LAB 73.33, -47.03, 55.38

 

CMYK 58 / 0 / 65 / 22

HEX #54C846

RGB 84 200 70

HSL 113.54, 0.54%, 0.53%

LAB 71.98, -57.12, 53.53

 

CMYK 0 / 12 / 65 / 22

HEX #C8B046

RGB 200 176 70

HSL 48.92, 0.54%, 0.53%

LAB 72.08, -3.54, 55.67

 

CMYK 0 / 14 / 77 / 14

HEX #DBBC33

RGB 219 188 51

HSL 48.93, 0.7%, 0.53%

LAB 76.84, -2.57, 68.33

 

CMYK 0 / 16 / 87 / 6

HEX #EFC820

RGB 239 200 32

HSL 48.7, 0.87%, 0.53%

LAB 81.71, -0.72, 78.46

 

CMYK 0 / 12 / 65 / 22

HEX #C8B046

RGB 200 176 70

HSL 48.92, 0.54%, 0.53%

LAB 72.08, -3.54, 55.67

 

CMYK 0 / 9 / 50 / 29

HEX #B4A45A

RGB 180 164 90

HSL 49.33, 0.38%, 0.53%

LAB 67.27, -4.19, 40.22

 

CMYK 0 / 6 / 32 / 37

HEX #A1986D

RGB 161 152 109

HSL 49.62, 0.22%, 0.53%

LAB 62.62, -3.51, 23.86

 

CMYK 0 / 2 / 9 / 44

HEX #8E8B81

RGB 142 139 129

HSL 46.15, 0.05%, 0.53%

LAB 57.85, -0.75, 5.73

 

CMYK 18 / 14 / 0 / 42

HEX #7A7F94

RGB 122 127 148

HSL 228.46, 0.11%, 0.53%

LAB 53.44, 2.76, -11.92

 

CMYK 0 / 48 / 65 / 22

HEX #C86946

RGB 200 105 70

HSL 16.15, 0.54%, 0.53%

LAB 54.89, 34.78, 36.35

 

CMYK 0 / 31 / 65 / 22

HEX #C88B46

RGB 200 139 70

HSL 31.85, 0.54%, 0.53%

LAB 62.67, 16.41, 45.35

 

CMYK 0 / 13 / 65 / 22

HEX #C8AE46

RGB 200 174 70

HSL 48, 0.54%, 0.53%

LAB 71.55, -2.49, 55.11

 

CMYK 5 / 0 / 65 / 22

HEX #BFC846

RGB 191 200 70

HSL 64.15, 0.54%, 0.53%

LAB 77.77, -19.63, 61.43

 

CMYK 22 / 0 / 65 / 22

HEX #9DC846

RGB 157 200 70

HSL 79.85, 0.54%, 0.53%

LAB 75.4, -33.33, 58.21

 

CMYK 0 / 13 / 70 / 43

HEX #917E2B

RGB 145 126 43

HSL 48.82, 0.54%, 0.37%

LAB 53.08, -2.47, 45.94

 

CMYK 0 / 13 / 70 / 31

HEX #B09A35

RGB 176 154 53

HSL 49.27, 0.54%, 0.45%

LAB 63.83, -3.29, 53.62

 

CMYK 0 / 12 / 65 / 22

HEX #C8B046

RGB 200 176 70

HSL 48.92, 0.54%, 0.53%

LAB 72.08, -3.54, 55.67

 

CMYK 0 / 9 / 51 / 18

HEX #D1BE66

RGB 209 190 102

HSL 49.35, 0.54%, 0.61%

LAB 76.89, -4.68, 46.46

 

CMYK 0 / 7 / 39 / 14

HEX #DBCB86

RGB 219 203 134

HSL 48.71, 0.54%, 0.69%

LAB 81.56, -4.19, 36.43

 

CMYK 0 / 12 / 65 / 22

HEX #C7AF45

RGB 199 175 69

HSL 48.92, 0.54%, 0.53%

LAB 71.71, -3.51, 55.69

 

CMYK 65 / 0 / 65 / 22

HEX #46C846

RGB 70 200 70

HSL 120, 0.54%, 0.53%

LAB 71.59, -60.27, 52.98

 

CMYK 39 / 65 / 0 / 22

HEX #7A46C8

RGB 122 70 200

HSL 264, 0.54%, 0.53%

LAB 42.29, 49.29, -59.75

 

CMYK 0 / 12 / 65 / 22

HEX #C7AF45

RGB 199 175 69

HSL 48.92, 0.54%, 0.53%

LAB 71.71, -3.51, 55.69

 

CMYK 65 / 0 / 13 / 22

HEX #46C8AE

RGB 70 200 174

HSL 168, 0.54%, 0.53%

LAB 73.33, -41.53, 2.61

 

CMYK 13 / 65 / 0 / 22

HEX #AE46C8

RGB 174 70 200

HSL 288, 0.54%, 0.53%

LAB 48.94, 60.77, -48.69

 

CMYK 0 / 12 / 65 / 22

HEX #C7AF45

RGB 199 175 69

HSL 48.92, 0.54%, 0.53%

LAB 71.71, -3.51, 55.69

 

CMYK 65 / 0 / 65 / 22

HEX #46C846

RGB 70 200 70

HSL 120, 0.54%, 0.53%

LAB 71.59, -60.27, 52.98

 

CMYK 65 / 52 / 0 / 22

HEX #4660C8

RGB 70 96 200

HSL 228, 0.54%, 0.53%

LAB 44, 23.83, -57.18

 

CMYK 0 / 65 / 0 / 22

HEX #C846C8

RGB 200 70 200

HSL 300, 0.54%, 0.53%

LAB 52.76, 66.82, -42.39

 

CMYK 0 / 12 / 65 / 22

HEX #C7AF45

RGB 199 175 69

HSL 48.92, 0.54%, 0.53%

LAB 71.71, -3.51, 55.69

 

CMYK 65 / 0 / 46 / 22

HEX #46C86D

RGB 70 200 109

HSL 138, 0.54%, 0.53%

LAB 72.04, -55.15, 35.26

 

CMYK 65 / 52 / 0 / 22

HEX #4660C8

RGB 70 96 200

HSL 228, 0.54%, 0.53%

LAB 44, 23.83, -57.18

 

CMYK 0 / 65 / 20 / 22

HEX #C846A1

RGB 200 70 161

HSL 318, 0.54%, 0.53%

LAB 50.96, 60.82, -22.49

 

Description

Color code: HEX #C7AF45 | qconv.com Color code: HEX #C7AF45 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 175 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 175 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 65 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 65% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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