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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7ADEB it is the complementary color #385214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7ADEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7ADEB shade: #CCADE6, #DDBFF9, #EED1FF, #FFE3FF and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7ADEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7ADEB shade: #C7ADEB, #B69BD8, #A589C5, #9477B2 and #83659F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7ADEB shade: #C7ADEB, #D8ADEB, #E9ADEB, #EBADDD and #EBADCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7ADEB shade: #C7ADEB, #B6ADEB and #ADADEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7ADEB shade matches the following richer shades: #C7ADEB, #C6A5F3 and #C49CFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7ADEB shade: #C7ADEB, #C8B5E3, #CABDDB, #CBC6D2 and #CCCECA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7ADEB shade: #ADB4EB, #B6ADEB, #C7ADEB, #D7ADEB and #E8ADEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7ADEB shade: #9A6ADB, #B08CE3, #C7ADEB, #DECEF3 and #F4EFFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7ADEB shade: #C7ADEB, #EBADC5 and #ADEBAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7ADEB shade: #C7ADEB, #EBC7AD and #ADEBC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7ADEB shade: #C7ADEB, #EBADC5, #D1EBAD and #ADEBD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7ADEB shade: #C7ADEB, #EBADB2, #D1EBAD and #ADEBE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 26 / 0 / 8

HEX #C7ADEB

RGB 199 173 235

HSL 265.16, 0.61%, 0.8%

LAB 74.84, 21.25, -27.57

 

Complementary color

CMYK 32 / 0 / 76 / 68

HEX #385214

RGB 56 82 20

HSL 85.16, 0.61%, 0.2%

LAB 31.64, -20.85, 31.69

 

CMYK 11 / 25 / 0 / 10

HEX #CCADE6

RGB 204 173 230

HSL 272.63, 0.53%, 0.79%

LAB 75.1, 21.77, -24.42

 

CMYK 11 / 23 / 0 / 2

HEX #DDBFF9

RGB 221 191 249

HSL 271.03, 0.83%, 0.86%

LAB 81.55, 21.27, -24.68

 

CMYK 7 / 18 / 0 / 0

HEX #EED1FF

RGB 238 209 255

HSL 277.83, 1%, 0.91%

LAB 87.48, 18.25, -18.73

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 15 / 26 / 0 / 8

HEX #C7ADEB

RGB 199 173 235

HSL 265.16, 0.61%, 0.8%

LAB 74.84, 21.25, -27.57

 

CMYK 16 / 28 / 0 / 15

HEX #B69BD8

RGB 182 155 216

HSL 266.56, 0.44%, 0.73%

LAB 68.27, 21.79, -27.38

 

CMYK 16 / 30 / 0 / 23

HEX #A589C5

RGB 165 137 197

HSL 268, 0.34%, 0.65%

LAB 61.59, 22.38, -27.21

 

CMYK 17 / 33 / 0 / 30

HEX #9477B2

RGB 148 119 178

HSL 269.49, 0.28%, 0.58%

LAB 54.77, 23.03, -27.06

 

CMYK 18 / 36 / 0 / 38

HEX #83659F

RGB 131 101 159

HSL 271.03, 0.23%, 0.51%

LAB 47.8, 23.75, -26.93

 

CMYK 15 / 26 / 0 / 8

HEX #C7ADEB

RGB 199 173 235

HSL 265.16, 0.61%, 0.8%

LAB 74.84, 21.25, -27.57

 

CMYK 8 / 26 / 0 / 8

HEX #D8ADEB

RGB 216 173 235

HSL 281.61, 0.61%, 0.8%

LAB 76.37, 26.6, -25.1

 

CMYK 1 / 26 / 0 / 8

HEX #E9ADEB

RGB 233 173 235

HSL 298.06, 0.61%, 0.8%

LAB 78, 32.04, -22.46

 

CMYK 0 / 26 / 6 / 8

HEX #EBADDD

RGB 235 173 221

HSL 313.55, 0.61%, 0.8%

LAB 77.74, 30.18, -15.25

 

CMYK 0 / 26 / 13 / 8

HEX #EBADCC

RGB 235 173 204

HSL 330, 0.61%, 0.8%

LAB 77.23, 27.33, -6.78

 

CMYK 15 / 26 / 0 / 8

HEX #C7ADEB

RGB 199 173 235

HSL 265.16, 0.61%, 0.8%

LAB 74.84, 21.25, -27.57

 

CMYK 23 / 26 / 0 / 8

HEX #B6ADEB

RGB 182 173 235

HSL 248.71, 0.61%, 0.8%

LAB 73.44, 16.05, -29.85

 

CMYK 26 / 26 / 0 / 8

HEX #ADADEB

RGB 173 173 235

HSL 240, 0.61%, 0.8%

LAB 72.74, 13.37, -30.98

 

CMYK 15 / 26 / 0 / 8

HEX #C7ADEB

RGB 199 173 235

HSL 265.16, 0.61%, 0.8%

LAB 74.84, 21.25, -27.57

 

CMYK 19 / 32 / 0 / 5

HEX #C6A5F3

RGB 198 165 243

HSL 265.38, 0.76%, 0.8%

LAB 73.15, 27.09, -34.53

 

CMYK 22 / 38 / 0 / 1

HEX #C49CFC

RGB 196 156 252

HSL 265, 0.94%, 0.8%

LAB 71.24, 33.48, -42.39

 

CMYK 15 / 26 / 0 / 8

HEX #C7ADEB

RGB 199 173 235

HSL 265.16, 0.61%, 0.8%

LAB 74.84, 21.25, -27.57

 

CMYK 12 / 20 / 0 / 11

HEX #C8B5E3

RGB 200 181 227

HSL 264.78, 0.45%, 0.8%

LAB 76.6, 15.5, -20.54

 

CMYK 8 / 14 / 0 / 14

HEX #CABDDB

RGB 202 189 219

HSL 266, 0.29%, 0.8%

LAB 78.5, 10.19, -13.33

 

CMYK 3 / 6 / 0 / 18

HEX #CBC6D2

RGB 203 198 210

HSL 265, 0.12%, 0.8%

LAB 80.59, 3.95, -5.37

 

CMYK 1 / 0 / 2 / 19

HEX #CCCECA

RGB 204 206 202

HSL 90, 0.04%, 0.8%

LAB 82.51, -1.41, 1.74

 

CMYK 26 / 23 / 0 / 8

HEX #ADB4EB

RGB 173 180 235

HSL 233.23, 0.61%, 0.8%

LAB 74.52, 9.5, -28.23

 

CMYK 23 / 26 / 0 / 8

HEX #B6ADEB

RGB 182 173 235

HSL 248.71, 0.61%, 0.8%

LAB 73.44, 16.05, -29.85

 

CMYK 15 / 26 / 0 / 8

HEX #C7ADEB

RGB 199 173 235

HSL 265.16, 0.61%, 0.8%

LAB 74.84, 21.25, -27.57

 

CMYK 9 / 26 / 0 / 8

HEX #D7ADEB

RGB 215 173 235

HSL 280.65, 0.61%, 0.8%

LAB 76.27, 26.28, -25.25

 

CMYK 1 / 26 / 0 / 8

HEX #E8ADEB

RGB 232 173 235

HSL 297.1, 0.61%, 0.8%

LAB 77.9, 31.71, -22.62

 

CMYK 30 / 52 / 0 / 14

HEX #9A6ADB

RGB 154 106 219

HSL 265.49, 0.61%, 0.64%

LAB 54.34, 41.99, -51.08

 

CMYK 22 / 38 / 0 / 11

HEX #B08CE3

RGB 176 140 227

HSL 264.83, 0.61%, 0.72%

LAB 64.59, 30.88, -39.22

 

CMYK 15 / 26 / 0 / 8

HEX #C7ADEB

RGB 199 173 235

HSL 265.16, 0.61%, 0.8%

LAB 74.84, 21.25, -27.57

 

CMYK 9 / 15 / 0 / 5

HEX #DECEF3

RGB 222 206 243

HSL 265.95, 0.61%, 0.88%

LAB 85.07, 12.36, -16.15

 

CMYK 3 / 5 / 0 / 2

HEX #F4EFFB

RGB 244 239 251

HSL 265, 0.6%, 0.96%

LAB 95.13, 3.81, -5.19

 

CMYK 15 / 26 / 0 / 8

HEX #C7ADEB

RGB 199 173 235

HSL 265.16, 0.61%, 0.8%

LAB 74.84, 21.25, -27.57

 

CMYK 0 / 26 / 16 / 8

HEX #EBADC5

RGB 235 173 197

HSL 336.77, 0.61%, 0.8%

LAB 77.03, 26.21, -3.26

 

CMYK 26 / 0 / 26 / 8

HEX #ADEBAE

RGB 173 235 174

HSL 120.97, 0.61%, 0.8%

LAB 87.66, -31.2, 23.46

 

CMYK 15 / 26 / 0 / 8

HEX #C7ADEB

RGB 199 173 235

HSL 265.16, 0.61%, 0.8%

LAB 74.84, 21.25, -27.57

 

CMYK 0 / 15 / 26 / 8

HEX #EBC7AD

RGB 235 199 173

HSL 25.16, 0.61%, 0.8%

LAB 82.66, 8.9, 17.75

 

CMYK 26 / 0 / 15 / 8

HEX #ADEBC7

RGB 173 235 199

HSL 145.16, 0.61%, 0.8%

LAB 88.17, -26.76, 11.21

 

CMYK 15 / 26 / 0 / 8

HEX #C7ADEB

RGB 199 173 235

HSL 265.16, 0.61%, 0.8%

LAB 74.84, 21.25, -27.57

 

CMYK 0 / 26 / 16 / 8

HEX #EBADC5

RGB 235 173 197

HSL 336.77, 0.61%, 0.8%

LAB 77.03, 26.21, -3.26

 

CMYK 11 / 0 / 26 / 8

HEX #D1EBAD

RGB 209 235 173

HSL 85.16, 0.61%, 0.8%

LAB 89.85, -19.06, 27.33

 

CMYK 26 / 0 / 10 / 8

HEX #ADEBD3

RGB 173 235 211

HSL 156.77, 0.61%, 0.8%

LAB 88.45, -24.42, 5.34

 

CMYK 15 / 26 / 0 / 8

HEX #C7ADEB

RGB 199 173 235

HSL 265.16, 0.61%, 0.8%

LAB 74.84, 21.25, -27.57

 

CMYK 0 / 26 / 24 / 8

HEX #EBADB2

RGB 235 173 178

HSL 355.16, 0.61%, 0.8%

LAB 76.54, 23.38, 6.38

 

CMYK 11 / 0 / 26 / 8

HEX #D1EBAD

RGB 209 235 173

HSL 85.16, 0.61%, 0.8%

LAB 89.85, -19.06, 27.33

 

CMYK 26 / 0 / 2 / 8

HEX #ADEBE6

RGB 173 235 230

HSL 175.16, 0.61%, 0.8%

LAB 88.93, -20.46, -3.91

 

Description

Color code: HEX #C7ADEB | qconv.com Color code: HEX #C7ADEB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 173 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 173 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 26 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 26% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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