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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7ADE7 it is the complementary color #385218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7ADE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7ADE7 shade: #CCADE2, #DDBFF5, #EED1FF, #FFE3FF and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7ADE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7ADE7 shade: #C7ADE7, #B69BD4, #A589C1, #9477AE and #83659B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7ADE7 shade: #C6ACE7, #D6ACE7, #E6ACE7, #E7ACD8 and #E7ACC8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7ADE7 shade: #C6ACE7, #B7ACE7 and #ACACE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7ADE7 shade matches the following richer shades: #C6ACE7, #C6A3F0 and #C59BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7ADE7 shade: #C6ACE7, #C7B5DE, #C8BDD6, #C9C6CD and #CACFC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7ADE7 shade: #ACB2E7, #B6ACE7, #C6ACE7, #D5ACE7 and #E5ACE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7ADE7 shade: #9B6CD4, #B18CDE, #C6ACE7, #DCCCF0 and #F2ECF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7ADE7 shade: #C7ADE7, #E7ACC2 and #ACE7AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7ADE7 shade: #C7ADE7, #E7C6AC and #ACE7C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7ADE7 shade: #C7ADE7, #E7ACC2, #CDE7AC and #ACE7D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7ADE7 shade: #C7ADE7, #E7ACB0, #CDE7AC and #ACE7E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 25 / 0 / 9

HEX #C7ADE7

RGB 199 173 231

HSL 266.9, 0.55%, 0.79%

LAB 74.7, 20.4, -25.61

 

Complementary color

CMYK 32 / 0 / 71 / 68

HEX #385218

RGB 56 82 24

HSL 86.9, 0.55%, 0.21%

LAB 31.67, -20.5, 29.87

 

CMYK 10 / 23 / 0 / 11

HEX #CCADE2

RGB 204 173 226

HSL 275.09, 0.48%, 0.78%

LAB 74.96, 20.95, -22.46

 

CMYK 10 / 22 / 0 / 4

HEX #DDBFF5

RGB 221 191 245

HSL 273.33, 0.73%, 0.85%

LAB 81.42, 20.46, -22.75

 

CMYK 7 / 18 / 0 / 0

HEX #EED1FF

RGB 238 209 255

HSL 277.83, 1%, 0.91%

LAB 87.48, 18.25, -18.73

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 14 / 25 / 0 / 9

HEX #C7ADE7

RGB 199 173 231

HSL 266.9, 0.55%, 0.79%

LAB 74.7, 20.4, -25.61

 

CMYK 14 / 27 / 0 / 17

HEX #B69BD4

RGB 182 155 212

HSL 268.42, 0.4%, 0.72%

LAB 68.12, 20.92, -25.4

 

CMYK 15 / 29 / 0 / 24

HEX #A589C1

RGB 165 137 193

HSL 270, 0.31%, 0.65%

LAB 61.43, 21.49, -25.2

 

CMYK 15 / 32 / 0 / 32

HEX #9477AE

RGB 148 119 174

HSL 271.64, 0.25%, 0.57%

LAB 54.6, 22.12, -25.01

 

CMYK 15 / 35 / 0 / 39

HEX #83659B

RGB 131 101 155

HSL 273.33, 0.21%, 0.5%

LAB 47.62, 22.81, -24.84

 

CMYK 14 / 26 / 0 / 9

HEX #C6ACE7

RGB 198 172 231

HSL 266.44, 0.55%, 0.79%

LAB 74.37, 20.63, -26.13

 

CMYK 7 / 26 / 0 / 9

HEX #D6ACE7

RGB 214 172 231

HSL 282.71, 0.55%, 0.79%

LAB 75.81, 25.71, -23.8

 

CMYK 0 / 26 / 0 / 9

HEX #E6ACE7

RGB 230 172 231

HSL 298.98, 0.55%, 0.79%

LAB 77.34, 30.86, -21.33

 

CMYK 0 / 26 / 6 / 9

HEX #E7ACD8

RGB 231 172 216

HSL 315.25, 0.55%, 0.79%

LAB 76.95, 28.51, -13.76

 

CMYK 0 / 26 / 13 / 9

HEX #E7ACC8

RGB 231 172 200

HSL 331.53, 0.55%, 0.79%

LAB 76.48, 25.82, -5.76

 

CMYK 14 / 26 / 0 / 9

HEX #C6ACE7

RGB 198 172 231

HSL 266.44, 0.55%, 0.79%

LAB 74.37, 20.63, -26.13

 

CMYK 21 / 26 / 0 / 9

HEX #B7ACE7

RGB 183 172 231

HSL 251.19, 0.55%, 0.79%

LAB 73.12, 15.99, -28.15

 

CMYK 26 / 26 / 0 / 9

HEX #ACACE7

RGB 172 172 231

HSL 240, 0.55%, 0.79%

LAB 72.26, 12.68, -29.55

 

CMYK 14 / 26 / 0 / 9

HEX #C6ACE7

RGB 198 172 231

HSL 266.44, 0.55%, 0.79%

LAB 74.37, 20.63, -26.13

 

CMYK 18 / 32 / 0 / 6

HEX #C6A3F0

RGB 198 163 240

HSL 267.27, 0.72%, 0.79%

LAB 72.56, 27.53, -33.81

 

CMYK 21 / 38 / 0 / 3

HEX #C59BF8

RGB 197 155 248

HSL 267.1, 0.87%, 0.79%

LAB 70.93, 33.41, -40.69

 

CMYK 14 / 26 / 0 / 9

HEX #C6ACE7

RGB 198 172 231

HSL 266.44, 0.55%, 0.79%

LAB 74.37, 20.63, -26.13

 

CMYK 10 / 18 / 0 / 13

HEX #C7B5DE

RGB 199 181 222

HSL 266.34, 0.38%, 0.79%

LAB 76.35, 14.15, -18.21

 

CMYK 7 / 12 / 0 / 16

HEX #C8BDD6

RGB 200 189 214

HSL 266.4, 0.23%, 0.79%

LAB 78.19, 8.53, -11.12

 

CMYK 2 / 3 / 0 / 20

HEX #C9C6CD

RGB 201 198 205

HSL 265.71, 0.07%, 0.79%

LAB 80.3, 2.33, -3.13

 

CMYK 2 / 0 / 5 / 19

HEX #CACFC4

RGB 202 207 196

HSL 87.27, 0.1%, 0.79%

LAB 82.47, -3.69, 4.86

 

CMYK 26 / 23 / 0 / 9

HEX #ACB2E7

RGB 172 178 231

HSL 233.9, 0.55%, 0.79%

LAB 73.79, 9.35, -27.19

 

CMYK 21 / 26 / 0 / 9

HEX #B6ACE7

RGB 182 172 231

HSL 250.17, 0.55%, 0.79%

LAB 73.04, 15.68, -28.28

 

CMYK 14 / 26 / 0 / 9

HEX #C6ACE7

RGB 198 172 231

HSL 266.44, 0.55%, 0.79%

LAB 74.37, 20.63, -26.13

 

CMYK 8 / 26 / 0 / 9

HEX #D5ACE7

RGB 213 172 231

HSL 281.69, 0.55%, 0.79%

LAB 75.71, 25.39, -23.95

 

CMYK 1 / 26 / 0 / 9

HEX #E5ACE7

RGB 229 172 231

HSL 297.97, 0.55%, 0.79%

LAB 77.24, 30.54, -21.49

 

CMYK 27 / 49 / 0 / 17

HEX #9B6CD4

RGB 155 108 212

HSL 267.12, 0.55%, 0.63%

LAB 54.5, 39.43, -46.85

 

CMYK 20 / 37 / 0 / 13

HEX #B18CDE

RGB 177 140 222

HSL 267.07, 0.55%, 0.71%

LAB 64.47, 30.02, -36.64

 

CMYK 14 / 26 / 0 / 9

HEX #C6ACE7

RGB 198 172 231

HSL 266.44, 0.55%, 0.79%

LAB 74.37, 20.63, -26.13

 

CMYK 8 / 15 / 0 / 6

HEX #DCCCF0

RGB 220 204 240

HSL 266.67, 0.55%, 0.87%

LAB 84.33, 12.19, -15.69

 

CMYK 3 / 5 / 0 / 2

HEX #F2ECF9

RGB 242 236 249

HSL 267.69, 0.52%, 0.95%

LAB 94.19, 4.33, -5.56

 

CMYK 14 / 25 / 0 / 9

HEX #C7ADE7

RGB 199 173 231

HSL 266.9, 0.55%, 0.79%

LAB 74.7, 20.4, -25.61

 

CMYK 0 / 26 / 16 / 9

HEX #E7ACC2

RGB 231 172 194

HSL 337.63, 0.55%, 0.79%

LAB 76.31, 24.86, -2.73

 

CMYK 26 / 0 / 25 / 9

HEX #ACE7AE

RGB 172 231 174

HSL 122.03, 0.55%, 0.79%

LAB 86.49, -29.65, 21.85

 

CMYK 14 / 25 / 0 / 9

HEX #C7ADE7

RGB 199 173 231

HSL 266.9, 0.55%, 0.79%

LAB 74.7, 20.4, -25.61

 

CMYK 0 / 14 / 26 / 9

HEX #E7C6AC

RGB 231 198 172

HSL 26.44, 0.55%, 0.79%

LAB 82.03, 7.78, 17.35

 

CMYK 26 / 0 / 14 / 9

HEX #ACE7C6

RGB 172 231 198

HSL 146.44, 0.55%, 0.79%

LAB 87, -25.33, 10.05

 

CMYK 14 / 25 / 0 / 9

HEX #C7ADE7

RGB 199 173 231

HSL 266.9, 0.55%, 0.79%

LAB 74.7, 20.4, -25.61

 

CMYK 0 / 26 / 16 / 9

HEX #E7ACC2

RGB 231 172 194

HSL 337.63, 0.55%, 0.79%

LAB 76.31, 24.86, -2.73

 

CMYK 11 / 0 / 26 / 9

HEX #CDE7AC

RGB 205 231 172

HSL 86.44, 0.55%, 0.79%

LAB 88.5, -18.67, 25.96

 

CMYK 26 / 0 / 10 / 9

HEX #ACE7D1

RGB 172 231 209

HSL 157.63, 0.55%, 0.79%

LAB 87.25, -23.17, 4.65

 

CMYK 14 / 25 / 0 / 9

HEX #C7ADE7

RGB 199 173 231

HSL 266.9, 0.55%, 0.79%

LAB 74.7, 20.4, -25.61

 

CMYK 0 / 26 / 24 / 9

HEX #E7ACB0

RGB 231 172 176

HSL 355.93, 0.55%, 0.79%

LAB 75.84, 22.16, 6.42

 

CMYK 11 / 0 / 26 / 9

HEX #CDE7AC

RGB 205 231 172

HSL 86.44, 0.55%, 0.79%

LAB 88.5, -18.67, 25.96

 

CMYK 26 / 0 / 2 / 9

HEX #ACE7E3

RGB 172 231 227

HSL 175.93, 0.55%, 0.79%

LAB 87.71, -19.42, -4.13

 

Description

Color code: HEX #C7ADE7 | qconv.com Color code: HEX #C7ADE7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 173 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 173 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 25 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 25% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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