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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7AC39 it is the complementary color #3853C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7AC39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7AC39 shade: #CCAC34, #DDBE47, #EED05A, #FFE26D and #FFF480

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7AC39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7AC39 shade: #C7AC39, #B69A26, #A58813, #947600 and #836400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7AC39 shade: #C6AB38, #C68538, #C65E38, #C63838 and #C63838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7AC39 shade: #C6AB38, #BBC638, #95C638, #6EC638 and #48C638

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7AC39 shade matches the following richer shades: #C6AB38, #DBB823 and #F0C50E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7AC39 shade: #C6AB38, #B29E4C, #9D9261, #898575 and #74788A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7AC39 shade: #C65E38, #C68438, #C6AA38, #BDC638 and #97C638

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7AC39 shade: #867425, #A68F2F, #C6AB38, #CFB958 and #D9C678

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7AC39 shade: #C7AC39, #38C638 and #7138C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7AC39 shade: #C7AC39, #38C6AA and #AA38C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7AC39 shade: #C7AC39, #38C638, #3854C6 and #C638C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7AC39 shade: #C7AC39, #38C662, #3854C6 and #C6389C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 71 / 22

HEX #C7AC39

RGB 199 172 57

HSL 48.59, 0.56%, 0.5%

LAB 70.83, -2.59, 59.75

 

Complementary color

CMYK 72 / 58 / 0 / 22

HEX #3853C6

RGB 56 83 198

HSL 228.59, 0.56%, 0.5%

LAB 39.76, 29.38, -62.94

 

CMYK 0 / 16 / 75 / 20

HEX #CCAC34

RGB 204 172 52

HSL 47.37, 0.6%, 0.5%

LAB 71.28, -0.64, 62.25

 

CMYK 0 / 14 / 68 / 13

HEX #DDBE47

RGB 221 190 71

HSL 47.6, 0.69%, 0.57%

LAB 77.67, -1.83, 61.72

 

CMYK 0 / 13 / 62 / 7

HEX #EED05A

RGB 238 208 90

HSL 47.84, 0.81%, 0.64%

LAB 83.98, -2.84, 60.84

 

CMYK 0 / 11 / 57 / 0

HEX #FFE26D

RGB 255 226 109

HSL 48.08, 1%, 0.71%

LAB 90.21, -3.71, 59.79

 

CMYK 0 / 4 / 50 / 0

HEX #FFF480

RGB 255 244 128

HSL 54.8, 1%, 0.75%

LAB 94.96, -11.18, 56.65

 

CMYK 0 / 14 / 71 / 22

HEX #C7AC39

RGB 199 172 57

HSL 48.59, 0.56%, 0.5%

LAB 70.83, -2.59, 59.75

 

CMYK 0 / 15 / 79 / 29

HEX #B69A26

RGB 182 154 38

HSL 48.33, 0.65%, 0.43%

LAB 64.32, -1.3, 59.93

 

CMYK 0 / 18 / 88 / 35

HEX #A58813

RGB 165 136 19

HSL 48.08, 0.79%, 0.36%

LAB 57.71, 0.24, 59.08

 

CMYK 0 / 20 / 100 / 42

HEX #947600

RGB 148 118 0

HSL 47.84, 1%, 0.29%

LAB 50.98, 2.05, 56.94

 

CMYK 0 / 24 / 100 / 49

HEX #836400

RGB 131 100 0

HSL 45.8, 1%, 0.26%

LAB 44.15, 4.29, 51.31

 

CMYK 0 / 14 / 72 / 22

HEX #C6AB38

RGB 198 171 56

HSL 48.59, 0.56%, 0.5%

LAB 70.47, -2.54, 59.75

 

CMYK 0 / 33 / 72 / 22

HEX #C68538

RGB 198 133 56

HSL 32.54, 0.56%, 0.5%

LAB 60.84, 18.04, 49.98

 

CMYK 0 / 53 / 72 / 22

HEX #C65E38

RGB 198 94 56

HSL 16.06, 0.56%, 0.5%

LAB 52.17, 38.87, 40.66

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 0 / 14 / 72 / 22

HEX #C6AB38

RGB 198 171 56

HSL 48.59, 0.56%, 0.5%

LAB 70.47, -2.54, 59.75

 

CMYK 6 / 0 / 72 / 22

HEX #BBC638

RGB 187 198 56

HSL 64.65, 0.56%, 0.5%

LAB 76.82, -21.08, 65.64

 

CMYK 25 / 0 / 72 / 22

HEX #95C638

RGB 149 198 56

HSL 80.7, 0.56%, 0.5%

LAB 74.23, -36.43, 62.22

 

CMYK 44 / 0 / 72 / 22

HEX #6EC638

RGB 110 198 56

HSL 97.18, 0.56%, 0.5%

LAB 72.22, -50.21, 59.55

 

CMYK 64 / 0 / 72 / 22

HEX #48C638

RGB 72 198 56

HSL 113.24, 0.56%, 0.5%

LAB 70.91, -60.42, 57.79

 

CMYK 0 / 14 / 72 / 22

HEX #C6AB38

RGB 198 171 56

HSL 48.59, 0.56%, 0.5%

LAB 70.47, -2.54, 59.75

 

CMYK 0 / 16 / 84 / 14

HEX #DBB823

RGB 219 184 35

HSL 48.59, 0.72%, 0.5%

LAB 75.74, -1, 72.1

 

CMYK 0 / 18 / 94 / 6

HEX #F0C50E

RGB 240 197 14

HSL 48.58, 0.89%, 0.5%

LAB 81.01, 0.97, 80.94

 

CMYK 0 / 14 / 72 / 22

HEX #C6AB38

RGB 198 171 56

HSL 48.59, 0.56%, 0.5%

LAB 70.47, -2.54, 59.75

 

CMYK 0 / 11 / 57 / 30

HEX #B29E4C

RGB 178 158 76

HSL 48.24, 0.4%, 0.5%

LAB 65.31, -3.04, 44.83

 

CMYK 0 / 7 / 38 / 38

HEX #9D9261

RGB 157 146 97

HSL 49, 0.24%, 0.5%

LAB 60.42, -3.4, 27.46

 

CMYK 0 / 3 / 15 / 46

HEX #898575

RGB 137 133 117

HSL 48, 0.08%, 0.5%

LAB 55.46, -1.42, 9.16

 

CMYK 16 / 13 / 0 / 46

HEX #74788A

RGB 116 120 138

HSL 229.09, 0.09%, 0.5%

LAB 50.66, 2.45, -10.3

 

CMYK 0 / 53 / 72 / 22

HEX #C65E38

RGB 198 94 56

HSL 16.06, 0.56%, 0.5%

LAB 52.17, 38.87, 40.66

 

CMYK 0 / 33 / 72 / 22

HEX #C68438

RGB 198 132 56

HSL 32.11, 0.56%, 0.5%

LAB 60.6, 18.58, 49.72

 

CMYK 0 / 14 / 72 / 22

HEX #C6AA38

RGB 198 170 56

HSL 48.17, 0.56%, 0.5%

LAB 70.2, -2.01, 59.49

 

CMYK 5 / 0 / 72 / 22

HEX #BDC638

RGB 189 198 56

HSL 63.8, 0.56%, 0.5%

LAB 76.98, -20.24, 65.84

 

CMYK 24 / 0 / 72 / 22

HEX #97C638

RGB 151 198 56

HSL 79.86, 0.56%, 0.5%

LAB 74.35, -35.66, 62.38

 

CMYK 0 / 13 / 72 / 47

HEX #867425

RGB 134 116 37

HSL 48.87, 0.57%, 0.34%

LAB 49.12, -2.27, 44.17

 

CMYK 0 / 14 / 72 / 35

HEX #A68F2F

RGB 166 143 47

HSL 48.4, 0.56%, 0.42%

LAB 59.85, -2.11, 51.77

 

CMYK 0 / 14 / 72 / 22

HEX #C6AB38

RGB 198 171 56

HSL 48.59, 0.56%, 0.5%

LAB 70.47, -2.54, 59.75

 

CMYK 0 / 11 / 57 / 19

HEX #CFB958

RGB 207 185 88

HSL 48.91, 0.55%, 0.58%

LAB 75.24, -4.05, 51.2

 

CMYK 0 / 9 / 45 / 15

HEX #D9C678

RGB 217 198 120

HSL 48.25, 0.56%, 0.66%

LAB 79.9, -3.88, 41.38

 

CMYK 0 / 14 / 71 / 22

HEX #C7AC39

RGB 199 172 57

HSL 48.59, 0.56%, 0.5%

LAB 70.83, -2.59, 59.75

 

CMYK 72 / 0 / 72 / 22

HEX #38C638

RGB 56 198 56

HSL 120, 0.56%, 0.5%

LAB 70.53, -63.51, 57.29

 

CMYK 43 / 72 / 0 / 22

HEX #7138C6

RGB 113 56 198

HSL 264.08, 0.56%, 0.5%

LAB 38.58, 54.08, -64.66

 

CMYK 0 / 14 / 71 / 22

HEX #C7AC39

RGB 199 172 57

HSL 48.59, 0.56%, 0.5%

LAB 70.83, -2.59, 59.75

 

CMYK 72 / 0 / 14 / 22

HEX #38C6AA

RGB 56 198 170

HSL 168.17, 0.56%, 0.5%

LAB 72.32, -43.75, 3.28

 

CMYK 14 / 72 / 0 / 22

HEX #AA38C6

RGB 170 56 198

HSL 288.17, 0.56%, 0.5%

LAB 46.25, 65.12, -51.88

 

CMYK 0 / 14 / 71 / 22

HEX #C7AC39

RGB 199 172 57

HSL 48.59, 0.56%, 0.5%

LAB 70.83, -2.59, 59.75

 

CMYK 72 / 0 / 72 / 22

HEX #38C638

RGB 56 198 56

HSL 120, 0.56%, 0.5%

LAB 70.53, -63.51, 57.29

 

CMYK 72 / 58 / 0 / 22

HEX #3854C6

RGB 56 84 198

HSL 228.17, 0.56%, 0.5%

LAB 40.01, 28.73, -62.52

 

CMYK 0 / 72 / 0 / 22

HEX #C638C6

RGB 198 56 198

HSL 300, 0.56%, 0.5%

LAB 50.58, 71.03, -44.71

 

CMYK 0 / 14 / 71 / 22

HEX #C7AC39

RGB 199 172 57

HSL 48.59, 0.56%, 0.5%

LAB 70.83, -2.59, 59.75

 

CMYK 72 / 0 / 51 / 22

HEX #38C662

RGB 56 198 98

HSL 137.75, 0.56%, 0.5%

LAB 70.95, -58.61, 39.3

 

CMYK 72 / 58 / 0 / 22

HEX #3854C6

RGB 56 84 198

HSL 228.17, 0.56%, 0.5%

LAB 40.01, 28.73, -62.52

 

CMYK 0 / 72 / 21 / 22

HEX #C6389C

RGB 198 56 156

HSL 317.75, 0.56%, 0.5%

LAB 48.55, 64.82, -23.26

 

Description

Color code: HEX #C7AC39 | qconv.com Color code: HEX #C7AC39 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 172 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 172 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 71 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 71% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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