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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7AC1E it is the complementary color #3853E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7AC1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7AC1E shade: #CCAC19, #DDBE2C, #EED03F, #FFE252 and #FFF465

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7AC1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7AC1E shade: #C7AC1E, #B69A0B, #A58800, #947600 and #836400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7AC1E shade: #C7AC1D, #C77E1D, #C7501D, #C7231D and #C71D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7AC1E shade: #C7AC1D, #B5C71D, #87C71D, #59C71D and #2BC71D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7AC1E shade matches the following richer shades: #C7AC1D and #DAB90B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7AC1E shade: #C7AC1D, #B59F30, #A29342, #8F8655 and #7D7968

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7AC1E shade: #C7501D, #C77E1D, #C7AB1D, #B6C71D and #89C71D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7AC1E shade: #7F6E13, #A38D18, #C7AC1D, #DFC32E and #E5CD52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7AC1E shade: #C7AC1E, #1DC723 and #671DC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7AC1E shade: #C7AC1E, #1DC7AB and #AB1DC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7AC1E shade: #C7AC1E, #1DC723, #1D3AC7 and #C71DC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7AC1E shade: #C7AC1E, #1DC756, #1D3AC7 and #C71D8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 85 / 22

HEX #C7AC1E

RGB 199 172 30

HSL 50.41, 0.74%, 0.45%

LAB 70.69, -3.59, 68.39

 

Complementary color

CMYK 75 / 63 / 0 / 12

HEX #3853E1

RGB 56 83 225

HSL 230.41, 0.74%, 0.55%

LAB 41.94, 39.04, -74.88

 

CMYK 0 / 16 / 88 / 20

HEX #CCAC19

RGB 204 172 25

HSL 49.27, 0.78%, 0.45%

LAB 71.15, -1.5, 70.12

 

CMYK 0 / 14 / 80 / 13

HEX #DDBE2C

RGB 221 190 44

HSL 49.49, 0.72%, 0.52%

LAB 77.51, -2.99, 71.2

 

CMYK 0 / 13 / 74 / 7

HEX #EED03F

RGB 238 208 63

HSL 49.71, 0.84%, 0.59%

LAB 83.78, -4.27, 71.35

 

CMYK 0 / 11 / 68 / 0

HEX #FFE252

RGB 255 226 82

HSL 49.94, 1%, 0.66%

LAB 89.98, -5.37, 70.93

 

CMYK 0 / 4 / 60 / 0

HEX #FFF465

RGB 255 244 101

HSL 55.71, 1%, 0.7%

LAB 94.7, -13.18, 68.25

 

CMYK 0 / 14 / 85 / 22

HEX #C7AC1E

RGB 199 172 30

HSL 50.41, 0.74%, 0.45%

LAB 70.69, -3.59, 68.39

 

CMYK 0 / 15 / 94 / 29

HEX #B69A0B

RGB 182 154 11

HSL 50.18, 0.89%, 0.38%

LAB 64.23, -1.97, 66.36

 

CMYK 0 / 18 / 100 / 35

HEX #A58800

RGB 165 136 0

HSL 49.45, 1%, 0.32%

LAB 57.66, -0.08, 62.45

 

CMYK 0 / 20 / 100 / 42

HEX #947600

RGB 148 118 0

HSL 47.84, 1%, 0.29%

LAB 50.98, 2.05, 56.94

 

CMYK 0 / 24 / 100 / 49

HEX #836400

RGB 131 100 0

HSL 45.8, 1%, 0.26%

LAB 44.15, 4.29, 51.31

 

CMYK 0 / 14 / 85 / 22

HEX #C7AC1D

RGB 199 172 29

HSL 50.47, 0.75%, 0.45%

LAB 70.69, -3.62, 68.63

 

CMYK 0 / 37 / 85 / 22

HEX #C77E1D

RGB 199 126 29

HSL 34.24, 0.75%, 0.45%

LAB 59.12, 21.27, 59.07

 

CMYK 0 / 60 / 85 / 22

HEX #C7501D

RGB 199 80 29

HSL 18, 0.75%, 0.45%

LAB 49.46, 45.09, 50.97

 

CMYK 0 / 82 / 85 / 22

HEX #C7231D

RGB 199 35 29

HSL 2.12, 0.75%, 0.45%

LAB 43.41, 61.6, 45.81

 

CMYK 0 / 85 / 85 / 22

HEX #C71D1D

RGB 199 29 29

HSL 0, 0.75%, 0.45%

LAB 42.93, 62.97, 45.39

 

CMYK 0 / 14 / 85 / 22

HEX #C7AC1D

RGB 199 172 29

HSL 50.47, 0.75%, 0.45%

LAB 70.69, -3.62, 68.63

 

CMYK 9 / 0 / 85 / 22

HEX #B5C71D

RGB 181 199 29

HSL 66.35, 0.75%, 0.45%

LAB 76.53, -25.09, 72.85

 

CMYK 32 / 0 / 85 / 22

HEX #87C71D

RGB 135 199 29

HSL 82.59, 0.75%, 0.45%

LAB 73.6, -43.39, 69.2

 

CMYK 55 / 0 / 85 / 22

HEX #59C71D

RGB 89 199 29

HSL 98.82, 0.75%, 0.45%

LAB 71.6, -58.21, 66.68

 

CMYK 78 / 0 / 85 / 22

HEX #2BC71D

RGB 43 199 29

HSL 115.06, 0.75%, 0.45%

LAB 70.49, -67.48, 65.28

 

CMYK 0 / 14 / 85 / 22

HEX #C7AC1D

RGB 199 172 29

HSL 50.47, 0.75%, 0.45%

LAB 70.69, -3.62, 68.63

 

CMYK 0 / 15 / 95 / 15

HEX #DAB90B

RGB 218 185 11

HSL 50.43, 0.9%, 0.45%

LAB 75.84, -2.38, 76.53

 

CMYK 0 / 14 / 85 / 22

HEX #C7AC1D

RGB 199 172 29

HSL 50.47, 0.75%, 0.45%

LAB 70.69, -3.62, 68.63

 

CMYK 0 / 12 / 73 / 29

HEX #B59F30

RGB 181 159 48

HSL 50.08, 0.58%, 0.45%

LAB 65.62, -4.01, 57.54

 

CMYK 0 / 9 / 59 / 36

HEX #A29342

RGB 162 147 66

HSL 50.63, 0.42%, 0.45%

LAB 60.73, -4.84, 44.05

 

CMYK 0 / 6 / 41 / 44

HEX #8F8655

RGB 143 134 85

HSL 50.69, 0.25%, 0.45%

LAB 55.63, -4.13, 27.59

 

CMYK 0 / 3 / 17 / 51

HEX #7D7968

RGB 125 121 104

HSL 48.57, 0.09%, 0.45%

LAB 50.73, -1.59, 9.88

 

CMYK 0 / 60 / 85 / 22

HEX #C7501D

RGB 199 80 29

HSL 18, 0.75%, 0.45%

LAB 49.46, 45.09, 50.97

 

CMYK 0 / 37 / 85 / 22

HEX #C77E1D

RGB 199 126 29

HSL 34.24, 0.75%, 0.45%

LAB 59.12, 21.27, 59.07

 

CMYK 0 / 14 / 85 / 22

HEX #C7AB1D

RGB 199 171 29

HSL 50.12, 0.75%, 0.45%

LAB 70.43, -3.09, 68.42

 

CMYK 9 / 0 / 85 / 22

HEX #B6C71D

RGB 182 199 29

HSL 66, 0.75%, 0.45%

LAB 76.61, -24.67, 72.94

 

CMYK 31 / 0 / 85 / 22

HEX #89C71D

RGB 137 199 29

HSL 81.88, 0.75%, 0.45%

LAB 73.71, -42.65, 69.33

 

CMYK 0 / 13 / 85 / 50

HEX #7F6E13

RGB 127 110 19

HSL 50.56, 0.74%, 0.29%

LAB 46.59, -2.96, 48.28

 

CMYK 0 / 13 / 85 / 36

HEX #A38D18

RGB 163 141 24

HSL 50.5, 0.74%, 0.37%

LAB 58.88, -3.3, 58.7

 

CMYK 0 / 14 / 85 / 22

HEX #C7AC1D

RGB 199 172 29

HSL 50.47, 0.75%, 0.45%

LAB 70.69, -3.62, 68.63

 

CMYK 0 / 13 / 79 / 13

HEX #DFC32E

RGB 223 195 46

HSL 50.51, 0.73%, 0.53%

LAB 78.99, -4.64, 71.99

 

CMYK 0 / 10 / 64 / 10

HEX #E5CD52

RGB 229 205 82

HSL 50.2, 0.74%, 0.61%

LAB 82.34, -5.55, 62.26

 

CMYK 0 / 14 / 85 / 22

HEX #C7AC1E

RGB 199 172 30

HSL 50.41, 0.74%, 0.45%

LAB 70.69, -3.59, 68.39

 

CMYK 85 / 0 / 82 / 22

HEX #1DC723

RGB 29 199 35

HSL 122.12, 0.75%, 0.45%

LAB 70.34, -68.75, 63.62

 

CMYK 48 / 85 / 0 / 22

HEX #671DC7

RGB 103 29 199

HSL 266.12, 0.75%, 0.45%

LAB 33.74, 63.62, -73.22

 

CMYK 0 / 14 / 85 / 22

HEX #C7AC1E

RGB 199 172 30

HSL 50.41, 0.74%, 0.45%

LAB 70.69, -3.59, 68.39

 

CMYK 85 / 0 / 14 / 22

HEX #1DC7AB

RGB 29 199 171

HSL 170.12, 0.75%, 0.45%

LAB 72.26, -46.63, 2.61

 

CMYK 14 / 85 / 0 / 22

HEX #AB1DC7

RGB 171 29 199

HSL 290.12, 0.75%, 0.45%

LAB 43.74, 73.36, -56.49

 

CMYK 0 / 14 / 85 / 22

HEX #C7AC1E

RGB 199 172 30

HSL 50.41, 0.74%, 0.45%

LAB 70.69, -3.59, 68.39

 

CMYK 85 / 0 / 82 / 22

HEX #1DC723

RGB 29 199 35

HSL 122.12, 0.75%, 0.45%

LAB 70.34, -68.75, 63.62

 

CMYK 85 / 71 / 0 / 22

HEX #1D3AC7

RGB 29 58 199

HSL 229.76, 0.75%, 0.45%

LAB 32.72, 43.08, -75.09

 

CMYK 0 / 85 / 3 / 22

HEX #C71DC2

RGB 199 29 194

HSL 301.76, 0.75%, 0.45%

LAB 48.15, 77.47, -46.25

 

CMYK 0 / 14 / 85 / 22

HEX #C7AC1E

RGB 199 172 30

HSL 50.41, 0.74%, 0.45%

LAB 70.69, -3.59, 68.39

 

CMYK 85 / 0 / 57 / 22

HEX #1DC756

RGB 29 199 86

HSL 140.12, 0.75%, 0.45%

LAB 70.72, -63.98, 44.69

 

CMYK 85 / 71 / 0 / 22

HEX #1D3AC7

RGB 29 58 199

HSL 229.76, 0.75%, 0.45%

LAB 32.72, 43.08, -75.09

 

CMYK 0 / 85 / 28 / 22

HEX #C71D8F

RGB 199 29 143

HSL 319.76, 0.75%, 0.45%

LAB 45.64, 70.73, -19.93

 

Description

Color code: HEX #C7AC1E | qconv.com Color code: HEX #C7AC1E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 172 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 172 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 85 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 85% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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