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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7A821 it is the complementary color #3857DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7A821. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7A821 shade: #CCA81C, #DDBA2F, #EECC42, #FFDE55 and #FFF068

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7A821. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7A821 shade: #C7A821, #B6960E, #A58400, #947200 and #836000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7A821 shade: #C5A720, #C57A20, #C54D20, #C52120 and #C52020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7A821 shade: #C5A720, #B8C520, #8BC520, #5FC520 and #32C520

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7A821 shade matches the following richer shades: #C5A720 and #D8B20E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7A821 shade: #C5A720, #B39B33, #A08F45, #8E8458 and #7B786A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7A821 shade: #C54C20, #C57820, #C5A420, #BAC520 and #8EC520

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7A821 shade: #7E6B15, #A2891A, #C5A720, #DEBD31 and #E3C955

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7A821 shade: #C7A821, #20C520 and #6220C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7A821 shade: #C7A821, #20C5A4 and #A420C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7A821 shade: #C7A821, #20C520, #2041C5 and #C520C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7A821 shade: #C7A821, #20C552, #2041C5 and #C52094

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 83 / 22

HEX #C7A821

RGB 199 168 33

HSL 48.8, 0.72%, 0.45%

LAB 69.65, -1.4, 66.74

 

Complementary color

CMYK 75 / 61 / 0 / 13

HEX #3857DE

RGB 56 87 222

HSL 228.8, 0.72%, 0.55%

LAB 42.66, 35.48, -72

 

CMYK 0 / 18 / 86 / 20

HEX #CCA81C

RGB 204 168 28

HSL 47.73, 0.76%, 0.45%

LAB 70.12, 0.68, 68.61

 

CMYK 0 / 16 / 79 / 13

HEX #DDBA2F

RGB 221 186 47

HSL 47.93, 0.72%, 0.53%

LAB 76.49, -0.81, 69.39

 

CMYK 0 / 14 / 72 / 7

HEX #EECC42

RGB 238 204 66

HSL 48.14, 0.83%, 0.6%

LAB 82.78, -2.09, 69.31

 

CMYK 0 / 13 / 67 / 0

HEX #FFDE55

RGB 255 222 85

HSL 48.35, 1%, 0.67%

LAB 89, -3.2, 68.74

 

CMYK 0 / 6 / 59 / 0

HEX #FFF068

RGB 255 240 104

HSL 54.04, 1%, 0.7%

LAB 93.7, -11.02, 65.9

 

CMYK 0 / 16 / 83 / 22

HEX #C7A821

RGB 199 168 33

HSL 48.8, 0.72%, 0.45%

LAB 69.65, -1.4, 66.74

 

CMYK 0 / 18 / 92 / 29

HEX #B6960E

RGB 182 150 14

HSL 48.57, 0.86%, 0.38%

LAB 63.17, 0.23, 65.09

 

CMYK 0 / 20 / 100 / 35

HEX #A58400

RGB 165 132 0

HSL 48, 1%, 0.32%

LAB 56.59, 2.14, 61.7

 

CMYK 0 / 23 / 100 / 42

HEX #947200

RGB 148 114 0

HSL 46.22, 1%, 0.29%

LAB 49.89, 4.32, 56.19

 

CMYK 0 / 27 / 100 / 49

HEX #836000

RGB 131 96 0

HSL 43.97, 1%, 0.26%

LAB 43.05, 6.63, 50.56

 

CMYK 0 / 15 / 84 / 23

HEX #C5A720

RGB 197 167 32

HSL 49.09, 0.72%, 0.45%

LAB 69.19, -1.78, 66.55

 

CMYK 0 / 38 / 84 / 23

HEX #C57A20

RGB 197 122 32

HSL 32.73, 0.72%, 0.45%

LAB 57.94, 22.67, 56.97

 

CMYK 0 / 61 / 84 / 23

HEX #C54D20

RGB 197 77 32

HSL 16.36, 0.72%, 0.45%

LAB 48.61, 45.82, 48.83

 

CMYK 0 / 83 / 84 / 23

HEX #C52120

RGB 197 33 32

HSL 0.36, 0.72%, 0.45%

LAB 42.86, 61.59, 43.65

 

CMYK 0 / 84 / 84 / 23

HEX #C52020

RGB 197 32 32

HSL 0, 0.72%, 0.45%

LAB 42.77, 61.82, 43.58

 

CMYK 0 / 15 / 84 / 23

HEX #C5A720

RGB 197 167 32

HSL 49.09, 0.72%, 0.45%

LAB 69.19, -1.78, 66.55

 

CMYK 7 / 0 / 84 / 23

HEX #B8C520

RGB 184 197 32

HSL 64.73, 0.72%, 0.45%

LAB 76.21, -22.77, 72.01

 

CMYK 29 / 0 / 84 / 23

HEX #8BC520

RGB 139 197 32

HSL 81.09, 0.72%, 0.45%

LAB 73.24, -40.93, 68.29

 

CMYK 52 / 0 / 84 / 23

HEX #5FC520

RGB 95 197 32

HSL 97.09, 0.72%, 0.45%

LAB 71.19, -55.7, 65.71

 

CMYK 75 / 0 / 84 / 23

HEX #32C520

RGB 50 197 32

HSL 113.45, 0.72%, 0.45%

LAB 69.98, -65.73, 64.15

 

CMYK 0 / 15 / 84 / 23

HEX #C5A720

RGB 197 167 32

HSL 49.09, 0.72%, 0.45%

LAB 69.19, -1.78, 66.55

 

CMYK 0 / 18 / 94 / 15

HEX #D8B20E

RGB 216 178 14

HSL 48.71, 0.88%, 0.45%

LAB 73.85, 0.43, 74.61

 

CMYK 0 / 15 / 84 / 23

HEX #C5A720

RGB 197 167 32

HSL 49.09, 0.72%, 0.45%

LAB 69.19, -1.78, 66.55

 

CMYK 0 / 13 / 72 / 30

HEX #B39B33

RGB 179 155 51

HSL 48.75, 0.56%, 0.45%

LAB 64.38, -2.61, 55.08

 

CMYK 0 / 11 / 57 / 37

HEX #A08F45

RGB 160 143 69

HSL 48.79, 0.4%, 0.45%

LAB 59.48, -3.3, 41.09

 

CMYK 0 / 7 / 38 / 44

HEX #8E8458

RGB 142 132 88

HSL 48.89, 0.23%, 0.45%

LAB 55.03, -3.08, 25.14

 

CMYK 0 / 2 / 14 / 52

HEX #7B786A

RGB 123 120 106

HSL 49.41, 0.07%, 0.45%

LAB 50.32, -1.47, 8.1

 

CMYK 0 / 61 / 84 / 23

HEX #C54C20

RGB 197 76 32

HSL 16, 0.72%, 0.45%

LAB 48.44, 46.28, 48.67

 

CMYK 0 / 39 / 84 / 23

HEX #C57820

RGB 197 120 32

HSL 32, 0.72%, 0.45%

LAB 57.47, 23.76, 56.57

 

CMYK 0 / 17 / 84 / 23

HEX #C5A420

RGB 197 164 32

HSL 48, 0.72%, 0.45%

LAB 68.41, -0.18, 65.88

 

CMYK 6 / 0 / 84 / 23

HEX #BAC520

RGB 186 197 32

HSL 64, 0.72%, 0.45%

LAB 76.36, -21.93, 72.2

 

CMYK 28 / 0 / 84 / 23

HEX #8EC520

RGB 142 197 32

HSL 80, 0.72%, 0.45%

LAB 73.41, -39.79, 68.51

 

CMYK 0 / 15 / 83 / 51

HEX #7E6B15

RGB 126 107 21

HSL 49.14, 0.71%, 0.29%

LAB 45.64, -1.65, 46.77

 

CMYK 0 / 15 / 84 / 36

HEX #A2891A

RGB 162 137 26

HSL 48.97, 0.72%, 0.37%

LAB 57.7, -1.5, 57.11

 

CMYK 0 / 15 / 84 / 23

HEX #C5A720

RGB 197 167 32

HSL 49.09, 0.72%, 0.45%

LAB 69.19, -1.78, 66.55

 

CMYK 0 / 15 / 78 / 13

HEX #DEBD31

RGB 222 189 49

HSL 48.55, 0.72%, 0.53%

LAB 77.37, -1.87, 69.57

 

CMYK 0 / 11 / 63 / 11

HEX #E3C955

RGB 227 201 85

HSL 49.01, 0.72%, 0.61%

LAB 81.16, -4.15, 59.65

 

CMYK 0 / 16 / 83 / 22

HEX #C7A821

RGB 199 168 33

HSL 48.8, 0.72%, 0.45%

LAB 69.65, -1.4, 66.74

 

CMYK 84 / 0 / 84 / 23

HEX #20C520

RGB 32 197 32

HSL 120, 0.72%, 0.45%

LAB 69.71, -68.04, 63.82

 

CMYK 50 / 84 / 0 / 23

HEX #6220C5

RGB 98 32 197

HSL 264, 0.72%, 0.45%

LAB 33.27, 61.59, -72.86

 

CMYK 0 / 16 / 83 / 22

HEX #C7A821

RGB 199 168 33

HSL 48.8, 0.72%, 0.45%

LAB 69.65, -1.4, 66.74

 

CMYK 84 / 0 / 17 / 23

HEX #20C5A4

RGB 32 197 164

HSL 168, 0.72%, 0.45%

LAB 71.5, -47.41, 5.31

 

CMYK 17 / 84 / 0 / 23

HEX #A420C5

RGB 164 32 197

HSL 288, 0.72%, 0.45%

LAB 42.7, 71.17, -57.07

 

CMYK 0 / 16 / 83 / 22

HEX #C7A821

RGB 199 168 33

HSL 48.8, 0.72%, 0.45%

LAB 69.65, -1.4, 66.74

 

CMYK 84 / 0 / 84 / 23

HEX #20C520

RGB 32 197 32

HSL 120, 0.72%, 0.45%

LAB 69.71, -68.04, 63.82

 

CMYK 84 / 67 / 0 / 23

HEX #2041C5

RGB 32 65 197

HSL 228, 0.72%, 0.45%

LAB 34.23, 38.2, -71.44

 

CMYK 0 / 84 / 0 / 23

HEX #C520C5

RGB 197 32 197

HSL 300, 0.72%, 0.45%

LAB 48.18, 76.98, -47.97

 

CMYK 0 / 16 / 83 / 22

HEX #C7A821

RGB 199 168 33

HSL 48.8, 0.72%, 0.45%

LAB 69.65, -1.4, 66.74

 

CMYK 84 / 0 / 58 / 23

HEX #20C552

RGB 32 197 82

HSL 138.18, 0.72%, 0.45%

LAB 70.07, -63.6, 45.79

 

CMYK 84 / 67 / 0 / 23

HEX #2041C5

RGB 32 65 197

HSL 228, 0.72%, 0.45%

LAB 34.23, 38.2, -71.44

 

CMYK 0 / 84 / 25 / 23

HEX #C52094

RGB 197 32 148

HSL 317.82, 0.72%, 0.45%

LAB 45.69, 70.26, -22.9

 

Description

Color code: HEX #C7A821 | qconv.com Color code: HEX #C7A821 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 168 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 168 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 83 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 83% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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