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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7A809 it is the complementary color #3857F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7A809. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7A809 shade: #CCA804, #DDBA17, #EECC2A, #FFDE3D and #FFF050

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7A809. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7A809 shade: #C7A809, #B69600, #A58400, #947200 and #836000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7A809 shade: #C8A909, #C87509, #C84209, #C80F09 and #C80909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7A809 shade: #C8A909, #B3C809, #80C809, #4DC809 and #19C809

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7A809 shade matches the following richer shades: #C8A909

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7A809 shade: #C8A909, #B79D1A, #A6922B, #95863C and #847B4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7A809 shade: #C84209, #C87509, #C8A809, #B5C809 and #82C809

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7A809 shade: #796606, #A08708, #C8A909, #EFCA0B and #F5D52E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7A809 shade: #C7A809, #09C810 and #5C09C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7A809 shade: #C7A809, #09C8A8 and #A809C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7A809 shade: #C7A809, #09C810, #0929C8 and #C809C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7A809 shade: #C7A809, #09C849, #0929C8 and #C80988

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 95 / 22

HEX #C7A809

RGB 199 168 9

HSL 50.21, 0.91%, 0.41%

LAB 69.59, -1.85, 71.33

 

Complementary color

CMYK 77 / 65 / 0 / 4

HEX #3857F6

RGB 56 87 246

HSL 230.21, 0.91%, 0.59%

LAB 44.68, 43.94, -82.25

 

CMYK 0 / 18 / 98 / 20

HEX #CCA804

RGB 204 168 4

HSL 49.2, 0.96%, 0.41%

LAB 70.07, 0.31, 72.51

 

CMYK 0 / 16 / 90 / 13

HEX #DDBA17

RGB 221 186 23

HSL 49.39, 0.81%, 0.48%

LAB 76.41, -1.43, 75.34

 

CMYK 0 / 14 / 82 / 7

HEX #EECC2A

RGB 238 204 42

HSL 49.59, 0.85%, 0.55%

LAB 82.66, -2.96, 76.82

 

CMYK 0 / 13 / 76 / 0

HEX #FFDE3D

RGB 255 222 61

HSL 49.79, 1%, 0.62%

LAB 88.85, -4.29, 77.31

 

CMYK 0 / 6 / 69 / 0

HEX #FFF050

RGB 255 240 80

HSL 54.86, 1%, 0.66%

LAB 93.52, -12.41, 75.25

 

CMYK 0 / 16 / 95 / 22

HEX #C7A809

RGB 199 168 9

HSL 50.21, 0.91%, 0.41%

LAB 69.59, -1.85, 71.33

 

CMYK 0 / 18 / 100 / 29

HEX #B69600

RGB 182 150 0

HSL 49.45, 1%, 0.36%

LAB 63.14, 0.05, 67.11

 

CMYK 0 / 20 / 100 / 35

HEX #A58400

RGB 165 132 0

HSL 48, 1%, 0.32%

LAB 56.59, 2.14, 61.7

 

CMYK 0 / 23 / 100 / 42

HEX #947200

RGB 148 114 0

HSL 46.22, 1%, 0.29%

LAB 49.89, 4.32, 56.19

 

CMYK 0 / 27 / 100 / 49

HEX #836000

RGB 131 96 0

HSL 43.97, 1%, 0.26%

LAB 43.05, 6.63, 50.56

 

CMYK 0 / 16 / 96 / 22

HEX #C8A909

RGB 200 169 9

HSL 50.26, 0.91%, 0.41%

LAB 69.95, -1.94, 71.64

 

CMYK 0 / 42 / 96 / 22

HEX #C87509

RGB 200 117 9

HSL 33.93, 0.91%, 0.41%

LAB 57.1, 26.23, 62.47

 

CMYK 0 / 67 / 96 / 22

HEX #C84209

RGB 200 66 9

HSL 17.91, 0.91%, 0.41%

LAB 47.23, 51.27, 56.04

 

CMYK 0 / 93 / 96 / 22

HEX #C80F09

RGB 200 15 9

HSL 1.88, 0.91%, 0.41%

LAB 42.22, 65.27, 53.17

 

CMYK 0 / 96 / 96 / 22

HEX #C80909

RGB 200 9 9

HSL 0, 0.91%, 0.41%

LAB 41.99, 65.92, 53.05

 

CMYK 0 / 16 / 96 / 22

HEX #C8A909

RGB 200 169 9

HSL 50.26, 0.91%, 0.41%

LAB 69.95, -1.94, 71.64

 

CMYK 11 / 0 / 96 / 22

HEX #B3C809

RGB 179 200 9

HSL 66.6, 0.91%, 0.41%

LAB 76.63, -26.77, 75.88

 

CMYK 36 / 0 / 96 / 22

HEX #80C809

RGB 128 200 9

HSL 82.62, 0.91%, 0.41%

LAB 73.49, -46.81, 72.09

 

CMYK 62 / 0 / 96 / 22

HEX #4DC809

RGB 77 200 9

HSL 98.64, 0.91%, 0.41%

LAB 71.49, -62.13, 69.64

 

CMYK 88 / 0 / 96 / 22

HEX #19C809

RGB 25 200 9

HSL 114.97, 0.91%, 0.41%

LAB 70.55, -70.28, 68.48

 

CMYK 0 / 16 / 96 / 22

HEX #C8A909

RGB 200 169 9

HSL 50.26, 0.91%, 0.41%

LAB 69.95, -1.94, 71.64

 

CMYK 0 / 16 / 96 / 22

HEX #C8A909

RGB 200 169 9

HSL 50.26, 0.91%, 0.41%

LAB 69.95, -1.94, 71.64

 

CMYK 0 / 14 / 86 / 28

HEX #B79D1A

RGB 183 157 26

HSL 50.06, 0.75%, 0.41%

LAB 65.17, -2.84, 64.19

 

CMYK 0 / 12 / 74 / 35

HEX #A6922B

RGB 166 146 43

HSL 50.24, 0.59%, 0.41%

LAB 60.64, -3.94, 54.14

 

CMYK 0 / 10 / 60 / 42

HEX #95863C

RGB 149 134 60

HSL 49.89, 0.43%, 0.41%

LAB 55.85, -3.95, 41.12

 

CMYK 0 / 7 / 42 / 48

HEX #847B4D

RGB 132 123 77

HSL 50.18, 0.26%, 0.41%

LAB 51.39, -3.67, 26.38

 

CMYK 0 / 67 / 96 / 22

HEX #C84209

RGB 200 66 9

HSL 17.91, 0.91%, 0.41%

LAB 47.23, 51.27, 56.04

 

CMYK 0 / 42 / 96 / 22

HEX #C87509

RGB 200 117 9

HSL 33.93, 0.91%, 0.41%

LAB 57.1, 26.23, 62.47

 

CMYK 0 / 16 / 96 / 22

HEX #C8A809

RGB 200 168 9

HSL 49.95, 0.91%, 0.41%

LAB 69.69, -1.41, 71.45

 

CMYK 10 / 0 / 96 / 22

HEX #B5C809

RGB 181 200 9

HSL 65.97, 0.91%, 0.41%

LAB 76.77, -25.93, 76.06

 

CMYK 35 / 0 / 96 / 22

HEX #82C809

RGB 130 200 9

HSL 81.99, 0.91%, 0.41%

LAB 73.59, -46.09, 72.21

 

CMYK 0 / 16 / 95 / 53

HEX #796606

RGB 121 102 6

HSL 50.09, 0.91%, 0.25%

LAB 43.63, -1.59, 48.95

 

CMYK 0 / 16 / 95 / 37

HEX #A08708

RGB 160 135 8

HSL 50.13, 0.9%, 0.33%

LAB 56.9, -1.72, 60.34

 

CMYK 0 / 16 / 96 / 22

HEX #C8A909

RGB 200 169 9

HSL 50.26, 0.91%, 0.41%

LAB 69.95, -1.94, 71.64

 

CMYK 0 / 15 / 95 / 6

HEX #EFCA0B

RGB 239 202 11

HSL 50.26, 0.91%, 0.49%

LAB 82.17, -2.06, 82.06

 

CMYK 0 / 13 / 81 / 4

HEX #F5D52E

RGB 245 213 46

HSL 50.35, 0.91%, 0.57%

LAB 85.6, -4.45, 78.52

 

CMYK 0 / 16 / 95 / 22

HEX #C7A809

RGB 199 168 9

HSL 50.21, 0.91%, 0.41%

LAB 69.59, -1.85, 71.33

 

CMYK 96 / 0 / 92 / 22

HEX #09C810

RGB 9 200 16

HSL 122.2, 0.91%, 0.41%

LAB 70.46, -71.06, 67.51

 

CMYK 54 / 96 / 0 / 22

HEX #5C09C8

RGB 92 9 200

HSL 266.07, 0.91%, 0.41%

LAB 30.97, 67.34, -78.42

 

CMYK 0 / 16 / 95 / 22

HEX #C7A809

RGB 199 168 9

HSL 50.21, 0.91%, 0.41%

LAB 69.59, -1.85, 71.33

 

CMYK 96 / 0 / 16 / 22

HEX #09C8A8

RGB 9 200 168

HSL 169.95, 0.91%, 0.41%

LAB 72.36, -48.82, 4.36

 

CMYK 16 / 96 / 0 / 22

HEX #A809C8

RGB 168 9 200

HSL 289.95, 0.91%, 0.41%

LAB 42.29, 76.08, -59.44

 

CMYK 0 / 16 / 95 / 22

HEX #C7A809

RGB 199 168 9

HSL 50.21, 0.91%, 0.41%

LAB 69.59, -1.85, 71.33

 

CMYK 96 / 0 / 92 / 22

HEX #09C810

RGB 9 200 16

HSL 122.2, 0.91%, 0.41%

LAB 70.46, -71.06, 67.51

 

CMYK 96 / 80 / 0 / 22

HEX #0929C8

RGB 9 41 200

HSL 229.95, 0.91%, 0.41%

LAB 28.94, 52.38, -81.96

 

CMYK 0 / 96 / 4 / 22

HEX #C809C1

RGB 200 9 193

HSL 302.2, 0.91%, 0.41%

LAB 47.4, 80.07, -46.86

 

CMYK 0 / 16 / 95 / 22

HEX #C7A809

RGB 199 168 9

HSL 50.21, 0.91%, 0.41%

LAB 69.59, -1.85, 71.33

 

CMYK 96 / 0 / 64 / 22

HEX #09C849

RGB 9 200 73

HSL 140.1, 0.91%, 0.41%

LAB 70.77, -67.14, 50.55

 

CMYK 96 / 80 / 0 / 22

HEX #0929C8

RGB 9 41 200

HSL 229.95, 0.91%, 0.41%

LAB 28.94, 52.38, -81.96

 

CMYK 0 / 96 / 32 / 22

HEX #C80988

RGB 200 9 136

HSL 320.1, 0.91%, 0.41%

LAB 44.59, 72.94, -17.26

 

Description

Color code: HEX #C7A809 | qconv.com Color code: HEX #C7A809 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 168 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 168 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 95 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 95% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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