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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7A5EABF it is the complementary color #385A15BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7A5EABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7A5EABF shade: #CCA5E5BF, #DDB7F8BF, #EEC9FFBF, #FFDBFFBF and #FFEDFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7A5EABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7A5EABF shade: #C7A5EABF, #B693D7BF, #A581C4BF, #946FB1BF and #835D9EBF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7A5EABF shade: #C6A4EA, #D9A4EA, #EAA4E7, #EAA4D5 and #EAA4C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7A5EABF shade: #C6A4EA, #B4A4EA and #A4A4EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7A5EABF shade matches the following richer shades: #C6A4EA, #C69BF3 and #C692FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7A5EABF shade: #C6A4EA, #C7ADE1, #C7B6D8, #C7BFCE and #C7C8C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7A5EABF shade: #A4A8EA, #B3A4EA, #C6A4EA, #D8A4EA and #EAA4E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7A5EABF shade: #9D61DA, #B283E2, #C6A4EA, #DBC6F2 and #F0E7F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7A5EABF shade: #C7A5EA, #EAA4BA and #A4EAAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7A5EABF shade: #C7A5EA, #EAC6A4 and #A4EAC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7A5EABF shade: #C7A5EA, #EAA4BA, #C8EAA4 and #A4EAD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7A5EABF shade: #C7A5EA, #EAA4A5, #C8EAA4 and #A4EAE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 22 / 0 / 6

HEX #C7A5EABF

RGBA 199 165 234 0.75

HSLA 269.57, 0.62%, 0.78%, 0.75

LABA 72.89, 25.44, -30.03, 0.75

 

Complementary color

CMYK 28 / 0 / 58 / 49

HEX #385A15BF

RGBA 56 90 21 0.75

HSLA 89.57, 0.62%, 0.22%, 0.75

LABA 34.41, -24.81, 34.08, 0.75

 

CMYK 8 / 21 / 0 / 8

HEX #CCA5E5BF

RGBA 204 165 229 0.75

HSLA 276.56, 0.55%, 0.77%, 0.75

LABA 73.16, 25.94, -26.85, 0.75

 

CMYK 8 / 20 / 0 / 2

HEX #DDB7F8BF

RGBA 221 183 248 0.75

HSLA 275.08, 0.82%, 0.85%, 0.75

LABA 79.62, 25.38, -27.09, 0.75

 

CMYK 5 / 16 / 0 / 0

HEX #EEC9FFBF

RGBA 238 201 255 0.75

HSLA 281.11, 1%, 0.89%, 0.75

LABA 85.59, 22.49, -21.6, 0.75

 

CMYK 0 / 11 / 0 / 0

HEX #FFDBFFBF

RGBA 255 219 255 0.75

HSLA 300, 1%, 0.93%, 0.75

LABA 91.3, 18.51, -12.86, 0.75

 

CMYK 0 / 5 / 0 / 0

HEX #FFEDFFBF

RGBA 255 237 255 0.75

HSLA 300, 1%, 0.96%, 0.75

LABA 95.6, 9.18, -6.47, 0.75

 

CMYK 11 / 22 / 0 / 6

HEX #C7A5EABF

RGBA 199 165 234 0.75

HSLA 269.57, 0.62%, 0.78%, 0.75

LABA 72.89, 25.44, -30.03, 0.75

 

CMYK 12 / 24 / 0 / 12

HEX #B693D7BF

RGBA 182 147 215 0.75

HSLA 270.88, 0.46%, 0.71%, 0.75

LABA 66.3, 26.05, -29.86, 0.75

 

CMYK 12 / 26 / 0 / 17

HEX #A581C4BF

RGBA 165 129 196 0.75

HSLA 272.24, 0.36%, 0.64%, 0.75

LABA 59.6, 26.72, -29.71, 0.75

 

CMYK 12 / 28 / 0 / 23

HEX #946FB1BF

RGBA 148 111 177 0.75

HSLA 273.64, 0.3%, 0.56%, 0.75

LABA 52.77, 27.44, -29.58, 0.75

 

CMYK 13 / 31 / 0 / 29

HEX #835D9EBF

RGBA 131 93 158 0.75

HSLA 275.08, 0.26%, 0.49%, 0.75

LABA 45.8, 28.24, -29.45, 0.75

 

CMYK 15 / 30 / 0 / 8

HEX #C6A4EA

RGB 198 164 234

HSL 269.14, 0.63%, 0.78%

LAB 72.56, 25.68, -30.54

 

CMYK 7 / 30 / 0 / 8

HEX #D9A4EA

RGB 217 164 234

HSL 285.43, 0.63%, 0.78%

LAB 74.35, 31.59, -27.64

 

CMYK 0 / 30 / 1 / 8

HEX #EAA4E7

RGB 234 164 231

HSL 302.57, 0.63%, 0.78%

LAB 75.95, 36.42, -23.4

 

CMYK 0 / 30 / 9 / 8

HEX #EAA4D5

RGB 234 164 213

HSL 318, 0.63%, 0.78%

LAB 75.36, 33.27, -14.49

 

CMYK 0 / 30 / 17 / 8

HEX #EAA4C2

RGB 234 164 194

HSL 334.29, 0.63%, 0.78%

LAB 74.79, 30.19, -4.93

 

CMYK 15 / 30 / 0 / 8

HEX #C6A4EA

RGB 198 164 234

HSL 269.14, 0.63%, 0.78%

LAB 72.56, 25.68, -30.54

 

CMYK 23 / 30 / 0 / 8

HEX #B4A4EA

RGB 180 164 234

HSL 253.71, 0.63%, 0.78%

LAB 71, 20.22, -33.07

 

CMYK 30 / 30 / 0 / 8

HEX #A4A4EA

RGB 164 164 234

HSL 240, 0.63%, 0.78%

LAB 69.74, 15.55, -35.12

 

CMYK 15 / 30 / 0 / 8

HEX #C6A4EA

RGB 198 164 234

HSL 269.14, 0.63%, 0.78%

LAB 72.56, 25.68, -30.54

 

CMYK 19 / 36 / 0 / 5

HEX #C69BF3

RGB 198 155 243

HSL 269.32, 0.79%, 0.78%

LAB 70.82, 32.59, -38.15

 

CMYK 21 / 42 / 0 / 1

HEX #C692FC

RGB 198 146 252

HSL 269.43, 0.95%, 0.78%

LAB 69.18, 39.52, -45.61

 

CMYK 15 / 30 / 0 / 8

HEX #C6A4EA

RGB 198 164 234

HSL 269.14, 0.63%, 0.78%

LAB 72.56, 25.68, -30.54

 

CMYK 12 / 23 / 0 / 12

HEX #C7ADE1

RGB 199 173 225

HSL 270, 0.46%, 0.78%

LAB 74.49, 19.14, -22.68

 

CMYK 8 / 16 / 0 / 15

HEX #C7B6D8

RGB 199 182 216

HSL 270, 0.3%, 0.78%

LAB 76.41, 12.39, -14.87

 

CMYK 3 / 7 / 0 / 19

HEX #C7BFCE

RGB 199 191 206

HSL 272, 0.13%, 0.78%

LAB 78.38, 5.57, -6.52

 

CMYK 0 / 0 / 1 / 22

HEX #C7C8C5

RGB 199 200 197

HSL 80, 0.03%, 0.78%

LAB 80.45, -0.89, 1.37

 

CMYK 30 / 28 / 0 / 8

HEX #A4A8EA

RGB 164 168 234

HSL 236.57, 0.63%, 0.78%

LAB 70.76, 13.31, -33.55

 

CMYK 24 / 30 / 0 / 8

HEX #B3A4EA

RGB 179 164 234

HSL 252.86, 0.63%, 0.78%

LAB 70.92, 19.93, -33.2

 

CMYK 15 / 30 / 0 / 8

HEX #C6A4EA

RGB 198 164 234

HSL 269.14, 0.63%, 0.78%

LAB 72.56, 25.68, -30.54

 

CMYK 8 / 30 / 0 / 8

HEX #D8A4EA

RGB 216 164 234

HSL 284.57, 0.63%, 0.78%

LAB 74.25, 31.28, -27.8

 

CMYK 0 / 30 / 0 / 8

HEX #EAA4E9

RGB 234 164 233

HSL 300.86, 0.63%, 0.78%

LAB 76.02, 36.78, -24.38

 

CMYK 28 / 56 / 0 / 15

HEX #9D61DA

RGB 157 97 218

HSL 269.75, 0.62%, 0.62%

LAB 52.71, 47.41, -53.09

 

CMYK 21 / 42 / 0 / 11

HEX #B283E2

RGB 178 131 226

HSL 269.68, 0.62%, 0.7%

LAB 62.67, 36.25, -41.66

 

CMYK 15 / 30 / 0 / 8

HEX #C6A4EA

RGB 198 164 234

HSL 269.14, 0.63%, 0.78%

LAB 72.56, 25.68, -30.54

 

CMYK 10 / 18 / 0 / 5

HEX #DBC6F2

RGB 219 198 242

HSL 268.64, 0.63%, 0.86%

LAB 82.84, 15.47, -19.01

 

CMYK 4 / 7 / 0 / 2

HEX #F0E7F9

RGB 240 231 249

HSL 270, 0.6%, 0.94%

LAB 92.8, 6.26, -7.62

 

CMYK 15 / 29 / 0 / 8

HEX #C7A5EA

RGB 199 165 234

HSL 269.57, 0.62%, 0.78%

LAB 72.89, 25.44, -30.03

 

CMYK 0 / 30 / 21 / 8

HEX #EAA4BA

RGB 234 164 186

HSL 341.14, 0.63%, 0.78%

LAB 74.56, 28.98, -0.87

 

CMYK 30 / 0 / 27 / 8

HEX #A4EAAA

RGB 164 234 170

HSL 125.14, 0.63%, 0.78%

LAB 86.82, -34.28, 24.29

 

CMYK 15 / 29 / 0 / 8

HEX #C7A5EA

RGB 199 165 234

HSL 269.57, 0.62%, 0.78%

LAB 72.89, 25.44, -30.03

 

CMYK 0 / 15 / 30 / 8

HEX #EAC6A4

RGB 234 198 164

HSL 29.14, 0.63%, 0.78%

LAB 82.14, 7.85, 21.79

 

CMYK 30 / 0 / 15 / 8

HEX #A4EAC6

RGB 164 234 198

HSL 149.14, 0.63%, 0.78%

LAB 87.4, -29.2, 10.56

 

CMYK 15 / 29 / 0 / 8

HEX #C7A5EA

RGB 199 165 234

HSL 269.57, 0.62%, 0.78%

LAB 72.89, 25.44, -30.03

 

CMYK 0 / 30 / 21 / 8

HEX #EAA4BA

RGB 234 164 186

HSL 341.14, 0.63%, 0.78%

LAB 74.56, 28.98, -0.87

 

CMYK 15 / 0 / 30 / 8

HEX #C8EAA4

RGB 200 234 164

HSL 89.14, 0.63%, 0.78%

LAB 88.83, -23.07, 30.44

 

CMYK 30 / 0 / 9 / 8

HEX #A4EAD4

RGB 164 234 212

HSL 161.14, 0.63%, 0.78%

LAB 87.72, -26.38, 3.71

 

CMYK 15 / 29 / 0 / 8

HEX #C7A5EA

RGB 199 165 234

HSL 269.57, 0.62%, 0.78%

LAB 72.89, 25.44, -30.03

 

CMYK 0 / 30 / 29 / 8

HEX #EAA4A5

RGB 234 164 165

HSL 359.14, 0.63%, 0.78%

LAB 74.04, 26.03, 9.9

 

CMYK 15 / 0 / 30 / 8

HEX #C8EAA4

RGB 200 234 164

HSL 89.14, 0.63%, 0.78%

LAB 88.83, -23.07, 30.44

 

CMYK 30 / 0 / 0 / 8

HEX #A4EAE9

RGB 164 234 233

HSL 179.14, 0.63%, 0.78%

LAB 88.27, -21.84, -6.51

 

Description

Color code: HEX #C7A5EABF | qconv.com Color code: HEX #C7A5EABF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 165 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 165 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 22 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 22% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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