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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C79B94 it is the complementary color #38646B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C79B94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C79B94 shade: #CC9B8F, #DDADA2, #EEBFB5, #FFD1C8 and #FFE3DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C79B94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C79B94 shade: #C79B94, #B68981, #A5776E, #94655B and #835348

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C79B94 shade: #C79B94 and #C79494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C79B94 shade: #C79B94, #C7A994, #C7B694, #C7C494 and #BCC794

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C79B94 shade matches the following richer shades: #C79B94, #D49187, #E1887A, #EE7E6C and #FC755F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C79B94 shade: #C79B94, #B9A5A1, #ACAEAF, #9FB8BC and #92C1C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C79B94 shade: #C794A8, #C7949B, #C79B94, #C7A894 and #C7B694

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C79B94 shade: #AA695E, #B88279, #C79B94, #D5B4AF and #E3CECA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C79B94 shade: #C79B94, #B6C794 and #94A2C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C79B94 shade: #C79B94, #94C79B and #9B94C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C79B94 shade: #C79B94, #B6C794, #94C0C7 and #A594C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C79B94 shade: #C79B94, #A7C794, #94C0C7 and #B494C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 26 / 22

HEX #C79B94

RGB 199 155 148

HSL 8.24, 0.31%, 0.68%

LAB 67.82, 15.34, 9.95

 

Complementary color

CMYK 48 / 7 / 0 / 58

HEX #38646B

RGB 56 100 107

HSL 188.24, 0.31%, 0.32%

LAB 39.61, -13.14, -8.71

 

CMYK 0 / 24 / 30 / 20

HEX #CC9B8F

RGB 204 155 143

HSL 11.8, 0.37%, 0.68%

LAB 68.21, 16.58, 13.37

 

CMYK 0 / 22 / 27 / 13

HEX #DDADA2

RGB 221 173 162

HSL 11.19, 0.46%, 0.75%

LAB 74.74, 15.93, 12.36

 

CMYK 0 / 20 / 24 / 7

HEX #EEBFB5

RGB 238 191 181

HSL 10.53, 0.63%, 0.82%

LAB 81.17, 15.34, 11.42

 

CMYK 0 / 18 / 22 / 0

HEX #FFD1C8

RGB 255 209 200

HSL 9.82, 1%, 0.89%

LAB 87.5, 14.82, 10.54

 

CMYK 0 / 11 / 14 / 0

HEX #FFE3DB

RGB 255 227 219

HSL 13.33, 1%, 0.93%

LAB 92.27, 8.32, 7.4

 

CMYK 0 / 22 / 26 / 22

HEX #C79B94

RGB 199 155 148

HSL 8.24, 0.31%, 0.68%

LAB 67.82, 15.34, 9.95

 

CMYK 0 / 25 / 29 / 29

HEX #B68981

RGB 182 137 129

HSL 9.06, 0.27%, 0.61%

LAB 61.15, 16.01, 10.96

 

CMYK 0 / 28 / 33 / 35

HEX #A5776E

RGB 165 119 110

HSL 9.82, 0.23%, 0.54%

LAB 54.36, 16.76, 12.07

 

CMYK 0 / 32 / 39 / 42

HEX #94655B

RGB 148 101 91

HSL 10.53, 0.24%, 0.47%

LAB 47.44, 17.64, 13.32

 

CMYK 0 / 37 / 45 / 49

HEX #835348

RGB 131 83 72

HSL 11.19, 0.29%, 0.4%

LAB 40.38, 18.66, 14.75

 

CMYK 0 / 22 / 26 / 22

HEX #C79B94

RGB 199 155 148

HSL 8.24, 0.31%, 0.68%

LAB 67.82, 15.34, 9.95

 

CMYK 0 / 26 / 26 / 22

HEX #C79494

RGB 199 148 148

HSL 0, 0.31%, 0.68%

LAB 66.11, 19.19, 7.52

 

CMYK 0 / 22 / 26 / 22

HEX #C79B94

RGB 199 155 148

HSL 8.24, 0.31%, 0.68%

LAB 67.82, 15.34, 9.95

 

CMYK 0 / 15 / 26 / 22

HEX #C7A994

RGB 199 169 148

HSL 24.71, 0.31%, 0.68%

LAB 71.32, 7.71, 14.89

 

CMYK 0 / 9 / 26 / 22

HEX #C7B694

RGB 199 182 148

HSL 40, 0.31%, 0.68%

LAB 74.66, 0.73, 19.53

 

CMYK 0 / 2 / 26 / 22

HEX #C7C494

RGB 199 196 148

HSL 56.47, 0.31%, 0.68%

LAB 78.32, -6.63, 24.54

 

CMYK 6 / 0 / 26 / 22

HEX #BCC794

RGB 188 199 148

HSL 72.94, 0.31%, 0.68%

LAB 78.27, -12.35, 24.34

 

CMYK 0 / 22 / 26 / 22

HEX #C79B94

RGB 199 155 148

HSL 8.24, 0.31%, 0.68%

LAB 67.82, 15.34, 9.95

 

CMYK 0 / 32 / 36 / 17

HEX #D49187

RGB 212 145 135

HSL 7.79, 0.47%, 0.68%

LAB 66.52, 24.1, 15.58

 

CMYK 0 / 40 / 46 / 12

HEX #E1887A

RGB 225 136 122

HSL 8.16, 0.63%, 0.68%

LAB 65.77, 32.49, 22.06

 

CMYK 0 / 47 / 55 / 7

HEX #EE7E6C

RGB 238 126 108

HSL 8.31, 0.79%, 0.68%

LAB 65.11, 41.33, 29.28

 

CMYK 0 / 54 / 62 / 1

HEX #FC755F

RGB 252 117 95

HSL 8.41, 0.96%, 0.68%

LAB 65.16, 49.94, 36.92

 

CMYK 0 / 22 / 26 / 22

HEX #C79B94

RGB 199 155 148

HSL 8.24, 0.31%, 0.68%

LAB 67.82, 15.34, 9.95

 

CMYK 0 / 11 / 13 / 27

HEX #B9A5A1

RGB 185 165 161

HSL 10, 0.15%, 0.68%

LAB 69.33, 6.59, 4.72

 

CMYK 2 / 1 / 0 / 31

HEX #ACAEAF

RGB 172 174 175

HSL 200, 0.02%, 0.68%

LAB 70.97, -0.51, -0.77

 

CMYK 15 / 2 / 0 / 26

HEX #9FB8BC

RGB 159 184 188

HSL 188.28, 0.18%, 0.68%

LAB 73.08, -7.66, -4.91

 

CMYK 27 / 4 / 0 / 21

HEX #92C1C9

RGB 146 193 201

HSL 188.73, 0.34%, 0.68%

LAB 75.12, -13.54, -9.05

 

CMYK 0 / 26 / 16 / 22

HEX #C794A8

RGB 199 148 168

HSL 336.47, 0.31%, 0.68%

LAB 66.63, 22.26, -2.94

 

CMYK 0 / 26 / 22 / 22

HEX #C7949B

RGB 199 148 155

HSL 351.76, 0.31%, 0.68%

LAB 66.28, 20.22, 3.84

 

CMYK 0 / 22 / 26 / 22

HEX #C79B94

RGB 199 155 148

HSL 8.24, 0.31%, 0.68%

LAB 67.82, 15.34, 9.95

 

CMYK 0 / 16 / 26 / 22

HEX #C7A894

RGB 199 168 148

HSL 23.53, 0.31%, 0.68%

LAB 71.07, 8.25, 14.54

 

CMYK 0 / 9 / 26 / 22

HEX #C7B694

RGB 199 182 148

HSL 40, 0.31%, 0.68%

LAB 74.66, 0.73, 19.53

 

CMYK 0 / 38 / 45 / 33

HEX #AA695E

RGB 170 105 94

HSL 8.68, 0.31%, 0.52%

LAB 51.22, 24.75, 17.16

 

CMYK 0 / 29 / 34 / 28

HEX #B88279

RGB 184 130 121

HSL 8.57, 0.31%, 0.6%

LAB 59.47, 19.63, 13.19

 

CMYK 0 / 22 / 26 / 22

HEX #C79B94

RGB 199 155 148

HSL 8.24, 0.31%, 0.68%

LAB 67.82, 15.34, 9.95

 

CMYK 0 / 15 / 18 / 16

HEX #D5B4AF

RGB 213 180 175

HSL 7.89, 0.31%, 0.76%

LAB 76, 11.08, 6.96

 

CMYK 0 / 9 / 11 / 11

HEX #E3CECA

RGB 227 206 202

HSL 9.6, 0.31%, 0.84%

LAB 84.35, 6.64, 4.63

 

CMYK 0 / 22 / 26 / 22

HEX #C79B94

RGB 199 155 148

HSL 8.24, 0.31%, 0.68%

LAB 67.82, 15.34, 9.95

 

CMYK 9 / 0 / 26 / 22

HEX #B6C794

RGB 182 199 148

HSL 80, 0.31%, 0.68%

LAB 77.83, -14.58, 23.67

 

CMYK 26 / 19 / 0 / 22

HEX #94A2C7

RGB 148 162 199

HSL 223.53, 0.31%, 0.68%

LAB 66.72, 3.34, -20.59

 

CMYK 0 / 22 / 26 / 22

HEX #C79B94

RGB 199 155 148

HSL 8.24, 0.31%, 0.68%

LAB 67.82, 15.34, 9.95

 

CMYK 26 / 0 / 22 / 22

HEX #94C79B

RGB 148 199 155

HSL 128.24, 0.31%, 0.68%

LAB 75.77, -25.43, 16.75

 

CMYK 22 / 26 / 0 / 22

HEX #9B94C7

RGB 155 148 199

HSL 248.24, 0.31%, 0.68%

LAB 63.57, 13.42, -25.36

 

CMYK 0 / 22 / 26 / 22

HEX #C79B94

RGB 199 155 148

HSL 8.24, 0.31%, 0.68%

LAB 67.82, 15.34, 9.95

 

CMYK 9 / 0 / 26 / 22

HEX #B6C794

RGB 182 199 148

HSL 80, 0.31%, 0.68%

LAB 77.83, -14.58, 23.67

 

CMYK 26 / 4 / 0 / 22

HEX #94C0C7

RGB 148 192 199

HSL 188.24, 0.31%, 0.68%

LAB 74.9, -12.88, -8.28

 

CMYK 17 / 26 / 0 / 22

HEX #A594C7

RGB 165 148 199

HSL 260, 0.31%, 0.68%

LAB 64.41, 16.58, -24

 

CMYK 0 / 22 / 26 / 22

HEX #C79B94

RGB 199 155 148

HSL 8.24, 0.31%, 0.68%

LAB 67.82, 15.34, 9.95

 

CMYK 16 / 0 / 26 / 22

HEX #A7C794

RGB 167 199 148

HSL 97.65, 0.31%, 0.68%

LAB 76.8, -20.06, 22.09

 

CMYK 26 / 4 / 0 / 22

HEX #94C0C7

RGB 148 192 199

HSL 188.24, 0.31%, 0.68%

LAB 74.9, -12.88, -8.28

 

CMYK 10 / 26 / 0 / 22

HEX #B494C7

RGB 180 148 199

HSL 277.65, 0.31%, 0.68%

LAB 65.75, 21.43, -21.82

 

Description

Color code: HEX #C79B94 | qconv.com Color code: HEX #C79B94 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 155 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 155 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 26 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 26% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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