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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7992E it is the complementary color #3866D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7992E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7992E shade: #CC9929, #DDAB3C, #EEBD4F, #FFCF62 and #FFE175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7992E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7992E shade: #C7992E, #B6871B, #A57508, #946300 and #835100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7992E shade: #C6992F, #C6702F, #C6472F and #C62F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7992E shade: #C6992F, #C6C22F, #A2C62F, #79C62F and #50C62F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7992E shade matches the following richer shades: #C6992F, #DAA11B and #EEA807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7992E shade: #C6992F, #B29142, #9F8956, #8B816A and #77797E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7992E shade: #C6452F, #C66E2F, #C6962F, #C6BF2F and #A5C62F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7992E shade: #83651F, #A57F27, #C6992F, #D4AB4A and #DCBA6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7992E shade: #C7992E, #40C62F and #5A2FC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7992E shade: #C7992E, #2FC696 and #962FC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7992E shade: #C7992E, #40C62F, #2F5FC6 and #B52FC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7992E shade: #C7992E, #2FC64A, #2F5FC6 and #C62FAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 77 / 22

HEX #C7992E

RGB 199 153 46

HSL 41.96, 0.62%, 0.48%

LAB 65.84, 7.1, 59.14

 

Complementary color

CMYK 73 / 51 / 0 / 18

HEX #3866D1

RGB 56 102 209

HSL 221.96, 0.62%, 0.52%

LAB 45.56, 21.2, -59.86

 

CMYK 0 / 25 / 80 / 20

HEX #CC9929

RGB 204 153 41

HSL 41.23, 0.67%, 0.48%

LAB 66.35, 9.11, 61.6

 

CMYK 0 / 23 / 73 / 13

HEX #DDAB3C

RGB 221 171 60

HSL 41.37, 0.7%, 0.55%

LAB 72.78, 7.61, 61.22

 

CMYK 0 / 21 / 67 / 7

HEX #EEBD4F

RGB 238 189 79

HSL 41.51, 0.82%, 0.62%

LAB 79.12, 6.32, 60.37

 

CMYK 0 / 19 / 62 / 0

HEX #FFCF62

RGB 255 207 98

HSL 41.66, 1%, 0.69%

LAB 85.39, 5.21, 59.29

 

CMYK 0 / 12 / 54 / 0

HEX #FFE175

RGB 255 225 117

HSL 46.96, 1%, 0.73%

LAB 90.04, -2.61, 55.93

 

CMYK 0 / 23 / 77 / 22

HEX #C7992E

RGB 199 153 46

HSL 41.96, 0.62%, 0.48%

LAB 65.84, 7.1, 59.14

 

CMYK 0 / 26 / 85 / 29

HEX #B6871B

RGB 182 135 27

HSL 41.81, 0.74%, 0.41%

LAB 59.3, 8.73, 59.01

 

CMYK 0 / 29 / 95 / 35

HEX #A57508

RGB 165 117 8

HSL 41.66, 0.91%, 0.34%

LAB 52.66, 10.67, 57.46

 

CMYK 0 / 33 / 100 / 42

HEX #946300

RGB 148 99 0

HSL 40.14, 1%, 0.29%

LAB 45.93, 12.95, 53.5

 

CMYK 0 / 38 / 100 / 49

HEX #835100

RGB 131 81 0

HSL 37.1, 1%, 0.26%

LAB 39.09, 15.47, 47.92

 

CMYK 0 / 23 / 76 / 22

HEX #C6992F

RGB 198 153 47

HSL 42.12, 0.62%, 0.48%

LAB 65.74, 6.7, 58.63

 

CMYK 0 / 43 / 76 / 22

HEX #C6702F

RGB 198 112 47

HSL 25.83, 0.62%, 0.48%

LAB 55.89, 29.04, 49.02

 

CMYK 0 / 64 / 76 / 22

HEX #C6472F

RGB 198 71 47

HSL 9.54, 0.62%, 0.48%

LAB 47.9, 49.36, 40.81

 

CMYK 0 / 76 / 76 / 22

HEX #C62F2F

RGB 198 47 47

HSL 0, 0.62%, 0.48%

LAB 44.58, 58.46, 37.25

 

CMYK 0 / 23 / 76 / 22

HEX #C6992F

RGB 198 153 47

HSL 42.12, 0.62%, 0.48%

LAB 65.74, 6.7, 58.63

 

CMYK 0 / 2 / 76 / 22

HEX #C6C22F

RGB 198 194 47

HSL 58.41, 0.62%, 0.48%

LAB 76.55, -14.83, 68.68

 

CMYK 18 / 0 / 76 / 22

HEX #A2C62F

RGB 162 198 47

HSL 74.3, 0.62%, 0.48%

LAB 75, -31.79, 66.27

 

CMYK 39 / 0 / 76 / 22

HEX #79C62F

RGB 121 198 47

HSL 90.6, 0.62%, 0.48%

LAB 72.67, -47.16, 63.24

 

CMYK 60 / 0 / 76 / 22

HEX #50C62F

RGB 80 198 47

HSL 106.89, 0.62%, 0.48%

LAB 71.08, -59.23, 61.15

 

CMYK 0 / 23 / 76 / 22

HEX #C6992F

RGB 198 153 47

HSL 42.12, 0.62%, 0.48%

LAB 65.74, 6.7, 58.63

 

CMYK 0 / 26 / 88 / 15

HEX #DAA11B

RGB 218 161 27

HSL 42.09, 0.78%, 0.48%

LAB 69.81, 10.55, 69.21

 

CMYK 0 / 29 / 97 / 7

HEX #EEA807

RGB 238 168 7

HSL 41.82, 0.94%, 0.48%

LAB 73.67, 15.21, 76.37

 

CMYK 0 / 23 / 76 / 22

HEX #C6992F

RGB 198 153 47

HSL 42.12, 0.62%, 0.48%

LAB 65.74, 6.7, 58.63

 

CMYK 0 / 19 / 63 / 30

HEX #B29142

RGB 178 145 66

HSL 42.32, 0.46%, 0.48%

LAB 61.75, 3.29, 45.62

 

CMYK 0 / 14 / 46 / 38

HEX #9F8956

RGB 159 137 86

HSL 41.92, 0.3%, 0.48%

LAB 57.97, 1.18, 30.35

 

CMYK 0 / 7 / 24 / 45

HEX #8B816A

RGB 139 129 106

HSL 41.82, 0.13%, 0.48%

LAB 54.27, -0.14, 13.85

 

CMYK 6 / 4 / 0 / 51

HEX #77797E

RGB 119 121 126

HSL 222.86, 0.03%, 0.48%

LAB 50.81, 0.29, -3

 

CMYK 0 / 65 / 76 / 22

HEX #C6452F

RGB 198 69 47

HSL 8.74, 0.62%, 0.48%

LAB 47.58, 50.22, 40.47

 

CMYK 0 / 44 / 76 / 22

HEX #C66E2F

RGB 198 110 47

HSL 25.03, 0.62%, 0.48%

LAB 55.44, 30.11, 48.58

 

CMYK 0 / 24 / 76 / 22

HEX #C6962F

RGB 198 150 47

HSL 40.93, 0.62%, 0.48%

LAB 64.98, 8.33, 57.9

 

CMYK 0 / 4 / 76 / 22

HEX #C6BF2F

RGB 198 191 47

HSL 57.22, 0.62%, 0.48%

LAB 75.74, -13.31, 67.94

 

CMYK 17 / 0 / 76 / 22

HEX #A5C62F

RGB 165 198 47

HSL 73.11, 0.62%, 0.48%

LAB 75.2, -30.58, 66.52

 

CMYK 0 / 23 / 76 / 49

HEX #83651F

RGB 131 101 31

HSL 42, 0.62%, 0.32%

LAB 44.56, 4.64, 42.12

 

CMYK 0 / 23 / 76 / 35

HEX #A57F27

RGB 165 127 39

HSL 41.9, 0.62%, 0.4%

LAB 55.41, 5.92, 50.62

 

CMYK 0 / 23 / 76 / 22

HEX #C6992F

RGB 198 153 47

HSL 42.12, 0.62%, 0.48%

LAB 65.74, 6.7, 58.63

 

CMYK 0 / 19 / 65 / 17

HEX #D4AB4A

RGB 212 171 74

HSL 42.17, 0.62%, 0.56%

LAB 71.97, 4.5, 54.13

 

CMYK 0 / 15 / 51 / 14

HEX #DCBA6B

RGB 220 186 107

HSL 41.95, 0.62%, 0.64%

LAB 76.92, 2.39, 44.27

 

CMYK 0 / 23 / 77 / 22

HEX #C7992E

RGB 199 153 46

HSL 41.96, 0.62%, 0.48%

LAB 65.84, 7.1, 59.14

 

CMYK 68 / 0 / 76 / 22

HEX #40C62F

RGB 64 198 47

HSL 113.25, 0.62%, 0.48%

LAB 70.65, -62.73, 60.59

 

CMYK 55 / 76 / 0 / 22

HEX #5A2FC6

RGB 90 47 198

HSL 257.09, 0.62%, 0.48%

LAB 34.57, 54.77, -71.33

 

CMYK 0 / 23 / 77 / 22

HEX #C7992E

RGB 199 153 46

HSL 41.96, 0.62%, 0.48%

LAB 65.84, 7.1, 59.14

 

CMYK 76 / 0 / 24 / 22

HEX #2FC696

RGB 47 198 150

HSL 160.93, 0.62%, 0.48%

LAB 71.69, -49.8, 13.18

 

CMYK 24 / 76 / 0 / 22

HEX #962FC6

RGB 150 47 198

HSL 280.93, 0.62%, 0.48%

LAB 42.15, 64.47, -58.65

 

CMYK 0 / 23 / 77 / 22

HEX #C7992E

RGB 199 153 46

HSL 41.96, 0.62%, 0.48%

LAB 65.84, 7.1, 59.14

 

CMYK 68 / 0 / 76 / 22

HEX #40C62F

RGB 64 198 47

HSL 113.25, 0.62%, 0.48%

LAB 70.65, -62.73, 60.59

 

CMYK 76 / 52 / 0 / 22

HEX #2F5FC6

RGB 47 95 198

HSL 220.93, 0.62%, 0.48%

LAB 42.56, 20.5, -58.41

 

CMYK 9 / 76 / 0 / 22

HEX #B52FC6

RGB 181 47 198

HSL 293.25, 0.62%, 0.48%

LAB 46.89, 70.37, -50.76

 

CMYK 0 / 23 / 77 / 22

HEX #C7992E

RGB 199 153 46

HSL 41.96, 0.62%, 0.48%

LAB 65.84, 7.1, 59.14

 

CMYK 76 / 0 / 63 / 22

HEX #2FC64A

RGB 47 198 74

HSL 130.73, 0.62%, 0.48%

LAB 70.52, -63.14, 49.94

 

CMYK 76 / 52 / 0 / 22

HEX #2F5FC6

RGB 47 95 198

HSL 220.93, 0.62%, 0.48%

LAB 42.56, 20.5, -58.41

 

CMYK 0 / 76 / 14 / 22

HEX #C62FAA

RGB 198 47 170

HSL 311.13, 0.62%, 0.48%

LAB 48.19, 69.57, -32.14

 

Description

Color code: HEX #C7992E | qconv.com Color code: HEX #C7992E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 153 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 153 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 77 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 77% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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