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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7988A it is the complementary color #386775. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7988A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7988A shade: #CC9885, #DDAA98, #EEBCAB, #FFCEBE and #FFE0D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7988A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7988A shade: #C7988A, #B68677, #A57464, #946251 and #83503E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7988A shade: #C7988A and #C78A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7988A shade: #C7988A, #C7A88A, #C7B98A, #C4C78A and #B4C78A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7988A shade matches the following richer shades: #C7988A, #D5907C, #E3896E, #F18160 and #FF7A52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7988A shade: #C7988A, #B99F98, #ABA7A6, #9DAFB4 and #8FB6C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7988A shade: #C78A9D, #C78A8D, #C7978A, #C7A78A and #C7B78A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7988A shade: #AC6753, #B97F6E, #C7988A, #D4B0A6 and #E1C9C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7988A shade: #C7988A, #ADC78A and #8A95C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7988A shade: #C7988A, #8AC797 and #978AC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7988A shade: #C7988A, #ADC78A, #8AB9C7 and #A38AC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7988A shade: #C7988A, #9BC78A, #8AB9C7 and #B58AC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 31 / 22

HEX #C7988A

RGB 199 152 138

HSL 13.77, 0.35%, 0.66%

LAB 66.85, 15.6, 14.16

 

Complementary color

CMYK 52 / 12 / 0 / 54

HEX #386775

RGB 56 103 117

HSL 193.77, 0.35%, 0.34%

LAB 40.94, -11.83, -12.81

 

CMYK 0 / 25 / 35 / 20

HEX #CC9885

RGB 204 152 133

HSL 16.06, 0.41%, 0.66%

LAB 67.27, 16.92, 17.6

 

CMYK 0 / 23 / 31 / 13

HEX #DDAA98

RGB 221 170 152

HSL 15.65, 0.5%, 0.73%

LAB 73.8, 16.2, 16.49

 

CMYK 0 / 21 / 28 / 7

HEX #EEBCAB

RGB 238 188 171

HSL 15.22, 0.66%, 0.8%

LAB 80.23, 15.56, 15.45

 

CMYK 0 / 19 / 25 / 0

HEX #FFCEBE

RGB 255 206 190

HSL 14.77, 1%, 0.87%

LAB 86.56, 14.98, 14.49

 

CMYK 0 / 12 / 18 / 0

HEX #FFE0D1

RGB 255 224 209

HSL 19.57, 1%, 0.91%

LAB 91.31, 8.35, 11.25

 

CMYK 0 / 24 / 31 / 22

HEX #C7988A

RGB 199 152 138

HSL 13.77, 0.35%, 0.66%

LAB 66.85, 15.6, 14.16

 

CMYK 0 / 26 / 35 / 29

HEX #B68677

RGB 182 134 119

HSL 14.29, 0.3%, 0.59%

LAB 60.18, 16.34, 15.29

 

CMYK 0 / 30 / 39 / 35

HEX #A57464

RGB 165 116 100

HSL 14.77, 0.27%, 0.52%

LAB 53.4, 17.19, 16.54

 

CMYK 0 / 34 / 45 / 42

HEX #946251

RGB 148 98 81

HSL 15.22, 0.29%, 0.45%

LAB 46.48, 18.17, 17.95

 

CMYK 0 / 39 / 53 / 49

HEX #83503E

RGB 131 80 62

HSL 15.65, 0.36%, 0.38%

LAB 39.43, 19.34, 19.57

 

CMYK 0 / 24 / 31 / 22

HEX #C7988A

RGB 199 152 138

HSL 13.77, 0.35%, 0.66%

LAB 66.85, 15.6, 14.16

 

CMYK 0 / 31 / 31 / 22

HEX #C78A8A

RGB 199 138 138

HSL 0, 0.35%, 0.66%

LAB 63.47, 23.29, 9.4

 

CMYK 0 / 24 / 31 / 22

HEX #C7988A

RGB 199 152 138

HSL 13.77, 0.35%, 0.66%

LAB 66.85, 15.6, 14.16

 

CMYK 0 / 16 / 31 / 22

HEX #C7A88A

RGB 199 168 138

HSL 29.51, 0.35%, 0.66%

LAB 70.86, 6.88, 19.72

 

CMYK 0 / 7 / 31 / 22

HEX #C7B98A

RGB 199 185 138

HSL 46.23, 0.35%, 0.66%

LAB 75.25, -2.21, 25.69

 

CMYK 2 / 0 / 31 / 22

HEX #C4C78A

RGB 196 199 138

HSL 62.95, 0.35%, 0.66%

LAB 78.7, -10.66, 30.27

 

CMYK 10 / 0 / 31 / 22

HEX #B4C78A

RGB 180 199 138

HSL 78.69, 0.35%, 0.66%

LAB 77.51, -16.76, 28.47

 

CMYK 0 / 24 / 31 / 22

HEX #C7988A

RGB 199 152 138

HSL 13.77, 0.35%, 0.66%

LAB 66.85, 15.6, 14.16

 

CMYK 0 / 32 / 42 / 16

HEX #D5907C

RGB 213 144 124

HSL 13.48, 0.51%, 0.66%

LAB 66.17, 23.76, 21.26

 

CMYK 0 / 40 / 52 / 11

HEX #E3896E

RGB 227 137 110

HSL 13.85, 0.68%, 0.66%

LAB 66.02, 31.61, 29.09

 

CMYK 0 / 46 / 60 / 5

HEX #F18160

RGB 241 129 96

HSL 13.66, 0.84%, 0.66%

LAB 65.94, 40.05, 37

 

CMYK 0 / 52 / 68 / 0

HEX #FF7A52

RGB 255 122 82

HSL 13.87, 1%, 0.66%

LAB 66.36, 47.89, 45.39

 

CMYK 0 / 24 / 31 / 22

HEX #C7988A

RGB 199 152 138

HSL 13.77, 0.35%, 0.66%

LAB 66.85, 15.6, 14.16

 

CMYK 0 / 14 / 18 / 27

HEX #B99F98

RGB 185 159 152

HSL 12.73, 0.19%, 0.66%

LAB 67.56, 8.41, 7.18

 

CMYK 0 / 2 / 3 / 33

HEX #ABA7A6

RGB 171 167 166

HSL 12, 0.03%, 0.66%

LAB 68.79, 1.25, 1.02

 

CMYK 13 / 3 / 0 / 29

HEX #9DAFB4

RGB 157 175 180

HSL 193.04, 0.13%, 0.66%

LAB 70.26, -5.19, -4.69

 

CMYK 26 / 6 / 0 / 24

HEX #8FB6C2

RGB 143 182 194

HSL 194.12, 0.29%, 0.66%

LAB 71.68, -10.28, -10.37

 

CMYK 0 / 31 / 21 / 22

HEX #C78A9D

RGB 199 138 157

HSL 341.31, 0.35%, 0.66%

LAB 63.96, 26.02, -0.66

 

CMYK 0 / 31 / 29 / 22

HEX #C78A8D

RGB 199 138 141

HSL 357.05, 0.35%, 0.66%

LAB 63.54, 23.7, 7.8

 

CMYK 0 / 24 / 31 / 22

HEX #C7978A

RGB 199 151 138

HSL 12.79, 0.35%, 0.66%

LAB 66.6, 16.15, 13.82

 

CMYK 0 / 16 / 31 / 22

HEX #C7A78A

RGB 199 167 138

HSL 28.52, 0.35%, 0.66%

LAB 70.6, 7.42, 19.37

 

CMYK 0 / 8 / 31 / 22

HEX #C7B78A

RGB 199 183 138

HSL 44.26, 0.35%, 0.66%

LAB 74.73, -1.15, 24.99

 

CMYK 0 / 40 / 52 / 33

HEX #AC6753

RGB 172 103 83

HSL 13.48, 0.35%, 0.5%

LAB 50.8, 25.56, 23.06

 

CMYK 0 / 31 / 41 / 27

HEX #B97F6E

RGB 185 127 110

HSL 13.6, 0.35%, 0.58%

LAB 58.62, 20.34, 18.31

 

CMYK 0 / 24 / 31 / 22

HEX #C7988A

RGB 199 152 138

HSL 13.77, 0.35%, 0.66%

LAB 66.85, 15.6, 14.16

 

CMYK 0 / 17 / 22 / 17

HEX #D4B0A6

RGB 212 176 166

HSL 13.04, 0.35%, 0.74%

LAB 74.7, 11.49, 10

 

CMYK 0 / 11 / 14 / 12

HEX #E1C9C2

RGB 225 201 194

HSL 13.55, 0.34%, 0.82%

LAB 82.74, 7.27, 6.55

 

CMYK 0 / 24 / 31 / 22

HEX #C7988A

RGB 199 152 138

HSL 13.77, 0.35%, 0.66%

LAB 66.85, 15.6, 14.16

 

CMYK 13 / 0 / 31 / 22

HEX #ADC78A

RGB 173 199 138

HSL 85.57, 0.35%, 0.66%

LAB 77.02, -19.38, 27.73

 

CMYK 31 / 25 / 0 / 22

HEX #8A95C7

RGB 138 149 199

HSL 229.18, 0.35%, 0.66%

LAB 62.53, 7.68, -27.07

 

CMYK 0 / 24 / 31 / 22

HEX #C7988A

RGB 199 152 138

HSL 13.77, 0.35%, 0.66%

LAB 66.85, 15.6, 14.16

 

CMYK 31 / 0 / 24 / 22

HEX #8AC797

RGB 138 199 151

HSL 132.79, 0.35%, 0.66%

LAB 75.13, -29.4, 17.92

 

CMYK 24 / 31 / 0 / 22

HEX #978AC7

RGB 151 138 199

HSL 252.79, 0.35%, 0.66%

LAB 60.68, 17.92, -29.85

 

CMYK 0 / 24 / 31 / 22

HEX #C7988A

RGB 199 152 138

HSL 13.77, 0.35%, 0.66%

LAB 66.85, 15.6, 14.16

 

CMYK 13 / 0 / 31 / 22

HEX #ADC78A

RGB 173 199 138

HSL 85.57, 0.35%, 0.66%

LAB 77.02, -19.38, 27.73

 

CMYK 31 / 7 / 0 / 22

HEX #8AB9C7

RGB 138 185 199

HSL 193.77, 0.35%, 0.66%

LAB 72.38, -12.15, -12.1

 

CMYK 18 / 31 / 0 / 22

HEX #A38AC7

RGB 163 138 199

HSL 264.59, 0.35%, 0.66%

LAB 61.73, 21.63, -28.13

 

CMYK 0 / 24 / 31 / 22

HEX #C7988A

RGB 199 152 138

HSL 13.77, 0.35%, 0.66%

LAB 66.85, 15.6, 14.16

 

CMYK 22 / 0 / 31 / 22

HEX #9BC78A

RGB 155 199 138

HSL 103.28, 0.35%, 0.66%

LAB 75.85, -25.88, 25.96

 

CMYK 31 / 7 / 0 / 22

HEX #8AB9C7

RGB 138 185 199

HSL 193.77, 0.35%, 0.66%

LAB 72.38, -12.15, -12.1

 

CMYK 9 / 31 / 0 / 22

HEX #B58AC7

RGB 181 138 199

HSL 282.3, 0.35%, 0.66%

LAB 63.45, 27.36, -25.34

 

Description

Color code: HEX #C7988A | qconv.com Color code: HEX #C7988A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 152 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 152 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 31 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 31% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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